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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 199 21 0 it is the complementary color RGB 56 234 255. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 199 21 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 199 21 0 shade: RGB 204 21 0, RGB 221 39 14, RGB 238 57 33, RGB 255 75 52 and RGB 255 93 71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 199 21 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 199 21 0 shade: RGB 199 21 0, RGB 182 3 0, RGB 165 0 0, RGB 148 0 0 and RGB 131 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 199 21 0 shade: RGB 198 20 0 and RGB 198 0 0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 199 21 0 shade: RGB 198 20 0, RGB 198 74 0, RGB 198 128 0, RGB 198 181 0 and RGB 162 198 0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 199 21 0 shade matches the following richer shades: RGB 198 20 0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 199 21 0 shade: RGB 198 20 0, RGB 182 33 16, RGB 166 46 32, RGB 150 59 48 and RGB 134 71 64

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 199 21 0 shade: RGB 198 0 86, RGB 198 0 33, RGB 198 19 0, RGB 198 72 0 and RGB 198 125 0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 199 21 0 shade: RGB 116 12 0, RGB 157 16 0, RGB 198 20 0, RGB 240 25 0 and RGB 255 50 26

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 199 21 0 shade: RGB 199 21 0, RGB 139 198 0 and RGB 0 59 198

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 199 21 0 shade: RGB 199 21 0, RGB 0 198 19 and RGB 19 0 198

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 199 21 0 shade: RGB 199 21 0, RGB 139 198 0, RGB 0 179 198 and RGB 59 0 198

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 199 21 0 shade: RGB 199 21 0, RGB 79 198 0, RGB 0 179 198 and RGB 119 0 198

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 89 / 100 / 22

HEX #C71500

RGB 199 21 0

HSL 6.33, 1%, 0.39%

LAB 42.27, 64.06, 56.07

Complementary color

CMYK 78 / 8 / 0 / 0

HEX #38EAFF

RGB 56 234 255

HSL 186.33, 1%, 0.61%

LAB 85.46, -36.11, -22.63

 

CMYK 0 / 90 / 100 / 20

HEX #CC1500

RGB 204 21 0

HSL 6.18, 1%, 0.4%

LAB 43.32, 65.39, 57.1

 

CMYK 0 / 82 / 94 / 13

HEX #DD270E

RGB 221 39 14

HSL 7.25, 0.88%, 0.46%

LAB 48.08, 66.58, 57.23

 

CMYK 0 / 76 / 86 / 7

HEX #EE3921

RGB 238 57 33

HSL 7.02, 0.86%, 0.53%

LAB 53.18, 66.88, 55.19

 

CMYK 0 / 71 / 80 / 0

HEX #FF4B34

RGB 255 75 52

HSL 6.8, 1%, 0.6%

LAB 58.55, 66.57, 52.28

 

CMYK 0 / 64 / 72 / 0

HEX #FF5D47

RGB 255 93 71

HSL 7.17, 1%, 0.64%

LAB 61.26, 60.38, 45.37

 

CMYK 0 / 89 / 100 / 22

HEX #C71500

RGB 199 21 0

HSL 6.33, 1%, 0.39%

LAB 42.27, 64.06, 56.07

 

CMYK 0 / 98 / 100 / 29

HEX #B60300

RGB 182 3 0

HSL 0.99, 1%, 0.36%

LAB 37.86, 61.85, 52.21

 

CMYK 0 / 100 / 100 / 35

HEX #A50000

RGB 165 0 0

HSL 0, 1%, 0.32%

LAB 33.98, 57.83, 48.2

 

CMYK 0 / 100 / 100 / 49

HEX #830000

RGB 131 0 0

HSL 0, 1%, 0.26%

LAB 26.23, 48.87, 38.96

RGB 131 0 0

CMYK 0 / 90 / 100 / 22

HEX #C61400

RGB 198 20 0

HSL 6.06, 1%, 0.39%

LAB 42.01, 63.95, 55.84

 

CMYK 0 / 100 / 100 / 22

HEX #C60000

RGB 198 0 0

HSL 0, 1%, 0.39%

LAB 41.23, 66.22, 55.56

 

CMYK 0 / 90 / 100 / 22

HEX #C61400

RGB 198 20 0

HSL 6.06, 1%, 0.39%

LAB 42.01, 63.95, 55.84

 

CMYK 0 / 63 / 100 / 22

HEX #C64A00

RGB 198 74 0

HSL 22.42, 1%, 0.39%

LAB 48.14, 47.02, 58.65

 

CMYK 0 / 35 / 100 / 22

HEX #C68000

RGB 198 128 0

HSL 38.79, 1%, 0.39%

LAB 59.38, 19.28, 65.41

 

CMYK 0 / 9 / 100 / 22

HEX #C6B500

RGB 198 181 0

HSL 54.85, 1%, 0.39%

LAB 72.93, -9.2, 74.77

 

CMYK 18 / 0 / 100 / 22

HEX #A2C600

RGB 162 198 0

HSL 70.91, 1%, 0.39%

LAB 74.87, -32.97, 74.95

 

CMYK 0 / 90 / 100 / 22

HEX #C61400

RGB 198 20 0

HSL 6.06, 1%, 0.39%

LAB 42.01, 63.95, 55.84

 

CMYK 0 / 90 / 100 / 22

HEX #C61400

RGB 198 20 0

HSL 6.06, 1%, 0.39%

LAB 42.01, 63.95, 55.84

 

CMYK 0 / 82 / 91 / 29

HEX #B62110

RGB 182 33 16

HSL 6.14, 0.84%, 0.39%

LAB 39.7, 56.96, 47.28

 

CMYK 0 / 72 / 81 / 35

HEX #A62E20

RGB 166 46 32

HSL 6.27, 0.68%, 0.39%

LAB 38.14, 48.16, 37

 

CMYK 0 / 61 / 68 / 41

HEX #963B30

RGB 150 59 48

HSL 6.47, 0.52%, 0.39%

LAB 37.53, 37.52, 26.25

 

CMYK 0 / 47 / 52 / 47

HEX #864740

RGB 134 71 64

HSL 6, 0.35%, 0.39%

LAB 37.74, 26.03, 16.2

 

CMYK 0 / 100 / 57 / 22

HEX #C60056

RGB 198 0 86

HSL 333.94, 1%, 0.39%

LAB 42.27, 69.05, 10.43

 

CMYK 0 / 100 / 83 / 22

HEX #C60021

RGB 198 0 33

HSL 350, 1%, 0.39%

LAB 41.4, 66.69, 41.85

 

CMYK 0 / 90 / 100 / 22

HEX #C61300

RGB 198 19 0

HSL 5.76, 1%, 0.39%

LAB 41.96, 64.11, 55.82

 

CMYK 0 / 64 / 100 / 22

HEX #C64800

RGB 198 72 0

HSL 21.82, 1%, 0.39%

LAB 47.8, 47.91, 58.48

 

CMYK 0 / 37 / 100 / 22

HEX #C67D00

RGB 198 125 0

HSL 37.88, 1%, 0.39%

LAB 58.67, 20.92, 64.94

 

CMYK 0 / 90 / 100 / 55

HEX #740C00

RGB 116 12 0

HSL 6.21, 1%, 0.23%

LAB 23.59, 42.21, 35.23

 

CMYK 0 / 90 / 100 / 38

HEX #9D1000

RGB 157 16 0

HSL 6.11, 1%, 0.31%

LAB 33, 53.4, 46.71

 

CMYK 0 / 90 / 100 / 22

HEX #C61400

RGB 198 20 0

HSL 6.06, 1%, 0.39%

LAB 42.01, 63.95, 55.84

 

CMYK 0 / 90 / 100 / 6

HEX #F01900

RGB 240 25 0

HSL 6.25, 1%, 0.47%

LAB 50.94, 74.16, 64.49

 

CMYK 0 / 80 / 90 / 0

HEX #FF321A

RGB 255 50 26

HSL 6.29, 1%, 0.55%

LAB 55.7, 73.49, 61.32

 

CMYK 0 / 89 / 100 / 22

HEX #C71500

RGB 199 21 0

HSL 6.33, 1%, 0.39%

LAB 42.27, 64.06, 56.07

 

CMYK 30 / 0 / 100 / 22

HEX #8BC600

RGB 139 198 0

HSL 77.88, 1%, 0.39%

LAB 73.47, -42.04, 73.26

 

CMYK 100 / 70 / 0 / 22

HEX #003BC6

RGB 0 59 198

HSL 222.12, 1%, 0.39%

LAB 32.27, 41.07, -75.28

 

CMYK 0 / 89 / 100 / 22

HEX #C71500

RGB 199 21 0

HSL 6.33, 1%, 0.39%

LAB 42.27, 64.06, 56.07

 

CMYK 100 / 0 / 90 / 22

HEX #00C613

RGB 0 198 19

HSL 125.76, 1%, 0.39%

LAB 69.78, -70.8, 66.46

 

CMYK 90 / 100 / 0 / 22

HEX #1300C6

RGB 19 0 198

HSL 245.76, 1%, 0.39%

LAB 24.37, 65.6, -88.4

 

CMYK 0 / 89 / 100 / 22

HEX #C71500

RGB 199 21 0

HSL 6.33, 1%, 0.39%

LAB 42.27, 64.06, 56.07

 

CMYK 30 / 0 / 100 / 22

HEX #8BC600

RGB 139 198 0

HSL 77.88, 1%, 0.39%

LAB 73.47, -42.04, 73.26

 

CMYK 100 / 10 / 0 / 22

HEX #00B3C6

RGB 0 179 198

HSL 185.76, 1%, 0.39%

LAB 66.76, -30.86, -20.41

 

CMYK 70 / 100 / 0 / 22

HEX #3B00C6

RGB 59 0 198

HSL 257.88, 1%, 0.39%

LAB 26.75, 66.52, -84.36

 

CMYK 0 / 89 / 100 / 22

HEX #C71500

RGB 199 21 0

HSL 6.33, 1%, 0.39%

LAB 42.27, 64.06, 56.07

 

CMYK 60 / 0 / 100 / 22

HEX #4FC600

RGB 79 198 0

HSL 96.06, 1%, 0.39%

LAB 70.91, -61.14, 70.17

 

CMYK 100 / 10 / 0 / 22

HEX #00B3C6

RGB 0 179 198

HSL 185.76, 1%, 0.39%

LAB 66.76, -30.86, -20.41

 

CMYK 40 / 100 / 0 / 22

HEX #7700C6

RGB 119 0 198

HSL 276.06, 1%, 0.39%

LAB 33.98, 70.63, -72.17

 

Description

Color code: RGB 199 21 0 | qconv.com Color code: RGB 199 21 0 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 21 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 21 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 89 magenta, 100 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 89% 100% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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