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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 199 155 87 it is the complementary color RGB 56 100 168. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 199 155 87. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 199 155 87 shade: RGB 204 155 82, RGB 221 173 101, RGB 238 191 120, RGB 255 209 139 and RGB 255 227 158

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 199 155 87. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 199 155 87 shade: RGB 199 155 87, RGB 182 137 68, RGB 165 119 49, RGB 148 101 30 and RGB 131 83 11

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 199 155 87 shade: RGB 198 154 86, RGB 198 124 86, RGB 198 94 86 and RGB 198 86 86

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 199 155 87 shade: RGB 198 154 86, RGB 198 185 86, RGB 182 198 86, RGB 152 198 86 and RGB 121 198 86

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 199 155 87 shade matches the following richer shades: RGB 198 154 86, RGB 217 158 68, RGB 235 162 50 and RGB 253 166 32

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 199 155 87 shade: RGB 198 154 86, RGB 180 150 104, RGB 162 147 123, RGB 144 143 141 and RGB 126 139 159

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 199 155 87 shade: RGB 198 94 86, RGB 198 124 86, RGB 198 154 86, RGB 198 183 86 and RGB 183 198 86

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 199 155 87 shade: RGB 152 112 50, RGB 183 135 61, RGB 198 154 86, RGB 209 173 117 and RGB 219 191 148

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 199 155 87 shade: RGB 199 155 87, RGB 109 198 86 and RGB 109 86 198

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 199 155 87 shade: RGB 199 155 87, RGB 86 198 154 and RGB 154 86 198

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 199 155 87 shade: RGB 199 155 87, RGB 109 198 86, RGB 86 131 198 and RGB 176 86 198

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 199 155 87 shade: RGB 199 155 87, RGB 86 198 97, RGB 86 131 198 and RGB 198 86 187

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 56 / 22

HEX #C79B57

RGB 199 155 87

HSL 36.43, 0.5%, 0.56%

LAB 66.73, 8.48, 41.53

 

Complementary color

CMYK 67 / 40 / 0 / 34

HEX #3864A8

RGB 56 100 168

HSL 216.43, 0.5%, 0.44%

LAB 42.43, 7.43, -41.06

 

CMYK 0 / 24 / 60 / 20

HEX #CC9B52

RGB 204 155 82

HSL 35.9, 0.54%, 0.56%

LAB 67.19, 10.22, 44.72

 

CMYK 0 / 22 / 54 / 13

HEX #DDAD65

RGB 221 173 101

HSL 36, 0.64%, 0.63%

LAB 73.67, 9.17, 43.35

 

CMYK 0 / 20 / 50 / 7

HEX #EEBF78

RGB 238 191 120

HSL 36.1, 0.78%, 0.7%

LAB 80.06, 8.27, 42.01

 

CMYK 0 / 18 / 45 / 0

HEX #FFD18B

RGB 255 209 139

HSL 36.21, 1%, 0.77%

LAB 86.37, 7.48, 40.72

 

CMYK 0 / 11 / 38 / 0

HEX #FFE39E

RGB 255 227 158

HSL 42.68, 1%, 0.81%

LAB 91.08, 0.23, 37.23

 

CMYK 0 / 22 / 56 / 22

HEX #C79B57

RGB 199 155 87

HSL 36.43, 0.5%, 0.56%

LAB 66.73, 8.48, 41.53

 

CMYK 0 / 25 / 63 / 29

HEX #B68944

RGB 182 137 68

HSL 36.32, 0.46%, 0.49%

LAB 60.12, 9.6, 42.91

 

CMYK 0 / 28 / 70 / 35

HEX #A57731

RGB 165 119 49

HSL 36.21, 0.54%, 0.42%

LAB 53.4, 10.93, 44.21

 

CMYK 0 / 32 / 80 / 42

HEX #94651E

RGB 148 101 30

HSL 36.1, 0.66%, 0.35%

LAB 46.57, 12.55, 45.17

 

CMYK 0 / 37 / 92 / 49

HEX #83530B

RGB 131 83 11

HSL 36, 0.85%, 0.28%

LAB 39.64, 14.53, 45.1

 

CMYK 0 / 22 / 57 / 22

HEX #C69A56

RGB 198 154 86

HSL 36.43, 0.5%, 0.56%

LAB 66.36, 8.52, 41.57

 

CMYK 0 / 37 / 57 / 22

HEX #C67C56

RGB 198 124 86

HSL 20.36, 0.5%, 0.56%

LAB 59.06, 24.94, 32.63

 

CMYK 0 / 53 / 57 / 22

HEX #C65E56

RGB 198 94 86

HSL 4.29, 0.5%, 0.56%

LAB 52.6, 40.8, 24.37

 

CMYK 0 / 57 / 57 / 22

HEX #C65656

RGB 198 86 86

HSL 0, 0.5%, 0.56%

LAB 51.07, 44.75, 22.37

 

CMYK 0 / 22 / 57 / 22

HEX #C69A56

RGB 198 154 86

HSL 36.43, 0.5%, 0.56%

LAB 66.36, 8.52, 41.57

 

CMYK 0 / 7 / 57 / 22

HEX #C6B956

RGB 198 185 86

HSL 53.04, 0.5%, 0.56%

LAB 74.43, -7.99, 51

 

CMYK 8 / 0 / 57 / 22

HEX #B6C656

RGB 182 198 86

HSL 68.57, 0.5%, 0.56%

LAB 76.68, -21.19, 53.21

 

CMYK 23 / 0 / 57 / 22

HEX #98C656

RGB 152 198 86

HSL 84.64, 0.5%, 0.56%

LAB 74.66, -32.99, 50.37

 

CMYK 39 / 0 / 57 / 22

HEX #79C656

RGB 121 198 86

HSL 101.25, 0.5%, 0.56%

LAB 72.97, -43.99, 47.98

 

CMYK 0 / 22 / 57 / 22

HEX #C69A56

RGB 198 154 86

HSL 36.43, 0.5%, 0.56%

LAB 66.36, 8.52, 41.57

 

CMYK 0 / 27 / 69 / 15

HEX #D99E44

RGB 217 158 68

HSL 36.24, 0.66%, 0.56%

LAB 69.2, 13.25, 54.01

 

CMYK 0 / 31 / 79 / 8

HEX #EBA232

RGB 235 162 50

HSL 36.32, 0.82%, 0.56%

LAB 72.05, 17.97, 64.88

 

CMYK 0 / 34 / 87 / 1

HEX #FDA620

RGB 253 166 32

HSL 36.38, 0.98%, 0.56%

LAB 74.99, 22.96, 73.76

 

CMYK 0 / 22 / 57 / 22

HEX #C69A56

RGB 198 154 86

HSL 36.43, 0.5%, 0.56%

LAB 66.36, 8.52, 41.57

 

CMYK 0 / 17 / 42 / 29

HEX #B49668

RGB 180 150 104

HSL 36.32, 0.34%, 0.56%

LAB 63.77, 4.84, 28.43

 

CMYK 0 / 9 / 24 / 36

HEX #A2937B

RGB 162 147 123

HSL 36.92, 0.17%, 0.56%

LAB 61.64, 1.62, 14.74

 

CMYK 0 / 1 / 2 / 44

HEX #908F8D

RGB 144 143 141

HSL 40, 0.01%, 0.56%

LAB 59.43, -0.01, 1.18

 

CMYK 21 / 13 / 0 / 38

HEX #7E8B9F

RGB 126 139 159

HSL 216.36, 0.15%, 0.56%

LAB 57.47, -0.22, -12.18

 

CMYK 0 / 53 / 57 / 22

HEX #C65E56

RGB 198 94 86

HSL 4.29, 0.5%, 0.56%

LAB 52.6, 40.8, 24.37

 

CMYK 0 / 37 / 57 / 22

HEX #C67C56

RGB 198 124 86

HSL 20.36, 0.5%, 0.56%

LAB 59.06, 24.94, 32.63

 

CMYK 0 / 22 / 57 / 22

HEX #C69A56

RGB 198 154 86

HSL 36.43, 0.5%, 0.56%

LAB 66.36, 8.52, 41.57

 

CMYK 0 / 8 / 57 / 22

HEX #C6B756

RGB 198 183 86

HSL 51.96, 0.5%, 0.56%

LAB 73.9, -6.95, 50.39

 

CMYK 8 / 0 / 57 / 22

HEX #B7C656

RGB 183 198 86

HSL 68.04, 0.5%, 0.56%

LAB 76.76, -20.79, 53.32

 

CMYK 0 / 26 / 67 / 40

HEX #987032

RGB 152 112 50

HSL 36.47, 0.5%, 0.4%

LAB 50.09, 9.11, 39.71

 

CMYK 0 / 26 / 67 / 28

HEX #B7873D

RGB 183 135 61

HSL 36.39, 0.5%, 0.48%

LAB 59.65, 10.68, 45.84

 

CMYK 0 / 22 / 57 / 22

HEX #C69A56

RGB 198 154 86

HSL 36.43, 0.5%, 0.56%

LAB 66.36, 8.52, 41.57

 

CMYK 0 / 17 / 44 / 18

HEX #D1AD75

RGB 209 173 117

HSL 36.52, 0.5%, 0.64%

LAB 72.71, 5.72, 33.63

 

CMYK 0 / 13 / 32 / 14

HEX #DBBF94

RGB 219 191 148

HSL 36.34, 0.5%, 0.72%

LAB 78.73, 3.72, 25.38

 

CMYK 0 / 22 / 56 / 22

HEX #C79B57

RGB 199 155 87

HSL 36.43, 0.5%, 0.56%

LAB 66.73, 8.48, 41.53

 

CMYK 45 / 0 / 57 / 22

HEX #6DC656

RGB 109 198 86

HSL 107.68, 0.5%, 0.56%

LAB 72.44, -47.78, 47.22

 

CMYK 45 / 57 / 0 / 22

HEX #6D56C6

RGB 109 86 198

HSL 252.32, 0.5%, 0.56%

LAB 44.21, 37.01, -55.55

 

CMYK 0 / 22 / 56 / 22

HEX #C79B57

RGB 199 155 87

HSL 36.43, 0.5%, 0.56%

LAB 66.73, 8.48, 41.53

 

CMYK 57 / 0 / 22 / 22

HEX #56C69A

RGB 86 198 154

HSL 156.43, 0.5%, 0.56%

LAB 72.69, -42.38, 12.57

 

CMYK 22 / 57 / 0 / 22

HEX #9A56C6

RGB 154 86 198

HSL 276.43, 0.5%, 0.56%

LAB 49.01, 47.84, -47.59

 

CMYK 0 / 22 / 56 / 22

HEX #C79B57

RGB 199 155 87

HSL 36.43, 0.5%, 0.56%

LAB 66.73, 8.48, 41.53

 

CMYK 45 / 0 / 57 / 22

HEX #6DC656

RGB 109 198 86

HSL 107.68, 0.5%, 0.56%

LAB 72.44, -47.78, 47.22

 

CMYK 57 / 34 / 0 / 22

HEX #5683C6

RGB 86 131 198

HSL 215.89, 0.5%, 0.56%

LAB 54.33, 4.52, -39.51

 

CMYK 11 / 57 / 0 / 22

HEX #B056C6

RGB 176 86 198

HSL 288.21, 0.5%, 0.56%

LAB 51.8, 53.52, -42.99

 

CMYK 0 / 22 / 56 / 22

HEX #C79B57

RGB 199 155 87

HSL 36.43, 0.5%, 0.56%

LAB 66.73, 8.48, 41.53

 

CMYK 57 / 0 / 51 / 22

HEX #56C661

RGB 86 198 97

HSL 125.89, 0.5%, 0.56%

LAB 71.71, -52.7, 40.91

 

CMYK 57 / 34 / 0 / 22

HEX #5683C6

RGB 86 131 198

HSL 215.89, 0.5%, 0.56%

LAB 54.33, 4.52, -39.51

 

CMYK 0 / 57 / 6 / 22

HEX #C656BB

RGB 198 86 187

HSL 305.89, 0.5%, 0.56%

LAB 54.29, 57.4, -32.52

 

Description

Color code: RGB 199 155 87 | qconv.com Color code: RGB 199 155 87 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 155 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 155 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 56 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 56% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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