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Color name
RGB 199 172 80

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 199 172 80 it is the complementary color RGB 56 83 175. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 199 172 80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 199 172 80 shade: RGB 204 172 75, RGB 221 190 94, RGB 238 208 113, RGB 255 226 132 and RGB 255 244 151

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 199 172 80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 199 172 80 shade: RGB 199 172 80, RGB 182 154 61, RGB 165 136 42, RGB 148 118 23 and RGB 131 100 4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 199 172 80 shade: RGB 199 172 80, RGB 199 140 80, RGB 199 108 80 and RGB 199 80 80

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 199 172 80 shade: RGB 199 172 80, RGB 194 199 80, RGB 162 199 80, RGB 130 199 80 and RGB 98 199 80

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 199 172 80 shade matches the following richer shades: RGB 199 172 80, RGB 218 182 62 and RGB 237 193 43

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 199 172 80 shade: RGB 199 172 80, RGB 181 162 99, RGB 162 152 117, RGB 144 142 136 and RGB 125 132 154

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 199 172 80 shade: RGB 199 108 80, RGB 199 140 80, RGB 199 172 80, RGB 195 199 80 and RGB 164 199 80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 199 172 80 shade: RGB 150 127 47, RGB 181 153 57, RGB 199 172 80, RGB 209 187 111 and RGB 219 202 143

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 199 172 80 shade: RGB 199 172 80, RGB 84 199 80 and RGB 124 80 199

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 199 172 80 shade: RGB 199 172 80, RGB 80 199 172 and RGB 172 80 199

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 199 172 80 shade: RGB 199 172 80, RGB 84 199 80, RGB 80 108 199 and RGB 195 80 199

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 199 172 80 shade: RGB 199 172 80, RGB 80 199 112, RGB 80 108 199 and RGB 199 80 168

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 60 / 22

HEX #C7AC50

RGB 199 172 80

HSL 46.39, 0.52%, 0.55%

LAB 71.03, -1.19, 49.96

 

Complementary color

CMYK 68 / 53 / 0 / 31

HEX #3853AF

RGB 56 83 175

HSL 226.39, 0.52%, 0.45%

LAB 38.06, 20.99, -52.21

 

CMYK 0 / 16 / 63 / 20

HEX #CCAC4B

RGB 204 172 75

HSL 45.12, 0.56%, 0.55%

LAB 71.45, 0.6, 52.88

 

CMYK 0 / 14 / 57 / 13

HEX #DDBE5E

RGB 221 190 94

HSL 45.35, 0.65%, 0.62%

LAB 77.88, -0.35, 51.75

 

CMYK 0 / 13 / 53 / 7

HEX #EED071

RGB 238 208 113

HSL 45.6, 0.79%, 0.69%

LAB 84.22, -1.16, 50.54

 

CMYK 0 / 11 / 48 / 0

HEX #FFE284

RGB 255 226 132

HSL 45.85, 1%, 0.76%

LAB 90.47, -1.86, 49.32

 

CMYK 0 / 4 / 41 / 0

HEX #FFF497

RGB 255 244 151

HSL 53.65, 1%, 0.8%

LAB 95.24, -9.04, 46.06

 

CMYK 0 / 14 / 60 / 22

HEX #C7AC50

RGB 199 172 80

HSL 46.39, 0.52%, 0.55%

LAB 71.03, -1.19, 49.96

 

CMYK 0 / 15 / 66 / 29

HEX #B69A3D

RGB 182 154 61

HSL 46.12, 0.5%, 0.48%

LAB 64.48, -0.18, 51.02

 

CMYK 0 / 18 / 75 / 35

HEX #A5882A

RGB 165 136 42

HSL 45.85, 0.59%, 0.41%

LAB 57.82, 1.04, 51.76

 

CMYK 0 / 20 / 84 / 42

HEX #947617

RGB 148 118 23

HSL 45.6, 0.73%, 0.34%

LAB 51.05, 2.54, 51.74

 

CMYK 0 / 24 / 97 / 49

HEX #836404

RGB 131 100 4

HSL 45.35, 0.94%, 0.26%

LAB 44.16, 4.37, 50.32

 

CMYK 0 / 14 / 60 / 22

HEX #C7AC50

RGB 199 172 80

HSL 46.39, 0.52%, 0.55%

LAB 71.03, -1.19, 49.96

 

CMYK 0 / 30 / 60 / 22

HEX #C78C50

RGB 199 140 80

HSL 30.25, 0.52%, 0.55%

LAB 62.91, 16.13, 40.55

 

CMYK 0 / 46 / 60 / 22

HEX #C76C50

RGB 199 108 80

HSL 14.12, 0.52%, 0.55%

LAB 55.53, 33.49, 31.57

 

CMYK 0 / 60 / 60 / 22

HEX #C75050

RGB 199 80 80

HSL 0, 0.52%, 0.55%

LAB 50.05, 47.49, 24.6

 

CMYK 0 / 14 / 60 / 22

HEX #C7AC50

RGB 199 172 80

HSL 46.39, 0.52%, 0.55%

LAB 71.03, -1.19, 49.96

 

CMYK 3 / 0 / 60 / 22

HEX #C2C750

RGB 194 199 80

HSL 62.52, 0.52%, 0.55%

LAB 77.81, -17.23, 57.38

 

CMYK 19 / 0 / 60 / 22

HEX #A2C750

RGB 162 199 80

HSL 78.66, 0.52%, 0.55%

LAB 75.52, -30.14, 54.2

 

CMYK 35 / 0 / 60 / 22

HEX #82C750

RGB 130 199 80

HSL 94.79, 0.52%, 0.55%

LAB 73.66, -41.99, 51.6

 

CMYK 51 / 0 / 60 / 22

HEX #62C750

RGB 98 199 80

HSL 110.92, 0.52%, 0.55%

LAB 72.24, -52.05, 49.62

 

CMYK 0 / 14 / 60 / 22

HEX #C7AC50

RGB 199 172 80

HSL 46.39, 0.52%, 0.55%

LAB 71.03, -1.19, 49.96

 

CMYK 0 / 17 / 72 / 15

HEX #DAB63E

RGB 218 182 62

HSL 46.15, 0.68%, 0.55%

LAB 75.27, 0.61, 62.8

 

CMYK 0 / 19 / 82 / 7

HEX #EDC12B

RGB 237 193 43

HSL 46.39, 0.84%, 0.55%

LAB 79.79, 2.31, 74.07

 

CMYK 0 / 14 / 60 / 22

HEX #C7AC50

RGB 199 172 80

HSL 46.39, 0.52%, 0.55%

LAB 71.03, -1.19, 49.96

 

CMYK 0 / 10 / 45 / 29

HEX #B5A263

RGB 181 162 99

HSL 46.1, 0.36%, 0.55%

LAB 66.95, -1.81, 35.2

 

CMYK 0 / 6 / 28 / 36

HEX #A29875

RGB 162 152 117

HSL 46.67, 0.19%, 0.55%

LAB 62.86, -2.01, 19.78

 

CMYK 0 / 1 / 6 / 44

HEX #908E88

RGB 144 142 136

HSL 45, 0.03%, 0.55%

LAB 59.02, -0.4, 3.45

 

CMYK 19 / 14 / 0 / 40

HEX #7D849A

RGB 125 132 154

HSL 225.52, 0.13%, 0.55%

LAB 55.27, 2.28, -12.62

 

CMYK 0 / 46 / 60 / 22

HEX #C76C50

RGB 199 108 80

HSL 14.12, 0.52%, 0.55%

LAB 55.53, 33.49, 31.57

 

CMYK 0 / 30 / 60 / 22

HEX #C78C50

RGB 199 140 80

HSL 30.25, 0.52%, 0.55%

LAB 62.91, 16.13, 40.55

 

CMYK 0 / 14 / 60 / 22

HEX #C7AC50

RGB 199 172 80

HSL 46.39, 0.52%, 0.55%

LAB 71.03, -1.19, 49.96

 

CMYK 2 / 0 / 60 / 22

HEX #C3C750

RGB 195 199 80

HSL 62.02, 0.52%, 0.55%

LAB 77.89, -16.81, 57.48

 

CMYK 18 / 0 / 60 / 22

HEX #A4C750

RGB 164 199 80

HSL 77.65, 0.52%, 0.55%

LAB 75.65, -29.36, 54.38

 

CMYK 0 / 15 / 69 / 41

HEX #967F2F

RGB 150 127 47

HSL 46.6, 0.52%, 0.39%

LAB 53.89, -0.51, 45.15

 

CMYK 0 / 15 / 69 / 29

HEX #B59939

RGB 181 153 57

HSL 46.45, 0.52%, 0.47%

LAB 64.08, -0.32, 52.33

 

CMYK 0 / 14 / 60 / 22

HEX #C7AC50

RGB 199 172 80

HSL 46.39, 0.52%, 0.55%

LAB 71.03, -1.19, 49.96

 

CMYK 0 / 11 / 47 / 18

HEX #D1BB6F

RGB 209 187 111

HSL 46.53, 0.52%, 0.63%

LAB 76.22, -2.29, 41.17

 

CMYK 0 / 8 / 35 / 14

HEX #DBCA8F

RGB 219 202 143

HSL 46.58, 0.51%, 0.71%

LAB 81.45, -2.64, 31.64

 

CMYK 0 / 14 / 60 / 22

HEX #C7AC50

RGB 199 172 80

HSL 46.39, 0.52%, 0.55%

LAB 71.03, -1.19, 49.96

 

CMYK 58 / 0 / 60 / 22

HEX #54C750

RGB 84 199 80

HSL 117.98, 0.52%, 0.55%

LAB 71.77, -55.7, 48.94

 

CMYK 38 / 60 / 0 / 22

HEX #7C50C7

RGB 124 80 199

HSL 262.18, 0.52%, 0.55%

LAB 44.44, 44.08, -55.68

 

CMYK 0 / 14 / 60 / 22

HEX #C7AC50

RGB 199 172 80

HSL 46.39, 0.52%, 0.55%

LAB 71.03, -1.19, 49.96

 

CMYK 60 / 0 / 14 / 22

HEX #50C7AC

RGB 80 199 172

HSL 166.39, 0.52%, 0.55%

LAB 73.24, -39.82, 3.6

 

CMYK 14 / 60 / 0 / 22

HEX #AC50C7

RGB 172 80 199

HSL 286.39, 0.52%, 0.55%

LAB 50.25, 55.58, -46.05

 

CMYK 0 / 14 / 60 / 22

HEX #C7AC50

RGB 199 172 80

HSL 46.39, 0.52%, 0.55%

LAB 71.03, -1.19, 49.96

 

CMYK 58 / 0 / 60 / 22

HEX #54C750

RGB 84 199 80

HSL 117.98, 0.52%, 0.55%

LAB 71.77, -55.7, 48.94

 

CMYK 60 / 46 / 0 / 22

HEX #506CC7

RGB 80 108 199

HSL 225.88, 0.52%, 0.55%

LAB 47.69, 17.71, -50.64

 

CMYK 2 / 60 / 0 / 22

HEX #C350C7

RGB 195 80 199

HSL 297.98, 0.52%, 0.55%

LAB 53.45, 61.33, -40.78

 

CMYK 0 / 14 / 60 / 22

HEX #C7AC50

RGB 199 172 80

HSL 46.39, 0.52%, 0.55%

LAB 71.03, -1.19, 49.96

 

CMYK 60 / 0 / 44 / 22

HEX #50C770

RGB 80 199 112

HSL 136.13, 0.52%, 0.55%

LAB 72.04, -52.21, 33.8

 

CMYK 60 / 46 / 0 / 22

HEX #506CC7

RGB 80 108 199

HSL 225.88, 0.52%, 0.55%

LAB 47.69, 17.71, -50.64

 

CMYK 0 / 60 / 16 / 22

HEX #C750A8

RGB 199 80 168

HSL 315.63, 0.52%, 0.55%

LAB 52.63, 57.35, -24.05

 

Description

Color code: RGB 199 172 80 | qconv.com Color code: RGB 199 172 80 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 172 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 172 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 60 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 60% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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