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Color name
RGB 199 127 234

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 199 127 234 it is the complementary color RGB 56 128 21. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 199 127 234. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 199 127 234 shade: RGB 204 127 229, RGB 221 145 248, RGB 238 163 255, RGB 255 181 255 and RGB 255 199 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 199 127 234. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 199 127 234 shade: RGB 199 127 234, RGB 182 109 215, RGB 165 91 196, RGB 148 73 177 and RGB 131 55 158

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 199 127 234 shade: RGB 199 127 234, RGB 228 127 234, RGB 234 127 211, RGB 234 127 182 and RGB 234 127 154

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 199 127 234 shade: RGB 199 127 234, RGB 170 127 234, RGB 142 127 234 and RGB 127 127 234

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 199 127 234 shade matches the following richer shades: RGB 199 127 234 and RGB 203 115 246

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 199 127 234 shade: RGB 199 127 234, RGB 195 139 222, RGB 191 151 210, RGB 187 163 198 and RGB 182 175 186

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 199 127 234 shade: RGB 142 127 234, RGB 170 127 234, RGB 198 127 234, RGB 227 127 234 and RGB 234 127 212

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 199 127 234 shade: RGB 168 56 222, RGB 183 92 228, RGB 199 127 234, RGB 214 163 240 and RGB 230 198 245

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 199 127 234 shade: RGB 199 127 234, RGB 234 127 142 and RGB 127 234 156

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 199 127 234 shade: RGB 199 127 234, RGB 234 198 127 and RGB 127 234 198

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 199 127 234 shade: RGB 199 127 234, RGB 234 127 142, RGB 163 234 127 and RGB 127 234 220

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 199 127 234 shade: RGB 199 127 234, RGB 234 145 127, RGB 163 234 127 and RGB 127 216 234

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 46 / 0 / 8

HEX #C77FEA

RGB 199 127 234

HSL 280.37, 0.72%, 0.71%

LAB 64.37, 46.11, -43.27

 

Complementary color

CMYK 56 / 0 / 84 / 50

HEX #388015

RGB 56 128 21

HSL 100.37, 0.72%, 0.29%

LAB 47.41, -41.39, 46.58

 

CMYK 11 / 45 / 0 / 10

HEX #CC7FE5

RGB 204 127 229

HSL 285.29, 0.66%, 0.7%

LAB 64.7, 46.5, -39.94

 

CMYK 11 / 42 / 0 / 3

HEX #DD91F8

RGB 221 145 248

HSL 284.27, 0.88%, 0.77%

LAB 71.15, 45.74, -40.18

 

CMYK 7 / 36 / 0 / 0

HEX #EEA3FF

RGB 238 163 255

HSL 288.91, 1%, 0.82%

LAB 77.04, 42.65, -34.69

 

CMYK 0 / 29 / 0 / 0

HEX #FFB5FF

RGB 255 181 255

HSL 300, 1%, 0.85%

LAB 82.66, 38.44, -25.9

 

CMYK 0 / 22 / 0 / 0

HEX #FFC7FF

RGB 255 199 255

HSL 300, 1%, 0.89%

LAB 86.67, 29, -19.82

 

CMYK 15 / 46 / 0 / 8

HEX #C77FEA

RGB 199 127 234

HSL 280.37, 0.72%, 0.71%

LAB 64.37, 46.11, -43.27

 

CMYK 15 / 49 / 0 / 16

HEX #B66DD7

RGB 182 109 215

HSL 281.32, 0.57%, 0.64%

LAB 57.84, 46.91, -43.08

 

CMYK 16 / 54 / 0 / 23

HEX #A55BC4

RGB 165 91 196

HSL 282.29, 0.47%, 0.56%

LAB 51.23, 47.68, -42.83

 

CMYK 16 / 59 / 0 / 31

HEX #9449B1

RGB 148 73 177

HSL 283.27, 0.42%, 0.49%

LAB 44.57, 48.37, -42.48

 

CMYK 17 / 65 / 0 / 38

HEX #83379E

RGB 131 55 158

HSL 284.27, 0.48%, 0.42%

LAB 37.89, 48.86, -41.96

 

CMYK 15 / 46 / 0 / 8

HEX #C77FEA

RGB 199 127 234

HSL 280.37, 0.72%, 0.71%

LAB 64.37, 46.11, -43.27

 

CMYK 3 / 46 / 0 / 8

HEX #E47FEA

RGB 228 127 234

HSL 296.64, 0.72%, 0.71%

LAB 67.73, 54.3, -37.76

 

CMYK 0 / 46 / 10 / 8

HEX #EA7FD3

RGB 234 127 211

HSL 312.9, 0.72%, 0.71%

LAB 67.56, 52.11, -25.23

 

CMYK 0 / 46 / 22 / 8

HEX #EA7FB6

RGB 234 127 182

HSL 329.16, 0.72%, 0.71%

LAB 66.56, 47.68, -10.49

 

CMYK 0 / 46 / 34 / 8

HEX #EA7F9A

RGB 234 127 154

HSL 344.86, 0.72%, 0.71%

LAB 65.75, 44, 4.17

 

CMYK 15 / 46 / 0 / 8

HEX #C77FEA

RGB 199 127 234

HSL 280.37, 0.72%, 0.71%

LAB 64.37, 46.11, -43.27

 

CMYK 27 / 46 / 0 / 8

HEX #AA7FEA

RGB 170 127 234

HSL 264.11, 0.72%, 0.71%

LAB 61.36, 38.14, -48.21

 

CMYK 39 / 46 / 0 / 8

HEX #8E7FEA

RGB 142 127 234

HSL 248.41, 0.72%, 0.71%

LAB 58.85, 30.88, -52.35

 

CMYK 46 / 46 / 0 / 8

HEX #7F7FEA

RGB 127 127 234

HSL 240, 0.72%, 0.71%

LAB 57.69, 27.28, -54.28

 

CMYK 15 / 46 / 0 / 8

HEX #C77FEA

RGB 199 127 234

HSL 280.37, 0.72%, 0.71%

LAB 64.37, 46.11, -43.27

 

CMYK 17 / 53 / 0 / 4

HEX #CB73F6

RGB 203 115 246

HSL 280.31, 0.88%, 0.71%

LAB 63.02, 55.88, -52

 

CMYK 15 / 46 / 0 / 8

HEX #C77FEA

RGB 199 127 234

HSL 280.37, 0.72%, 0.71%

LAB 64.37, 46.11, -43.27

 

CMYK 12 / 37 / 0 / 13

HEX #C38BDE

RGB 195 139 222

HSL 280.48, 0.56%, 0.71%

LAB 66.01, 35.97, -34.09

 

CMYK 9 / 28 / 0 / 18

HEX #BF97D2

RGB 191 151 210

HSL 280.68, 0.4%, 0.71%

LAB 67.92, 25.61, -24.53

 

CMYK 6 / 18 / 0 / 22

HEX #BBA3C6

RGB 187 163 198

HSL 281.14, 0.23%, 0.71%

LAB 70.06, 15.2, -14.67

 

CMYK 2 / 6 / 0 / 27

HEX #B6AFBA

RGB 182 175 186

HSL 278.18, 0.07%, 0.71%

LAB 72.33, 4.55, -4.72

 

CMYK 39 / 46 / 0 / 8

HEX #8E7FEA

RGB 142 127 234

HSL 248.41, 0.72%, 0.71%

LAB 58.85, 30.88, -52.35

 

CMYK 27 / 46 / 0 / 8

HEX #AA7FEA

RGB 170 127 234

HSL 264.11, 0.72%, 0.71%

LAB 61.36, 38.14, -48.21

 

CMYK 15 / 46 / 0 / 8

HEX #C67FEA

RGB 198 127 234

HSL 279.81, 0.72%, 0.71%

LAB 64.26, 45.84, -43.45

 

CMYK 3 / 46 / 0 / 8

HEX #E37FEA

RGB 227 127 234

HSL 296.07, 0.72%, 0.71%

LAB 67.61, 54.02, -37.96

 

CMYK 0 / 46 / 9 / 8

HEX #EA7FD4

RGB 234 127 212

HSL 312.34, 0.72%, 0.71%

LAB 67.59, 52.27, -25.73

 

CMYK 24 / 75 / 0 / 13

HEX #A838DE

RGB 168 56 222

HSL 280.48, 0.72%, 0.55%

LAB 47.53, 69.4, -63.62

 

CMYK 20 / 60 / 0 / 11

HEX #B75CE4

RGB 183 92 228

HSL 280.15, 0.72%, 0.63%

LAB 55.4, 58.49, -54.25

 

CMYK 15 / 46 / 0 / 8

HEX #C77FEA

RGB 199 127 234

HSL 280.37, 0.72%, 0.71%

LAB 64.37, 46.11, -43.27

 

CMYK 11 / 32 / 0 / 6

HEX #D6A3F0

RGB 214 163 240

HSL 279.74, 0.72%, 0.79%

LAB 74.05, 32.4, -31.38

 

CMYK 6 / 19 / 0 / 4

HEX #E6C6F5

RGB 230 198 245

HSL 280.85, 0.7%, 0.87%

LAB 83.86, 19.6, -18.96

 

CMYK 15 / 46 / 0 / 8

HEX #C77FEA

RGB 199 127 234

HSL 280.37, 0.72%, 0.71%

LAB 64.37, 46.11, -43.27

 

CMYK 0 / 46 / 39 / 8

HEX #EA7F8E

RGB 234 127 142

HSL 351.59, 0.72%, 0.71%

LAB 65.46, 42.61, 10.55

 

CMYK 46 / 0 / 33 / 8

HEX #7FEA9C

RGB 127 234 156

HSL 136.26, 0.72%, 0.71%

LAB 84.87, -47.49, 28.54

 

CMYK 15 / 46 / 0 / 8

HEX #C77FEA

RGB 199 127 234

HSL 280.37, 0.72%, 0.71%

LAB 64.37, 46.11, -43.27

 

CMYK 0 / 15 / 46 / 8

HEX #EAC67F

RGB 234 198 127

HSL 39.81, 0.72%, 0.71%

LAB 81.52, 3.66, 40.21

 

CMYK 46 / 0 / 15 / 8

HEX #7FEAC6

RGB 127 234 198

HSL 159.81, 0.72%, 0.71%

LAB 85.72, -39.27, 7.94

 

CMYK 15 / 46 / 0 / 8

HEX #C77FEA

RGB 199 127 234

HSL 280.37, 0.72%, 0.71%

LAB 64.37, 46.11, -43.27

 

CMYK 0 / 46 / 39 / 8

HEX #EA7F8E

RGB 234 127 142

HSL 351.59, 0.72%, 0.71%

LAB 65.46, 42.61, 10.55

 

CMYK 30 / 0 / 46 / 8

HEX #A3EA7F

RGB 163 234 127

HSL 99.81, 0.72%, 0.71%

LAB 86.09, -40.88, 44.89

 

CMYK 46 / 0 / 6 / 8

HEX #7FEADC

RGB 127 234 220

HSL 172.15, 0.72%, 0.71%

LAB 86.27, -34.26, -2.82

 

CMYK 15 / 46 / 0 / 8

HEX #C77FEA

RGB 199 127 234

HSL 280.37, 0.72%, 0.71%

LAB 64.37, 46.11, -43.27

 

CMYK 0 / 38 / 46 / 8

HEX #EA917F

RGB 234 145 127

HSL 10.09, 0.72%, 0.71%

LAB 68.95, 31.7, 23.78

 

CMYK 30 / 0 / 46 / 8

HEX #A3EA7F

RGB 163 234 127

HSL 99.81, 0.72%, 0.71%

LAB 86.09, -40.88, 44.89

 

CMYK 46 / 8 / 0 / 8

HEX #7FD8EA

RGB 127 216 234

HSL 190.09, 0.72%, 0.71%

LAB 81.6, -22.08, -17.17

 

Description

Color code: RGB 199 127 234 | qconv.com Color code: RGB 199 127 234 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 127 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 127 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 46 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 46% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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