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Color name
RGB 199 131 161

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 199 131 161 it is the complementary color RGB 56 124 94. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 199 131 161. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 199 131 161 shade: RGB 204 131 156, RGB 221 149 175, RGB 238 167 194, RGB 255 185 213 and RGB 255 203 232

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 199 131 161. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 199 131 161 shade: RGB 199 131 161, RGB 182 113 142, RGB 165 95 123, RGB 148 77 104 and RGB 131 59 85

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 199 131 161 shade: RGB 199 131 161, RGB 199 131 143 and RGB 199 131 131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 199 131 161 shade: RGB 199 131 161, RGB 199 131 180, RGB 199 131 198, RGB 182 131 199 and RGB 164 131 199

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 199 131 161 shade matches the following richer shades: RGB 199 131 161, RGB 214 117 160, RGB 228 102 158 and RGB 242 88 156

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 199 131 161 shade: RGB 199 131 161, RGB 185 146 163, RGB 170 160 165, RGB 156 175 166 and RGB 141 189 168

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 199 131 161 shade: RGB 199 131 198, RGB 199 131 180, RGB 199 131 162, RGB 199 131 144 and RGB 199 137 131

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 199 131 161 shade: RGB 171 77 118, RGB 186 103 140, RGB 199 131 161, RGB 212 160 183 and RGB 225 188 204

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 199 131 161 shade: RGB 199 131 161, RGB 199 182 131 and RGB 131 189 199

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 199 131 161 shade: RGB 199 131 161, RGB 162 199 131 and RGB 131 162 199

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 199 131 161 shade: RGB 199 131 161, RGB 199 182 131, RGB 131 199 169 and RGB 131 148 199

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 199 131 161 shade: RGB 199 131 161, RGB 196 199 131, RGB 131 199 169 and RGB 135 131 199

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 19 / 22

HEX #C783A1

RGB 199 131 161

HSL 333.53, 0.38%, 0.65%

LAB 62.46, 30.47, -5.14

 

Complementary color

CMYK 55 / 0 / 24 / 51

HEX #387C5E

RGB 56 124 94

HSL 153.53, 0.38%, 0.35%

LAB 47.06, -29.19, 9.94

 

CMYK 0 / 36 / 24 / 20

HEX #CC839C

RGB 204 131 156

HSL 339.45, 0.42%, 0.66%

LAB 62.9, 31.51, -1.58

 

CMYK 0 / 33 / 21 / 13

HEX #DD95AF

RGB 221 149 175

HSL 338.33, 0.51%, 0.73%

LAB 69.44, 30.72, -2.46

 

CMYK 0 / 30 / 18 / 7

HEX #EEA7C2

RGB 238 167 194

HSL 337.18, 0.68%, 0.79%

LAB 75.89, 30, -3.26

 

CMYK 0 / 27 / 16 / 0

HEX #FFB9D5

RGB 255 185 213

HSL 336, 1%, 0.86%

LAB 82.25, 29.32, -4

 

CMYK 0 / 20 / 9 / 0

HEX #FFCBE8

RGB 255 203 232

HSL 326.54, 1%, 0.9%

LAB 86.9, 22.91, -7.28

 

CMYK 0 / 34 / 19 / 22

HEX #C783A1

RGB 199 131 161

HSL 333.53, 0.38%, 0.65%

LAB 62.46, 30.47, -5.14

 

CMYK 0 / 38 / 22 / 29

HEX #B6718E

RGB 182 113 142

HSL 334.78, 0.32%, 0.58%

LAB 55.79, 31.27, -4.27

 

CMYK 0 / 42 / 25 / 35

HEX #A55F7B

RGB 165 95 123

HSL 336, 0.28%, 0.51%

LAB 49.02, 32.13, -3.29

 

CMYK 0 / 48 / 30 / 42

HEX #944D68

RGB 148 77 104

HSL 337.18, 0.32%, 0.44%

LAB 42.16, 33.03, -2.13

 

CMYK 0 / 55 / 35 / 49

HEX #833B55

RGB 131 59 85

HSL 338.33, 0.38%, 0.37%

LAB 35.22, 33.92, -0.69

 

CMYK 0 / 34 / 19 / 22

HEX #C783A1

RGB 199 131 161

HSL 333.53, 0.38%, 0.65%

LAB 62.46, 30.47, -5.14

 

CMYK 0 / 34 / 28 / 22

HEX #C7838F

RGB 199 131 143

HSL 349.41, 0.38%, 0.65%

LAB 61.96, 27.81, 4.4

 

CMYK 0 / 34 / 34 / 22

HEX #C78383

RGB 199 131 131

HSL 0, 0.38%, 0.65%

LAB 61.67, 26.21, 10.82

 

CMYK 0 / 34 / 19 / 22

HEX #C783A1

RGB 199 131 161

HSL 333.53, 0.38%, 0.65%

LAB 62.46, 30.47, -5.14

 

CMYK 0 / 34 / 10 / 22

HEX #C783B4

RGB 199 131 180

HSL 316.76, 0.38%, 0.65%

LAB 63.07, 33.59, -15.03

 

CMYK 0 / 34 / 1 / 22

HEX #C783C6

RGB 199 131 198

HSL 300.88, 0.38%, 0.65%

LAB 63.71, 36.82, -24.2

 

CMYK 9 / 34 / 0 / 22

HEX #B683C7

RGB 182 131 199

HSL 285, 0.38%, 0.65%

LAB 61.91, 31.59, -27.69

 

CMYK 18 / 34 / 0 / 22

HEX #A483C7

RGB 164 131 199

HSL 269.12, 0.38%, 0.65%

LAB 60.11, 25.94, -30.62

 

CMYK 0 / 34 / 19 / 22

HEX #C783A1

RGB 199 131 161

HSL 333.53, 0.38%, 0.65%

LAB 62.46, 30.47, -5.14

 

CMYK 0 / 45 / 25 / 16

HEX #D675A0

RGB 214 117 160

HSL 333.4, 0.54%, 0.65%

LAB 61.27, 43, -6.13

 

CMYK 0 / 55 / 31 / 11

HEX #E4669E

RGB 228 102 158

HSL 333.33, 0.7%, 0.65%

LAB 60.31, 54.68, -6.19

 

CMYK 0 / 64 / 36 / 5

HEX #F2589C

RGB 242 88 156

HSL 333.51, 0.86%, 0.65%

LAB 60.12, 64.77, -5.08

 

CMYK 0 / 34 / 19 / 22

HEX #C783A1

RGB 199 131 161

HSL 333.53, 0.38%, 0.65%

LAB 62.46, 30.47, -5.14

 

CMYK 0 / 21 / 12 / 27

HEX #B992A3

RGB 185 146 163

HSL 333.85, 0.22%, 0.65%

LAB 64.58, 17.43, -3.32

 

CMYK 0 / 6 / 3 / 33

HEX #AAA0A5

RGB 170 160 165

HSL 330, 0.06%, 0.65%

LAB 66.83, 4.55, -1.3

 

CMYK 11 / 0 / 5 / 31

HEX #9CAFA6

RGB 156 175 166

HSL 151.58, 0.11%, 0.65%

LAB 69.81, -8.37, 2.37

 

CMYK 25 / 0 / 11 / 26

HEX #8DBDA8

RGB 141 189 168

HSL 153.75, 0.27%, 0.65%

LAB 72.82, -20.23, 5.49

 

CMYK 0 / 34 / 1 / 22

HEX #C783C6

RGB 199 131 198

HSL 300.88, 0.38%, 0.65%

LAB 63.71, 36.82, -24.2

 

CMYK 0 / 34 / 10 / 22

HEX #C783B4

RGB 199 131 180

HSL 316.76, 0.38%, 0.65%

LAB 63.07, 33.59, -15.03

 

CMYK 0 / 34 / 19 / 22

HEX #C783A2

RGB 199 131 162

HSL 332.65, 0.38%, 0.65%

LAB 62.49, 30.62, -5.66

 

CMYK 0 / 34 / 28 / 22

HEX #C78390

RGB 199 131 144

HSL 348.53, 0.38%, 0.65%

LAB 61.99, 27.95, 3.86

 

CMYK 0 / 31 / 34 / 22

HEX #C78983

RGB 199 137 131

HSL 5.29, 0.38%, 0.65%

LAB 63.07, 22.92, 12.8

 

CMYK 0 / 55 / 31 / 33

HEX #AB4D76

RGB 171 77 118

HSL 333.83, 0.38%, 0.49%

LAB 46.01, 43.03, -4.64

 

CMYK 0 / 45 / 25 / 27

HEX #BA678C

RGB 186 103 140

HSL 333.25, 0.38%, 0.57%

LAB 54.06, 37.81, -5.61

 

CMYK 0 / 34 / 19 / 22

HEX #C783A1

RGB 199 131 161

HSL 333.53, 0.38%, 0.65%

LAB 62.46, 30.47, -5.14

 

CMYK 0 / 25 / 14 / 17

HEX #D4A0B7

RGB 212 160 183

HSL 333.46, 0.38%, 0.73%

LAB 71.25, 22.82, -4.35

 

CMYK 0 / 16 / 9 / 12

HEX #E1BCCC

RGB 225 188 204

HSL 334.05, 0.38%, 0.81%

LAB 79.8, 15.81, -3.09

 

CMYK 0 / 34 / 19 / 22

HEX #C783A1

RGB 199 131 161

HSL 333.53, 0.38%, 0.65%

LAB 62.46, 30.47, -5.14

 

CMYK 0 / 9 / 34 / 22

HEX #C7B683

RGB 199 182 131

HSL 45, 0.38%, 0.65%

LAB 74.34, -1.51, 28.2

 

CMYK 34 / 5 / 0 / 22

HEX #83BDC7

RGB 131 189 199

HSL 188.82, 0.38%, 0.65%

LAB 73.12, -16.22, -11.03

 

CMYK 0 / 34 / 19 / 22

HEX #C783A1

RGB 199 131 161

HSL 333.53, 0.38%, 0.65%

LAB 62.46, 30.47, -5.14

 

CMYK 19 / 0 / 34 / 22

HEX #A2C783

RGB 162 199 131

HSL 92.65, 0.38%, 0.65%

LAB 76.17, -24.42, 30.12

 

CMYK 34 / 19 / 0 / 22

HEX #83A2C7

RGB 131 162 199

HSL 212.65, 0.38%, 0.65%

LAB 65.58, -1.7, -22.42

 

CMYK 0 / 34 / 19 / 22

HEX #C783A1

RGB 199 131 161

HSL 333.53, 0.38%, 0.65%

LAB 62.46, 30.47, -5.14

 

CMYK 0 / 9 / 34 / 22

HEX #C7B683

RGB 199 182 131

HSL 45, 0.38%, 0.65%

LAB 74.34, -1.51, 28.2

 

CMYK 34 / 0 / 15 / 22

HEX #83C7A9

RGB 131 199 169

HSL 153.53, 0.38%, 0.65%

LAB 75.16, -28.04, 8.25

 

CMYK 34 / 26 / 0 / 22

HEX #8394C7

RGB 131 148 199

HSL 225, 0.38%, 0.65%

LAB 61.77, 6.21, -28.28

 

CMYK 0 / 34 / 19 / 22

HEX #C783A1

RGB 199 131 161

HSL 333.53, 0.38%, 0.65%

LAB 62.46, 30.47, -5.14

 

CMYK 2 / 0 / 34 / 22

HEX #C4C783

RGB 196 199 131

HSL 62.65, 0.38%, 0.65%

LAB 78.59, -11.53, 33.75

 

CMYK 34 / 0 / 15 / 22

HEX #83C7A9

RGB 131 199 169

HSL 153.53, 0.38%, 0.65%

LAB 75.16, -28.04, 8.25

 

CMYK 32 / 34 / 0 / 22

HEX #8783C7

RGB 135 131 199

HSL 243.53, 0.38%, 0.65%

LAB 57.57, 17.24, -34.78

 

Description

Color code: RGB 199 131 161 | qconv.com Color code: RGB 199 131 161 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 131 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 131 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 19 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 19% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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