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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 199 164 90 it is the complementary color RGB 56 91 165. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 199 164 90. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 199 164 90 shade: RGB 204 164 85, RGB 221 182 104, RGB 238 200 123, RGB 255 218 142 and RGB 255 236 161

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 199 164 90. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 199 164 90 shade: RGB 199 164 90, RGB 182 146 71, RGB 165 128 52, RGB 148 110 33 and RGB 131 92 14

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 199 164 90 shade: RGB 199 164 91, RGB 199 135 91, RGB 199 106 91 and RGB 199 91 91

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 199 164 90 shade: RGB 199 164 91, RGB 199 193 91, RGB 175 199 91, RGB 146 199 91 and RGB 117 199 91

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 199 164 90 shade matches the following richer shades: RGB 199 164 91, RGB 216 170 73, RGB 234 177 56 and RGB 252 183 38

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 199 164 90 shade: RGB 199 164 91, RGB 181 158 109, RGB 163 151 127, RGB 145 145 144 and RGB 128 139 162

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 199 164 90 shade: RGB 199 105 91, RGB 199 134 91, RGB 199 163 91, RGB 199 191 91 and RGB 177 199 91

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 199 164 90 shade: RGB 155 122 53, RGB 185 146 63, RGB 199 164 91, RGB 209 181 122 and RGB 220 198 153

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 199 164 90 shade: RGB 199 164 90, RGB 105 199 91 and RGB 120 91 199

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 199 164 90 shade: RGB 199 164 90, RGB 91 199 163 and RGB 163 91 199

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 199 164 90 shade: RGB 199 164 90, RGB 105 199 91, RGB 91 127 199 and RGB 184 91 199

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 199 164 90 shade: RGB 199 164 90, RGB 91 199 109, RGB 91 127 199 and RGB 199 91 181

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 55 / 22

HEX #C7A45A

RGB 199 164 90

HSL 40.73, 0.49%, 0.57%

LAB 69.06, 3.86, 42.81

 

Complementary color

CMYK 66 / 45 / 0 / 35

HEX #385BA5

RGB 56 91 165

HSL 220.73, 0.49%, 0.43%

LAB 39.65, 12.11, -43.73

 

CMYK 0 / 20 / 58 / 20

HEX #CCA455

RGB 204 164 85

HSL 39.83, 0.54%, 0.57%

LAB 69.5, 5.58, 45.93

 

CMYK 0 / 18 / 53 / 13

HEX #DDB668

RGB 221 182 104

HSL 40, 0.63%, 0.64%

LAB 75.96, 4.65, 44.62

 

CMYK 0 / 16 / 48 / 7

HEX #EEC87B

RGB 238 200 123

HSL 40.17, 0.77%, 0.71%

LAB 82.33, 3.85, 43.33

 

CMYK 0 / 15 / 44 / 0

HEX #FFDA8E

RGB 255 218 142

HSL 40.35, 1%, 0.78%

LAB 88.62, 3.15, 42.08

 

CMYK 0 / 7 / 37 / 0

HEX #FFECA1

RGB 255 236 161

HSL 47.87, 1%, 0.82%

LAB 93.37, -3.99, 38.72

 

CMYK 0 / 18 / 55 / 22

HEX #C7A45A

RGB 199 164 90

HSL 40.73, 0.49%, 0.57%

LAB 69.06, 3.86, 42.81

 

CMYK 0 / 20 / 61 / 29

HEX #B69247

RGB 182 146 71

HSL 40.54, 0.44%, 0.5%

LAB 62.47, 4.85, 44.11

 

CMYK 0 / 22 / 68 / 35

HEX #A58034

RGB 165 128 52

HSL 40.35, 0.52%, 0.43%

LAB 55.77, 6.04, 45.33

 

CMYK 0 / 26 / 78 / 42

HEX #946E21

RGB 148 110 33

HSL 40.17, 0.64%, 0.35%

LAB 48.96, 7.49, 46.2

 

CMYK 0 / 30 / 89 / 49

HEX #835C0E

RGB 131 92 14

HSL 40, 0.81%, 0.28%

LAB 42.02, 9.29, 46.13

 

CMYK 0 / 18 / 54 / 22

HEX #C7A45B

RGB 199 164 91

HSL 40.56, 0.49%, 0.57%

LAB 69.07, 3.94, 42.32

 

CMYK 0 / 32 / 54 / 22

HEX #C7875B

RGB 199 135 91

HSL 24.44, 0.49%, 0.57%

LAB 61.85, 19.75, 33.43

 

CMYK 0 / 47 / 54 / 22

HEX #C76A5B

RGB 199 106 91

HSL 8.33, 0.49%, 0.57%

LAB 55.28, 35.41, 25.02

 

CMYK 0 / 54 / 54 / 22

HEX #C75B5B

RGB 199 91 91

HSL 0, 0.49%, 0.57%

LAB 52.26, 43.07, 21.03

 

CMYK 0 / 18 / 54 / 22

HEX #C7A45B

RGB 199 164 91

HSL 40.56, 0.49%, 0.57%

LAB 69.07, 3.94, 42.32

 

CMYK 0 / 3 / 54 / 22

HEX #C7C15B

RGB 199 193 91

HSL 56.67, 0.49%, 0.57%

LAB 76.7, -11.29, 51.29

 

CMYK 12 / 0 / 54 / 22

HEX #AFC75B

RGB 175 199 91

HSL 73.33, 0.49%, 0.57%

LAB 76.51, -24.07, 50.59

 

CMYK 27 / 0 / 54 / 22

HEX #92C75B

RGB 146 199 91

HSL 89.44, 0.49%, 0.57%

LAB 74.64, -35.19, 47.94

 

CMYK 41 / 0 / 54 / 22

HEX #75C75B

RGB 117 199 91

HSL 105.56, 0.49%, 0.57%

LAB 73.14, -45.15, 45.8

 

CMYK 0 / 18 / 54 / 22

HEX #C7A45B

RGB 199 164 91

HSL 40.56, 0.49%, 0.57%

LAB 69.07, 3.94, 42.32

 

CMYK 0 / 21 / 66 / 15

HEX #D8AA49

RGB 216 170 73

HSL 40.7, 0.65%, 0.57%

LAB 72.11, 6.68, 54.85

 

CMYK 0 / 24 / 76 / 8

HEX #EAB138

RGB 234 177 56

HSL 40.79, 0.81%, 0.57%

LAB 75.59, 9.83, 65.94

 

CMYK 0 / 27 / 85 / 1

HEX #FCB726

RGB 252 183 38

HSL 40.65, 0.97%, 0.57%

LAB 78.87, 13.78, 75.28

 

CMYK 0 / 18 / 54 / 22

HEX #C7A45B

RGB 199 164 91

HSL 40.56, 0.49%, 0.57%

LAB 69.07, 3.94, 42.32

 

CMYK 0 / 13 / 40 / 29

HEX #B59E6D

RGB 181 158 109

HSL 40.83, 0.33%, 0.57%

LAB 66.04, 1.45, 28.72

 

CMYK 0 / 7 / 22 / 36

HEX #A3977F

RGB 163 151 127

HSL 40, 0.16%, 0.57%

LAB 62.89, 0.41, 14.25

 

CMYK 0 / 0 / 1 / 43

HEX #919190

RGB 145 145 144

HSL 60, 0%, 0.57%

LAB 60.14, -0.19, 0.52

 

CMYK 21 / 14 / 0 / 36

HEX #808BA2

RGB 128 139 162

HSL 220.59, 0.15%, 0.57%

LAB 57.72, 1.14, -13.51

 

CMYK 0 / 47 / 54 / 22

HEX #C7695B

RGB 199 105 91

HSL 7.78, 0.49%, 0.57%

LAB 55.07, 35.94, 24.74

 

CMYK 0 / 33 / 54 / 22

HEX #C7865B

RGB 199 134 91

HSL 23.89, 0.49%, 0.57%

LAB 61.61, 20.3, 33.13

 

CMYK 0 / 18 / 54 / 22

HEX #C7A35B

RGB 199 163 91

HSL 40, 0.49%, 0.57%

LAB 68.82, 4.48, 42.01

 

CMYK 0 / 4 / 54 / 22

HEX #C7BF5B

RGB 199 191 91

HSL 55.56, 0.49%, 0.57%

LAB 76.17, -10.27, 50.68

 

CMYK 11 / 0 / 54 / 22

HEX #B1C75B

RGB 177 199 91

HSL 72.22, 0.49%, 0.57%

LAB 76.65, -23.27, 50.79

 

CMYK 0 / 21 / 66 / 39

HEX #9B7A35

RGB 155 122 53

HSL 40.59, 0.49%, 0.41%

LAB 53.11, 4.97, 41.65

 

CMYK 0 / 21 / 66 / 27

HEX #B9923F

RGB 185 146 63

HSL 40.82, 0.49%, 0.49%

LAB 62.7, 5.62, 48.29

 

CMYK 0 / 18 / 54 / 22

HEX #C7A45B

RGB 199 164 91

HSL 40.56, 0.49%, 0.57%

LAB 69.07, 3.94, 42.32

 

CMYK 0 / 13 / 42 / 18

HEX #D1B57A

RGB 209 181 122

HSL 40.69, 0.49%, 0.65%

LAB 74.83, 1.99, 33.75

 

CMYK 0 / 10 / 30 / 14

HEX #DCC699

RGB 220 198 153

HSL 40.3, 0.49%, 0.73%

LAB 80.69, 1.07, 25.41

 

CMYK 0 / 18 / 55 / 22

HEX #C7A45A

RGB 199 164 90

HSL 40.73, 0.49%, 0.57%

LAB 69.06, 3.86, 42.81

 

CMYK 47 / 0 / 54 / 22

HEX #69C75B

RGB 105 199 91

HSL 112.22, 0.49%, 0.57%

LAB 72.63, -48.8, 45.07

 

CMYK 40 / 54 / 0 / 22

HEX #785BC7

RGB 120 91 199

HSL 256.11, 0.49%, 0.57%

LAB 46.44, 36.89, -52.48

 

CMYK 0 / 18 / 55 / 22

HEX #C7A45A

RGB 199 164 90

HSL 40.73, 0.49%, 0.57%

LAB 69.06, 3.86, 42.81

 

CMYK 54 / 0 / 18 / 22

HEX #5BC7A3

RGB 91 199 163

HSL 160, 0.49%, 0.57%

LAB 73.36, -39.72, 8.69

 

CMYK 18 / 54 / 0 / 22

HEX #A35BC7

RGB 163 91 199

HSL 280, 0.49%, 0.57%

LAB 51.14, 47.79, -44.7

 

CMYK 0 / 18 / 55 / 22

HEX #C7A45A

RGB 199 164 90

HSL 40.73, 0.49%, 0.57%

LAB 69.06, 3.86, 42.81

 

CMYK 47 / 0 / 54 / 22

HEX #69C75B

RGB 105 199 91

HSL 112.22, 0.49%, 0.57%

LAB 72.63, -48.8, 45.07

 

CMYK 54 / 36 / 0 / 22

HEX #5B7FC7

RGB 91 127 199

HSL 220, 0.49%, 0.57%

LAB 53.52, 8.32, -41.34

 

CMYK 8 / 54 / 0 / 22

HEX #B85BC7

RGB 184 91 199

HSL 291.67, 0.49%, 0.57%

LAB 53.81, 53.39, -40.31

 

CMYK 0 / 18 / 55 / 22

HEX #C7A45A

RGB 199 164 90

HSL 40.73, 0.49%, 0.57%

LAB 69.06, 3.86, 42.81

 

CMYK 54 / 0 / 45 / 22

HEX #5BC76D

RGB 91 199 109

HSL 130, 0.49%, 0.57%

LAB 72.35, -50.11, 35.77

 

CMYK 54 / 36 / 0 / 22

HEX #5B7FC7

RGB 91 127 199

HSL 220, 0.49%, 0.57%

LAB 53.52, 8.32, -41.34

 

CMYK 0 / 54 / 9 / 22

HEX #C75BB5

RGB 199 91 181

HSL 310, 0.49%, 0.57%

LAB 55.03, 54.37, -27.9

 

Description

Color code: RGB 199 164 90 | qconv.com Color code: RGB 199 164 90 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 164 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 164 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 55 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 55% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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