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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 199 30 60 it is the complementary color RGB 56 225 195. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 199 30 60. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 199 30 60 shade: RGB 204 30 55, RGB 221 48 74, RGB 238 66 93, RGB 255 84 112 and RGB 255 102 131

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 199 30 60. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 199 30 60 shade: RGB 199 30 60, RGB 182 12 41, RGB 165 0 22, RGB 148 0 3 and RGB 131 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 199 30 60 shade: RGB 199 29 59 and RGB 199 29 29

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 199 30 60 shade: RGB 199 29 59, RGB 199 29 105, RGB 199 29 151, RGB 199 29 197 and RGB 156 29 199

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 199 30 60 shade matches the following richer shades: RGB 199 29 59 and RGB 218 11 48

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 199 30 60 shade: RGB 199 29 59, RGB 181 48 71, RGB 162 66 83, RGB 143 85 95 and RGB 125 104 107

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 199 30 60 shade: RGB 199 29 151, RGB 199 29 106, RGB 199 29 60, RGB 199 43 29 and RGB 199 89 29

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 199 30 60 shade: RGB 127 19 38, RGB 163 24 49, RGB 199 29 59, RGB 223 46 78 and RGB 229 82 108

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 199 30 60 shade: RGB 199 30 60, RGB 196 199 29 and RGB 29 128 199

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 199 30 60 shade: RGB 199 30 60, RGB 60 199 29 and RGB 29 60 199

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 199 30 60 shade: RGB 199 30 60, RGB 196 199 29, RGB 29 199 168 and RGB 32 29 199

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 199 30 60 shade: RGB 199 30 60, RGB 145 199 29, RGB 29 199 168 and RGB 83 29 199

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 85 / 70 / 22

HEX #C71E3C

RGB 199 30 60

HSL 349.35, 0.74%, 0.45%

LAB 43.36, 63.8, 28.17

 

Complementary color

CMYK 75 / 0 / 13 / 12

HEX #38E1C3

RGB 56 225 195

HSL 169.35, 0.74%, 0.55%

LAB 81.09, -48.83, 2.59

 

CMYK 0 / 85 / 73 / 20

HEX #CC1E37

RGB 204 30 55

HSL 351.38, 0.74%, 0.46%

LAB 44.29, 64.92, 32.57

 

CMYK 0 / 78 / 67 / 13

HEX #DD304A

RGB 221 48 74

HSL 350.98, 0.72%, 0.53%

LAB 49.47, 66.03, 28.23

 

CMYK 0 / 72 / 61 / 7

HEX #EE425D

RGB 238 66 93

HSL 350.58, 0.83%, 0.6%

LAB 54.93, 66.39, 24.57

 

CMYK 0 / 67 / 56 / 0

HEX #FF5470

RGB 255 84 112

HSL 350.18, 1%, 0.66%

LAB 60.58, 66.24, 21.48

 

CMYK 0 / 60 / 49 / 0

HEX #FF6683

RGB 255 102 131

HSL 348.63, 1%, 0.7%

LAB 63.67, 60.44, 14.76

 

CMYK 0 / 85 / 70 / 22

HEX #C71E3C

RGB 199 30 60

HSL 349.35, 0.74%, 0.45%

LAB 43.36, 63.8, 28.17

 

CMYK 0 / 93 / 77 / 29

HEX #B60C29

RGB 182 12 41

HSL 349.76, 0.88%, 0.38%

LAB 38.5, 61.62, 33.19

 

CMYK 0 / 100 / 87 / 35

HEX #A50016

RGB 165 0 22

HSL 352, 1%, 0.32%

LAB 34.1, 58.16, 38.56

 

CMYK 0 / 100 / 98 / 42

HEX #940003

RGB 148 0 3

HSL 358.78, 1%, 0.29%

LAB 30.16, 53.44, 42.59

 

CMYK 0 / 100 / 100 / 49

HEX #830000

RGB 131 0 0

HSL 0, 1%, 0.26%

LAB 26.23, 48.87, 38.96

 

CMYK 0 / 85 / 70 / 22

HEX #C71D3B

RGB 199 29 59

HSL 349.41, 0.75%, 0.45%

LAB 43.27, 63.97, 28.68

 

CMYK 0 / 85 / 85 / 22

HEX #C71D1D

RGB 199 29 29

HSL 0, 0.75%, 0.45%

LAB 42.93, 62.97, 45.39

 

CMYK 0 / 85 / 70 / 22

HEX #C71D3B

RGB 199 29 59

HSL 349.41, 0.75%, 0.45%

LAB 43.27, 63.97, 28.68

 

CMYK 0 / 85 / 47 / 22

HEX #C71D69

RGB 199 29 105

HSL 333.18, 0.75%, 0.45%

LAB 44.29, 66.94, 1.41

 

CMYK 0 / 85 / 24 / 22

HEX #C71D97

RGB 199 29 151

HSL 316.94, 0.75%, 0.45%

LAB 45.98, 71.67, -24.23

 

CMYK 0 / 85 / 1 / 22

HEX #C71DC5

RGB 199 29 197

HSL 300.71, 0.75%, 0.45%

LAB 48.33, 77.92, -47.71

 

CMYK 22 / 85 / 0 / 22

HEX #9C1DC7

RGB 156 29 199

HSL 284.82, 0.75%, 0.45%

LAB 41.33, 70.93, -60.51

 

CMYK 0 / 85 / 70 / 22

HEX #C71D3B

RGB 199 29 59

HSL 349.41, 0.75%, 0.45%

LAB 43.27, 63.97, 28.68

 

CMYK 0 / 95 / 78 / 15

HEX #DA0B30

RGB 218 11 48

HSL 349.28, 0.9%, 0.45%

LAB 46.12, 71.02, 39.52

 

CMYK 0 / 85 / 70 / 22

HEX #C71D3B

RGB 199 29 59

HSL 349.41, 0.75%, 0.45%

LAB 43.27, 63.97, 28.68

 

CMYK 0 / 73 / 61 / 29

HEX #B53047

RGB 181 48 71

HSL 349.62, 0.58%, 0.45%

LAB 41.83, 54.19, 18.71

 

CMYK 0 / 59 / 49 / 36

HEX #A24253

RGB 162 66 83

HSL 349.38, 0.42%, 0.45%

LAB 41.54, 41.3, 10.28

 

CMYK 0 / 41 / 34 / 44

HEX #8F555F

RGB 143 85 95

HSL 349.66, 0.25%, 0.45%

LAB 43.01, 25.38, 4.56

 

CMYK 0 / 17 / 14 / 51

HEX #7D686B

RGB 125 104 107

HSL 351.43, 0.09%, 0.45%

LAB 46.07, 8.88, 1.44

 

CMYK 0 / 85 / 24 / 22

HEX #C71D97

RGB 199 29 151

HSL 316.94, 0.75%, 0.45%

LAB 45.98, 71.67, -24.23

 

CMYK 0 / 85 / 47 / 22

HEX #C71D6A

RGB 199 29 106

HSL 332.82, 0.75%, 0.45%

LAB 44.32, 67.02, 0.83

 

CMYK 0 / 85 / 70 / 22

HEX #C71D3C

RGB 199 29 60

HSL 349.06, 0.75%, 0.45%

LAB 43.28, 64.01, 28.08

 

CMYK 0 / 78 / 85 / 22

HEX #C72B1D

RGB 199 43 29

HSL 4.94, 0.75%, 0.45%

LAB 44.17, 59.44, 46.47

 

CMYK 0 / 55 / 85 / 22

HEX #C7591D

RGB 199 89 29

HSL 21.18, 0.75%, 0.45%

LAB 51.12, 40.76, 52.38

 

CMYK 0 / 85 / 70 / 50

HEX #7F1326

RGB 127 19 38

HSL 349.44, 0.74%, 0.29%

LAB 27.07, 45.06, 18.73

 

CMYK 0 / 85 / 70 / 36

HEX #A31831

RGB 163 24 49

HSL 349.21, 0.74%, 0.37%

LAB 35.32, 54.77, 23.51

 

CMYK 0 / 85 / 70 / 22

HEX #C71D3B

RGB 199 29 59

HSL 349.41, 0.75%, 0.45%

LAB 43.27, 63.97, 28.68

 

CMYK 0 / 79 / 65 / 13

HEX #DF2E4E

RGB 223 46 78

HSL 349.15, 0.73%, 0.53%

LAB 49.73, 67.34, 26.23

 

CMYK 0 / 64 / 53 / 10

HEX #E5526C

RGB 229 82 108

HSL 349.39, 0.74%, 0.61%

LAB 55.86, 58.71, 16.69

 

CMYK 0 / 85 / 70 / 22

HEX #C71E3C

RGB 199 30 60

HSL 349.35, 0.74%, 0.45%

LAB 43.36, 63.8, 28.17

 

CMYK 2 / 0 / 85 / 22

HEX #C4C71D

RGB 196 199 29

HSL 61.06, 0.75%, 0.45%

LAB 77.68, -18.74, 74.26

 

CMYK 85 / 36 / 0 / 22

HEX #1D80C7

RGB 29 128 199

HSL 205.06, 0.75%, 0.45%

LAB 51.64, -1.59, -44.46

 

CMYK 0 / 85 / 70 / 22

HEX #C71E3C

RGB 199 30 60

HSL 349.35, 0.74%, 0.45%

LAB 43.36, 63.8, 28.17

 

CMYK 70 / 0 / 85 / 22

HEX #3CC71D

RGB 60 199 29

HSL 109.06, 0.75%, 0.45%

LAB 70.8, -64.79, 65.67

 

CMYK 85 / 70 / 0 / 22

HEX #1D3CC7

RGB 29 60 199

HSL 229.06, 0.75%, 0.45%

LAB 33.17, 41.86, -74.36

 

CMYK 0 / 85 / 70 / 22

HEX #C71E3C

RGB 199 30 60

HSL 349.35, 0.74%, 0.45%

LAB 43.36, 63.8, 28.17

 

CMYK 2 / 0 / 85 / 22

HEX #C4C71D

RGB 196 199 29

HSL 61.06, 0.75%, 0.45%

LAB 77.68, -18.74, 74.26

 

CMYK 85 / 0 / 16 / 22

HEX #1DC7A8

RGB 29 199 168

HSL 169.06, 0.75%, 0.45%

LAB 72.19, -47.42, 4.12

 

CMYK 84 / 85 / 0 / 22

HEX #201DC7

RGB 32 29 199

HSL 241.06, 0.75%, 0.45%

LAB 27.6, 58.25, -83.59

 

CMYK 0 / 85 / 70 / 22

HEX #C71E3C

RGB 199 30 60

HSL 349.35, 0.74%, 0.45%

LAB 43.36, 63.8, 28.17

 

CMYK 27 / 0 / 85 / 22

HEX #91C71D

RGB 145 199 29

HSL 79.06, 0.75%, 0.45%

LAB 74.16, -39.63, 69.9

 

CMYK 85 / 0 / 16 / 22

HEX #1DC7A8

RGB 29 199 168

HSL 169.06, 0.75%, 0.45%

LAB 72.19, -47.42, 4.12

 

CMYK 58 / 85 / 0 / 22

HEX #531DC7

RGB 83 29 199

HSL 259.06, 0.75%, 0.45%

LAB 31.44, 61.53, -77.1

 

Description

Color code: RGB 199 30 60 | qconv.com Color code: RGB 199 30 60 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 30 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 30 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 85 magenta, 70 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 85% 70% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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