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Color name
RGB 199 162 101

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 199 162 101 it is the complementary color RGB 56 93 154. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 199 162 101. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 199 162 101 shade: RGB 204 162 96, RGB 221 180 115, RGB 238 198 134, RGB 255 216 153 and RGB 255 234 172

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 199 162 101. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 199 162 101 shade: RGB 199 162 101, RGB 182 144 82, RGB 165 126 63, RGB 148 108 44 and RGB 131 90 25

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 199 162 101 shade: RGB 199 162 101, RGB 199 135 101, RGB 199 109 101 and RGB 199 101 101

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 199 162 101 shade: RGB 199 162 101, RGB 199 188 101, RGB 183 199 101, RGB 157 199 101 and RGB 130 199 101

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 199 162 101 shade matches the following richer shades: RGB 199 162 101, RGB 216 166 84, RGB 233 170 67 and RGB 250 174 50

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 199 162 101 shade: RGB 199 162 101, RGB 182 158 118, RGB 165 154 135, RGB 148 150 152 and RGB 131 145 168

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 199 162 101 shade: RGB 199 109 101, RGB 199 135 101, RGB 199 161 101, RGB 199 188 101 and RGB 184 199 101

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 199 162 101 shade: RGB 160 121 57, RGB 188 144 70, RGB 199 162 101, RGB 210 180 131 and RGB 221 198 161

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 199 162 101 shade: RGB 199 162 101, RGB 119 199 101 and RGB 122 101 199

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 199 162 101 shade: RGB 199 162 101, RGB 101 199 161 and RGB 161 101 199

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 199 162 101 shade: RGB 199 162 101, RGB 119 199 101, RGB 101 138 199 and RGB 181 101 199

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 199 162 101 shade: RGB 199 162 101, RGB 101 199 112, RGB 101 138 199 and RGB 199 101 188

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 49 / 22

HEX #C7A265

RGB 199 162 101

HSL 37.35, 0.47%, 0.59%

LAB 68.69, 5.92, 36.71

 

Complementary color

CMYK 64 / 40 / 0 / 40

HEX #385D9A

RGB 56 93 154

HSL 217.35, 0.47%, 0.41%

LAB 39.58, 6.83, -37.27

 

CMYK 0 / 21 / 53 / 20

HEX #CCA260

RGB 204 162 96

HSL 36.67, 0.51%, 0.59%

LAB 69.13, 7.56, 39.95

 

CMYK 0 / 19 / 48 / 13

HEX #DDB473

RGB 221 180 115

HSL 36.79, 0.61%, 0.66%

LAB 75.61, 6.69, 38.61

 

CMYK 0 / 17 / 44 / 7

HEX #EEC686

RGB 238 198 134

HSL 36.92, 0.75%, 0.73%

LAB 81.99, 5.95, 37.32

 

CMYK 0 / 15 / 40 / 0

HEX #FFD899

RGB 255 216 153

HSL 37.06, 1%, 0.8%

LAB 88.29, 5.3, 36.1

 

CMYK 0 / 8 / 33 / 0

HEX #FFEAAC

RGB 255 234 172

HSL 44.82, 1%, 0.84%

LAB 93.05, -1.71, 32.75

 

CMYK 0 / 19 / 49 / 22

HEX #C7A265

RGB 199 162 101

HSL 37.35, 0.47%, 0.59%

LAB 68.69, 5.92, 36.71

 

CMYK 0 / 21 / 55 / 29

HEX #B69052

RGB 182 144 82

HSL 37.2, 0.41%, 0.52%

LAB 62.08, 6.82, 38.08

 

CMYK 0 / 24 / 62 / 35

HEX #A57E3F

RGB 165 126 63

HSL 37.06, 0.45%, 0.45%

LAB 55.36, 7.9, 39.48

 

CMYK 0 / 27 / 70 / 42

HEX #946C2C

RGB 148 108 44

HSL 36.92, 0.54%, 0.38%

LAB 48.51, 9.21, 40.81

 

CMYK 0 / 31 / 81 / 49

HEX #835A19

RGB 131 90 25

HSL 36.79, 0.68%, 0.31%

LAB 41.54, 10.84, 41.76

 

CMYK 0 / 19 / 49 / 22

HEX #C7A265

RGB 199 162 101

HSL 37.35, 0.47%, 0.59%

LAB 68.69, 5.92, 36.71

 

CMYK 0 / 32 / 49 / 22

HEX #C78765

RGB 199 135 101

HSL 20.82, 0.47%, 0.59%

LAB 62.01, 20.66, 28.17

 

CMYK 0 / 45 / 49 / 22

HEX #C76D65

RGB 199 109 101

HSL 4.9, 0.47%, 0.59%

LAB 56.11, 34.74, 20.36

 

CMYK 0 / 49 / 49 / 22

HEX #C76565

RGB 199 101 101

HSL 0, 0.47%, 0.59%

LAB 54.44, 38.91, 18.1

 

CMYK 0 / 19 / 49 / 22

HEX #C7A265

RGB 199 162 101

HSL 37.35, 0.47%, 0.59%

LAB 68.69, 5.92, 36.71

 

CMYK 0 / 6 / 49 / 22

HEX #C7BC65

RGB 199 188 101

HSL 53.27, 0.47%, 0.59%

LAB 75.48, -7.86, 45.06

 

CMYK 8 / 0 / 49 / 22

HEX #B7C765

RGB 183 199 101

HSL 69.8, 0.47%, 0.59%

LAB 77.19, -19.95, 46.82

 

CMYK 21 / 0 / 49 / 22

HEX #9DC765

RGB 157 199 101

HSL 85.71, 0.47%, 0.59%

LAB 75.42, -30.05, 44.26

 

CMYK 35 / 0 / 49 / 22

HEX #82C765

RGB 130 199 101

HSL 102.24, 0.47%, 0.59%

LAB 73.89, -39.7, 42.04

 

CMYK 0 / 19 / 49 / 22

HEX #C7A265

RGB 199 162 101

HSL 37.35, 0.47%, 0.59%

LAB 68.69, 5.92, 36.71

 

CMYK 0 / 23 / 61 / 15

HEX #D8A654

RGB 216 166 84

HSL 37.27, 0.63%, 0.59%

LAB 71.22, 9.52, 48.73

 

CMYK 0 / 27 / 71 / 9

HEX #E9AA43

RGB 233 170 67

HSL 37.23, 0.79%, 0.59%

LAB 73.85, 13.59, 59.84

 

CMYK 0 / 30 / 80 / 2

HEX #FAAE32

RGB 250 174 50

HSL 37.2, 0.95%, 0.59%

LAB 76.57, 17.98, 69.61

 

CMYK 0 / 19 / 49 / 22

HEX #C7A265

RGB 199 162 101

HSL 37.35, 0.47%, 0.59%

LAB 68.69, 5.92, 36.71

 

CMYK 0 / 13 / 35 / 29

HEX #B69E76

RGB 182 158 118

HSL 37.5, 0.3%, 0.59%

LAB 66.3, 2.94, 24.18

 

CMYK 0 / 7 / 18 / 35

HEX #A59A87

RGB 165 154 135

HSL 38, 0.14%, 0.59%

LAB 64.05, 0.78, 11.43

 

CMYK 3 / 1 / 0 / 40

HEX #949698

RGB 148 150 152

HSL 210, 0.02%, 0.59%

LAB 61.98, -0.33, -1.31

 

CMYK 22 / 14 / 0 / 34

HEX #8391A8

RGB 131 145 168

HSL 217.3, 0.18%, 0.59%

LAB 59.8, 0.13, -13.77

 

CMYK 0 / 45 / 49 / 22

HEX #C76D65

RGB 199 109 101

HSL 4.9, 0.47%, 0.59%

LAB 56.11, 34.74, 20.36

 

CMYK 0 / 32 / 49 / 22

HEX #C78765

RGB 199 135 101

HSL 20.82, 0.47%, 0.59%

LAB 62.01, 20.66, 28.17

 

CMYK 0 / 19 / 49 / 22

HEX #C7A165

RGB 199 161 101

HSL 36.73, 0.47%, 0.59%

LAB 68.44, 6.46, 36.39

 

CMYK 0 / 6 / 49 / 22

HEX #C7BC65

RGB 199 188 101

HSL 53.27, 0.47%, 0.59%

LAB 75.48, -7.86, 45.06

 

CMYK 8 / 0 / 49 / 22

HEX #B8C765

RGB 184 199 101

HSL 69.18, 0.47%, 0.59%

LAB 77.27, -19.55, 46.92

 

CMYK 0 / 24 / 64 / 37

HEX #A07939

RGB 160 121 57

HSL 37.28, 0.47%, 0.43%

LAB 53.43, 8.06, 40.18

 

CMYK 0 / 23 / 63 / 26

HEX #BC9046

RGB 188 144 70

HSL 37.63, 0.47%, 0.51%

LAB 62.58, 8.49, 44.89

 

CMYK 0 / 19 / 49 / 22

HEX #C7A265

RGB 199 162 101

HSL 37.35, 0.47%, 0.59%

LAB 68.69, 5.92, 36.71

 

CMYK 0 / 14 / 38 / 18

HEX #D2B483

RGB 210 180 131

HSL 37.22, 0.47%, 0.67%

LAB 74.81, 3.94, 29

 

CMYK 0 / 10 / 27 / 13

HEX #DDC6A1

RGB 221 198 161

HSL 37, 0.47%, 0.75%

LAB 80.92, 2.5, 21.52

 

CMYK 0 / 19 / 49 / 22

HEX #C7A265

RGB 199 162 101

HSL 37.35, 0.47%, 0.59%

LAB 68.69, 5.92, 36.71

 

CMYK 40 / 0 / 49 / 22

HEX #77C765

RGB 119 199 101

HSL 108.98, 0.47%, 0.59%

LAB 73.36, -43.29, 41.26

 

CMYK 39 / 49 / 0 / 22

HEX #7A65C7

RGB 122 101 199

HSL 252.86, 0.47%, 0.59%

LAB 48.97, 31.49, -48.43

 

CMYK 0 / 19 / 49 / 22

HEX #C7A265

RGB 199 162 101

HSL 37.35, 0.47%, 0.59%

LAB 68.69, 5.92, 36.71

 

CMYK 49 / 0 / 19 / 22

HEX #65C7A1

RGB 101 199 161

HSL 156.73, 0.47%, 0.59%

LAB 73.67, -37.85, 10.25

 

CMYK 19 / 49 / 0 / 22

HEX #A165C7

RGB 161 101 199

HSL 276.73, 0.47%, 0.59%

LAB 52.96, 41.91, -41.85

 

CMYK 0 / 19 / 49 / 22

HEX #C7A265

RGB 199 162 101

HSL 37.35, 0.47%, 0.59%

LAB 68.69, 5.92, 36.71

 

CMYK 40 / 0 / 49 / 22

HEX #77C765

RGB 119 199 101

HSL 108.98, 0.47%, 0.59%

LAB 73.36, -43.29, 41.26

 

CMYK 49 / 31 / 0 / 22

HEX #658AC7

RGB 101 138 199

HSL 217.35, 0.47%, 0.59%

LAB 57.14, 4.09, -35.62

 

CMYK 9 / 49 / 0 / 22

HEX #B565C7

RGB 181 101 199

HSL 288.98, 0.47%, 0.59%

LAB 55.33, 47.53, -37.94

 

CMYK 0 / 19 / 49 / 22

HEX #C7A265

RGB 199 162 101

HSL 37.35, 0.47%, 0.59%

LAB 68.69, 5.92, 36.71

 

CMYK 49 / 0 / 44 / 22

HEX #65C770

RGB 101 199 112

HSL 126.73, 0.47%, 0.59%

LAB 72.75, -47.04, 34.84

 

CMYK 49 / 31 / 0 / 22

HEX #658AC7

RGB 101 138 199

HSL 217.35, 0.47%, 0.59%

LAB 57.14, 4.09, -35.62

 

CMYK 0 / 49 / 6 / 22

HEX #C765BC

RGB 199 101 188

HSL 306.73, 0.47%, 0.59%

LAB 57.15, 50.7, -28.64

 

Description

Color code: RGB 199 162 101 | qconv.com Color code: RGB 199 162 101 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 162 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 162 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 49 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 49% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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