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Color name
RGB 199 138 56

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 199 138 56 it is the complementary color RGB 56 117 199. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 199 138 56. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 199 138 56 shade: RGB 204 138 51, RGB 221 156 70, RGB 238 174 89, RGB 255 192 108 and RGB 255 210 127

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 199 138 56. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 199 138 56 shade: RGB 199 138 56, RGB 182 120 37, RGB 165 102 18, RGB 148 84 0 and RGB 131 66 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 199 138 56 shade: RGB 198 137 56, RGB 198 99 56, RGB 198 60 56 and RGB 198 56 56

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 199 138 56 shade: RGB 198 137 56, RGB 198 176 56, RGB 182 198 56, RGB 144 198 56 and RGB 105 198 56

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 199 138 56 shade matches the following richer shades: RGB 198 137 56, RGB 219 141 35 and RGB 240 144 14

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 199 138 56 shade: RGB 198 137 56, RGB 178 134 76, RGB 157 131 97, RGB 137 128 117 and RGB 116 125 138

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 199 138 56 shade: RGB 198 60 56, RGB 198 98 56, RGB 198 137 56, RGB 198 175 56 and RGB 184 198 56

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 199 138 56 shade: RGB 134 93 37, RGB 166 115 47, RGB 198 137 56, RGB 207 156 88 and RGB 217 175 120

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 199 138 56 shade: RGB 199 138 56, RGB 89 198 56 and RGB 79 56 198

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 199 138 56 shade: RGB 199 138 56, RGB 56 198 137 and RGB 137 56 198

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 199 138 56 shade: RGB 199 138 56, RGB 89 198 56, RGB 56 117 198 and RGB 165 56 198

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 199 138 56 shade: RGB 199 138 56, RGB 56 198 65, RGB 56 117 198 and RGB 198 56 189

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 72 / 22

HEX #C78A38

RGB 199 138 56

HSL 34.41, 0.56%, 0.5%

LAB 62.17, 15.73, 51.4

 

Complementary color

CMYK 72 / 41 / 0 / 22

HEX #3875C7

RGB 56 117 199

HSL 214.41, 0.56%, 0.5%

LAB 49.11, 8.06, -48.43

 

CMYK 0 / 32 / 75 / 20

HEX #CC8A33

RGB 204 138 51

HSL 34.12, 0.6%, 0.5%

LAB 62.72, 17.66, 54.32

 

CMYK 0 / 29 / 68 / 13

HEX #DD9C46

RGB 221 156 70

HSL 34.17, 0.69%, 0.57%

LAB 69.18, 16.13, 53.2

 

CMYK 0 / 27 / 63 / 7

HEX #EEAE59

RGB 238 174 89

HSL 34.23, 0.81%, 0.64%

LAB 75.56, 14.82, 51.9

 

CMYK 0 / 25 / 58 / 0

HEX #FFC06C

RGB 255 192 108

HSL 34.29, 1%, 0.71%

LAB 81.86, 13.67, 50.54

 

CMYK 0 / 18 / 50 / 0

HEX #FFD27F

RGB 255 210 127

HSL 38.91, 1%, 0.75%

LAB 86.45, 5.87, 46.8

 

CMYK 0 / 31 / 72 / 22

HEX #C78A38

RGB 199 138 56

HSL 34.41, 0.56%, 0.5%

LAB 62.17, 15.73, 51.4

 

CMYK 0 / 34 / 80 / 29

HEX #B67825

RGB 182 120 37

HSL 34.34, 0.66%, 0.43%

LAB 55.6, 17.39, 52.3

 

CMYK 0 / 38 / 89 / 35

HEX #A56612

RGB 165 102 18

HSL 34.29, 0.8%, 0.36%

LAB 48.94, 19.34, 52.34

 

CMYK 0 / 43 / 100 / 42

HEX #945400

RGB 148 84 0

HSL 34.05, 1%, 0.29%

LAB 42.21, 21.58, 51.09

 

CMYK 0 / 50 / 100 / 49

HEX #834200

RGB 131 66 0

HSL 30.23, 1%, 0.26%

LAB 35.44, 24.18, 45.62

 

CMYK 0 / 31 / 72 / 22

HEX #C68938

RGB 198 137 56

HSL 34.23, 0.56%, 0.5%

LAB 61.81, 15.84, 50.99

 

CMYK 0 / 50 / 72 / 22

HEX #C66338

RGB 198 99 56

HSL 18.17, 0.56%, 0.5%

LAB 53.18, 36.31, 41.78

 

CMYK 0 / 70 / 72 / 22

HEX #C63C38

RGB 198 60 56

HSL 1.69, 0.56%, 0.5%

LAB 46.34, 54.26, 34.06

 

CMYK 0 / 72 / 72 / 22

HEX #C63838

RGB 198 56 56

HSL 0, 0.56%, 0.5%

LAB 45.8, 55.76, 33.43

 

CMYK 0 / 31 / 72 / 22

HEX #C68938

RGB 198 137 56

HSL 34.23, 0.56%, 0.5%

LAB 61.81, 15.84, 50.99

 

CMYK 0 / 11 / 72 / 22

HEX #C6B038

RGB 198 176 56

HSL 50.7, 0.56%, 0.5%

LAB 71.79, -5.18, 61.05

 

CMYK 8 / 0 / 72 / 22

HEX #B6C638

RGB 182 198 56

HSL 66.76, 0.56%, 0.5%

LAB 76.45, -23.16, 65.15

 

CMYK 27 / 0 / 72 / 22

HEX #90C638

RGB 144 198 56

HSL 82.82, 0.56%, 0.5%

LAB 73.94, -38.34, 61.83

 

CMYK 47 / 0 / 72 / 22

HEX #69C638

RGB 105 198 56

HSL 99.3, 0.56%, 0.5%

LAB 72.01, -51.76, 59.27

 

CMYK 0 / 31 / 72 / 22

HEX #C68938

RGB 198 137 56

HSL 34.23, 0.56%, 0.5%

LAB 61.81, 15.84, 50.99

 

CMYK 0 / 36 / 84 / 14

HEX #DB8D23

RGB 219 141 35

HSL 34.57, 0.72%, 0.5%

LAB 65.15, 21.91, 63.21

 

CMYK 0 / 40 / 94 / 6

HEX #F0900E

RGB 240 144 14

HSL 34.51, 0.89%, 0.5%

LAB 68.39, 28.78, 71.91

 

CMYK 0 / 31 / 72 / 22

HEX #C68938

RGB 198 137 56

HSL 34.23, 0.56%, 0.5%

LAB 61.81, 15.84, 50.99

 

CMYK 0 / 25 / 57 / 30

HEX #B2864C

RGB 178 134 76

HSL 34.12, 0.4%, 0.5%

LAB 59.01, 10.13, 37.41

 

CMYK 0 / 17 / 38 / 38

HEX #9D8361

RGB 157 131 97

HSL 34, 0.24%, 0.5%

LAB 56.35, 4.95, 22.1

 

CMYK 0 / 7 / 15 / 46

HEX #898075

RGB 137 128 117

HSL 33, 0.08%, 0.5%

LAB 54.07, 1.42, 7.19

 

CMYK 16 / 9 / 0 / 46

HEX #747D8A

RGB 116 125 138

HSL 215.45, 0.09%, 0.5%

LAB 52.08, -0.46, -8.18

 

CMYK 0 / 70 / 72 / 22

HEX #C63C38

RGB 198 60 56

HSL 1.69, 0.56%, 0.5%

LAB 46.34, 54.26, 34.06

 

CMYK 0 / 51 / 72 / 22

HEX #C66238

RGB 198 98 56

HSL 17.75, 0.56%, 0.5%

LAB 52.98, 36.83, 41.55

 

CMYK 0 / 31 / 72 / 22

HEX #C68938

RGB 198 137 56

HSL 34.23, 0.56%, 0.5%

LAB 61.81, 15.84, 50.99

 

CMYK 0 / 12 / 72 / 22

HEX #C6AF38

RGB 198 175 56

HSL 50.28, 0.56%, 0.5%

LAB 71.52, -4.65, 60.79

 

CMYK 7 / 0 / 72 / 22

HEX #B8C638

RGB 184 198 56

HSL 65.92, 0.56%, 0.5%

LAB 76.6, -22.33, 65.34

 

CMYK 0 / 31 / 72 / 47

HEX #865D25

RGB 134 93 37

HSL 34.64, 0.57%, 0.34%

LAB 42.81, 11.07, 37.66

 

CMYK 0 / 31 / 72 / 35

HEX #A6732F

RGB 166 115 47

HSL 34.29, 0.56%, 0.42%

LAB 52.48, 13.53, 44.22

 

CMYK 0 / 31 / 72 / 22

HEX #C68938

RGB 198 137 56

HSL 34.23, 0.56%, 0.5%

LAB 61.81, 15.84, 50.99

 

CMYK 0 / 25 / 57 / 19

HEX #CF9C58

RGB 207 156 88

HSL 34.29, 0.55%, 0.58%

LAB 67.83, 11.4, 42.54

 

CMYK 0 / 19 / 45 / 15

HEX #D9AF78

RGB 217 175 120

HSL 34.02, 0.56%, 0.66%

LAB 74.04, 8.22, 33.93

 

CMYK 0 / 31 / 72 / 22

HEX #C78A38

RGB 199 138 56

HSL 34.41, 0.56%, 0.5%

LAB 62.17, 15.73, 51.4

 

CMYK 55 / 0 / 72 / 22

HEX #59C638

RGB 89 198 56

HSL 106.06, 0.56%, 0.5%

LAB 71.42, -56.32, 58.47

 

CMYK 60 / 72 / 0 / 22

HEX #4F38C6

RGB 79 56 198

HSL 249.72, 0.56%, 0.5%

LAB 35.14, 48.76, -70.43

 

CMYK 0 / 31 / 72 / 22

HEX #C78A38

RGB 199 138 56

HSL 34.41, 0.56%, 0.5%

LAB 62.17, 15.73, 51.4

 

CMYK 72 / 0 / 31 / 22

HEX #38C689

RGB 56 198 137

HSL 154.23, 0.56%, 0.5%

LAB 71.58, -51.51, 20.02

 

CMYK 31 / 72 / 0 / 22

HEX #8938C6

RGB 137 56 198

HSL 274.23, 0.56%, 0.5%

LAB 41.57, 58.49, -59.66

 

CMYK 0 / 31 / 72 / 22

HEX #C78A38

RGB 199 138 56

HSL 34.41, 0.56%, 0.5%

LAB 62.17, 15.73, 51.4

 

CMYK 55 / 0 / 72 / 22

HEX #59C638

RGB 89 198 56

HSL 106.06, 0.56%, 0.5%

LAB 71.42, -56.32, 58.47

 

CMYK 72 / 41 / 0 / 22

HEX #3875C6

RGB 56 117 198

HSL 214.23, 0.56%, 0.5%

LAB 49.06, 7.69, -47.95

 

CMYK 17 / 72 / 0 / 22

HEX #A538C6

RGB 165 56 198

HSL 286.06, 0.56%, 0.5%

LAB 45.5, 64.09, -53.12

 

CMYK 0 / 31 / 72 / 22

HEX #C78A38

RGB 199 138 56

HSL 34.41, 0.56%, 0.5%

LAB 62.17, 15.73, 51.4

 

CMYK 72 / 0 / 67 / 22

HEX #38C641

RGB 56 198 65

HSL 123.8, 0.56%, 0.5%

LAB 70.6, -62.71, 53.87

 

CMYK 72 / 41 / 0 / 22

HEX #3875C6

RGB 56 117 198

HSL 214.23, 0.56%, 0.5%

LAB 49.06, 7.69, -47.95

 

CMYK 0 / 72 / 5 / 22

HEX #C638BD

RGB 198 56 189

HSL 303.8, 0.56%, 0.5%

LAB 50.11, 69.6, -40.25

 

Description

Color code: RGB 199 138 56 | qconv.com Color code: RGB 199 138 56 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 138 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 138 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 72 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 72% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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