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Color name
RGB 199 158 51

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 199 158 51 it is the complementary color RGB 56 97 204. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 199 158 51. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 199 158 51 shade: RGB 204 158 46, RGB 221 176 65, RGB 238 194 84, RGB 255 212 103 and RGB 255 230 122

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 199 158 51. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 199 158 51 shade: RGB 199 158 51, RGB 182 140 32, RGB 165 122 13, RGB 148 104 0 and RGB 131 86 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 199 158 51 shade: RGB 198 157 51, RGB 198 118 51, RGB 198 78 51 and RGB 198 51 51

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 199 158 51 shade: RGB 198 157 51, RGB 198 197 51, RGB 159 198 51, RGB 120 198 51 and RGB 80 198 51

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 199 158 51 shade matches the following richer shades: RGB 198 157 51, RGB 218 166 31 and RGB 239 175 10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 199 158 51 shade: RGB 198 157 51, RGB 178 148 71, RGB 158 139 91, RGB 138 130 111 and RGB 117 121 132

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 199 158 51 shade: RGB 198 78 51, RGB 198 117 51, RGB 198 156 51, RGB 198 196 51 and RGB 161 198 51

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 199 158 51 shade: RGB 133 105 34, RGB 165 131 42, RGB 198 157 51, RGB 210 174 81 and RGB 218 189 113

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 199 158 51 shade: RGB 199 158 51, RGB 63 198 51 and RGB 97 51 198

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 199 158 51 shade: RGB 199 158 51, RGB 51 198 156 and RGB 156 51 198

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 199 158 51 shade: RGB 199 158 51, RGB 63 198 51, RGB 51 93 198 and RGB 186 51 198

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 199 158 51 shade: RGB 199 158 51, RGB 51 198 83, RGB 51 93 198 and RGB 198 51 166

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 74 / 22

HEX #C79E33

RGB 199 158 51

HSL 43.38, 0.59%, 0.49%

LAB 67.15, 4.61, 58.48

 

Complementary color

CMYK 73 / 52 / 0 / 20

HEX #3861CC

RGB 56 97 204

HSL 223.38, 0.59%, 0.51%

LAB 43.87, 22.56, -59.73

 

CMYK 0 / 23 / 77 / 20

HEX #CC9E2E

RGB 204 158 46

HSL 42.53, 0.63%, 0.49%

LAB 67.64, 6.59, 61.01

 

CMYK 0 / 20 / 71 / 13

HEX #DDB041

RGB 221 176 65

HSL 42.69, 0.7%, 0.56%

LAB 74.06, 5.2, 60.49

 

CMYK 0 / 18 / 65 / 7

HEX #EEC254

RGB 238 194 84

HSL 42.86, 0.82%, 0.63%

LAB 80.4, 4.01, 59.57

 

CMYK 0 / 17 / 60 / 0

HEX #FFD467

RGB 255 212 103

HSL 43.03, 1%, 0.7%

LAB 86.67, 2.98, 58.47

 

CMYK 0 / 10 / 52 / 0

HEX #FFE67A

RGB 255 230 122

HSL 48.72, 1%, 0.74%

LAB 91.35, -4.72, 55.15

 

CMYK 0 / 21 / 74 / 22

HEX #C79E33

RGB 199 158 51

HSL 43.38, 0.59%, 0.49%

LAB 67.15, 4.61, 58.48

 

CMYK 0 / 23 / 82 / 29

HEX #B68C20

RGB 182 140 32

HSL 43.2, 0.7%, 0.42%

LAB 60.61, 6.12, 58.6

 

CMYK 0 / 26 / 92 / 35

HEX #A57A0D

RGB 165 122 13

HSL 43.03, 0.85%, 0.35%

LAB 53.97, 7.93, 57.48

 

CMYK 0 / 30 / 100 / 42

HEX #946800

RGB 148 104 0

HSL 42.16, 1%, 0.29%

LAB 47.23, 10.06, 54.37

 

CMYK 0 / 34 / 100 / 49

HEX #835600

RGB 131 86 0

HSL 39.39, 1%, 0.26%

LAB 40.38, 12.52, 48.76

 

CMYK 0 / 21 / 74 / 22

HEX #C69D33

RGB 198 157 51

HSL 43.27, 0.59%, 0.49%

LAB 66.79, 4.71, 58.1

 

CMYK 0 / 40 / 74 / 22

HEX #C67633

RGB 198 118 51

HSL 27.35, 0.59%, 0.49%

LAB 57.27, 25.98, 48.58

 

CMYK 0 / 61 / 74 / 22

HEX #C64E33

RGB 198 78 51

HSL 11.02, 0.59%, 0.49%

LAB 49.12, 46.4, 39.98

 

CMYK 0 / 74 / 74 / 22

HEX #C63333

RGB 198 51 51

HSL 0, 0.59%, 0.49%

LAB 45.1, 57.3, 35.53

 

CMYK 0 / 21 / 74 / 22

HEX #C69D33

RGB 198 157 51

HSL 43.27, 0.59%, 0.49%

LAB 66.79, 4.71, 58.1

 

CMYK 0 / 1 / 74 / 22

HEX #C6C533

RGB 198 197 51

HSL 59.59, 0.59%, 0.49%

LAB 77.39, -16.17, 68.17

 

CMYK 20 / 0 / 74 / 22

HEX #9FC633

RGB 159 198 51

HSL 75.92, 0.59%, 0.49%

LAB 74.82, -32.79, 64.74

 

CMYK 39 / 0 / 74 / 22

HEX #78C633

RGB 120 198 51

HSL 91.84, 0.59%, 0.49%

LAB 72.64, -47.27, 61.88

 

CMYK 60 / 0 / 74 / 22

HEX #50C633

RGB 80 198 51

HSL 108.16, 0.59%, 0.49%

LAB 71.1, -58.96, 59.84

 

CMYK 0 / 21 / 74 / 22

HEX #C69D33

RGB 198 157 51

HSL 43.27, 0.59%, 0.49%

LAB 66.79, 4.71, 58.1

 

CMYK 0 / 24 / 86 / 15

HEX #DAA61F

RGB 218 166 31

HSL 43.32, 0.75%, 0.49%

LAB 71.06, 7.97, 69.23

 

CMYK 0 / 27 / 96 / 6

HEX #EFAF0A

RGB 239 175 10

HSL 43.23, 0.92%, 0.49%

LAB 75.47, 11.98, 77.34

 

CMYK 0 / 21 / 74 / 22

HEX #C69D33

RGB 198 157 51

HSL 43.27, 0.59%, 0.49%

LAB 66.79, 4.71, 58.1

 

CMYK 0 / 17 / 60 / 30

HEX #B29447

RGB 178 148 71

HSL 43.18, 0.43%, 0.49%

LAB 62.59, 2.01, 44.14

 

CMYK 0 / 12 / 42 / 38

HEX #9E8B5B

RGB 158 139 91

HSL 42.99, 0.27%, 0.49%

LAB 58.5, 0.19, 28.27

 

CMYK 0 / 6 / 20 / 46

HEX #8A826F

RGB 138 130 111

HSL 42.22, 0.11%, 0.49%

LAB 54.57, -0.32, 11.38

 

CMYK 11 / 8 / 0 / 48

HEX #757984

RGB 117 121 132

HSL 224, 0.06%, 0.49%

LAB 50.83, 0.86, -6.51

 

CMYK 0 / 61 / 74 / 22

HEX #C64E33

RGB 198 78 51

HSL 11.02, 0.59%, 0.49%

LAB 49.12, 46.4, 39.98

 

CMYK 0 / 41 / 74 / 22

HEX #C67533

RGB 198 117 51

HSL 26.94, 0.59%, 0.49%

LAB 57.04, 26.52, 48.35

 

CMYK 0 / 21 / 74 / 22

HEX #C69C33

RGB 198 156 51

HSL 42.86, 0.59%, 0.49%

LAB 66.54, 5.25, 57.85

 

CMYK 0 / 1 / 74 / 22

HEX #C6C433

RGB 198 196 51

HSL 59.18, 0.59%, 0.49%

LAB 77.12, -15.67, 67.92

 

CMYK 19 / 0 / 74 / 22

HEX #A1C633

RGB 161 198 51

HSL 75.1, 0.59%, 0.49%

LAB 74.95, -32, 64.91

 

CMYK 0 / 21 / 74 / 48

HEX #856922

RGB 133 105 34

HSL 43.03, 0.59%, 0.33%

LAB 45.91, 3.41, 42.22

 

CMYK 0 / 21 / 75 / 35

HEX #A5832A

RGB 165 131 42

HSL 43.41, 0.59%, 0.41%

LAB 56.49, 3.82, 50.45

 

CMYK 0 / 21 / 74 / 22

HEX #C69D33

RGB 198 157 51

HSL 43.27, 0.59%, 0.49%

LAB 66.79, 4.71, 58.1

 

CMYK 0 / 17 / 61 / 18

HEX #D2AE51

RGB 210 174 81

HSL 43.26, 0.59%, 0.57%

LAB 72.61, 2.51, 51.56

 

CMYK 0 / 13 / 48 / 15

HEX #DABD71

RGB 218 189 113

HSL 43.43, 0.59%, 0.65%

LAB 77.57, 0.53, 42.03

 

CMYK 0 / 21 / 74 / 22

HEX #C79E33

RGB 199 158 51

HSL 43.38, 0.59%, 0.49%

LAB 67.15, 4.61, 58.48

 

CMYK 68 / 0 / 74 / 22

HEX #3FC633

RGB 63 198 51

HSL 115.1, 0.59%, 0.49%

LAB 70.65, -62.64, 59.24

 

CMYK 51 / 74 / 0 / 22

HEX #6133C6

RGB 97 51 198

HSL 258.78, 0.59%, 0.49%

LAB 35.96, 53.87, -69.02

 

CMYK 0 / 21 / 74 / 22

HEX #C79E33

RGB 199 158 51

HSL 43.38, 0.59%, 0.49%

LAB 67.15, 4.61, 58.48

 

CMYK 74 / 0 / 21 / 22

HEX #33C69C

RGB 51 198 156

HSL 162.86, 0.59%, 0.49%

LAB 71.89, -47.89, 10.23

 

CMYK 21 / 74 / 0 / 22

HEX #9C33C6

RGB 156 51 198

HSL 282.86, 0.59%, 0.49%

LAB 43.53, 64.15, -56.37

 

CMYK 0 / 21 / 74 / 22

HEX #C79E33

RGB 199 158 51

HSL 43.38, 0.59%, 0.49%

LAB 67.15, 4.61, 58.48

 

CMYK 68 / 0 / 74 / 22

HEX #3FC633

RGB 63 198 51

HSL 115.1, 0.59%, 0.49%

LAB 70.65, -62.64, 59.24

 

CMYK 74 / 53 / 0 / 22

HEX #335DC6

RGB 51 93 198

HSL 222.86, 0.59%, 0.49%

LAB 42.17, 22.28, -59.03

 

CMYK 6 / 74 / 0 / 22

HEX #BA33C6

RGB 186 51 198

HSL 295.1, 0.59%, 0.49%

LAB 48.11, 70.13, -48.76

 

CMYK 0 / 21 / 74 / 22

HEX #C79E33

RGB 199 158 51

HSL 43.38, 0.59%, 0.49%

LAB 67.15, 4.61, 58.48

 

CMYK 74 / 0 / 58 / 22

HEX #33C653

RGB 51 198 83

HSL 133.06, 0.59%, 0.49%

LAB 70.68, -61.48, 46.11

 

CMYK 74 / 53 / 0 / 22

HEX #335DC6

RGB 51 93 198

HSL 222.86, 0.59%, 0.49%

LAB 42.17, 22.28, -59.03

 

CMYK 0 / 74 / 16 / 22

HEX #C633A6

RGB 198 51 166

HSL 313.06, 0.59%, 0.49%

LAB 48.42, 67.82, -29.41

 

Description

Color code: RGB 199 158 51 | qconv.com Color code: RGB 199 158 51 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 158 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 158 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 74 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 74% 22% C M Y K

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Provide designers and agencies with accurate color values.

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