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Color name
RGB 199 139 81

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 199 139 81 it is the complementary color RGB 56 116 174. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 199 139 81. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 199 139 81 shade: RGB 204 139 76, RGB 221 157 95, RGB 238 175 114, RGB 255 193 133 and RGB 255 211 152

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 199 139 81. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 199 139 81 shade: RGB 199 139 81, RGB 182 121 62, RGB 165 103 43, RGB 148 85 24 and RGB 131 67 5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 199 139 81 shade: RGB 198 139 81, RGB 198 107 81 and RGB 198 81 81

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 199 139 81 shade: RGB 198 139 81, RGB 198 170 81, RGB 195 198 81, RGB 163 198 81 and RGB 132 198 81

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 199 139 81 shade matches the following richer shades: RGB 198 139 81, RGB 217 138 63, RGB 235 138 44 and RGB 254 138 26

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 199 139 81 shade: RGB 198 139 81, RGB 180 139 100, RGB 161 139 118, RGB 143 140 137 and RGB 124 140 155

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 199 139 81 shade: RGB 198 81 87, RGB 198 107 81, RGB 198 138 81, RGB 198 169 81 and RGB 196 198 81

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 199 139 81 shade: RGB 149 98 48, RGB 180 118 58, RGB 198 139 81, RGB 208 160 112 and RGB 218 180 144

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 199 139 81 shade: RGB 199 139 81, RGB 118 198 81 and RGB 91 81 198

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 199 139 81 shade: RGB 199 139 81, RGB 81 198 138 and RGB 138 81 198

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 199 139 81 shade: RGB 199 139 81, RGB 118 198 81, RGB 81 142 198 and RGB 161 81 198

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 199 139 81 shade: RGB 199 139 81, RGB 83 198 81, RGB 81 142 198 and RGB 196 81 198

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 59 / 22

HEX #C78B51

RGB 199 139 81

HSL 29.49, 0.51%, 0.55%

LAB 62.68, 16.75, 39.76

 

Complementary color

CMYK 68 / 33 / 0 / 32

HEX #3874AE

RGB 56 116 174

HSL 209.49, 0.51%, 0.45%

LAB 47.48, -0.35, -36.59

 

CMYK 0 / 32 / 63 / 20

HEX #CC8B4C

RGB 204 139 76

HSL 29.53, 0.56%, 0.55%

LAB 63.2, 18.51, 43.08

 

CMYK 0 / 29 / 57 / 13

HEX #DD9D5F

RGB 221 157 95

HSL 29.52, 0.65%, 0.62%

LAB 69.69, 17.26, 41.57

 

CMYK 0 / 26 / 52 / 7

HEX #EEAF72

RGB 238 175 114

HSL 29.52, 0.78%, 0.69%

LAB 76.1, 16.17, 40.11

 

CMYK 0 / 24 / 48 / 0

HEX #FFC185

RGB 255 193 133

HSL 29.51, 1%, 0.76%

LAB 82.43, 15.22, 38.73

 

CMYK 0 / 17 / 40 / 0

HEX #FFD398

RGB 255 211 152

HSL 34.37, 1%, 0.8%

LAB 87.05, 7.77, 34.99

 

CMYK 0 / 30 / 59 / 22

HEX #C78B51

RGB 199 139 81

HSL 29.49, 0.51%, 0.55%

LAB 62.68, 16.75, 39.76

 

CMYK 0 / 34 / 66 / 29

HEX #B6793E

RGB 182 121 62

HSL 29.5, 0.49%, 0.48%

LAB 56.06, 18.09, 41.31

 

CMYK 0 / 38 / 74 / 35

HEX #A5672B

RGB 165 103 43

HSL 29.51, 0.59%, 0.41%

LAB 49.34, 19.67, 42.81

 

CMYK 0 / 43 / 84 / 42

HEX #945518

RGB 148 85 24

HSL 29.52, 0.72%, 0.34%

LAB 42.55, 21.54, 43.93

 

CMYK 0 / 49 / 96 / 49

HEX #834305

RGB 131 67 5

HSL 29.52, 0.93%, 0.27%

LAB 35.69, 23.72, 44

 

CMYK 0 / 30 / 59 / 22

HEX #C68B51

RGB 198 139 81

HSL 29.74, 0.51%, 0.55%

LAB 62.56, 16.33, 39.59

 

CMYK 0 / 46 / 59 / 22

HEX #C66B51

RGB 198 107 81

HSL 13.33, 0.51%, 0.55%

LAB 55.19, 33.69, 30.55

 

CMYK 0 / 59 / 59 / 22

HEX #C65151

RGB 198 81 81

HSL 0, 0.51%, 0.55%

LAB 50.08, 46.74, 24.02

 

CMYK 0 / 30 / 59 / 22

HEX #C68B51

RGB 198 139 81

HSL 29.74, 0.51%, 0.55%

LAB 62.56, 16.33, 39.59

 

CMYK 0 / 14 / 59 / 22

HEX #C6AA51

RGB 198 170 81

HSL 45.64, 0.51%, 0.55%

LAB 70.42, -0.48, 48.77

 

CMYK 2 / 0 / 59 / 22

HEX #C3C651

RGB 195 198 81

HSL 61.54, 0.51%, 0.55%

LAB 77.63, -16.24, 56.76

 

CMYK 18 / 0 / 59 / 22

HEX #A3C651

RGB 163 198 81

HSL 77.95, 0.51%, 0.55%

LAB 75.31, -29.2, 53.54

 

CMYK 33 / 0 / 59 / 22

HEX #84C651

RGB 132 198 81

HSL 93.85, 0.51%, 0.55%

LAB 73.47, -40.76, 50.97

 

CMYK 0 / 30 / 59 / 22

HEX #C68B51

RGB 198 139 81

HSL 29.74, 0.51%, 0.55%

LAB 62.56, 16.33, 39.59

 

CMYK 0 / 36 / 71 / 15

HEX #D98A3F

RGB 217 138 63

HSL 29.22, 0.67%, 0.55%

LAB 64.39, 23.75, 51.19

 

CMYK 0 / 41 / 81 / 8

HEX #EB8A2C

RGB 235 138 44

HSL 29.53, 0.83%, 0.55%

LAB 66.54, 30.46, 62.08

 

CMYK 0 / 46 / 90 / 0

HEX #FE8A1A

RGB 254 138 26

HSL 29.47, 0.99%, 0.55%

LAB 68.98, 37.71, 70.74

 

CMYK 0 / 30 / 59 / 22

HEX #C68B51

RGB 198 139 81

HSL 29.74, 0.51%, 0.55%

LAB 62.56, 16.33, 39.59

 

CMYK 0 / 23 / 44 / 29

HEX #B48B64

RGB 180 139 100

HSL 29.25, 0.35%, 0.55%

LAB 60.86, 10.48, 26.82

 

CMYK 0 / 14 / 27 / 37

HEX #A18B76

RGB 161 139 118

HSL 29.3, 0.19%, 0.55%

LAB 59.3, 4.94, 14.3

 

CMYK 0 / 2 / 4 / 44

HEX #8F8C89

RGB 143 140 137

HSL 30, 0.03%, 0.55%

LAB 58.42, 0.54, 1.98

 

CMYK 20 / 10 / 0 / 39

HEX #7C8C9B

RGB 124 140 155

HSL 209.03, 0.13%, 0.55%

LAB 57.47, -2.39, -9.9

 

CMYK 0 / 59 / 56 / 22

HEX #C65157

RGB 198 81 87

HSL 356.92, 0.51%, 0.55%

LAB 50.19, 47.2, 20.61

 

CMYK 0 / 46 / 59 / 22

HEX #C66B51

RGB 198 107 81

HSL 13.33, 0.51%, 0.55%

LAB 55.19, 33.69, 30.55

 

CMYK 0 / 30 / 59 / 22

HEX #C68A51

RGB 198 138 81

HSL 29.23, 0.51%, 0.55%

LAB 62.32, 16.88, 39.3

 

CMYK 0 / 15 / 59 / 22

HEX #C6A951

RGB 198 169 81

HSL 45.13, 0.51%, 0.55%

LAB 70.16, 0.05, 48.48

 

CMYK 1 / 0 / 59 / 22

HEX #C4C651

RGB 196 198 81

HSL 61.03, 0.51%, 0.55%

LAB 77.71, -15.83, 56.87

 

CMYK 0 / 34 / 68 / 42

HEX #956230

RGB 149 98 48

HSL 29.7, 0.51%, 0.39%

LAB 46.09, 15.69, 36.19

 

CMYK 0 / 34 / 68 / 29

HEX #B4763A

RGB 180 118 58

HSL 29.51, 0.51%, 0.47%

LAB 55.04, 18.65, 42.12

 

CMYK 0 / 30 / 59 / 22

HEX #C68B51

RGB 198 139 81

HSL 29.74, 0.51%, 0.55%

LAB 62.56, 16.33, 39.59

 

CMYK 0 / 23 / 46 / 18

HEX #D0A070

RGB 208 160 112

HSL 30, 0.51%, 0.63%

LAB 69.27, 11.8, 31.82

 

CMYK 0 / 17 / 34 / 15

HEX #DAB490

RGB 218 180 144

HSL 29.19, 0.5%, 0.71%

LAB 75.8, 8.66, 23.52

 

CMYK 0 / 30 / 59 / 22

HEX #C78B51

RGB 199 139 81

HSL 29.49, 0.51%, 0.55%

LAB 62.68, 16.75, 39.76

 

CMYK 40 / 0 / 59 / 22

HEX #76C651

RGB 118 198 81

HSL 101.03, 0.51%, 0.55%

LAB 72.78, -45.49, 50

 

CMYK 54 / 59 / 0 / 22

HEX #5B51C6

RGB 91 81 198

HSL 245.13, 0.51%, 0.55%

LAB 41.51, 36.29, -59.99

 

CMYK 0 / 30 / 59 / 22

HEX #C78B51

RGB 199 139 81

HSL 29.49, 0.51%, 0.55%

LAB 62.68, 16.75, 39.76

 

CMYK 59 / 0 / 30 / 22

HEX #51C68A

RGB 81 198 138

HSL 149.23, 0.51%, 0.55%

LAB 72.21, -46.83, 20.45

 

CMYK 30 / 59 / 0 / 22

HEX #8A51C6

RGB 138 81 198

HSL 269.23, 0.51%, 0.55%

LAB 46.13, 46.53, -52.3

 

CMYK 0 / 30 / 59 / 22

HEX #C78B51

RGB 199 139 81

HSL 29.49, 0.51%, 0.55%

LAB 62.68, 16.75, 39.76

 

CMYK 40 / 0 / 59 / 22

HEX #76C651

RGB 118 198 81

HSL 101.03, 0.51%, 0.55%

LAB 72.78, -45.49, 50

 

CMYK 59 / 28 / 0 / 22

HEX #518EC6

RGB 81 142 198

HSL 208.72, 0.51%, 0.55%

LAB 57.24, -2.96, -34.96

 

CMYK 19 / 59 / 0 / 22

HEX #A151C6

RGB 161 81 198

HSL 281.03, 0.51%, 0.55%

LAB 48.93, 52.15, -47.66

 

CMYK 0 / 30 / 59 / 22

HEX #C78B51

RGB 199 139 81

HSL 29.49, 0.51%, 0.55%

LAB 62.68, 16.75, 39.76

 

CMYK 58 / 0 / 59 / 22

HEX #53C651

RGB 83 198 81

HSL 118.97, 0.51%, 0.55%

LAB 71.43, -55.46, 48.1

 

CMYK 59 / 28 / 0 / 22

HEX #518EC6

RGB 81 142 198

HSL 208.72, 0.51%, 0.55%

LAB 57.24, -2.96, -34.96

 

CMYK 1 / 59 / 0 / 22

HEX #C451C6

RGB 196 81 198

HSL 298.97, 0.51%, 0.55%

LAB 53.7, 60.98, -39.79

 

Description

Color code: RGB 199 139 81 | qconv.com Color code: RGB 199 139 81 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 139 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 139 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 59 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 59% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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