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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 199 230 60 it is the complementary color RGB 56 25 195. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 199 230 60. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 199 230 60 shade: RGB 204 230 55, RGB 221 248 74, RGB 238 255 93, RGB 255 255 112 and RGB 255 255 131

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 199 230 60. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 199 230 60 shade: RGB 199 230 60, RGB 182 212 41, RGB 165 194 22, RGB 148 176 3 and RGB 131 158 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 199 230 60 shade: RGB 198 229 60, RGB 229 215 60, RGB 229 169 60, RGB 229 123 60 and RGB 229 78 60

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 199 230 60 shade: RGB 198 229 60, RGB 153 229 60, RGB 107 229 60, RGB 62 229 60 and RGB 60 229 104

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 199 230 60 shade matches the following richer shades: RGB 198 229 60 and RGB 210 247 43

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 199 230 60 shade: RGB 198 229 60, RGB 187 212 78, RGB 176 194 96, RGB 165 176 114 and RGB 153 158 131

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 199 230 60 shade: RGB 229 167 60, RGB 229 212 60, RGB 201 229 60, RGB 156 229 60 and RGB 111 229 60

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 199 230 60 shade: RGB 155 184 23, RGB 185 220 28, RGB 198 229 60, RGB 209 234 97 and RGB 220 239 133

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 199 230 60 shade: RGB 199 230 60, RGB 60 229 122 and RGB 190 60 229

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 199 230 60 shade: RGB 199 230 60, RGB 60 201 229 and RGB 229 60 201

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 199 230 60 shade: RGB 199 230 60, RGB 60 229 122, RGB 89 60 229 and RGB 229 60 167

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 199 230 60 shade: RGB 199 230 60, RGB 60 229 173, RGB 89 60 229 and RGB 229 60 117

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 74 / 10

HEX #C7E63C

RGB 199 230 60

HSL 70.94, 0.77%, 0.57%

LAB 86.53, -31.28, 73.88

 

Complementary color

CMYK 71 / 87 / 0 / 24

HEX #3819C3

RGB 56 25 195

HSL 250.94, 0.77%, 0.43%

LAB 28.05, 59.76, -80.45

 

CMYK 11 / 0 / 76 / 10

HEX #CCE637

RGB 204 230 55

HSL 68.91, 0.78%, 0.56%

LAB 86.85, -29.5, 75.84

 

CMYK 11 / 0 / 70 / 3

HEX #DDF84A

RGB 221 248 74

HSL 69.31, 0.93%, 0.63%

LAB 93.02, -30.23, 76.01

 

CMYK 7 / 0 / 64 / 0

HEX #EEFF5D

RGB 238 255 93

HSL 66.3, 1%, 0.68%

LAB 96.2, -25.73, 72.68

 

CMYK 0 / 0 / 56 / 0

HEX #FFFF70

RGB 255 255 112

HSL 60, 1%, 0.72%

LAB 97.61, -17.77, 66.83

 

CMYK 0 / 0 / 49 / 0

HEX #FFFF83

RGB 255 255 131

HSL 60, 1%, 0.76%

LAB 97.8, -16.29, 58.65

 

CMYK 13 / 0 / 74 / 10

HEX #C7E63C

RGB 199 230 60

HSL 70.94, 0.77%, 0.57%

LAB 86.53, -31.28, 73.88

 

CMYK 14 / 0 / 81 / 17

HEX #B6D429

RGB 182 212 41

HSL 70.53, 0.68%, 0.5%

LAB 80.29, -30.5, 73.27

 

CMYK 15 / 0 / 89 / 24

HEX #A5C216

RGB 165 194 22

HSL 70.12, 0.8%, 0.42%

LAB 73.96, -29.53, 71.62

 

CMYK 16 / 0 / 98 / 31

HEX #94B003

RGB 148 176 3

HSL 69.71, 0.97%, 0.35%

LAB 67.54, -28.37, 68.64

 

CMYK 17 / 0 / 100 / 38

HEX #839E00

RGB 131 158 0

HSL 70.25, 1%, 0.31%

LAB 61.03, -26.95, 63.59

 

CMYK 14 / 0 / 74 / 10

HEX #C6E53C

RGB 198 229 60

HSL 71.01, 0.76%, 0.57%

LAB 86.19, -31.22, 73.53

 

CMYK 0 / 6 / 74 / 10

HEX #E5D73C

RGB 229 215 60

HSL 55.03, 0.76%, 0.57%

LAB 84.78, -11.71, 73.04

 

CMYK 0 / 26 / 74 / 10

HEX #E5A93C

RGB 229 169 60

HSL 38.7, 0.76%, 0.57%

LAB 73.13, 12.1, 61.85

 

CMYK 0 / 46 / 74 / 10

HEX #E57B3C

RGB 229 123 60

HSL 22.37, 0.76%, 0.57%

LAB 62.63, 36.41, 51.23

 

CMYK 0 / 66 / 74 / 10

HEX #E54E3C

RGB 229 78 60

HSL 6.39, 0.76%, 0.57%

LAB 54.48, 57.46, 42.5

 

CMYK 14 / 0 / 74 / 10

HEX #C6E53C

RGB 198 229 60

HSL 71.01, 0.76%, 0.57%

LAB 86.19, -31.22, 73.53

 

CMYK 33 / 0 / 74 / 10

HEX #99E53C

RGB 153 229 60

HSL 86.98, 0.76%, 0.57%

LAB 83.51, -48.19, 70.04

 

CMYK 53 / 0 / 74 / 10

HEX #6BE53C

RGB 107 229 60

HSL 103.31, 0.76%, 0.57%

LAB 81.56, -62.48, 67.46

 

CMYK 73 / 0 / 74 / 10

HEX #3EE53C

RGB 62 229 60

HSL 119.29, 0.76%, 0.57%

LAB 80.4, -72, 65.92

 

CMYK 74 / 0 / 55 / 10

HEX #3CE568

RGB 60 229 104

HSL 135.62, 0.76%, 0.57%

LAB 80.74, -67.76, 48.4

 

CMYK 14 / 0 / 74 / 10

HEX #C6E53C

RGB 198 229 60

HSL 71.01, 0.76%, 0.57%

LAB 86.19, -31.22, 73.53

 

CMYK 15 / 0 / 83 / 3

HEX #D2F72B

RGB 210 247 43

HSL 70.88, 0.93%, 0.57%

LAB 91.86, -35.35, 83.54

 

CMYK 14 / 0 / 74 / 10

HEX #C6E53C

RGB 198 229 60

HSL 71.01, 0.76%, 0.57%

LAB 86.19, -31.22, 73.53

 

CMYK 12 / 0 / 63 / 17

HEX #BBD44E

RGB 187 212 78

HSL 71.19, 0.61%, 0.57%

LAB 80.85, -26.58, 61.34

 

CMYK 9 / 0 / 51 / 24

HEX #B0C260

RGB 176 194 96

HSL 71.02, 0.45%, 0.57%

LAB 75.24, -20.75, 46.76

 

CMYK 6 / 0 / 35 / 31

HEX #A5B072

RGB 165 176 114

HSL 70.65, 0.28%, 0.57%

LAB 69.66, -14, 30.51

 

CMYK 3 / 0 / 17 / 38

HEX #999E83

RGB 153 158 131

HSL 71.11, 0.12%, 0.57%

LAB 64.05, -6.67, 13.52

 

CMYK 0 / 27 / 74 / 10

HEX #E5A73C

RGB 229 167 60

HSL 37.99, 0.76%, 0.57%

LAB 72.64, 13.16, 61.37

 

CMYK 0 / 7 / 74 / 10

HEX #E5D43C

RGB 229 212 60

HSL 53.96, 0.76%, 0.57%

LAB 84, -10.21, 72.31

 

CMYK 12 / 0 / 74 / 10

HEX #C9E53C

RGB 201 229 60

HSL 69.94, 0.76%, 0.57%

LAB 86.4, -30.02, 73.8

 

CMYK 32 / 0 / 74 / 10

HEX #9CE53C

RGB 156 229 60

HSL 85.92, 0.76%, 0.57%

LAB 83.67, -47.13, 70.24

 

CMYK 52 / 0 / 74 / 10

HEX #6FE53C

RGB 111 229 60

HSL 101.89, 0.76%, 0.57%

LAB 81.7, -61.41, 67.64

 

CMYK 16 / 0 / 88 / 28

HEX #9BB817

RGB 155 184 23

HSL 70.81, 0.78%, 0.41%

LAB 70.39, -28.91, 68.23

 

CMYK 16 / 0 / 87 / 14

HEX #B9DC1C

RGB 185 220 28

HSL 70.94, 0.77%, 0.49%

LAB 82.69, -33.37, 78.24

 

CMYK 14 / 0 / 74 / 10

HEX #C6E53C

RGB 198 229 60

HSL 71.01, 0.76%, 0.57%

LAB 86.19, -31.22, 73.53

 

CMYK 11 / 0 / 59 / 8

HEX #D1EA61

RGB 209 234 97

HSL 70.95, 0.77%, 0.65%

LAB 88.57, -26.95, 62.23

 

CMYK 8 / 0 / 44 / 6

HEX #DCEF85

RGB 220 239 133

HSL 70.75, 0.77%, 0.73%

LAB 91.07, -21.87, 48.97

 

CMYK 13 / 0 / 74 / 10

HEX #C7E63C

RGB 199 230 60

HSL 70.94, 0.77%, 0.57%

LAB 86.53, -31.28, 73.88

 

CMYK 74 / 0 / 47 / 10

HEX #3CE57A

RGB 60 229 122

HSL 142.01, 0.76%, 0.57%

LAB 80.96, -65.12, 40.11

 

CMYK 17 / 74 / 0 / 10

HEX #BE3CE5

RGB 190 60 229

HSL 286.15, 0.76%, 0.57%

LAB 51.65, 73.46, -60.78

 

CMYK 13 / 0 / 74 / 10

HEX #C7E63C

RGB 199 230 60

HSL 70.94, 0.77%, 0.57%

LAB 86.53, -31.28, 73.88

 

CMYK 74 / 12 / 0 / 10

HEX #3CC9E5

RGB 60 201 229

HSL 189.94, 0.76%, 0.57%

LAB 75.07, -27.82, -24.59

 

CMYK 0 / 74 / 12 / 10

HEX #E53CC9

RGB 229 60 201

HSL 309.94, 0.76%, 0.57%

LAB 56.19, 76.98, -37.25

 

CMYK 13 / 0 / 74 / 10

HEX #C7E63C

RGB 199 230 60

HSL 70.94, 0.77%, 0.57%

LAB 86.53, -31.28, 73.88

 

CMYK 74 / 0 / 47 / 10

HEX #3CE57A

RGB 60 229 122

HSL 142.01, 0.76%, 0.57%

LAB 80.96, -65.12, 40.11

 

CMYK 61 / 74 / 0 / 10

HEX #593CE5

RGB 89 60 229

HSL 250.3, 0.76%, 0.57%

LAB 39.6, 57.13, -80.93

 

CMYK 0 / 74 / 27 / 10

HEX #E53CA7

RGB 229 60 167

HSL 322.01, 0.76%, 0.57%

LAB 54.74, 72.58, -19.8

 

CMYK 13 / 0 / 74 / 10

HEX #C7E63C

RGB 199 230 60

HSL 70.94, 0.77%, 0.57%

LAB 86.53, -31.28, 73.88

 

CMYK 74 / 0 / 24 / 10

HEX #3CE5AD

RGB 60 229 173

HSL 160.12, 0.76%, 0.57%

LAB 81.85, -55.28, 15.28

 

CMYK 61 / 74 / 0 / 10

HEX #593CE5

RGB 89 60 229

HSL 250.3, 0.76%, 0.57%

LAB 39.6, 57.13, -80.93

 

CMYK 0 / 74 / 49 / 10

HEX #E53C75

RGB 229 60 117

HSL 339.76, 0.76%, 0.57%

LAB 53.14, 67.53, 7.52

 

Description

Color code: RGB 199 230 60 | qconv.com Color code: RGB 199 230 60 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 230 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 230 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 74 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 74% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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