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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 199 169 111 it is the complementary color RGB 56 86 144. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 199 169 111. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 199 169 111 shade: RGB 204 169 106, RGB 221 187 125, RGB 238 205 144, RGB 255 223 163 and RGB 255 241 182

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 199 169 111. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 199 169 111 shade: RGB 199 169 111, RGB 182 151 92, RGB 165 133 73, RGB 148 115 54 and RGB 131 97 35

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 199 169 111 shade: RGB 199 169 111, RGB 199 145 111, RGB 199 122 111 and RGB 199 111 111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 199 169 111 shade: RGB 199 169 111, RGB 199 193 111, RGB 181 199 111, RGB 158 199 111 and RGB 134 199 111

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 199 169 111 shade matches the following richer shades: RGB 199 169 111, RGB 215 174 95, RGB 231 179 79 and RGB 247 184 63

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 199 169 111 shade: RGB 199 169 111, RGB 183 164 127, RGB 167 159 143, RGB 151 154 160 and RGB 134 148 176

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 199 169 111 shade: RGB 199 122 111, RGB 199 145 111, RGB 199 168 111, RGB 199 192 111 and RGB 183 199 111

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 199 169 111 shade: RGB 164 130 64, RGB 187 151 82, RGB 199 169 111, RGB 210 187 141 and RGB 222 204 171

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 199 169 111 shade: RGB 199 169 111, RGB 124 199 111 and RGB 133 111 199

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 199 169 111 shade: RGB 199 169 111, RGB 111 199 168 and RGB 168 111 199

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 199 169 111 shade: RGB 199 169 111, RGB 124 199 111, RGB 111 142 199 and RGB 186 111 199

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 199 169 111 shade: RGB 199 169 111, RGB 111 199 124, RGB 111 142 199 and RGB 199 111 186

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 44 / 22

HEX #C7A96F

RGB 199 169 111

HSL 39.55, 0.44%, 0.61%

LAB 70.64, 3.14, 33.93

 

Complementary color

CMYK 61 / 40 / 0 / 44

HEX #385690

RGB 56 86 144

HSL 219.55, 0.44%, 0.39%

LAB 36.95, 7.76, -35.43

 

CMYK 0 / 17 / 48 / 20

HEX #CCA96A

RGB 204 169 106

HSL 38.57, 0.49%, 0.61%

LAB 71.05, 4.71, 37.16

 

CMYK 0 / 15 / 43 / 13

HEX #DDBB7D

RGB 221 187 125

HSL 38.75, 0.59%, 0.68%

LAB 77.52, 3.99, 35.88

 

CMYK 0 / 14 / 39 / 7

HEX #EECD90

RGB 238 205 144

HSL 38.94, 0.73%, 0.75%

LAB 83.89, 3.37, 34.65

 

CMYK 0 / 13 / 36 / 0

HEX #FFDFA3

RGB 255 223 163

HSL 39.13, 1%, 0.82%

LAB 90.17, 2.82, 33.49

 

CMYK 0 / 5 / 29 / 0

HEX #FFF1B6

RGB 255 241 182

HSL 48.49, 1%, 0.86%

LAB 94.97, -4.01, 30.25

 

CMYK 0 / 15 / 44 / 22

HEX #C7A96F

RGB 199 169 111

HSL 39.55, 0.44%, 0.61%

LAB 70.64, 3.14, 33.93

 

CMYK 0 / 17 / 49 / 29

HEX #B6975C

RGB 182 151 92

HSL 39.33, 0.38%, 0.54%

LAB 64.04, 3.88, 35.25

 

CMYK 0 / 19 / 56 / 35

HEX #A58549

RGB 165 133 73

HSL 39.13, 0.39%, 0.47%

LAB 57.32, 4.77, 36.62

 

CMYK 0 / 22 / 64 / 42

HEX #947336

RGB 148 115 54

HSL 38.94, 0.47%, 0.4%

LAB 50.48, 5.85, 38

 

CMYK 0 / 26 / 73 / 49

HEX #836123

RGB 131 97 35

HSL 38.75, 0.58%, 0.33%

LAB 43.5, 7.2, 39.24

 

CMYK 0 / 15 / 44 / 22

HEX #C7A96F

RGB 199 169 111

HSL 39.55, 0.44%, 0.61%

LAB 70.64, 3.14, 33.93

 

CMYK 0 / 27 / 44 / 22

HEX #C7916F

RGB 199 145 111

HSL 23.18, 0.44%, 0.61%

LAB 64.6, 16.19, 26.06

 

CMYK 0 / 39 / 44 / 22

HEX #C77A6F

RGB 199 122 111

HSL 7.5, 0.44%, 0.61%

LAB 59.17, 28.78, 18.76

 

CMYK 0 / 44 / 44 / 22

HEX #C76F6F

RGB 199 111 111

HSL 0, 0.44%, 0.61%

LAB 56.74, 34.68, 15.43

 

CMYK 0 / 15 / 44 / 22

HEX #C7A96F

RGB 199 169 111

HSL 39.55, 0.44%, 0.61%

LAB 70.64, 3.14, 33.93

 

CMYK 0 / 3 / 44 / 22

HEX #C7C16F

RGB 199 193 111

HSL 55.91, 0.44%, 0.61%

LAB 76.94, -9.48, 41.88

 

CMYK 9 / 0 / 44 / 22

HEX #B5C76F

RGB 181 199 111

HSL 72.27, 0.44%, 0.61%

LAB 77.17, -19.71, 41.86

 

CMYK 21 / 0 / 44 / 22

HEX #9EC76F

RGB 158 199 111

HSL 87.95, 0.44%, 0.61%

LAB 75.62, -28.52, 39.58

 

CMYK 33 / 0 / 44 / 22

HEX #86C76F

RGB 134 199 111

HSL 104.32, 0.44%, 0.61%

LAB 74.23, -37.06, 37.54

 

CMYK 0 / 15 / 44 / 22

HEX #C7A96F

RGB 199 169 111

HSL 39.55, 0.44%, 0.61%

LAB 70.64, 3.14, 33.93

 

CMYK 0 / 19 / 56 / 16

HEX #D7AE5F

RGB 215 174 95

HSL 39.5, 0.6%, 0.61%

LAB 73.25, 5.65, 45.69

 

CMYK 0 / 23 / 66 / 9

HEX #E7B34F

RGB 231 179 79

HSL 39.47, 0.76%, 0.61%

LAB 75.94, 8.63, 56.75

 

CMYK 0 / 26 / 74 / 3

HEX #F7B83F

RGB 247 184 63

HSL 39.46, 0.92%, 0.61%

LAB 78.7, 11.95, 66.77

 

CMYK 0 / 15 / 44 / 22

HEX #C7A96F

RGB 199 169 111

HSL 39.55, 0.44%, 0.61%

LAB 70.64, 3.14, 33.93

 

CMYK 0 / 10 / 31 / 28

HEX #B7A47F

RGB 183 164 127

HSL 39.64, 0.28%, 0.61%

LAB 68.13, 1.24, 21.76

 

CMYK 0 / 5 / 14 / 35

HEX #A79F8F

RGB 167 159 143

HSL 40, 0.12%, 0.61%

LAB 65.74, 0.11, 9.39

 

CMYK 6 / 4 / 0 / 37

HEX #979AA0

RGB 151 154 160

HSL 220, 0.05%, 0.61%

LAB 63.53, 0.12, -3.52

 

CMYK 24 / 16 / 0 / 31

HEX #8694B0

RGB 134 148 176

HSL 220, 0.21%, 0.61%

LAB 61.12, 1.31, -16.3

 

CMYK 0 / 39 / 44 / 22

HEX #C77A6F

RGB 199 122 111

HSL 7.5, 0.44%, 0.61%

LAB 59.17, 28.78, 18.76

 

CMYK 0 / 27 / 44 / 22

HEX #C7916F

RGB 199 145 111

HSL 23.18, 0.44%, 0.61%

LAB 64.6, 16.19, 26.06

 

CMYK 0 / 16 / 44 / 22

HEX #C7A86F

RGB 199 168 111

HSL 38.86, 0.44%, 0.61%

LAB 70.38, 3.68, 33.6

 

CMYK 0 / 4 / 44 / 22

HEX #C7C06F

RGB 199 192 111

HSL 55.23, 0.44%, 0.61%

LAB 76.67, -8.97, 41.55

 

CMYK 8 / 0 / 44 / 22

HEX #B7C76F

RGB 183 199 111

HSL 70.91, 0.44%, 0.61%

LAB 77.32, -18.93, 42.07

 

CMYK 0 / 21 / 61 / 36

HEX #A48240

RGB 164 130 64

HSL 39.6, 0.44%, 0.45%

LAB 56.32, 5.28, 40.05

 

CMYK 0 / 19 / 56 / 27

HEX #BB9752

RGB 187 151 82

HSL 39.43, 0.44%, 0.53%

LAB 64.41, 5.13, 41

 

CMYK 0 / 15 / 44 / 22

HEX #C7A96F

RGB 199 169 111

HSL 39.55, 0.44%, 0.61%

LAB 70.64, 3.14, 33.93

 

CMYK 0 / 11 / 33 / 18

HEX #D2BB8D

RGB 210 187 141

HSL 40, 0.43%, 0.69%

LAB 76.78, 1.43, 26.32

 

CMYK 0 / 8 / 23 / 13

HEX #DECCAB

RGB 222 204 171

HSL 38.82, 0.44%, 0.77%

LAB 82.73, 1.12, 18.74

 

CMYK 0 / 15 / 44 / 22

HEX #C7A96F

RGB 199 169 111

HSL 39.55, 0.44%, 0.61%

LAB 70.64, 3.14, 33.93

 

CMYK 38 / 0 / 44 / 22

HEX #7CC76F

RGB 124 199 111

HSL 111.14, 0.44%, 0.61%

LAB 73.73, -40.35, 36.8

 

CMYK 33 / 44 / 0 / 22

HEX #856FC7

RGB 133 111 199

HSL 255, 0.44%, 0.61%

LAB 52.37, 28.46, -42.96

 

CMYK 0 / 15 / 44 / 22

HEX #C7A96F

RGB 199 169 111

HSL 39.55, 0.44%, 0.61%

LAB 70.64, 3.14, 33.93

 

CMYK 44 / 0 / 16 / 22

HEX #6FC7A8

RGB 111 199 168

HSL 158.86, 0.44%, 0.61%

LAB 74.22, -33.8, 7.32

 

CMYK 16 / 44 / 0 / 22

HEX #A86FC7

RGB 168 111 199

HSL 278.86, 0.44%, 0.61%

LAB 55.9, 38.42, -37.16

 

CMYK 0 / 15 / 44 / 22

HEX #C7A96F

RGB 199 169 111

HSL 39.55, 0.44%, 0.61%

LAB 70.64, 3.14, 33.93

 

CMYK 38 / 0 / 44 / 22

HEX #7CC76F

RGB 124 199 111

HSL 111.14, 0.44%, 0.61%

LAB 73.73, -40.35, 36.8

 

CMYK 44 / 29 / 0 / 22

HEX #6F8EC7

RGB 111 142 199

HSL 218.86, 0.44%, 0.61%

LAB 58.83, 4.23, -32.93

 

CMYK 7 / 44 / 0 / 22

HEX #BA6FC7

RGB 186 111 199

HSL 291.14, 0.44%, 0.61%

LAB 57.97, 43.73, -33.77

 

CMYK 0 / 15 / 44 / 22

HEX #C7A96F

RGB 199 169 111

HSL 39.55, 0.44%, 0.61%

LAB 70.64, 3.14, 33.93

 

CMYK 44 / 0 / 38 / 22

HEX #6FC77C

RGB 111 199 124

HSL 128.86, 0.44%, 0.61%

LAB 73.34, -42.33, 29.52

 

CMYK 44 / 29 / 0 / 22

HEX #6F8EC7

RGB 111 142 199

HSL 218.86, 0.44%, 0.61%

LAB 58.83, 4.23, -32.93

 

CMYK 0 / 44 / 7 / 22

HEX #C76FBA

RGB 199 111 186

HSL 308.86, 0.44%, 0.61%

LAB 59.03, 45.28, -24.6

 

Description

Color code: RGB 199 169 111 | qconv.com Color code: RGB 199 169 111 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 169 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 169 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 44 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 44% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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