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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 199 172 9 it is the complementary color RGB 56 83 246. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 199 172 9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 199 172 9 shade: RGB 204 172 4, RGB 221 190 23, RGB 238 208 42, RGB 255 226 61 and RGB 255 244 80

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 199 172 9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 199 172 9 shade: RGB 199 172 9, RGB 182 154 0, RGB 165 136 0, RGB 148 118 0 and RGB 131 100 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 199 172 9 shade: RGB 199 172 9, RGB 199 121 9, RGB 199 70 9, RGB 199 18 9 and RGB 199 9 9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 199 172 9 shade: RGB 199 172 9, RGB 175 199 9, RGB 124 199 9, RGB 72 199 9 and RGB 21 199 9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 199 172 9 shade matches the following richer shades: RGB 199 172 9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 199 172 9 shade: RGB 199 172 9, RGB 182 160 26, RGB 165 148 43, RGB 148 136 60 and RGB 132 124 77

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 199 172 9 shade: RGB 199 69 9, RGB 199 120 9, RGB 199 171 9, RGB 177 199 9 and RGB 126 199 9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 199 172 9 shade: RGB 120 104 5, RGB 160 138 7, RGB 199 172 9, RGB 239 206 11 and RGB 245 216 46

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 199 172 9 shade: RGB 199 172 9, RGB 9 199 18 and RGB 95 9 199

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 199 172 9 shade: RGB 199 172 9, RGB 9 199 171 and RGB 171 9 199

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 199 172 9 shade: RGB 199 172 9, RGB 9 199 18, RGB 9 37 199 and RGB 199 9 190

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 199 172 9 shade: RGB 199 172 9, RGB 9 199 76, RGB 9 37 199 and RGB 199 9 133

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 95 / 22

HEX #C7AC09

RGB 199 172 9

HSL 51.47, 0.91%, 0.41%

LAB 70.64, -3.97, 72.11

 

Complementary color

CMYK 77 / 66 / 0 / 4

HEX #3853F6

RGB 56 83 246

HSL 231.47, 0.91%, 0.59%

LAB 43.77, 46.34, -83.74

 

CMYK 0 / 16 / 98 / 20

HEX #CCAC04

RGB 204 172 4

HSL 50.4, 0.96%, 0.41%

LAB 71.11, -1.8, 73.26

 

CMYK 0 / 14 / 90 / 13

HEX #DDBE17

RGB 221 190 23

HSL 50.61, 0.81%, 0.48%

LAB 77.44, -3.5, 76.13

 

CMYK 0 / 13 / 82 / 7

HEX #EED02A

RGB 238 208 42

HSL 50.82, 0.85%, 0.55%

LAB 83.68, -5, 77.69

 

CMYK 0 / 11 / 76 / 0

HEX #FFE23D

RGB 255 226 61

HSL 51.03, 1%, 0.62%

LAB 89.85, -6.29, 78.23

 

CMYK 0 / 4 / 69 / 0

HEX #FFF450

RGB 255 244 80

HSL 56.23, 1%, 0.66%

LAB 94.54, -14.36, 76.26

 

CMYK 0 / 14 / 95 / 22

HEX #C7AC09

RGB 199 172 9

HSL 51.47, 0.91%, 0.41%

LAB 70.64, -3.97, 72.11

 

CMYK 0 / 15 / 100 / 29

HEX #B69A00

RGB 182 154 0

HSL 50.77, 1%, 0.36%

LAB 64.21, -2.11, 67.86

 

CMYK 0 / 18 / 100 / 35

HEX #A58800

RGB 165 136 0

HSL 49.45, 1%, 0.32%

LAB 57.66, -0.08, 62.45

 

CMYK 0 / 20 / 100 / 42

HEX #947600

RGB 148 118 0

HSL 47.84, 1%, 0.29%

LAB 50.98, 2.05, 56.94

 

CMYK 0 / 24 / 100 / 49

HEX #836400

RGB 131 100 0

HSL 45.8, 1%, 0.26%

LAB 44.15, 4.29, 51.31

 

CMYK 0 / 14 / 95 / 22

HEX #C7AC09

RGB 199 172 9

HSL 51.47, 0.91%, 0.41%

LAB 70.64, -3.97, 72.11

 

CMYK 0 / 39 / 95 / 22

HEX #C77909

RGB 199 121 9

HSL 35.37, 0.91%, 0.41%

LAB 57.88, 23.63, 62.95

 

CMYK 0 / 65 / 95 / 22

HEX #C74609

RGB 199 70 9

HSL 19.26, 0.91%, 0.41%

LAB 47.68, 49.24, 56.22

 

CMYK 0 / 91 / 95 / 22

HEX #C71209

RGB 199 18 9

HSL 2.84, 0.91%, 0.41%

LAB 42.15, 64.6, 53.02

 

CMYK 0 / 95 / 95 / 22

HEX #C70909

RGB 199 9 9

HSL 0, 0.91%, 0.41%

LAB 41.78, 65.66, 52.82

 

CMYK 0 / 14 / 95 / 22

HEX #C7AC09

RGB 199 172 9

HSL 51.47, 0.91%, 0.41%

LAB 70.64, -3.97, 72.11

 

CMYK 12 / 0 / 95 / 22

HEX #AFC709

RGB 175 199 9

HSL 67.58, 0.91%, 0.41%

LAB 76.06, -27.97, 75.32

 

CMYK 38 / 0 / 95 / 22

HEX #7CC709

RGB 124 199 9

HSL 83.68, 0.91%, 0.41%

LAB 72.99, -47.81, 71.61

 

CMYK 64 / 0 / 95 / 22

HEX #48C709

RGB 72 199 9

HSL 100.11, 0.91%, 0.41%

LAB 71.04, -62.94, 69.22

 

CMYK 89 / 0 / 95 / 22

HEX #15C709

RGB 21 199 9

HSL 116.21, 0.91%, 0.41%

LAB 70.19, -70.3, 68.18

 

CMYK 0 / 14 / 95 / 22

HEX #C7AC09

RGB 199 172 9

HSL 51.47, 0.91%, 0.41%

LAB 70.64, -3.97, 72.11

 

CMYK 0 / 14 / 95 / 22

HEX #C7AC09

RGB 199 172 9

HSL 51.47, 0.91%, 0.41%

LAB 70.64, -3.97, 72.11

 

CMYK 0 / 12 / 86 / 29

HEX #B6A01A

RGB 182 160 26

HSL 51.54, 0.75%, 0.41%

LAB 65.87, -4.89, 64.74

 

CMYK 0 / 10 / 74 / 35

HEX #A5942B

RGB 165 148 43

HSL 51.64, 0.59%, 0.41%

LAB 61.09, -5.48, 54.54

 

CMYK 0 / 8 / 59 / 42

HEX #94883C

RGB 148 136 60

HSL 51.82, 0.42%, 0.41%

LAB 56.32, -5.5, 41.62

 

CMYK 0 / 6 / 42 / 48

HEX #847C4D

RGB 132 124 77

HSL 51.27, 0.26%, 0.41%

LAB 51.67, -4.24, 26.74

 

CMYK 0 / 65 / 95 / 22

HEX #C74509

RGB 199 69 9

HSL 18.95, 0.91%, 0.41%

LAB 47.52, 49.66, 56.12

 

CMYK 0 / 40 / 95 / 22

HEX #C77809

RGB 199 120 9

HSL 35.05, 0.91%, 0.41%

LAB 57.65, 24.18, 62.79

 

CMYK 0 / 14 / 95 / 22

HEX #C7AB09

RGB 199 171 9

HSL 51.16, 0.91%, 0.41%

LAB 70.38, -3.44, 71.91

 

CMYK 11 / 0 / 95 / 22

HEX #B1C709

RGB 177 199 9

HSL 66.95, 0.91%, 0.41%

LAB 76.2, -27.13, 75.49

 

CMYK 37 / 0 / 95 / 22

HEX #7EC709

RGB 126 199 9

HSL 83.05, 0.91%, 0.41%

LAB 73.09, -47.11, 71.73

 

CMYK 0 / 13 / 96 / 53

HEX #786805

RGB 120 104 5

HSL 51.65, 0.92%, 0.25%

LAB 44.1, -3.26, 49.5

 

CMYK 0 / 14 / 96 / 37

HEX #A08A07

RGB 160 138 7

HSL 51.37, 0.92%, 0.33%

LAB 57.72, -3.38, 61.12

 

CMYK 0 / 14 / 95 / 22

HEX #C7AC09

RGB 199 172 9

HSL 51.47, 0.91%, 0.41%

LAB 70.64, -3.97, 72.11

 

CMYK 0 / 14 / 95 / 6

HEX #EFCE0B

RGB 239 206 11

HSL 51.32, 0.91%, 0.49%

LAB 83.19, -4.1, 82.81

 

CMYK 0 / 12 / 81 / 4

HEX #F5D82E

RGB 245 216 46

HSL 51.26, 0.91%, 0.57%

LAB 86.37, -5.96, 79.17

 

CMYK 0 / 14 / 95 / 22

HEX #C7AC09

RGB 199 172 9

HSL 51.47, 0.91%, 0.41%

LAB 70.64, -3.97, 72.11

 

CMYK 95 / 0 / 91 / 22

HEX #09C712

RGB 9 199 18

HSL 122.84, 0.91%, 0.41%

LAB 70.14, -70.73, 66.94

 

CMYK 52 / 95 / 0 / 22

HEX #5F09C7

RGB 95 9 199

HSL 267.16, 0.91%, 0.41%

LAB 31.24, 67.36, -77.39

 

CMYK 0 / 14 / 95 / 22

HEX #C7AC09

RGB 199 172 9

HSL 51.47, 0.91%, 0.41%

LAB 70.64, -3.97, 72.11

 

CMYK 95 / 0 / 14 / 22

HEX #09C7AB

RGB 9 199 171

HSL 171.16, 0.91%, 0.41%

LAB 72.12, -47.61, 2.39

 

CMYK 14 / 95 / 0 / 22

HEX #AB09C7

RGB 171 9 199

HSL 291.16, 0.91%, 0.41%

LAB 42.73, 76.36, -58.13

 

CMYK 0 / 14 / 95 / 22

HEX #C7AC09

RGB 199 172 9

HSL 51.47, 0.91%, 0.41%

LAB 70.64, -3.97, 72.11

 

CMYK 95 / 0 / 91 / 22

HEX #09C712

RGB 9 199 18

HSL 122.84, 0.91%, 0.41%

LAB 70.14, -70.73, 66.94

 

CMYK 95 / 81 / 0 / 22

HEX #0925C7

RGB 9 37 199

HSL 231.16, 0.91%, 0.41%

LAB 28.13, 54.07, -82.73

 

CMYK 0 / 95 / 5 / 22

HEX #C709BE

RGB 199 9 190

HSL 302.84, 0.91%, 0.41%

LAB 47.05, 79.47, -45.68

 

CMYK 0 / 14 / 95 / 22

HEX #C7AC09

RGB 199 172 9

HSL 51.47, 0.91%, 0.41%

LAB 70.64, -3.97, 72.11

 

CMYK 95 / 0 / 62 / 22

HEX #09C74C

RGB 9 199 76

HSL 141.16, 0.91%, 0.41%

LAB 70.47, -66.48, 48.92

 

CMYK 95 / 81 / 0 / 22

HEX #0925C7

RGB 9 37 199

HSL 231.16, 0.91%, 0.41%

LAB 28.13, 54.07, -82.73

 

CMYK 0 / 95 / 33 / 22

HEX #C70985

RGB 199 9 133

HSL 320.84, 0.91%, 0.41%

LAB 44.28, 72.42, -15.92

 

Description

Color code: RGB 199 172 9 | qconv.com Color code: RGB 199 172 9 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 172 green and 9 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 172 9 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 95 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 95% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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