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Color name
RGB 199 233 78

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 199 233 78 it is the complementary color RGB 56 22 177. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 199 233 78. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 199 233 78 shade: RGB 204 233 73, RGB 221 251 92, RGB 238 255 111, RGB 255 255 130 and RGB 255 255 149

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 199 233 78. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 199 233 78 shade: RGB 199 233 78, RGB 182 215 59, RGB 165 197 40, RGB 148 179 21 and RGB 131 161 2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 199 233 78 shade: RGB 199 233 77, RGB 233 225 77, RGB 233 183 77, RGB 233 141 77 and RGB 233 99 77

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 199 233 78 shade: RGB 199 233 77, RGB 157 233 77, RGB 115 233 77, RGB 77 233 82 and RGB 77 233 124

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 199 233 78 shade matches the following richer shades: RGB 199 233 77 and RGB 208 249 61

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 199 233 78 shade: RGB 199 233 77, RGB 190 217 94, RGB 181 200 110, RGB 171 184 126 and RGB 162 168 142

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 199 233 78 shade: RGB 233 183 77, RGB 233 225 77, RGB 199 233 77, RGB 158 233 77 and RGB 116 233 77

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 199 233 78 shade: RGB 164 203 25, RGB 187 228 41, RGB 199 233 77, RGB 210 237 114 and RGB 222 242 151

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 199 233 78 shade: RGB 199 233 78, RGB 77 233 142 and RGB 204 77 233

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 199 233 78 shade: RGB 199 233 78, RGB 77 199 233 and RGB 233 77 199

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 199 233 78 shade: RGB 199 233 78, RGB 77 233 142, RGB 111 77 233 and RGB 233 77 168

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 199 233 78 shade: RGB 199 233 78, RGB 77 233 189, RGB 111 77 233 and RGB 233 77 121

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 67 / 9

HEX #C7E94E

RGB 199 233 78

HSL 73.16, 0.78%, 0.61%

LAB 87.47, -31.71, 68.52

 

Complementary color

CMYK 68 / 88 / 0 / 31

HEX #3816B1

RGB 56 22 177

HSL 253.16, 0.78%, 0.39%

LAB 25.53, 55.88, -73.94

 

CMYK 12 / 0 / 69 / 9

HEX #CCE949

RGB 204 233 73

HSL 70.88, 0.78%, 0.6%

LAB 87.77, -30.03, 70.78

 

CMYK 12 / 0 / 63 / 2

HEX #DDFB5C

RGB 221 251 92

HSL 71.32, 0.95%, 0.67%

LAB 93.94, -30.58, 70.33

 

CMYK 7 / 0 / 56 / 0

HEX #EEFF6F

RGB 238 255 111

HSL 67.08, 1%, 0.72%

LAB 96.35, -24.51, 65.5

 

CMYK 0 / 0 / 49 / 0

HEX #FFFF82

RGB 255 255 130

HSL 60, 1%, 0.75%

LAB 97.79, -16.37, 59.1

 

CMYK 0 / 0 / 42 / 0

HEX #FFFF95

RGB 255 255 149

HSL 60, 1%, 0.79%

LAB 98.01, -14.63, 50.51

 

CMYK 15 / 0 / 67 / 9

HEX #C7E94E

RGB 199 233 78

HSL 73.16, 0.78%, 0.61%

LAB 87.47, -31.71, 68.52

 

CMYK 15 / 0 / 73 / 16

HEX #B6D73B

RGB 182 215 59

HSL 72.69, 0.66%, 0.54%

LAB 81.22, -31.13, 68.73

 

CMYK 16 / 0 / 80 / 23

HEX #A5C528

RGB 165 197 40

HSL 72.23, 0.66%, 0.46%

LAB 74.88, -30.4, 68.3

 

CMYK 17 / 0 / 88 / 30

HEX #94B315

RGB 148 179 21

HSL 71.77, 0.79%, 0.39%

LAB 68.45, -29.49, 66.82

 

CMYK 19 / 0 / 99 / 37

HEX #83A102

RGB 131 161 2

HSL 71.32, 0.98%, 0.32%

LAB 61.93, -28.37, 63.98

 

CMYK 15 / 0 / 67 / 9

HEX #C7E94D

RGB 199 233 77

HSL 73.08, 0.78%, 0.61%

LAB 87.46, -31.77, 68.89

 

CMYK 0 / 3 / 67 / 9

HEX #E9E14D

RGB 233 225 77

HSL 56.92, 0.78%, 0.61%

LAB 87.83, -14.21, 70.06

 

CMYK 0 / 21 / 67 / 9

HEX #E9B74D

RGB 233 183 77

HSL 40.77, 0.78%, 0.61%

LAB 77.12, 7.25, 58.95

 

CMYK 0 / 39 / 67 / 9

HEX #E98D4D

RGB 233 141 77

HSL 24.62, 0.78%, 0.61%

LAB 67.21, 29.5, 48.11

 

CMYK 0 / 58 / 67 / 9

HEX #E9634D

RGB 233 99 77

HSL 8.46, 0.78%, 0.61%

LAB 58.77, 50.53, 38.34

 

CMYK 15 / 0 / 67 / 9

HEX #C7E94D

RGB 199 233 77

HSL 73.08, 0.78%, 0.61%

LAB 87.46, -31.77, 68.89

 

CMYK 33 / 0 / 67 / 9

HEX #9DE94D

RGB 157 233 77

HSL 89.23, 0.78%, 0.61%

LAB 84.99, -47.38, 65.55

 

CMYK 51 / 0 / 67 / 9

HEX #73E94D

RGB 115 233 77

HSL 105.38, 0.78%, 0.61%

LAB 83.16, -60.52, 63.06

 

CMYK 67 / 0 / 65 / 9

HEX #4DE952

RGB 77 233 82

HSL 121.92, 0.78%, 0.61%

LAB 82.09, -68.83, 59.61

 

CMYK 67 / 0 / 47 / 9

HEX #4DE97C

RGB 77 233 124

HSL 138.08, 0.78%, 0.61%

LAB 82.55, -63.55, 41.21

 

CMYK 15 / 0 / 67 / 9

HEX #C7E94D

RGB 199 233 77

HSL 73.08, 0.78%, 0.61%

LAB 87.46, -31.77, 68.89

 

CMYK 16 / 0 / 76 / 2

HEX #D0F93D

RGB 208 249 61

HSL 73.09, 0.94%, 0.61%

LAB 92.35, -36.39, 79.24

 

CMYK 15 / 0 / 67 / 9

HEX #C7E94D

RGB 199 233 77

HSL 73.08, 0.78%, 0.61%

LAB 87.46, -31.77, 68.89

 

CMYK 12 / 0 / 57 / 15

HEX #BED95E

RGB 190 217 94

HSL 73.17, 0.62%, 0.61%

LAB 82.58, -26.57, 56.46

 

CMYK 10 / 0 / 45 / 22

HEX #B5C86E

RGB 181 200 110

HSL 72.67, 0.45%, 0.61%

LAB 77.43, -20.32, 42.68

 

CMYK 7 / 0 / 32 / 28

HEX #ABB87E

RGB 171 184 126

HSL 73.45, 0.29%, 0.61%

LAB 72.53, -14.2, 28.03

 

CMYK 4 / 0 / 15 / 34

HEX #A2A88E

RGB 162 168 142

HSL 73.85, 0.13%, 0.61%

LAB 67.75, -6.82, 12.72

 

CMYK 0 / 21 / 67 / 9

HEX #E9B74D

RGB 233 183 77

HSL 40.77, 0.78%, 0.61%

LAB 77.12, 7.25, 58.95

 

CMYK 0 / 3 / 67 / 9

HEX #E9E14D

RGB 233 225 77

HSL 56.92, 0.78%, 0.61%

LAB 87.83, -14.21, 70.06

 

CMYK 15 / 0 / 67 / 9

HEX #C7E94D

RGB 199 233 77

HSL 73.08, 0.78%, 0.61%

LAB 87.46, -31.77, 68.89

 

CMYK 32 / 0 / 67 / 9

HEX #9EE94D

RGB 158 233 77

HSL 88.85, 0.78%, 0.61%

LAB 85.04, -47.03, 65.62

 

CMYK 50 / 0 / 67 / 9

HEX #74E94D

RGB 116 233 77

HSL 105, 0.78%, 0.61%

LAB 83.19, -60.25, 63.11

 

CMYK 19 / 0 / 88 / 20

HEX #A4CB19

RGB 164 203 25

HSL 73.15, 0.78%, 0.45%

LAB 76.48, -34.07, 73.11

 

CMYK 18 / 0 / 82 / 11

HEX #BBE429

RGB 187 228 41

HSL 73.16, 0.78%, 0.53%

LAB 85.1, -35.87, 77.6

 

CMYK 15 / 0 / 67 / 9

HEX #C7E94D

RGB 199 233 77

HSL 73.08, 0.78%, 0.61%

LAB 87.46, -31.77, 68.89

 

CMYK 11 / 0 / 52 / 7

HEX #D2ED72

RGB 210 237 114

HSL 73.17, 0.77%, 0.69%

LAB 89.62, -26.58, 55.94

 

CMYK 8 / 0 / 38 / 5

HEX #DEF297

RGB 222 242 151

HSL 73.19, 0.78%, 0.77%

LAB 92.25, -20.59, 41.74

 

CMYK 15 / 0 / 67 / 9

HEX #C7E94E

RGB 199 233 78

HSL 73.16, 0.78%, 0.61%

LAB 87.47, -31.71, 68.52

 

CMYK 67 / 0 / 39 / 9

HEX #4DE98E

RGB 77 233 142

HSL 145, 0.78%, 0.61%

LAB 82.81, -60.56, 32.63

 

CMYK 12 / 67 / 0 / 9

HEX #CC4DE9

RGB 204 77 233

HSL 288.85, 0.78%, 0.61%

LAB 56.12, 70.79, -55.76

 

CMYK 15 / 0 / 67 / 9

HEX #C7E94E

RGB 199 233 78

HSL 73.16, 0.78%, 0.61%

LAB 87.47, -31.71, 68.52

 

CMYK 67 / 15 / 0 / 9

HEX #4DC7E9

RGB 77 199 233

HSL 193.08, 0.78%, 0.61%

LAB 75.02, -23.36, -26.79

 

CMYK 0 / 67 / 15 / 9

HEX #E94DC7

RGB 233 77 199

HSL 313.08, 0.78%, 0.61%

LAB 58.75, 71.99, -32.07

 

CMYK 15 / 0 / 67 / 9

HEX #C7E94E

RGB 199 233 78

HSL 73.16, 0.78%, 0.61%

LAB 87.47, -31.71, 68.52

 

CMYK 67 / 0 / 39 / 9

HEX #4DE98E

RGB 77 233 142

HSL 145, 0.78%, 0.61%

LAB 82.81, -60.56, 32.63

 

CMYK 52 / 67 / 0 / 9

HEX #6F4DE9

RGB 111 77 233

HSL 253.08, 0.78%, 0.61%

LAB 45.04, 52.56, -74.2

 

CMYK 0 / 67 / 28 / 9

HEX #E94DA8

RGB 233 77 168

HSL 325, 0.78%, 0.61%

LAB 57.52, 67.91, -16.09

 

CMYK 15 / 0 / 67 / 9

HEX #C7E94E

RGB 199 233 78

HSL 73.16, 0.78%, 0.61%

LAB 87.47, -31.71, 68.52

 

CMYK 67 / 0 / 19 / 9

HEX #4DE9BD

RGB 77 233 189

HSL 163.08, 0.78%, 0.61%

LAB 83.72, -50.86, 9.6

 

CMYK 52 / 67 / 0 / 9

HEX #6F4DE9

RGB 111 77 233

HSL 253.08, 0.78%, 0.61%

LAB 45.04, 52.56, -74.2

 

CMYK 0 / 67 / 48 / 9

HEX #E94D79

RGB 233 77 121

HSL 343.08, 0.78%, 0.61%

LAB 56.1, 63.01, 9.44

 

Description

Color code: RGB 199 233 78 | qconv.com Color code: RGB 199 233 78 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 233 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 233 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 67 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 67% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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