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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 199 28 34 it is the complementary color RGB 56 227 221. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 199 28 34. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 199 28 34 shade: RGB 204 28 29, RGB 221 46 48, RGB 238 64 67, RGB 255 82 86 and RGB 255 100 105

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 199 28 34. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 199 28 34 shade: RGB 199 28 34, RGB 182 10 15, RGB 165 0 0, RGB 148 0 0 and RGB 131 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 199 28 34 shade: RGB 200 28 34 and RGB 200 28 28

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 199 28 34 shade: RGB 200 28 34, RGB 200 28 81, RGB 200 28 127, RGB 200 28 173 and RGB 181 28 200

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 199 28 34 shade matches the following richer shades: RGB 200 28 34 and RGB 219 10 17

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 199 28 34 shade: RGB 200 28 34, RGB 182 47 52, RGB 163 65 69, RGB 145 84 86 and RGB 126 102 103

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 199 28 34 shade: RGB 200 28 129, RGB 200 28 83, RGB 200 28 37, RGB 200 65 28 and RGB 200 111 28

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 199 28 34 shade: RGB 128 18 22, RGB 164 23 28, RGB 200 28 34, RGB 225 45 51 and RGB 230 81 86

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 199 28 34 shade: RGB 199 28 34, RGB 174 200 28 and RGB 28 106 200

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 199 28 34 shade: RGB 199 28 34, RGB 37 200 28 and RGB 28 37 200

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 199 28 34 shade: RGB 199 28 34, RGB 174 200 28, RGB 28 200 192 and RGB 54 28 200

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 199 28 34 shade: RGB 199 28 34, RGB 123 200 28, RGB 28 200 192 and RGB 106 28 200

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 86 / 83 / 22

HEX #C71C22

RGB 199 28 34

HSL 357.89, 0.75%, 0.45%

LAB 42.9, 63.29, 42.79

 

Complementary color

CMYK 75 / 0 / 3 / 11

HEX #38E3DD

RGB 56 227 221

HSL 177.89, 0.75%, 0.55%

LAB 82.38, -42.75, -9.3

 

CMYK 0 / 86 / 86 / 20

HEX #CC1C1D

RGB 204 28 29

HSL 359.66, 0.76%, 0.45%

LAB 43.88, 64.53, 46.62

 

CMYK 0 / 79 / 78 / 13

HEX #DD2E30

RGB 221 46 48

HSL 359.31, 0.72%, 0.52%

LAB 48.93, 65.51, 42.65

 

CMYK 0 / 73 / 72 / 7

HEX #EE4043

RGB 238 64 67

HSL 358.97, 0.84%, 0.59%

LAB 54.29, 65.71, 38.86

 

CMYK 0 / 68 / 66 / 0

HEX #FF5256

RGB 255 82 86

HSL 358.61, 1%, 0.66%

LAB 59.86, 65.41, 35.49

 

CMYK 0 / 61 / 59 / 0

HEX #FF6469

RGB 255 100 105

HSL 358.06, 1%, 0.7%

LAB 62.84, 59.31, 28.5

 

CMYK 0 / 86 / 83 / 22

HEX #C71C22

RGB 199 28 34

HSL 357.89, 0.75%, 0.45%

LAB 42.9, 63.29, 42.79

 

CMYK 0 / 95 / 92 / 29

HEX #B60A0F

RGB 182 10 15

HSL 358.26, 0.9%, 0.38%

LAB 38.19, 61.24, 46.66

 

CMYK 0 / 100 / 100 / 35

HEX #A50000

RGB 165 0 0

HSL 0, 1%, 0.32%

LAB 33.98, 57.83, 48.2

 

CMYK 0 / 100 / 100 / 49

HEX #830000

RGB 131 0 0

HSL 0, 1%, 0.26%

LAB 26.23, 48.87, 38.96

RGB 131 0 0

CMYK 0 / 86 / 83 / 22

HEX #C81C22

RGB 200 28 34

HSL 357.91, 0.75%, 0.45%

LAB 43.1, 63.57, 43.05

 

CMYK 0 / 86 / 86 / 22

HEX #C81C1C

RGB 200 28 28

HSL 0, 0.75%, 0.45%

LAB 43.05, 63.43, 46.08

 

CMYK 0 / 86 / 83 / 22

HEX #C81C22

RGB 200 28 34

HSL 357.91, 0.75%, 0.45%

LAB 43.1, 63.57, 43.05

 

CMYK 0 / 86 / 60 / 22

HEX #C81C51

RGB 200 28 81

HSL 341.51, 0.75%, 0.45%

LAB 43.81, 65.62, 15.75

 

CMYK 0 / 86 / 37 / 22

HEX #C81C7F

RGB 200 28 127

HSL 325.47, 0.75%, 0.45%

LAB 45.14, 69.42, -10.91

 

CMYK 0 / 86 / 14 / 22

HEX #C81CAD

RGB 200 28 173

HSL 309.42, 0.75%, 0.45%

LAB 47.14, 74.87, -35.53

 

CMYK 10 / 86 / 0 / 22

HEX #B51CC8

RGB 181 28 200

HSL 293.37, 0.75%, 0.45%

LAB 45.39, 75.42, -54.32

 

CMYK 0 / 86 / 83 / 22

HEX #C81C22

RGB 200 28 34

HSL 357.91, 0.75%, 0.45%

LAB 43.1, 63.57, 43.05

 

CMYK 0 / 95 / 92 / 14

HEX #DB0A11

RGB 219 10 17

HSL 357.99, 0.91%, 0.45%

LAB 46.07, 70.71, 54.81

 

CMYK 0 / 86 / 83 / 22

HEX #C81C22

RGB 200 28 34

HSL 357.91, 0.75%, 0.45%

LAB 43.1, 63.57, 43.05

 

CMYK 0 / 74 / 71 / 29

HEX #B62F34

RGB 182 47 52

HSL 357.78, 0.59%, 0.45%

LAB 41.57, 53.76, 30.09

 

CMYK 0 / 60 / 58 / 36

HEX #A34145

RGB 163 65 69

HSL 357.55, 0.43%, 0.45%

LAB 41.21, 40.9, 18.54

 

CMYK 0 / 42 / 41 / 43

HEX #915456

RGB 145 84 86

HSL 358.03, 0.27%, 0.45%

LAB 42.81, 25.58, 9.84

 

CMYK 0 / 19 / 18 / 51

HEX #7E6667

RGB 126 102 103

HSL 357.5, 0.11%, 0.45%

LAB 45.52, 9.77, 3.06

 

CMYK 0 / 86 / 36 / 22

HEX #C81C81

RGB 200 28 129

HSL 324.77, 0.75%, 0.45%

LAB 45.21, 69.62, -12.03

 

CMYK 0 / 86 / 59 / 22

HEX #C81C53

RGB 200 28 83

HSL 340.81, 0.75%, 0.45%

LAB 43.85, 65.75, 14.56

 

CMYK 0 / 86 / 82 / 22

HEX #C81C25

RGB 200 28 37

HSL 356.86, 0.75%, 0.45%

LAB 43.13, 63.64, 41.46

 

CMYK 0 / 68 / 86 / 22

HEX #C8411C

RGB 200 65 28

HSL 12.91, 0.75%, 0.45%

LAB 47.16, 51.99, 49.53

 

CMYK 0 / 45 / 86 / 22

HEX #C86F1C

RGB 200 111 28

HSL 28.95, 0.75%, 0.45%

LAB 55.82, 29.78, 56.72

 

CMYK 0 / 86 / 83 / 50

HEX #801216

RGB 128 18 22

HSL 357.82, 0.75%, 0.29%

LAB 26.96, 44.92, 28.94

 

CMYK 0 / 86 / 83 / 36

HEX #A4171C

RGB 164 23 28

HSL 357.87, 0.75%, 0.37%

LAB 35.18, 54.46, 36.16

 

CMYK 0 / 86 / 83 / 22

HEX #C81C22

RGB 200 28 34

HSL 357.91, 0.75%, 0.45%

LAB 43.1, 63.57, 43.05

 

CMYK 0 / 80 / 77 / 12

HEX #E12D33

RGB 225 45 51

HSL 358, 0.75%, 0.53%

LAB 49.65, 67, 41.98

 

CMYK 0 / 65 / 63 / 10

HEX #E65156

RGB 230 81 86

HSL 357.99, 0.75%, 0.61%

LAB 55.46, 57.9, 29.07

 

CMYK 0 / 86 / 83 / 22

HEX #C71C22

RGB 199 28 34

HSL 357.89, 0.75%, 0.45%

LAB 42.9, 63.29, 42.79

 

CMYK 13 / 0 / 86 / 22

HEX #AEC81C

RGB 174 200 28

HSL 69.07, 0.75%, 0.45%

LAB 76.31, -28.51, 72.66

 

CMYK 86 / 47 / 0 / 22

HEX #1C6AC8

RGB 28 106 200

HSL 212.79, 0.75%, 0.45%

LAB 45.26, 12.38, -55.24

 

CMYK 0 / 86 / 83 / 22

HEX #C71C22

RGB 199 28 34

HSL 357.89, 0.75%, 0.45%

LAB 42.9, 63.29, 42.79

 

CMYK 82 / 0 / 86 / 22

HEX #25C81C

RGB 37 200 28

HSL 116.86, 0.75%, 0.45%

LAB 70.72, -68.56, 65.67

 

CMYK 86 / 82 / 0 / 22

HEX #1C25C8

RGB 28 37 200

HSL 236.86, 0.75%, 0.45%

LAB 28.75, 54.89, -82.27

 

CMYK 0 / 86 / 83 / 22

HEX #C71C22

RGB 199 28 34

HSL 357.89, 0.75%, 0.45%

LAB 42.9, 63.29, 42.79

 

CMYK 13 / 0 / 86 / 22

HEX #AEC81C

RGB 174 200 28

HSL 69.07, 0.75%, 0.45%

LAB 76.31, -28.51, 72.66

 

CMYK 86 / 0 / 4 / 22

HEX #1CC8C0

RGB 28 200 192

HSL 177.21, 0.75%, 0.45%

LAB 73.13, -41.31, -7.53

 

CMYK 73 / 86 / 0 / 22

HEX #361CC8

RGB 54 28 200

HSL 249.07, 0.75%, 0.45%

LAB 28.86, 59.95, -82.04

 

CMYK 0 / 86 / 83 / 22

HEX #C71C22

RGB 199 28 34

HSL 357.89, 0.75%, 0.45%

LAB 42.9, 63.29, 42.79

 

CMYK 39 / 0 / 86 / 22

HEX #7BC81C

RGB 123 200 28

HSL 86.86, 0.75%, 0.45%

LAB 73.29, -48.13, 68.9

 

CMYK 86 / 0 / 4 / 22

HEX #1CC8C0

RGB 28 200 192

HSL 177.21, 0.75%, 0.45%

LAB 73.13, -41.31, -7.53

 

CMYK 47 / 86 / 0 / 22

HEX #6A1CC8

RGB 106 28 200

HSL 267.21, 0.75%, 0.45%

LAB 34.12, 64.49, -73.18

 

Description

Color code: RGB 199 28 34 | qconv.com Color code: RGB 199 28 34 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 28 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 28 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 86 magenta, 83 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 86% 83% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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