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Color name
RGB 199 164 240

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 199 164 240 it is the complementary color RGB 56 91 15. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 199 164 240. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 199 164 240 shade: RGB 204 164 235, RGB 221 182 254, RGB 238 200 255, RGB 255 218 255 and RGB 255 236 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 199 164 240. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 199 164 240 shade: RGB 199 164 240, RGB 182 146 221, RGB 165 128 202, RGB 148 110 183 and RGB 131 92 164

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 199 164 240 shade: RGB 198 162 240, RGB 219 162 240, RGB 239 162 240, RGB 240 162 219 and RGB 240 162 198

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 199 164 240 shade: RGB 198 162 240, RGB 177 162 240 and RGB 162 162 240

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 199 164 240 shade matches the following richer shades: RGB 198 162 240 and RGB 197 154 248

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 199 164 240 shade: RGB 198 162 240, RGB 199 171 231, RGB 199 180 222, RGB 200 188 214 and RGB 201 197 205

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 199 164 240 shade: RGB 162 169 240, RGB 177 162 240, RGB 197 162 240, RGB 218 162 240 and RGB 238 162 240

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 199 164 240 shade: RGB 154 91 228, RGB 176 127 234, RGB 198 162 240, RGB 220 198 245 and RGB 242 233 251

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 199 164 240 shade: RGB 199 164 240, RGB 240 162 189 and RGB 162 240 166

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 199 164 240 shade: RGB 199 164 240, RGB 240 197 162 and RGB 162 240 197

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 199 164 240 shade: RGB 199 164 240, RGB 240 162 189, RGB 205 240 162 and RGB 162 240 213

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 199 164 240 shade: RGB 199 164 240, RGB 240 162 166, RGB 205 240 162 and RGB 162 240 236

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 32 / 0 / 6

HEX #C7A4F0

RGB 199 164 240

HSL 267.63, 0.72%, 0.79%

LAB 72.88, 27.28, -33.3

 

Complementary color

CMYK 38 / 0 / 84 / 64

HEX #385B0F

RGB 56 91 15

HSL 87.63, 0.72%, 0.21%

LAB 34.72, -25.7, 36.71

 

CMYK 13 / 30 / 0 / 8

HEX #CCA4EB

RGB 204 164 235

HSL 273.8, 0.64%, 0.78%

LAB 73.15, 27.74, -30.13

 

CMYK 13 / 28 / 0 / 0

HEX #DDB6FE

RGB 221 182 254

HSL 272.5, 0.97%, 0.85%

LAB 79.6, 27.15, -30.33

 

CMYK 7 / 22 / 0 / 0

HEX #EEC8FF

RGB 238 200 255

HSL 281.45, 1%, 0.89%

LAB 85.36, 23.03, -21.95

 

CMYK 0 / 15 / 0 / 0

HEX #FFDAFF

RGB 255 218 255

HSL 300, 1%, 0.93%

LAB 91.06, 19.03, -13.21

 

CMYK 0 / 7 / 0 / 0

HEX #FFECFF

RGB 255 236 255

HSL 300, 1%, 0.96%

LAB 95.36, 9.69, -6.83

 

CMYK 17 / 32 / 0 / 6

HEX #C7A4F0

RGB 199 164 240

HSL 267.63, 0.72%, 0.79%

LAB 72.88, 27.28, -33.3

 

CMYK 18 / 34 / 0 / 13

HEX #B692DD

RGB 182 146 221

HSL 268.8, 0.52%, 0.72%

LAB 66.31, 27.93, -33.18

 

CMYK 18 / 37 / 0 / 21

HEX #A580CA

RGB 165 128 202

HSL 270, 0.41%, 0.65%

LAB 59.62, 28.64, -33.08

 

CMYK 19 / 40 / 0 / 28

HEX #946EB7

RGB 148 110 183

HSL 271.23, 0.34%, 0.57%

LAB 52.8, 29.4, -32.99

 

CMYK 20 / 44 / 0 / 36

HEX #835CA4

RGB 131 92 164

HSL 272.5, 0.28%, 0.5%

LAB 45.85, 30.23, -32.92

 

CMYK 18 / 33 / 0 / 6

HEX #C6A2F0

RGB 198 162 240

HSL 267.69, 0.72%, 0.79%

LAB 72.32, 28.08, -34.17

 

CMYK 9 / 33 / 0 / 6

HEX #DBA2F0

RGB 219 162 240

HSL 283.85, 0.72%, 0.79%

LAB 74.31, 34.48, -30.94

 

CMYK 0 / 33 / 0 / 6

HEX #EFA2F0

RGB 239 162 240

HSL 299.23, 0.72%, 0.79%

LAB 76.36, 40.68, -27.61

 

CMYK 0 / 33 / 9 / 6

HEX #F0A2DB

RGB 240 162 219

HSL 316.15, 0.72%, 0.79%

LAB 75.75, 37.32, -17.11

 

CMYK 0 / 33 / 18 / 6

HEX #F0A2C6

RGB 240 162 198

HSL 332.31, 0.72%, 0.79%

LAB 75.1, 33.95, -6.59

 

CMYK 18 / 33 / 0 / 6

HEX #C6A2F0

RGB 198 162 240

HSL 267.69, 0.72%, 0.79%

LAB 72.32, 28.08, -34.17

 

CMYK 26 / 33 / 0 / 6

HEX #B1A2F0

RGB 177 162 240

HSL 251.54, 0.72%, 0.79%

LAB 70.51, 21.88, -37.13

 

CMYK 33 / 33 / 0 / 6

HEX #A2A2F0

RGB 162 162 240

HSL 240, 0.72%, 0.79%

LAB 69.34, 17.63, -39.04

 

CMYK 18 / 33 / 0 / 6

HEX #C6A2F0

RGB 198 162 240

HSL 267.69, 0.72%, 0.79%

LAB 72.32, 28.08, -34.17

 

CMYK 21 / 38 / 0 / 3

HEX #C59AF8

RGB 197 154 248

HSL 267.45, 0.87%, 0.79%

LAB 70.7, 33.96, -41.05

 

CMYK 18 / 33 / 0 / 6

HEX #C6A2F0

RGB 198 162 240

HSL 267.69, 0.72%, 0.79%

LAB 72.32, 28.08, -34.17

 

CMYK 14 / 26 / 0 / 9

HEX #C7ABE7

RGB 199 171 231

HSL 268, 0.56%, 0.79%

LAB 74.21, 21.5, -26.36

 

CMYK 10 / 19 / 0 / 13

HEX #C7B4DE

RGB 199 180 222

HSL 267.14, 0.39%, 0.79%

LAB 76.11, 14.69, -18.59

 

CMYK 7 / 12 / 0 / 16

HEX #C8BCD6

RGB 200 188 214

HSL 267.69, 0.24%, 0.79%

LAB 77.93, 9.07, -11.5

 

CMYK 2 / 4 / 0 / 20

HEX #C9C5CD

RGB 201 197 205

HSL 270, 0.07%, 0.79%

LAB 80.04, 2.86, -3.51

 

CMYK 33 / 30 / 0 / 6

HEX #A2A9F0

RGB 162 169 240

HSL 234.62, 0.72%, 0.79%

LAB 71.11, 13.69, -36.28

 

CMYK 26 / 33 / 0 / 6

HEX #B1A2F0

RGB 177 162 240

HSL 251.54, 0.72%, 0.79%

LAB 70.51, 21.88, -37.13

 

CMYK 18 / 33 / 0 / 6

HEX #C5A2F0

RGB 197 162 240

HSL 266.92, 0.72%, 0.79%

LAB 72.23, 27.78, -34.32

 

CMYK 9 / 33 / 0 / 6

HEX #DAA2F0

RGB 218 162 240

HSL 283.08, 0.72%, 0.79%

LAB 74.21, 34.18, -31.1

 

CMYK 1 / 33 / 0 / 6

HEX #EEA2F0

RGB 238 162 240

HSL 298.46, 0.72%, 0.79%

LAB 76.26, 40.37, -27.78

 

CMYK 32 / 60 / 0 / 11

HEX #9A5BE4

RGB 154 91 228

HSL 267.59, 0.72%, 0.63%

LAB 51.78, 52.26, -60.24

 

CMYK 25 / 46 / 0 / 8

HEX #B07FEA

RGB 176 127 234

HSL 267.48, 0.72%, 0.71%

LAB 61.95, 39.76, -47.24

 

CMYK 18 / 33 / 0 / 6

HEX #C6A2F0

RGB 198 162 240

HSL 267.69, 0.72%, 0.79%

LAB 72.32, 28.08, -34.17

 

CMYK 10 / 19 / 0 / 4

HEX #DCC6F5

RGB 220 198 245

HSL 268.09, 0.7%, 0.87%

LAB 83.02, 16.39, -20.32

 

CMYK 4 / 7 / 0 / 2

HEX #F2E9FB

RGB 242 233 251

HSL 270, 0.69%, 0.95%

LAB 93.5, 6.25, -7.61

 

CMYK 17 / 32 / 0 / 6

HEX #C7A4F0

RGB 199 164 240

HSL 267.63, 0.72%, 0.79%

LAB 72.88, 27.28, -33.3

 

CMYK 0 / 33 / 21 / 6

HEX #F0A2BD

RGB 240 162 189

HSL 339.23, 0.72%, 0.79%

LAB 74.85, 32.6, -2.02

 

CMYK 33 / 0 / 31 / 6

HEX #A2F0A6

RGB 162 240 166

HSL 123.08, 0.72%, 0.79%

LAB 88.33, -38.3, 28.38

 

CMYK 17 / 32 / 0 / 6

HEX #C7A4F0

RGB 199 164 240

HSL 267.63, 0.72%, 0.79%

LAB 72.88, 27.28, -33.3

 

CMYK 0 / 18 / 33 / 6

HEX #F0C5A2

RGB 240 197 162

HSL 26.92, 0.72%, 0.79%

LAB 82.41, 10.42, 23.31

 

CMYK 33 / 0 / 18 / 6

HEX #A2F0C5

RGB 162 240 197

HSL 146.92, 0.72%, 0.79%

LAB 88.94, -32.81, 13.26

 

CMYK 17 / 32 / 0 / 6

HEX #C7A4F0

RGB 199 164 240

HSL 267.63, 0.72%, 0.79%

LAB 72.88, 27.28, -33.3

 

CMYK 0 / 33 / 21 / 6

HEX #F0A2BD

RGB 240 162 189

HSL 339.23, 0.72%, 0.79%

LAB 74.85, 32.6, -2.02

 

CMYK 15 / 0 / 33 / 6

HEX #CDF0A2

RGB 205 240 162

HSL 86.92, 0.72%, 0.79%

LAB 90.74, -24.45, 34.06

 

CMYK 33 / 0 / 11 / 6

HEX #A2F0D5

RGB 162 240 213

HSL 159.23, 0.72%, 0.79%

LAB 89.3, -29.62, 5.45

 

CMYK 17 / 32 / 0 / 6

HEX #C7A4F0

RGB 199 164 240

HSL 267.63, 0.72%, 0.79%

LAB 72.88, 27.28, -33.3

 

CMYK 0 / 33 / 31 / 6

HEX #F0A2A6

RGB 240 162 166

HSL 356.92, 0.72%, 0.79%

LAB 74.27, 29.44, 9.77

 

CMYK 15 / 0 / 33 / 6

HEX #CDF0A2

RGB 205 240 162

HSL 86.92, 0.72%, 0.79%

LAB 90.74, -24.45, 34.06

 

CMYK 33 / 0 / 2 / 6

HEX #A2F0EC

RGB 162 240 236

HSL 176.92, 0.72%, 0.79%

LAB 89.89, -24.65, -5.7

 

Description

Color code: RGB 199 164 240 | qconv.com Color code: RGB 199 164 240 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 164 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 164 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 32 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 32% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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