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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 199 11 236 it is the complementary color RGB 56 244 19. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 199 11 236. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 199 11 236 shade: RGB 204 11 231, RGB 221 29 250, RGB 238 47 255, RGB 255 65 255 and RGB 255 83 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 199 11 236. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 199 11 236 shade: RGB 199 11 236, RGB 182 0 217, RGB 165 0 198, RGB 148 0 179 and RGB 131 0 160

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 199 11 236 shade: RGB 197 11 233, RGB 233 11 210, RGB 233 11 150, RGB 233 11 90 and RGB 233 11 30

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 199 11 236 shade: RGB 197 11 233, RGB 137 11 233, RGB 76 11 233, RGB 16 11 233 and RGB 11 11 233

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 199 11 236 shade matches the following richer shades: RGB 197 11 233

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 199 11 236 shade: RGB 197 11 233, RGB 183 30 213, RGB 170 50 194, RGB 157 70 174 and RGB 143 90 154

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 199 11 236 shade: RGB 77 11 233, RGB 137 11 233, RGB 196 11 233, RGB 233 11 211 and RGB 233 11 152

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 199 11 236 shade: RGB 130 7 154, RGB 163 9 194, RGB 197 11 233, RGB 211 41 244 and RGB 219 80 246

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 199 11 236 shade: RGB 199 11 236, RGB 233 18 11 and RGB 11 233 107

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 199 11 236 shade: RGB 199 11 236, RGB 233 196 11 and RGB 11 233 196

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 199 11 236 shade: RGB 199 11 236, RGB 233 18 11, RGB 48 233 11 and RGB 11 226 233

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 199 11 236 shade: RGB 199 11 236, RGB 233 85 11, RGB 48 233 11 and RGB 11 159 233

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 95 / 0 / 7

HEX #C70BEC

RGB 199 11 236

HSL 290.13, 0.91%, 0.48%

LAB 50.02, 86.37, -67.29

 

Complementary color

CMYK 77 / 0 / 92 / 4

HEX #38F413

RGB 56 244 19

HSL 110.13, 0.91%, 0.52%

LAB 84.79, -79.14, 79.29

 

CMYK 12 / 95 / 0 / 9

HEX #CC0BE7

RGB 204 11 231

HSL 292.64, 0.91%, 0.47%

LAB 50.51, 86.29, -63.64

 

CMYK 12 / 88 / 0 / 2

HEX #DD1DFA

RGB 221 29 250

HSL 292.13, 0.96%, 0.55%

LAB 55.23, 89.8, -66.55

 

CMYK 7 / 82 / 0 / 0

HEX #EE2FFF

RGB 238 47 255

HSL 295.1, 1%, 0.59%

LAB 59.37, 90.08, -62.52

 

CMYK 0 / 75 / 0 / 0

HEX #FF41FF

RGB 255 65 255

HSL 300, 1%, 0.63%

LAB 63.56, 88.79, -55.68

 

CMYK 0 / 67 / 0 / 0

HEX #FF53FF

RGB 255 83 255

HSL 300, 1%, 0.66%

LAB 65.49, 83.28, -52.61

 

CMYK 16 / 95 / 0 / 7

HEX #C70BEC

RGB 199 11 236

HSL 290.13, 0.91%, 0.48%

LAB 50.02, 86.37, -67.29

 

CMYK 16 / 100 / 0 / 15

HEX #B600D9

RGB 182 0 217

HSL 290.32, 1%, 0.43%

LAB 45.57, 81.77, -63.83

 

CMYK 17 / 100 / 0 / 22

HEX #A500C6

RGB 165 0 198

HSL 290, 1%, 0.39%

LAB 41.34, 76.22, -59.84

 

CMYK 17 / 100 / 0 / 30

HEX #9400B3

RGB 148 0 179

HSL 289.61, 1%, 0.35%

LAB 37.02, 70.57, -55.79

 

CMYK 18 / 100 / 0 / 37

HEX #8300A0

RGB 131 0 160

HSL 289.13, 1%, 0.31%

LAB 32.62, 64.8, -51.66

 

CMYK 15 / 95 / 0 / 9

HEX #C50BE9

RGB 197 11 233

HSL 290.27, 0.91%, 0.48%

LAB 49.49, 85.6, -66.48

 

CMYK 0 / 95 / 10 / 9

HEX #E90BD2

RGB 233 11 210

HSL 306.22, 0.91%, 0.48%

LAB 54.26, 87.9, -45.41

 

CMYK 0 / 95 / 36 / 9

HEX #E90B96

RGB 233 11 150

HSL 322.43, 0.91%, 0.48%

LAB 51.57, 81.02, -14.51

 

CMYK 0 / 95 / 61 / 9

HEX #E90B5A

RGB 233 11 90

HSL 338.65, 0.91%, 0.48%

LAB 49.86, 76.44, 19.48

 

CMYK 0 / 95 / 87 / 9

HEX #E90B1E

RGB 233 11 30

HSL 354.86, 0.91%, 0.48%

LAB 49.08, 74.29, 52.84

 

CMYK 15 / 95 / 0 / 9

HEX #C50BE9

RGB 197 11 233

HSL 290.27, 0.91%, 0.48%

LAB 49.49, 85.6, -66.48

 

CMYK 41 / 95 / 0 / 9

HEX #890BE9

RGB 137 11 233

HSL 274.05, 0.91%, 0.48%

LAB 40.31, 78.24, -81.84

 

CMYK 67 / 95 / 0 / 9

HEX #4C0BE9

RGB 76 11 233

HSL 257.57, 0.91%, 0.48%

LAB 33.26, 73.77, -93.74

 

CMYK 93 / 95 / 0 / 9

HEX #100BE9

RGB 16 11 233

HSL 241.35, 0.91%, 0.48%

LAB 29.99, 72.21, -99.27

 

CMYK 95 / 95 / 0 / 9

HEX #0B0BE9

RGB 11 11 233

HSL 240, 0.91%, 0.48%

LAB 29.9, 72.17, -99.44

 

CMYK 15 / 95 / 0 / 9

HEX #C50BE9

RGB 197 11 233

HSL 290.27, 0.91%, 0.48%

LAB 49.49, 85.6, -66.48

 

CMYK 15 / 95 / 0 / 9

HEX #C50BE9

RGB 197 11 233

HSL 290.27, 0.91%, 0.48%

LAB 49.49, 85.6, -66.48

 

CMYK 14 / 86 / 0 / 16

HEX #B71ED5

RGB 183 30 213

HSL 290.16, 0.75%, 0.48%

LAB 46.71, 77.54, -59.69

 

CMYK 12 / 74 / 0 / 24

HEX #AA32C2

RGB 170 50 194

HSL 290, 0.59%, 0.48%

LAB 45.25, 66.51, -51.16

 

CMYK 10 / 60 / 0 / 32

HEX #9D46AE

RGB 157 70 174

HSL 290.19, 0.43%, 0.48%

LAB 45.09, 51.55, -39.82

 

CMYK 7 / 42 / 0 / 40

HEX #8F5A9A

RGB 143 90 154

HSL 289.69, 0.26%, 0.48%

LAB 46.29, 32.89, -26.21

 

CMYK 67 / 95 / 0 / 9

HEX #4D0BE9

RGB 77 11 233

HSL 257.84, 0.91%, 0.48%

LAB 33.35, 73.82, -93.59

 

CMYK 41 / 95 / 0 / 9

HEX #890BE9

RGB 137 11 233

HSL 274.05, 0.91%, 0.48%

LAB 40.31, 78.24, -81.84

 

CMYK 16 / 95 / 0 / 9

HEX #C40BE9

RGB 196 11 233

HSL 290, 0.91%, 0.48%

LAB 49.32, 85.45, -66.75

 

CMYK 0 / 95 / 9 / 9

HEX #E90BD3

RGB 233 11 211

HSL 305.95, 0.91%, 0.48%

LAB 54.31, 88.03, -45.9

 

CMYK 0 / 95 / 35 / 9

HEX #E90B98

RGB 233 11 152

HSL 321.89, 0.91%, 0.48%

LAB 51.64, 81.21, -15.59

 

CMYK 16 / 95 / 0 / 40

HEX #82079A

RGB 130 7 154

HSL 290.2, 0.91%, 0.32%

LAB 32.33, 62.58, -48.49

 

CMYK 16 / 95 / 0 / 24

HEX #A309C2

RGB 163 9 194

HSL 289.95, 0.91%, 0.4%

LAB 41.02, 74.33, -58.04

 

CMYK 15 / 95 / 0 / 9

HEX #C50BE9

RGB 197 11 233

HSL 290.27, 0.91%, 0.48%

LAB 49.49, 85.6, -66.48

 

CMYK 14 / 83 / 0 / 4

HEX #D329F4

RGB 211 41 244

HSL 290.25, 0.9%, 0.56%

LAB 53.99, 85.06, -65.27

 

CMYK 11 / 67 / 0 / 4

HEX #DB50F6

RGB 219 80 246

HSL 290.24, 0.9%, 0.64%

LAB 59.39, 75.19, -57.66

 

CMYK 16 / 95 / 0 / 7

HEX #C70BEC

RGB 199 11 236

HSL 290.13, 0.91%, 0.48%

LAB 50.02, 86.37, -67.29

 

CMYK 0 / 92 / 95 / 9

HEX #E9120B

RGB 233 18 11

HSL 1.89, 0.91%, 0.48%

LAB 49.23, 73.36, 60.02

 

CMYK 95 / 0 / 54 / 9

HEX #0BE96B

RGB 11 233 107

HSL 145.95, 0.91%, 0.48%

LAB 81.52, -72.75, 47.83

 

CMYK 16 / 95 / 0 / 7

HEX #C70BEC

RGB 199 11 236

HSL 290.13, 0.91%, 0.48%

LAB 50.02, 86.37, -67.29

 

CMYK 0 / 16 / 95 / 9

HEX #E9C40B

RGB 233 196 11

HSL 50, 0.91%, 0.48%

LAB 80.08, -1.56, 80.28

 

CMYK 95 / 0 / 16 / 9

HEX #0BE9C4

RGB 11 233 196

HSL 170, 0.91%, 0.48%

LAB 83.09, -54.81, 4.91

 

CMYK 16 / 95 / 0 / 7

HEX #C70BEC

RGB 199 11 236

HSL 290.13, 0.91%, 0.48%

LAB 50.02, 86.37, -67.29

 

CMYK 0 / 92 / 95 / 9

HEX #E9120B

RGB 233 18 11

HSL 1.89, 0.91%, 0.48%

LAB 49.23, 73.36, 60.02

 

CMYK 79 / 0 / 95 / 9

HEX #30E90B

RGB 48 233 11

HSL 110, 0.91%, 0.48%

LAB 81.25, -77.19, 77.18

 

CMYK 95 / 3 / 0 / 9

HEX #0BE2E9

RGB 11 226 233

HSL 181.89, 0.91%, 0.48%

LAB 82.03, -41.56, -16.24

 

CMYK 16 / 95 / 0 / 7

HEX #C70BEC

RGB 199 11 236

HSL 290.13, 0.91%, 0.48%

LAB 50.02, 86.37, -67.29

 

CMYK 0 / 64 / 95 / 9

HEX #E9550B

RGB 233 85 11

HSL 20, 0.91%, 0.48%

LAB 55.93, 54.74, 63.79

 

CMYK 79 / 0 / 95 / 9

HEX #30E90B

RGB 48 233 11

HSL 110, 0.91%, 0.48%

LAB 81.25, -77.19, 77.18

 

CMYK 95 / 32 / 0 / 9

HEX #0B9FE9

RGB 11 159 233

HSL 200, 0.91%, 0.48%

LAB 62.3, -7.81, -46.66

 

Description

Color code: RGB 199 11 236 | qconv.com Color code: RGB 199 11 236 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 11 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 11 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 95 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 95% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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