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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 199 218 150 it is the complementary color RGB 56 37 105. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 199 218 150. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 199 218 150 shade: RGB 204 218 145, RGB 221 236 164, RGB 238 254 183, RGB 255 255 202 and RGB 255 255 221

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 199 218 150. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 199 218 150 shade: RGB 199 218 150, RGB 182 200 131, RGB 165 182 112, RGB 148 164 93 and RGB 131 146 74

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 199 218 150 shade: RGB 198 217 149, RGB 217 217 149, RGB 217 200 149, RGB 217 181 149 and RGB 217 163 149

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 199 218 150 shade: RGB 198 217 149, RGB 180 217 149, RGB 161 217 149, RGB 149 217 155 and RGB 149 217 173

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 199 218 150 shade matches the following richer shades: RGB 198 217 149, RGB 203 229 137, RGB 208 240 126 and RGB 214 252 114

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 199 218 150 shade: RGB 198 217 149, RGB 193 206 160, RGB 188 194 172, RGB 183 183 183 and RGB 178 171 195

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 199 218 150 shade: RGB 217 199 149, RGB 217 217 149, RGB 199 217 149, RGB 181 217 149 and RGB 163 217 149

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 199 218 150 shade: RGB 166 196 88, RGB 182 207 118, RGB 198 217 149, RGB 214 228 179 and RGB 231 239 210

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 199 218 150 shade: RGB 199 218 150, RGB 149 217 181 and RGB 208 149 217

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 199 218 150 shade: RGB 199 218 150, RGB 149 199 217 and RGB 217 149 199

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 199 218 150 shade: RGB 199 218 150, RGB 149 217 181, RGB 167 149 217 and RGB 217 149 185

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 199 218 150 shade: RGB 199 218 150, RGB 149 217 201, RGB 167 149 217 and RGB 217 149 165

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 31 / 15

HEX #C7DA96

RGB 199 218 150

HSL 76.76, 0.48%, 0.72%

LAB 84.22, -17.53, 31.43

 

Complementary color

CMYK 47 / 65 / 0 / 59

HEX #382569

RGB 56 37 105

HSL 256.76, 0.48%, 0.28%

LAB 20.77, 26.88, -36.89

 

CMYK 6 / 0 / 33 / 15

HEX #CCDA91

RGB 204 218 145

HSL 71.51, 0.5%, 0.71%

LAB 84.5, -16.31, 34.42

 

CMYK 6 / 0 / 31 / 7

HEX #DDECA4

RGB 221 236 164

HSL 72.5, 0.65%, 0.78%

LAB 90.8, -16.43, 33.33

 

CMYK 6 / 0 / 28 / 0

HEX #EEFEB7

RGB 238 254 183

HSL 73.52, 0.97%, 0.86%

LAB 97.02, -16.53, 32.29

 

CMYK 0 / 0 / 21 / 0

HEX #FFFFCA

RGB 255 255 202

HSL 60, 1%, 0.9%

LAB 98.85, -8.33, 25.41

 

CMYK 0 / 0 / 13 / 0

HEX #FFFFDD

RGB 255 255 221

HSL 60, 1%, 0.93%

LAB 99.22, -5.56, 16.27

 

CMYK 9 / 0 / 31 / 15

HEX #C7DA96

RGB 199 218 150

HSL 76.76, 0.48%, 0.72%

LAB 84.22, -17.53, 31.43

 

CMYK 9 / 0 / 35 / 22

HEX #B6C883

RGB 182 200 131

HSL 75.65, 0.39%, 0.65%

LAB 77.81, -17.45, 32.53

 

CMYK 9 / 0 / 38 / 29

HEX #A5B670

RGB 165 182 112

HSL 74.57, 0.32%, 0.58%

LAB 71.3, -17.33, 33.69

 

CMYK 10 / 0 / 43 / 36

HEX #94A45D

RGB 148 164 93

HSL 73.52, 0.28%, 0.5%

LAB 64.67, -17.17, 34.89

 

CMYK 10 / 0 / 49 / 43

HEX #83924A

RGB 131 146 74

HSL 72.5, 0.33%, 0.43%

LAB 57.92, -16.95, 36.11

 

CMYK 9 / 0 / 31 / 15

HEX #C6D995

RGB 198 217 149

HSL 76.76, 0.47%, 0.72%

LAB 83.86, -17.54, 31.45

 

CMYK 0 / 0 / 31 / 15

HEX #D9D995

RGB 217 217 149

HSL 60, 0.47%, 0.72%

LAB 85.27, -10.36, 33.58

 

CMYK 0 / 8 / 31 / 15

HEX #D9C895

RGB 217 200 149

HSL 45, 0.47%, 0.72%

LAB 80.87, -1.65, 27.71

 

CMYK 0 / 17 / 31 / 15

HEX #D9B595

RGB 217 181 149

HSL 28.24, 0.47%, 0.72%

LAB 76.05, 8.37, 21.17

 

CMYK 0 / 25 / 31 / 15

HEX #D9A395

RGB 217 163 149

HSL 12.35, 0.47%, 0.72%

LAB 71.63, 18.04, 15.05

 

CMYK 9 / 0 / 31 / 15

HEX #C6D995

RGB 198 217 149

HSL 76.76, 0.47%, 0.72%

LAB 83.86, -17.54, 31.45

 

CMYK 17 / 0 / 31 / 15

HEX #B4D995

RGB 180 217 149

HSL 92.65, 0.47%, 0.72%

LAB 82.65, -24.12, 29.62

 

CMYK 26 / 0 / 31 / 15

HEX #A1D995

RGB 161 217 149

HSL 109.41, 0.47%, 0.72%

LAB 81.5, -30.73, 27.87

 

CMYK 31 / 0 / 29 / 15

HEX #95D99B

RGB 149 217 155

HSL 125.29, 0.47%, 0.72%

LAB 80.95, -33.69, 23.91

 

CMYK 31 / 0 / 20 / 15

HEX #95D9AD

RGB 149 217 173

HSL 141.18, 0.47%, 0.72%

LAB 81.31, -30.46, 14.96

 

CMYK 9 / 0 / 31 / 15

HEX #C6D995

RGB 198 217 149

HSL 76.76, 0.47%, 0.72%

LAB 83.86, -17.54, 31.45

 

CMYK 11 / 0 / 40 / 10

HEX #CBE589

RGB 203 229 137

HSL 76.96, 0.64%, 0.72%

LAB 87.26, -23.04, 41.99

 

CMYK 13 / 0 / 48 / 6

HEX #D0F07E

RGB 208 240 126

HSL 76.84, 0.79%, 0.72%

LAB 90.43, -27.61, 51.32

 

CMYK 15 / 0 / 55 / 1

HEX #D6FC72

RGB 214 252 114

HSL 76.52, 0.96%, 0.72%

LAB 93.94, -32.06, 61.03

 

CMYK 9 / 0 / 31 / 15

HEX #C6D995

RGB 198 217 149

HSL 76.76, 0.47%, 0.72%

LAB 83.86, -17.54, 31.45

 

CMYK 6 / 0 / 22 / 19

HEX #C1CEA0

RGB 193 206 160

HSL 76.96, 0.32%, 0.72%

LAB 80.75, -12.3, 21.45

 

CMYK 3 / 0 / 11 / 24

HEX #BCC2AC

RGB 188 194 172

HSL 76.36, 0.15%, 0.72%

LAB 77.43, -6, 10.36

 

CMYK 0 / 0 / 0 / 28

HEX #B7B7B7

RGB 183 183 183

HSL 0, 0%, 0.72%

LAB 74.42, 0, -0.01

 

CMYK 9 / 12 / 0 / 24

HEX #B2ABC3

RGB 178 171 195

HSL 257.5, 0.17%, 0.72%

LAB 71.24, 7.15, -11.33

 

CMYK 0 / 8 / 31 / 15

HEX #D9C795

RGB 217 199 149

HSL 44.12, 0.47%, 0.72%

LAB 80.61, -1.12, 27.36

 

CMYK 0 / 0 / 31 / 15

HEX #D9D995

RGB 217 217 149

HSL 60, 0.47%, 0.72%

LAB 85.27, -10.36, 33.58

 

CMYK 8 / 0 / 31 / 15

HEX #C7D995

RGB 199 217 149

HSL 75.88, 0.47%, 0.72%

LAB 83.93, -17.17, 31.56

 

CMYK 17 / 0 / 31 / 15

HEX #B5D995

RGB 181 217 149

HSL 91.76, 0.47%, 0.72%

LAB 82.71, -23.76, 29.71

 

CMYK 25 / 0 / 31 / 15

HEX #A3D995

RGB 163 217 149

HSL 107.65, 0.47%, 0.72%

LAB 81.61, -30.05, 28.05

 

CMYK 15 / 0 / 55 / 23

HEX #A6C458

RGB 166 196 88

HSL 76.67, 0.48%, 0.56%

LAB 75.01, -26.45, 50.09

 

CMYK 12 / 0 / 43 / 19

HEX #B6CF76

RGB 182 207 118

HSL 76.85, 0.48%, 0.64%

LAB 79.54, -22.5, 41.36

 

CMYK 9 / 0 / 31 / 15

HEX #C6D995

RGB 198 217 149

HSL 76.76, 0.47%, 0.72%

LAB 83.86, -17.54, 31.45

 

CMYK 6 / 0 / 21 / 11

HEX #D6E4B3

RGB 214 228 179

HSL 77.14, 0.48%, 0.8%

LAB 88.47, -12.93, 22.4

 

CMYK 3 / 0 / 12 / 6

HEX #E7EFD2

RGB 231 239 210

HSL 76.55, 0.48%, 0.88%

LAB 93.18, -7.63, 13.12

 

CMYK 9 / 0 / 31 / 15

HEX #C7DA96

RGB 199 218 150

HSL 76.76, 0.48%, 0.72%

LAB 84.22, -17.53, 31.43

 

CMYK 31 / 0 / 17 / 15

HEX #95D9B5

RGB 149 217 181

HSL 148.24, 0.47%, 0.72%

LAB 81.48, -28.92, 10.98

 

CMYK 4 / 31 / 0 / 15

HEX #D095D9

RGB 208 149 217

HSL 292.06, 0.47%, 0.72%

LAB 69.41, 33.55, -25.97

 

CMYK 9 / 0 / 31 / 15

HEX #C7DA96

RGB 199 218 150

HSL 76.76, 0.48%, 0.72%

LAB 84.22, -17.53, 31.43

 

CMYK 31 / 8 / 0 / 15

HEX #95C7D9

RGB 149 199 217

HSL 195.88, 0.47%, 0.72%

LAB 77.43, -12.02, -14.23

 

CMYK 0 / 31 / 8 / 15

HEX #D995C7

RGB 217 149 199

HSL 315.88, 0.47%, 0.72%

LAB 69.73, 33.21, -15.43

 

CMYK 9 / 0 / 31 / 15

HEX #C7DA96

RGB 199 218 150

HSL 76.76, 0.48%, 0.72%

LAB 84.22, -17.53, 31.43

 

CMYK 31 / 0 / 17 / 15

HEX #95D9B5

RGB 149 217 181

HSL 148.24, 0.47%, 0.72%

LAB 81.48, -28.92, 10.98

 

CMYK 23 / 31 / 0 / 15

HEX #A795D9

RGB 167 149 217

HSL 255.88, 0.47%, 0.72%

LAB 65.53, 20.78, -32.28

 

CMYK 0 / 31 / 15 / 15

HEX #D995B9

RGB 217 149 185

HSL 328.24, 0.47%, 0.72%

LAB 69.29, 30.87, -8.3

 

CMYK 9 / 0 / 31 / 15

HEX #C7DA96

RGB 199 218 150

HSL 76.76, 0.48%, 0.72%

LAB 84.22, -17.53, 31.43

 

CMYK 31 / 0 / 7 / 15

HEX #95D9C9

RGB 149 217 201

HSL 165.88, 0.47%, 0.72%

LAB 81.96, -24.78, 1.05

 

CMYK 23 / 31 / 0 / 15

HEX #A795D9

RGB 167 149 217

HSL 255.88, 0.47%, 0.72%

LAB 65.53, 20.78, -32.28

 

CMYK 0 / 31 / 24 / 15

HEX #D995A5

RGB 217 149 165

HSL 345.88, 0.47%, 0.72%

LAB 68.72, 27.81, 2.02

 

Description

Color code: RGB 199 218 150 | qconv.com Color code: RGB 199 218 150 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 218 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 218 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 31 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 31% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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