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Color name
RGB 199 151 168

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 199 151 168 it is the complementary color RGB 56 104 87. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 199 151 168. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 199 151 168 shade: RGB 204 151 163, RGB 221 169 182, RGB 238 187 201, RGB 255 205 220 and RGB 255 223 239

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 199 151 168. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 199 151 168 shade: RGB 199 151 168, RGB 182 133 149, RGB 165 115 130, RGB 148 97 111 and RGB 131 79 92

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 199 151 168 shade: RGB 199 152 169, RGB 199 152 156 and RGB 199 152 152

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 199 151 168 shade: RGB 199 152 169, RGB 199 152 181, RGB 199 152 194, RGB 191 152 199 and RGB 179 152 199

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 199 151 168 shade matches the following richer shades: RGB 199 152 169, RGB 212 139 165, RGB 225 126 161, RGB 238 113 157 and RGB 250 101 154

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 199 151 168 shade: RGB 199 152 169, RGB 186 165 172, RGB 174 177 176, RGB 161 190 180 and RGB 148 203 183

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 199 151 168 shade: RGB 199 152 194, RGB 199 152 182, RGB 199 152 169, RGB 199 152 156 and RGB 199 160 152

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 199 151 168 shade: RGB 170 98 124, RGB 185 125 146, RGB 199 152 169, RGB 214 179 191 and RGB 228 205 213

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 199 151 168 shade: RGB 199 151 168, RGB 199 191 152 and RGB 152 188 199

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 199 151 168 shade: RGB 199 151 168, RGB 169 199 152 and RGB 152 169 199

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 199 151 168 shade: RGB 199 151 168, RGB 199 191 152, RGB 152 199 182 and RGB 152 160 199

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 199 151 168 shade: RGB 199 151 168, RGB 193 199 152, RGB 152 199 182 and RGB 158 152 199

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 16 / 22

HEX #C797A8

RGB 199 151 168

HSL 338.75, 0.3%, 0.69%

LAB 67.35, 20.61, -1.89

 

Complementary color

CMYK 46 / 0 / 16 / 59

HEX #386857

RGB 56 104 87

HSL 158.75, 0.3%, 0.31%

LAB 40.29, -20.81, 4.52

 

CMYK 0 / 26 / 20 / 20

HEX #CC97A3

RGB 204 151 163

HSL 346.42, 0.34%, 0.7%

LAB 67.74, 21.65, 1.53

 

CMYK 0 / 24 / 18 / 13

HEX #DDA9B6

RGB 221 169 182

HSL 345, 0.43%, 0.76%

LAB 74.27, 21.02, 0.74

 

CMYK 0 / 21 / 16 / 7

HEX #EEBBC9

RGB 238 187 201

HSL 343.53, 0.6%, 0.83%

LAB 80.7, 20.45, -0.01

 

CMYK 0 / 20 / 14 / 0

HEX #FFCDDC

RGB 255 205 220

HSL 342, 1%, 0.9%

LAB 87.04, 19.92, -0.71

 

CMYK 0 / 13 / 6 / 0

HEX #FFDFEF

RGB 255 223 239

HSL 330, 1%, 0.94%

LAB 91.8, 13.64, -3.73

 

CMYK 0 / 24 / 16 / 22

HEX #C797A8

RGB 199 151 168

HSL 338.75, 0.3%, 0.69%

LAB 67.35, 20.61, -1.89

 

CMYK 0 / 27 / 18 / 29

HEX #B68595

RGB 182 133 149

HSL 340.41, 0.25%, 0.62%

LAB 60.68, 21.25, -1.12

 

CMYK 0 / 30 / 21 / 35

HEX #A57382

RGB 165 115 130

HSL 342, 0.22%, 0.55%

LAB 53.89, 21.97, -0.29

 

CMYK 0 / 34 / 25 / 42

HEX #94616F

RGB 148 97 111

HSL 343.53, 0.21%, 0.48%

LAB 46.97, 22.77, 0.64

 

CMYK 0 / 40 / 30 / 49

HEX #834F5C

RGB 131 79 92

HSL 345, 0.25%, 0.41%

LAB 39.9, 23.67, 1.72

 

CMYK 0 / 24 / 15 / 22

HEX #C798A9

RGB 199 152 169

HSL 338.3, 0.3%, 0.69%

LAB 67.62, 20.22, -2.05

 

CMYK 0 / 24 / 22 / 22

HEX #C7989C

RGB 199 152 156

HSL 354.89, 0.3%, 0.69%

LAB 67.28, 18.17, 4.72

 

CMYK 0 / 24 / 24 / 22

HEX #C79898

RGB 199 152 152

HSL 0, 0.3%, 0.69%

LAB 67.18, 17.57, 6.81

 

CMYK 0 / 24 / 15 / 22

HEX #C798A9

RGB 199 152 169

HSL 338.3, 0.3%, 0.69%

LAB 67.62, 20.22, -2.05

 

CMYK 0 / 24 / 9 / 22

HEX #C798B5

RGB 199 152 181

HSL 322.98, 0.3%, 0.69%

LAB 67.97, 22.25, -8.24

 

CMYK 0 / 24 / 3 / 22

HEX #C798C2

RGB 199 152 194

HSL 306.38, 0.3%, 0.69%

LAB 68.38, 24.59, -14.87

 

CMYK 4 / 24 / 0 / 22

HEX #BF98C7

RGB 191 152 199

HSL 289.79, 0.3%, 0.69%

LAB 67.77, 22.84, -18.66

 

CMYK 10 / 24 / 0 / 22

HEX #B398C7

RGB 179 152 199

HSL 274.47, 0.3%, 0.69%

LAB 66.64, 18.86, -20.47

 

CMYK 0 / 24 / 15 / 22

HEX #C798A9

RGB 199 152 169

HSL 338.3, 0.3%, 0.69%

LAB 67.62, 20.22, -2.05

 

CMYK 0 / 34 / 22 / 17

HEX #D48BA5

RGB 212 139 165

HSL 338.63, 0.46%, 0.69%

LAB 65.89, 31.39, -2.19

 

CMYK 0 / 44 / 28 / 12

HEX #E17EA1

RGB 225 126 161

HSL 338.79, 0.62%, 0.69%

LAB 64.57, 42.27, -1.68

 

CMYK 0 / 53 / 34 / 7

HEX #EE719D

RGB 238 113 157

HSL 338.88, 0.79%, 0.69%

LAB 63.69, 52.6, -0.47

 

CMYK 0 / 60 / 38 / 2

HEX #FA659A

RGB 250 101 154

HSL 338.66, 0.94%, 0.69%

LAB 63.31, 61.52, 0.91

 

CMYK 0 / 24 / 15 / 22

HEX #C798A9

RGB 199 152 169

HSL 338.3, 0.3%, 0.69%

LAB 67.62, 20.22, -2.05

 

CMYK 0 / 11 / 8 / 27

HEX #BAA5AC

RGB 186 165 172

HSL 340, 0.13%, 0.69%

LAB 69.7, 8.85, -0.82

 

CMYK 2 / 0 / 1 / 31

HEX #AEB1B0

RGB 174 177 176

HSL 160, 0.02%, 0.69%

LAB 71.95, -1.24, 0.13

 

CMYK 15 / 0 / 5 / 25

HEX #A1BEB4

RGB 161 190 180

HSL 159.31, 0.18%, 0.69%

LAB 74.63, -11.81, 1.75

 

CMYK 27 / 0 / 10 / 20

HEX #94CBB7

RGB 148 203 183

HSL 158.18, 0.35%, 0.69%

LAB 77.54, -21.98, 4.24

 

CMYK 0 / 24 / 3 / 22

HEX #C798C2

RGB 199 152 194

HSL 306.38, 0.3%, 0.69%

LAB 68.38, 24.59, -14.87

 

CMYK 0 / 24 / 9 / 22

HEX #C798B6

RGB 199 152 182

HSL 321.7, 0.3%, 0.69%

LAB 68, 22.42, -8.75

 

CMYK 0 / 24 / 15 / 22

HEX #C798A9

RGB 199 152 169

HSL 338.3, 0.3%, 0.69%

LAB 67.62, 20.22, -2.05

 

CMYK 0 / 24 / 22 / 22

HEX #C7989C

RGB 199 152 156

HSL 354.89, 0.3%, 0.69%

LAB 67.28, 18.17, 4.72

 

CMYK 0 / 20 / 24 / 22

HEX #C7A098

RGB 199 160 152

HSL 10.21, 0.3%, 0.69%

LAB 69.15, 13.19, 9.62

 

CMYK 0 / 42 / 27 / 33

HEX #AA627C

RGB 170 98 124

HSL 338.33, 0.3%, 0.53%

LAB 50.38, 32.46, -1.82

 

CMYK 0 / 32 / 21 / 27

HEX #B97D92

RGB 185 125 146

HSL 339, 0.3%, 0.61%

LAB 59.03, 26.35, -1.79

 

CMYK 0 / 24 / 15 / 22

HEX #C798A9

RGB 199 152 169

HSL 338.3, 0.3%, 0.69%

LAB 67.62, 20.22, -2.05

 

CMYK 0 / 16 / 11 / 16

HEX #D6B3BF

RGB 214 179 191

HSL 339.43, 0.3%, 0.77%

LAB 76.25, 14.57, -1.37

 

CMYK 0 / 10 / 7 / 11

HEX #E4CDD5

RGB 228 205 213

HSL 339.13, 0.3%, 0.85%

LAB 84.46, 9.37, -1.05

 

CMYK 0 / 24 / 16 / 22

HEX #C797A8

RGB 199 151 168

HSL 338.75, 0.3%, 0.69%

LAB 67.35, 20.61, -1.89

 

CMYK 0 / 4 / 24 / 22

HEX #C7BF98

RGB 199 191 152

HSL 49.79, 0.3%, 0.69%

LAB 77.08, -3.46, 20.73

 

CMYK 24 / 6 / 0 / 22

HEX #98BCC7

RGB 152 188 199

HSL 194.04, 0.3%, 0.69%

LAB 74.04, -9.57, -9.53

 

CMYK 0 / 24 / 16 / 22

HEX #C797A8

RGB 199 151 168

HSL 338.75, 0.3%, 0.69%

LAB 67.35, 20.61, -1.89

 

CMYK 15 / 0 / 24 / 22

HEX #A9C798

RGB 169 199 152

HSL 98.3, 0.3%, 0.69%

LAB 77.01, -18.7, 20.27

 

CMYK 24 / 15 / 0 / 22

HEX #98A9C7

RGB 152 169 199

HSL 218.3, 0.3%, 0.69%

LAB 68.88, 0.69, -17.28

 

CMYK 0 / 24 / 16 / 22

HEX #C797A8

RGB 199 151 168

HSL 338.75, 0.3%, 0.69%

LAB 67.35, 20.61, -1.89

 

CMYK 0 / 4 / 24 / 22

HEX #C7BF98

RGB 199 191 152

HSL 49.79, 0.3%, 0.69%

LAB 77.08, -3.46, 20.73

 

CMYK 24 / 0 / 9 / 22

HEX #98C7B6

RGB 152 199 182

HSL 158.3, 0.3%, 0.69%

LAB 76.62, -18.94, 3.48

 

CMYK 24 / 20 / 0 / 22

HEX #98A0C7

RGB 152 160 199

HSL 229.79, 0.3%, 0.69%

LAB 66.47, 5.69, -20.93

 

CMYK 0 / 24 / 16 / 22

HEX #C797A8

RGB 199 151 168

HSL 338.75, 0.3%, 0.69%

LAB 67.35, 20.61, -1.89

 

CMYK 3 / 0 / 24 / 22

HEX #C1C798

RGB 193 199 152

HSL 67.66, 0.3%, 0.69%

LAB 78.72, -9.89, 22.9

 

CMYK 24 / 0 / 9 / 22

HEX #98C7B6

RGB 152 199 182

HSL 158.3, 0.3%, 0.69%

LAB 76.62, -18.94, 3.48

 

CMYK 21 / 24 / 0 / 22

HEX #9E98C7

RGB 158 152 199

HSL 247.66, 0.3%, 0.69%

LAB 64.84, 12.09, -23.38

 

Description

Color code: RGB 199 151 168 | qconv.com Color code: RGB 199 151 168 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 151 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 151 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 16 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 16% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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