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Color name
RGB 199 156 40

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 199 156 40 it is the complementary color RGB 56 99 215. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 199 156 40. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 199 156 40 shade: RGB 204 156 35, RGB 221 174 54, RGB 238 192 73, RGB 255 210 92 and RGB 255 228 111

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 199 156 40. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 199 156 40 shade: RGB 199 156 40, RGB 182 138 21, RGB 165 120 2, RGB 148 102 0 and RGB 131 84 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 199 156 40 shade: RGB 200 156 39, RGB 200 113 39, RGB 200 70 39 and RGB 200 39 39

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 199 156 40 shade: RGB 200 156 39, RGB 200 200 39, RGB 156 200 39, RGB 113 200 39 and RGB 70 200 39

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 199 156 40 shade matches the following richer shades: RGB 200 156 39, RGB 219 165 20 and RGB 238 174 0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 199 156 40 shade: RGB 200 156 39, RGB 180 147 58, RGB 161 138 78, RGB 141 130 97 and RGB 122 121 117

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 199 156 40 shade: RGB 200 68 39, RGB 200 111 39, RGB 200 154 39, RGB 200 197 39 and RGB 159 200 39

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 199 156 40 shade: RGB 131 102 25, RGB 165 129 32, RGB 200 156 39, RGB 217 175 63 and RGB 224 189 98

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 199 156 40 shade: RGB 199 156 40, RGB 52 200 39 and RGB 90 39 200

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 199 156 40 shade: RGB 199 156 40, RGB 39 200 154 and RGB 154 39 200

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 199 156 40 shade: RGB 199 156 40, RGB 52 200 39, RGB 39 85 200 and RGB 186 39 200

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 199 156 40 shade: RGB 199 156 40, RGB 39 200 74, RGB 39 85 200 and RGB 200 39 165

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 80 / 22

HEX #C79C28

RGB 199 156 40

HSL 43.77, 0.67%, 0.47%

LAB 66.58, 5.25, 61.94

 

Complementary color

CMYK 74 / 54 / 0 / 16

HEX #3863D7

RGB 56 99 215

HSL 223.77, 0.67%, 0.53%

LAB 45.18, 25.32, -63.91

 

CMYK 0 / 24 / 83 / 20

HEX #CC9C23

RGB 204 156 35

HSL 42.96, 0.71%, 0.47%

LAB 67.08, 7.29, 64.18

 

CMYK 0 / 21 / 76 / 13

HEX #DDAE36

RGB 221 174 54

HSL 43.11, 0.71%, 0.54%

LAB 73.49, 5.76, 64.21

 

CMYK 0 / 19 / 69 / 7

HEX #EEC049

RGB 238 192 73

HSL 43.27, 0.83%, 0.61%

LAB 79.82, 4.44, 63.62

 

CMYK 0 / 18 / 64 / 0

HEX #FFD25C

RGB 255 210 92

HSL 43.44, 1%, 0.68%

LAB 86.07, 3.3, 62.7

 

CMYK 0 / 11 / 56 / 0

HEX #FFE46F

RGB 255 228 111

HSL 48.75, 1%, 0.72%

LAB 90.73, -4.57, 59.49

 

CMYK 0 / 22 / 80 / 22

HEX #C79C28

RGB 199 156 40

HSL 43.77, 0.67%, 0.47%

LAB 66.58, 5.25, 61.94

 

CMYK 0 / 24 / 88 / 29

HEX #B68A15

RGB 182 138 21

HSL 43.6, 0.79%, 0.4%

LAB 60.05, 6.93, 61.23

 

CMYK 0 / 27 / 99 / 35

HEX #A57802

RGB 165 120 2

HSL 43.44, 0.98%, 0.33%

LAB 53.42, 8.89, 59.14

 

CMYK 0 / 31 / 100 / 42

HEX #946600

RGB 148 102 0

HSL 41.35, 1%, 0.29%

LAB 46.71, 11.22, 54.02

 

CMYK 0 / 36 / 100 / 49

HEX #835400

RGB 131 84 0

HSL 38.47, 1%, 0.26%

LAB 39.86, 13.71, 48.42

 

CMYK 0 / 22 / 81 / 22

HEX #C89C27

RGB 200 156 39

HSL 43.6, 0.67%, 0.47%

LAB 66.67, 5.66, 62.4

 

CMYK 0 / 44 / 81 / 22

HEX #C87127

RGB 200 113 39

HSL 27.58, 0.67%, 0.47%

LAB 56.32, 29.04, 53.02

 

CMYK 0 / 65 / 81 / 22

HEX #C84627

RGB 200 70 39

HSL 11.55, 0.67%, 0.47%

LAB 48.01, 50.21, 45.17

 

CMYK 0 / 81 / 81 / 22

HEX #C82727

RGB 200 39 39

HSL 0, 0.67%, 0.47%

LAB 44.06, 61.12, 41.28

 

CMYK 0 / 22 / 81 / 22

HEX #C89C27

RGB 200 156 39

HSL 43.6, 0.67%, 0.47%

LAB 66.67, 5.66, 62.4

 

CMYK 0 / 0 / 81 / 22

HEX #C8C827

RGB 200 200 39

HSL 60, 0.67%, 0.47%

LAB 78.31, -17.26, 72.58

 

CMYK 22 / 0 / 81 / 22

HEX #9CC827

RGB 156 200 39

HSL 76.4, 0.67%, 0.47%

LAB 75.15, -35.44, 68.6

 

CMYK 44 / 0 / 81 / 22

HEX #71C827

RGB 113 200 39

HSL 92.42, 0.67%, 0.47%

LAB 72.87, -51.04, 65.68

 

CMYK 65 / 0 / 81 / 22

HEX #46C827

RGB 70 200 39

HSL 108.45, 0.67%, 0.47%

LAB 71.39, -62.65, 63.77

 

CMYK 0 / 22 / 81 / 22

HEX #C89C27

RGB 200 156 39

HSL 43.6, 0.67%, 0.47%

LAB 66.67, 5.66, 62.4

 

CMYK 0 / 25 / 91 / 14

HEX #DBA514

RGB 219 165 20

HSL 43.72, 0.83%, 0.47%

LAB 70.89, 8.72, 71.57

 

CMYK 0 / 27 / 100 / 7

HEX #EEAE00

RGB 238 174 0

HSL 43.87, 1%, 0.47%

LAB 75.11, 11.99, 78.14

 

CMYK 0 / 22 / 81 / 22

HEX #C89C27

RGB 200 156 39

HSL 43.6, 0.67%, 0.47%

LAB 66.67, 5.66, 62.4

 

CMYK 0 / 18 / 68 / 29

HEX #B4933A

RGB 180 147 58

HSL 43.77, 0.51%, 0.47%

LAB 62.4, 2.56, 50.1

 

CMYK 0 / 14 / 52 / 37

HEX #A18A4E

RGB 161 138 78

HSL 43.37, 0.35%, 0.47%

LAB 58.32, 0.68, 35.11

 

CMYK 0 / 8 / 31 / 45

HEX #8D8261

RGB 141 130 97

HSL 45, 0.18%, 0.47%

LAB 54.54, -1.2, 19.41

 

CMYK 0 / 1 / 4 / 52

HEX #7A7975

RGB 122 121 117

HSL 48, 0.02%, 0.47%

LAB 50.8, -0.41, 2.32

 

CMYK 0 / 66 / 81 / 22

HEX #C84427

RGB 200 68 39

HSL 10.81, 0.67%, 0.47%

LAB 47.7, 51.05, 44.86

 

CMYK 0 / 45 / 81 / 22

HEX #C86F27

RGB 200 111 39

HSL 26.83, 0.67%, 0.47%

LAB 55.88, 30.11, 52.61

 

CMYK 0 / 23 / 81 / 22

HEX #C89A27

RGB 200 154 39

HSL 42.86, 0.67%, 0.47%

LAB 66.16, 6.74, 61.95

 

CMYK 0 / 1 / 81 / 22

HEX #C8C527

RGB 200 197 39

HSL 58.88, 0.67%, 0.47%

LAB 77.49, -15.76, 71.88

 

CMYK 21 / 0 / 81 / 22

HEX #9FC827

RGB 159 200 39

HSL 75.28, 0.67%, 0.47%

LAB 75.34, -34.25, 68.84

 

CMYK 0 / 22 / 81 / 49

HEX #836619

RGB 131 102 25

HSL 43.58, 0.68%, 0.31%

LAB 44.8, 3.79, 44.78

 

CMYK 0 / 22 / 81 / 35

HEX #A58120

RGB 165 129 32

HSL 43.76, 0.68%, 0.39%

LAB 55.89, 4.51, 53.71

 

CMYK 0 / 22 / 81 / 22

HEX #C89C27

RGB 200 156 39

HSL 43.6, 0.67%, 0.47%

LAB 66.67, 5.66, 62.4

 

CMYK 0 / 19 / 71 / 15

HEX #D9AF3F

RGB 217 175 63

HSL 43.64, 0.67%, 0.55%

LAB 73.4, 3.91, 60.5

 

CMYK 0 / 16 / 56 / 12

HEX #E0BD62

RGB 224 189 98

HSL 43.33, 0.67%, 0.63%

LAB 77.95, 1.73, 50

 

CMYK 0 / 22 / 80 / 22

HEX #C79C28

RGB 199 156 40

HSL 43.77, 0.67%, 0.47%

LAB 66.58, 5.25, 61.94

 

CMYK 74 / 0 / 81 / 22

HEX #34C827

RGB 52 200 39

HSL 115.16, 0.67%, 0.47%

LAB 71, -65.98, 63.27

 

CMYK 55 / 81 / 0 / 22

HEX #5A27C8

RGB 90 39 200

HSL 259.01, 0.67%, 0.47%

LAB 33.55, 58.8, -74.17

 

CMYK 0 / 22 / 80 / 22

HEX #C79C28

RGB 199 156 40

HSL 43.77, 0.67%, 0.47%

LAB 66.58, 5.25, 61.94

 

CMYK 81 / 0 / 23 / 22

HEX #27C89A

RGB 39 200 154

HSL 162.86, 0.67%, 0.47%

LAB 72.28, -50.51, 11.84

 

CMYK 23 / 81 / 0 / 22

HEX #9A27C8

RGB 154 39 200

HSL 282.86, 0.67%, 0.47%

LAB 41.99, 68.17, -60.04

 

CMYK 0 / 22 / 80 / 22

HEX #C79C28

RGB 199 156 40

HSL 43.77, 0.67%, 0.47%

LAB 66.58, 5.25, 61.94

 

CMYK 74 / 0 / 81 / 22

HEX #34C827

RGB 52 200 39

HSL 115.16, 0.67%, 0.47%

LAB 71, -65.98, 63.27

 

CMYK 81 / 58 / 0 / 22

HEX #2755C8

RGB 39 85 200

HSL 222.86, 0.67%, 0.47%

LAB 39.75, 26.95, -64.15

 

CMYK 7 / 81 / 0 / 22

HEX #BA27C8

RGB 186 39 200

HSL 294.78, 0.67%, 0.47%

LAB 47.05, 73.87, -51.61

 

CMYK 0 / 22 / 80 / 22

HEX #C79C28

RGB 199 156 40

HSL 43.77, 0.67%, 0.47%

LAB 66.58, 5.25, 61.94

 

CMYK 81 / 0 / 63 / 22

HEX #27C84A

RGB 39 200 74

HSL 133.04, 0.67%, 0.47%

LAB 71.03, -64.8, 50.49

 

CMYK 81 / 58 / 0 / 22

HEX #2755C8

RGB 39 85 200

HSL 222.86, 0.67%, 0.47%

LAB 39.75, 26.95, -64.15

 

CMYK 0 / 81 / 18 / 22

HEX #C827A5

RGB 200 39 165

HSL 313.04, 0.67%, 0.47%

LAB 47.56, 71.47, -30.14

 

Description

Color code: RGB 199 156 40 | qconv.com Color code: RGB 199 156 40 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 156 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 156 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 80 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 80% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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