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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 199 125 192 it is the complementary color RGB 56 130 63. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 199 125 192. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 199 125 192 shade: RGB 204 125 187, RGB 221 143 206, RGB 238 161 225, RGB 255 179 244 and RGB 255 197 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 199 125 192. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 199 125 192 shade: RGB 199 125 192, RGB 182 107 173, RGB 165 89 154, RGB 148 71 135 and RGB 131 53 116

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 199 125 192 shade: RGB 199 126 192, RGB 199 126 173, RGB 199 126 153, RGB 199 126 133 and RGB 199 126 126

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 199 125 192 shade: RGB 199 126 192, RGB 187 126 199, RGB 167 126 199, RGB 147 126 199 and RGB 127 126 199

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 199 125 192 shade matches the following richer shades: RGB 199 126 192, RGB 214 111 205, RGB 229 96 217 and RGB 244 81 229

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 199 125 192 shade: RGB 199 126 192, RGB 185 141 180, RGB 170 156 168, RGB 155 171 156 and RGB 140 185 144

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 199 125 192 shade: RGB 166 126 199, RGB 186 126 199, RGB 199 126 193, RGB 199 126 174 and RGB 199 126 154

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 199 125 192 shade: RGB 170 73 161, RGB 187 97 179, RGB 199 126 192, RGB 212 155 206 and RGB 224 184 220

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 199 125 192 shade: RGB 199 125 192, RGB 199 147 126 and RGB 126 199 176

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 199 125 192 shade: RGB 199 125 192, RGB 193 199 126 and RGB 126 193 199

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 199 125 192 shade: RGB 199 125 192, RGB 199 147 126, RGB 126 199 132 and RGB 126 179 199

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 199 125 192 shade: RGB 199 125 192, RGB 199 169 126, RGB 126 199 132 and RGB 126 157 199

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 4 / 22

HEX #C77DC0

RGB 199 125 192

HSL 305.68, 0.4%, 0.64%

LAB 62.18, 38.95, -23.17

 

Complementary color

CMYK 57 / 0 / 52 / 49

HEX #38823F

RGB 56 130 63

HSL 125.68, 0.4%, 0.36%

LAB 48.47, -37.88, 29.31

 

CMYK 0 / 39 / 8 / 20

HEX #CC7DBB

RGB 204 125 187

HSL 312.91, 0.44%, 0.65%

LAB 62.59, 39.69, -19.67

 

CMYK 0 / 35 / 7 / 13

HEX #DD8FCE

RGB 221 143 206

HSL 311.54, 0.53%, 0.71%

LAB 69.09, 38.94, -20.24

 

CMYK 0 / 32 / 5 / 7

HEX #EEA1E1

RGB 238 161 225

HSL 310.13, 0.69%, 0.78%

LAB 75.52, 38.22, -20.76

 

CMYK 0 / 30 / 4 / 0

HEX #FFB3F4

RGB 255 179 244

HSL 308.68, 1%, 0.85%

LAB 81.86, 37.54, -21.24

 

CMYK 0 / 23 / 0 / 0

HEX #FFC5FF

RGB 255 197 255

HSL 300, 1%, 0.89%

LAB 86.21, 30.05, -20.51

 

CMYK 0 / 37 / 4 / 22

HEX #C77DC0

RGB 199 125 192

HSL 305.68, 0.4%, 0.64%

LAB 62.18, 38.95, -23.17

 

CMYK 0 / 41 / 5 / 29

HEX #B66BAD

RGB 182 107 173

HSL 307.2, 0.34%, 0.57%

LAB 55.56, 39.72, -22.64

 

CMYK 0 / 46 / 7 / 35

HEX #A5599A

RGB 165 89 154

HSL 308.68, 0.3%, 0.5%

LAB 48.86, 40.48, -22.02

 

CMYK 0 / 52 / 9 / 42

HEX #944787

RGB 148 71 135

HSL 310.13, 0.35%, 0.43%

LAB 42.08, 41.18, -21.26

 

CMYK 0 / 60 / 11 / 49

HEX #833574

RGB 131 53 116

HSL 311.54, 0.42%, 0.36%

LAB 35.27, 41.73, -20.27

 

CMYK 0 / 37 / 4 / 22

HEX #C77EC0

RGB 199 126 192

HSL 305.75, 0.39%, 0.64%

LAB 62.4, 38.42, -22.84

 

CMYK 0 / 37 / 13 / 22

HEX #C77EAD

RGB 199 126 173

HSL 321.37, 0.39%, 0.64%

LAB 61.72, 35.12, -13.08

 

CMYK 0 / 37 / 23 / 22

HEX #C77E99

RGB 199 126 153

HSL 337.81, 0.39%, 0.64%

LAB 61.1, 31.97, -2.58

 

CMYK 0 / 37 / 33 / 22

HEX #C77E85

RGB 199 126 133

HSL 354.25, 0.39%, 0.64%

LAB 60.57, 29.2, 8.12

 

CMYK 0 / 37 / 37 / 22

HEX #C77E7E

RGB 199 126 126

HSL 0, 0.39%, 0.64%

LAB 60.4, 28.32, 11.89

 

CMYK 0 / 37 / 4 / 22

HEX #C77EC0

RGB 199 126 192

HSL 305.75, 0.39%, 0.64%

LAB 62.4, 38.42, -22.84

 

CMYK 6 / 37 / 0 / 22

HEX #BB7EC7

RGB 187 126 199

HSL 290.14, 0.39%, 0.64%

LAB 61.32, 35.93, -28.57

 

CMYK 16 / 37 / 0 / 22

HEX #A77EC7

RGB 167 126 199

HSL 273.7, 0.39%, 0.64%

LAB 59.21, 29.71, -31.99

 

CMYK 26 / 37 / 0 / 22

HEX #937EC7

RGB 147 126 199

HSL 257.26, 0.39%, 0.64%

LAB 57.32, 23.66, -35.1

 

CMYK 36 / 37 / 0 / 22

HEX #7F7EC7

RGB 127 126 199

HSL 240.82, 0.39%, 0.64%

LAB 55.64, 17.93, -37.84

 

CMYK 0 / 37 / 4 / 22

HEX #C77EC0

RGB 199 126 192

HSL 305.75, 0.39%, 0.64%

LAB 62.4, 38.42, -22.84

 

CMYK 0 / 48 / 4 / 16

HEX #D66FCD

RGB 214 111 205

HSL 305.24, 0.56%, 0.64%

LAB 61.72, 53.07, -31.08

 

CMYK 0 / 58 / 5 / 10

HEX #E560D9

RGB 229 96 217

HSL 305.41, 0.72%, 0.64%

LAB 61.68, 66.13, -37.73

 

CMYK 0 / 67 / 6 / 4

HEX #F451E5

RGB 244 81 229

HSL 305.52, 0.88%, 0.64%

LAB 62.32, 77.54, -43.31

 

CMYK 0 / 37 / 4 / 22

HEX #C77EC0

RGB 199 126 192

HSL 305.75, 0.39%, 0.64%

LAB 62.4, 38.42, -22.84

 

CMYK 0 / 24 / 3 / 27

HEX #B98DB4

RGB 185 141 180

HSL 306.82, 0.24%, 0.64%

LAB 63.88, 23.27, -13.95

 

CMYK 0 / 8 / 1 / 33

HEX #AA9CA8

RGB 170 156 168

HSL 308.57, 0.08%, 0.64%

LAB 65.87, 7.33, -4.39

 

CMYK 9 / 0 / 9 / 33

HEX #9BAB9C

RGB 155 171 156

HSL 123.75, 0.09%, 0.64%

LAB 68.38, -8.5, 5.82

 

CMYK 24 / 0 / 22 / 27

HEX #8CB990

RGB 140 185 144

HSL 125.33, 0.24%, 0.64%

LAB 71.07, -23.17, 16.05

 

CMYK 17 / 37 / 0 / 22

HEX #A67EC7

RGB 166 126 199

HSL 272.88, 0.39%, 0.64%

LAB 59.11, 29.4, -32.16

 

CMYK 7 / 37 / 0 / 22

HEX #BA7EC7

RGB 186 126 199

HSL 289.32, 0.39%, 0.64%

LAB 61.21, 35.62, -28.75

 

CMYK 0 / 37 / 3 / 22

HEX #C77EC1

RGB 199 126 193

HSL 304.93, 0.39%, 0.64%

LAB 62.44, 38.6, -23.35

 

CMYK 0 / 37 / 13 / 22

HEX #C77EAE

RGB 199 126 174

HSL 320.55, 0.39%, 0.64%

LAB 61.76, 35.28, -13.6

 

CMYK 0 / 37 / 23 / 22

HEX #C77E9A

RGB 199 126 154

HSL 336.99, 0.39%, 0.64%

LAB 61.13, 32.12, -3.11

 

CMYK 0 / 57 / 5 / 33

HEX #AA49A1

RGB 170 73 161

HSL 305.57, 0.4%, 0.48%

LAB 46.82, 51.24, -29.27

 

CMYK 0 / 48 / 4 / 27

HEX #BB61B3

RGB 187 97 179

HSL 305.33, 0.4%, 0.56%

LAB 54.42, 47.57, -27.82

 

CMYK 0 / 37 / 4 / 22

HEX #C77EC0

RGB 199 126 192

HSL 305.75, 0.39%, 0.64%

LAB 62.4, 38.42, -22.84

 

CMYK 0 / 27 / 3 / 17

HEX #D49BCE

RGB 212 155 206

HSL 306.32, 0.4%, 0.72%

LAB 70.8, 29.53, -17.74

 

CMYK 0 / 18 / 2 / 12

HEX #E0B8DC

RGB 224 184 220

HSL 306, 0.39%, 0.8%

LAB 79.21, 20.42, -12.61

 

CMYK 0 / 37 / 4 / 22

HEX #C77DC0

RGB 199 125 192

HSL 305.68, 0.4%, 0.64%

LAB 62.18, 38.95, -23.17

 

CMYK 0 / 26 / 37 / 22

HEX #C7937E

RGB 199 147 126

HSL 17.26, 0.39%, 0.64%

LAB 65.37, 16.81, 18.79

 

CMYK 37 / 0 / 12 / 22

HEX #7EC7B0

RGB 126 199 176

HSL 161.1, 0.39%, 0.64%

LAB 75.09, -27.98, 4.33

 

CMYK 0 / 37 / 4 / 22

HEX #C77DC0

RGB 199 125 192

HSL 305.68, 0.4%, 0.64%

LAB 62.18, 38.95, -23.17

 

CMYK 3 / 0 / 37 / 22

HEX #C1C77E

RGB 193 199 126

HSL 64.93, 0.39%, 0.64%

LAB 78.28, -13.3, 35.88

 

CMYK 37 / 3 / 0 / 22

HEX #7EC1C7

RGB 126 193 199

HSL 184.93, 0.39%, 0.64%

LAB 74, -19.63, -9.75

 

CMYK 0 / 37 / 4 / 22

HEX #C77DC0

RGB 199 125 192

HSL 305.68, 0.4%, 0.64%

LAB 62.18, 38.95, -23.17

 

CMYK 0 / 26 / 37 / 22

HEX #C7937E

RGB 199 147 126

HSL 17.26, 0.39%, 0.64%

LAB 65.37, 16.81, 18.79

 

CMYK 37 / 0 / 34 / 22

HEX #7EC784

RGB 126 199 132

HSL 124.93, 0.39%, 0.64%

LAB 74.16, -36.5, 26.55

 

CMYK 37 / 10 / 0 / 22

HEX #7EB3C7

RGB 126 179 199

HSL 196.44, 0.39%, 0.64%

LAB 70.04, -12.35, -15.69

 

CMYK 0 / 37 / 4 / 22

HEX #C77DC0

RGB 199 125 192

HSL 305.68, 0.4%, 0.64%

LAB 62.18, 38.95, -23.17

 

CMYK 0 / 15 / 37 / 22

HEX #C7A97E

RGB 199 169 126

HSL 35.34, 0.39%, 0.64%

LAB 70.89, 4.83, 26.27

 

CMYK 37 / 0 / 34 / 22

HEX #7EC784

RGB 126 199 132

HSL 124.93, 0.39%, 0.64%

LAB 74.16, -36.5, 26.55

 

CMYK 37 / 21 / 0 / 22

HEX #7E9DC7

RGB 126 157 199

HSL 214.52, 0.39%, 0.64%

LAB 63.9, -0.31, -25.03

 

Description

Color code: RGB 199 125 192 | qconv.com Color code: RGB 199 125 192 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 125 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 125 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 4 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 4% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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