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Color name
RGB 199 251 166

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 199 251 166 it is the complementary color RGB 56 4 89. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 199 251 166. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 199 251 166 shade: RGB 204 251 161, RGB 221 255 180, RGB 238 255 199, RGB 255 255 218 and RGB 255 255 237

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 199 251 166. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 199 251 166 shade: RGB 199 251 166, RGB 182 233 147, RGB 165 215 128, RGB 148 197 109 and RGB 131 179 90

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 199 251 166 shade: RGB 199 250 167, RGB 222 250 167, RGB 244 250 167, RGB 250 234 167 and RGB 250 211 167

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 199 251 166 shade: RGB 199 250 167, RGB 177 250 167, RGB 167 250 179, RGB 167 250 202 and RGB 167 250 225

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 199 251 166 shade matches the following richer shades: RGB 199 250 167

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 199 251 166 shade: RGB 199 250 167, RGB 201 243 174, RGB 203 236 182, RGB 204 228 189 and RGB 206 221 197

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 199 251 166 shade: RGB 245 250 167, RGB 223 250 167, RGB 200 250 167, RGB 178 250 167 and RGB 167 250 178

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 199 251 166 shade: RGB 150 247 88, RGB 174 249 127, RGB 199 250 167, RGB 224 252 206 and RGB 249 254 246

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 199 251 166 shade: RGB 199 251 166, RGB 167 250 234 and RGB 250 167 234

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 199 251 166 shade: RGB 199 251 166, RGB 167 200 250 and RGB 250 167 200

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 199 251 166 shade: RGB 199 251 166, RGB 167 250 234, RGB 217 167 250 and RGB 250 167 184

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 199 251 166 shade: RGB 199 251 166, RGB 167 242 250, RGB 217 167 250 and RGB 250 175 167

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 34 / 2

HEX #C7FBA6

RGB 199 251 166

HSL 96.71, 0.91%, 0.82%

LAB 93.4, -31.2, 35.52

 

Complementary color

CMYK 37 / 96 / 0 / 65

HEX #380459

RGB 56 4 89

HSL 276.71, 0.91%, 0.18%

LAB 13.52, 38.73, -38.07

 

CMYK 19 / 0 / 36 / 2

HEX #CCFBA1

RGB 204 251 161

HSL 91.33, 0.92%, 0.81%

LAB 93.63, -30.14, 38.35

 

CMYK 13 / 0 / 29 / 0

HEX #DDFFB4

RGB 221 255 180

HSL 87.2, 1%, 0.85%

LAB 96.07, -23.48, 32.33

 

CMYK 7 / 0 / 22 / 0

HEX #EEFFC7

RGB 238 255 199

HSL 78.21, 1%, 0.89%

LAB 97.56, -14.8, 24.96

 

CMYK 0 / 0 / 15 / 0

HEX #FFFFDA

RGB 255 255 218

HSL 60, 1%, 0.93%

LAB 99.16, -6.02, 17.71

 

CMYK 0 / 0 / 7 / 0

HEX #FFFFED

RGB 255 255 237

HSL 60, 1%, 0.96%

LAB 99.57, -3.04, 8.59

 

CMYK 21 / 0 / 34 / 2

HEX #C7FBA6

RGB 199 251 166

HSL 96.71, 0.91%, 0.82%

LAB 93.4, -31.2, 35.52

 

CMYK 22 / 0 / 37 / 9

HEX #B6E993

RGB 182 233 147

HSL 95.58, 0.66%, 0.75%

LAB 87.16, -31.31, 36.62

 

CMYK 23 / 0 / 40 / 16

HEX #A5D780

RGB 165 215 128

HSL 94.48, 0.52%, 0.67%

LAB 80.83, -31.41, 37.76

 

CMYK 25 / 0 / 45 / 23

HEX #94C56D

RGB 148 197 109

HSL 93.41, 0.43%, 0.6%

LAB 74.4, -31.49, 38.93

 

CMYK 27 / 0 / 50 / 30

HEX #83B35A

RGB 131 179 90

HSL 92.36, 0.37%, 0.53%

LAB 67.88, -31.53, 40.12

 

CMYK 20 / 0 / 33 / 2

HEX #C7FAA7

RGB 199 250 167

HSL 96.87, 0.89%, 0.82%

LAB 93.15, -30.59, 34.68

 

CMYK 11 / 0 / 33 / 2

HEX #DEFAA7

RGB 222 250 167

HSL 80.24, 0.89%, 0.82%

LAB 94.61, -22.47, 36.88

 

CMYK 2 / 0 / 33 / 2

HEX #F4FAA7

RGB 244 250 167

HSL 64.34, 0.89%, 0.82%

LAB 96.16, -14.39, 39.21

 

CMYK 0 / 6 / 33 / 2

HEX #FAEAA7

RGB 250 234 167

HSL 48.43, 0.89%, 0.82%

LAB 92.56, -4.2, 34.55

 

CMYK 0 / 16 / 33 / 2

HEX #FAD3A7

RGB 250 211 167

HSL 31.81, 0.89%, 0.82%

LAB 86.85, 7.55, 26.89

 

CMYK 20 / 0 / 33 / 2

HEX #C7FAA7

RGB 199 250 167

HSL 96.87, 0.89%, 0.82%

LAB 93.15, -30.59, 34.68

 

CMYK 29 / 0 / 33 / 2

HEX #B1FAA7

RGB 177 250 167

HSL 112.77, 0.89%, 0.82%

LAB 91.91, -37.92, 32.82

 

CMYK 33 / 0 / 28 / 2

HEX #A7FAB3

RGB 167 250 179

HSL 128.67, 0.89%, 0.82%

LAB 91.61, -39.12, 26.27

 

CMYK 33 / 0 / 19 / 2

HEX #A7FACA

RGB 167 250 202

HSL 145.3, 0.89%, 0.82%

LAB 92.07, -35.02, 15.13

 

CMYK 33 / 0 / 10 / 2

HEX #A7FAE1

RGB 167 250 225

HSL 161.93, 0.89%, 0.82%

LAB 92.58, -30.45, 4

 

CMYK 20 / 0 / 33 / 2

HEX #C7FAA7

RGB 199 250 167

HSL 96.87, 0.89%, 0.82%

LAB 93.15, -30.59, 34.68

 

CMYK 20 / 0 / 33 / 2

HEX #C7FAA7

RGB 199 250 167

HSL 96.87, 0.89%, 0.82%

LAB 93.15, -30.59, 34.68

 

CMYK 17 / 0 / 28 / 5

HEX #C9F3AE

RGB 201 243 174

HSL 96.52, 0.74%, 0.82%

LAB 91.49, -25.6, 28.96

 

CMYK 14 / 0 / 23 / 7

HEX #CBECB6

RGB 203 236 182

HSL 96.67, 0.59%, 0.82%

LAB 89.89, -20.31, 22.7

 

CMYK 11 / 0 / 17 / 11

HEX #CCE4BD

RGB 204 228 189

HSL 96.92, 0.42%, 0.82%

LAB 87.97, -14.9, 16.4

 

CMYK 7 / 0 / 11 / 13

HEX #CEDDC5

RGB 206 221 197

HSL 97.5, 0.26%, 0.82%

LAB 86.44, -9.34, 10.07

 

CMYK 2 / 0 / 33 / 2

HEX #F5FAA7

RGB 245 250 167

HSL 63.61, 0.89%, 0.82%

LAB 96.23, -14.02, 39.32

 

CMYK 11 / 0 / 33 / 2

HEX #DFFAA7

RGB 223 250 167

HSL 79.52, 0.89%, 0.82%

LAB 94.67, -22.11, 36.98

 

CMYK 20 / 0 / 33 / 2

HEX #C8FAA7

RGB 200 250 167

HSL 96.14, 0.89%, 0.82%

LAB 93.21, -30.25, 34.77

 

CMYK 29 / 0 / 33 / 2

HEX #B2FAA7

RGB 178 250 167

HSL 112.05, 0.89%, 0.82%

LAB 91.97, -37.59, 32.9

 

CMYK 33 / 0 / 29 / 2

HEX #A7FAB2

RGB 167 250 178

HSL 127.95, 0.89%, 0.82%

LAB 91.6, -39.29, 26.75

 

CMYK 39 / 0 / 64 / 3

HEX #96F758

RGB 150 247 88

HSL 96.6, 0.91%, 0.66%

LAB 88.79, -54.6, 65.2

 

CMYK 30 / 0 / 49 / 2

HEX #AEF97F

RGB 174 249 127

HSL 96.89, 0.91%, 0.74%

LAB 90.91, -43.75, 50.96

 

CMYK 20 / 0 / 33 / 2

HEX #C7FAA7

RGB 199 250 167

HSL 96.87, 0.89%, 0.82%

LAB 93.15, -30.59, 34.68

 

CMYK 11 / 0 / 18 / 1

HEX #E0FCCE

RGB 224 252 206

HSL 96.52, 0.88%, 0.9%

LAB 95.97, -17.12, 19.04

 

CMYK 2 / 0 / 3 / 0

HEX #F9FEF6

RGB 249 254 246

HSL 97.5, 0.8%, 0.98%

LAB 99.09, -3.04, 3.23

 

CMYK 21 / 0 / 34 / 2

HEX #C7FBA6

RGB 199 251 166

HSL 96.71, 0.91%, 0.82%

LAB 93.4, -31.2, 35.52

 

CMYK 33 / 0 / 6 / 2

HEX #A7FAEA

RGB 167 250 234

HSL 168.43, 0.89%, 0.82%

LAB 92.81, -28.54, -0.34

 

CMYK 0 / 33 / 6 / 2

HEX #FAA7EA

RGB 250 167 234

HSL 311.57, 0.89%, 0.82%

LAB 78.4, 40.48, -21.14

 

CMYK 21 / 0 / 34 / 2

HEX #C7FBA6

RGB 199 251 166

HSL 96.71, 0.91%, 0.82%

LAB 93.4, -31.2, 35.52

 

CMYK 33 / 20 / 0 / 2

HEX #A7C8FA

RGB 167 200 250

HSL 216.14, 0.89%, 0.82%

LAB 79.86, 0.55, -28.16

 

CMYK 0 / 33 / 20 / 2

HEX #FAA7C8

RGB 250 167 200

HSL 336.14, 0.89%, 0.82%

LAB 77.36, 35.08, -4.22

 

CMYK 21 / 0 / 34 / 2

HEX #C7FBA6

RGB 199 251 166

HSL 96.71, 0.91%, 0.82%

LAB 93.4, -31.2, 35.52

 

CMYK 33 / 0 / 6 / 2

HEX #A7FAEA

RGB 167 250 234

HSL 168.43, 0.89%, 0.82%

LAB 92.81, -28.54, -0.34

 

CMYK 13 / 33 / 0 / 2

HEX #D9A7FA

RGB 217 167 250

HSL 276.14, 0.89%, 0.82%

LAB 75.63, 33.21, -34.33

 

CMYK 0 / 33 / 26 / 2

HEX #FAA7B8

RGB 250 167 184

HSL 347.71, 0.89%, 0.82%

LAB 76.93, 32.81, 3.89

 

CMYK 21 / 0 / 34 / 2

HEX #C7FBA6

RGB 199 251 166

HSL 96.71, 0.91%, 0.82%

LAB 93.4, -31.2, 35.52

 

CMYK 33 / 3 / 0 / 2

HEX #A7F2FA

RGB 167 242 250

HSL 185.78, 0.89%, 0.82%

LAB 91.06, -21.09, -11.23

 

CMYK 13 / 33 / 0 / 2

HEX #D9A7FA

RGB 217 167 250

HSL 276.14, 0.89%, 0.82%

LAB 75.63, 33.21, -34.33

 

CMYK 0 / 30 / 33 / 2

HEX #FAAFA7

RGB 250 175 167

HSL 5.78, 0.89%, 0.82%

LAB 78.33, 26.41, 15.13

 

Description

Color code: RGB 199 251 166 | qconv.com Color code: RGB 199 251 166 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 251 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 251 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 34 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 34% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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