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Color name
RGB 199 11 185

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 199 11 185 it is the complementary color RGB 56 244 70. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 199 11 185. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 199 11 185 shade: RGB 204 11 180, RGB 221 29 199, RGB 238 47 218, RGB 255 65 237 and RGB 255 83 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 199 11 185. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 199 11 185 shade: RGB 199 11 185, RGB 182 0 166, RGB 165 0 147, RGB 148 0 128 and RGB 131 0 109

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 199 11 185 shade: RGB 198 10 184, RGB 198 10 133, RGB 198 10 83, RGB 198 10 32 and RGB 198 10 10

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 199 11 185 shade: RGB 198 10 184, RGB 161 10 198, RGB 111 10 198, RGB 60 10 198 and RGB 10 10 198

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 199 11 185 shade matches the following richer shades: RGB 198 10 184

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 199 11 185 shade: RGB 198 10 184, RGB 181 27 170, RGB 164 44 155, RGB 147 61 141 and RGB 130 78 127

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 199 11 185 shade: RGB 110 10 198, RGB 161 10 198, RGB 198 10 186, RGB 198 10 135 and RGB 198 10 85

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 199 11 185 shade: RGB 120 6 111, RGB 159 8 148, RGB 198 10 184, RGB 237 12 221 and RGB 244 47 229

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 199 11 185 shade: RGB 199 11 185, RGB 198 60 10 and RGB 10 198 135

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 199 11 185 shade: RGB 199 11 185, RGB 186 198 10 and RGB 10 186 198

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 199 11 185 shade: RGB 199 11 185, RGB 198 60 10, RGB 10 198 23 and RGB 10 148 198

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 199 11 185 shade: RGB 199 11 185, RGB 198 117 10, RGB 10 198 23 and RGB 10 92 198

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 94 / 7 / 22

HEX #C70BB9

RGB 199 11 185

HSL 304.47, 0.9%, 0.41%

LAB 46.82, 78.6, -43.11

 

Complementary color

CMYK 77 / 0 / 71 / 4

HEX #38F446

RGB 56 244 70

HSL 124.47, 0.9%, 0.59%

LAB 84.99, -76.62, 67.1

 

CMYK 0 / 95 / 12 / 20

HEX #CC0BB4

RGB 204 11 180

HSL 307.46, 0.9%, 0.42%

LAB 47.46, 78.81, -39.11

 

CMYK 0 / 87 / 10 / 13

HEX #DD1DC7

RGB 221 29 199

HSL 306.88, 0.77%, 0.49%

LAB 52.26, 82.24, -42.39

 

CMYK 0 / 80 / 8 / 7

HEX #EE2FDA

RGB 238 47 218

HSL 306.28, 0.85%, 0.56%

LAB 57.34, 84.61, -45.03

 

CMYK 0 / 75 / 7 / 0

HEX #FF41ED

RGB 255 65 237

HSL 305.68, 1%, 0.63%

LAB 62.64, 86.15, -47.16

 

CMYK 0 / 67 / 0 / 0

HEX #FF53FF

RGB 255 83 255

HSL 300, 1%, 0.66%

LAB 65.49, 83.28, -52.61

 

CMYK 0 / 94 / 7 / 22

HEX #C70BB9

RGB 199 11 185

HSL 304.47, 0.9%, 0.41%

LAB 46.82, 78.6, -43.11

 

CMYK 0 / 100 / 9 / 29

HEX #B600A6

RGB 182 0 166

HSL 305.27, 1%, 0.36%

LAB 42.31, 73.98, -39.22

 

CMYK 0 / 100 / 11 / 35

HEX #A50093

RGB 165 0 147

HSL 306.55, 1%, 0.32%

LAB 38.03, 68.33, -34.72

 

CMYK 0 / 100 / 14 / 42

HEX #940080

RGB 148 0 128

HSL 308.11, 1%, 0.29%

LAB 33.68, 62.57, -30.07

 

CMYK 0 / 100 / 17 / 49

HEX #83006D

RGB 131 0 109

HSL 310.08, 1%, 0.26%

LAB 29.23, 56.7, -25.24

 

CMYK 0 / 95 / 7 / 22

HEX #C60AB8

RGB 198 10 184

HSL 304.47, 0.9%, 0.41%

LAB 46.56, 78.37, -42.96

 

CMYK 0 / 95 / 33 / 22

HEX #C60A85

RGB 198 10 133

HSL 320.74, 0.9%, 0.41%

LAB 44.11, 72.12, -16.19

 

CMYK 0 / 95 / 58 / 22

HEX #C60A53

RGB 198 10 83

HSL 336.7, 0.9%, 0.41%

LAB 42.53, 67.89, 12.69

 

CMYK 0 / 95 / 84 / 22

HEX #C60A20

RGB 198 10 32

HSL 352.98, 0.9%, 0.41%

LAB 41.73, 65.68, 42.7

 

CMYK 0 / 95 / 95 / 22

HEX #C60A0A

RGB 198 10 10

HSL 0, 0.9%, 0.41%

LAB 41.6, 65.32, 52.3

 

CMYK 0 / 95 / 7 / 22

HEX #C60AB8

RGB 198 10 184

HSL 304.47, 0.9%, 0.41%

LAB 46.56, 78.37, -42.96

 

CMYK 19 / 95 / 0 / 22

HEX #A10AC6

RGB 161 10 198

HSL 288.19, 0.9%, 0.41%

LAB 41.01, 74.62, -60.4

 

CMYK 44 / 95 / 0 / 22

HEX #6F0AC6

RGB 111 10 198

HSL 272.23, 0.9%, 0.41%

LAB 33.29, 68.45, -73.34

 

CMYK 70 / 95 / 0 / 22

HEX #3C0AC6

RGB 60 10 198

HSL 255.96, 0.9%, 0.41%

LAB 27.45, 64.7, -83.2

 

CMYK 95 / 95 / 0 / 22

HEX #0A0AC6

RGB 10 10 198

HSL 240, 0.9%, 0.41%

LAB 24.82, 63.39, -87.65

 

CMYK 0 / 95 / 7 / 22

HEX #C60AB8

RGB 198 10 184

HSL 304.47, 0.9%, 0.41%

LAB 46.56, 78.37, -42.96

 

CMYK 0 / 95 / 7 / 22

HEX #C60AB8

RGB 198 10 184

HSL 304.47, 0.9%, 0.41%

LAB 46.56, 78.37, -42.96

 

CMYK 0 / 85 / 6 / 29

HEX #B51BAA

RGB 181 27 170

HSL 304.29, 0.74%, 0.41%

LAB 43.52, 70.92, -39.69

 

CMYK 0 / 73 / 5 / 36

HEX #A42C9B

RGB 164 44 155

HSL 304.5, 0.58%, 0.41%

LAB 41.31, 60.55, -34.4

 

CMYK 0 / 59 / 4 / 42

HEX #933D8D

RGB 147 61 141

HSL 304.19, 0.41%, 0.41%

LAB 40.35, 46.92, -27.61

 

CMYK 0 / 40 / 2 / 49

HEX #824E7F

RGB 130 78 127

HSL 303.46, 0.25%, 0.41%

LAB 40.78, 29.96, -18.59

 

CMYK 44 / 95 / 0 / 22

HEX #6E0AC6

RGB 110 10 198

HSL 271.91, 0.9%, 0.41%

LAB 33.16, 68.35, -73.57

 

CMYK 19 / 95 / 0 / 22

HEX #A10AC6

RGB 161 10 198

HSL 288.19, 0.9%, 0.41%

LAB 41.01, 74.62, -60.4

 

CMYK 0 / 95 / 6 / 22

HEX #C60ABA

RGB 198 10 186

HSL 303.83, 0.9%, 0.41%

LAB 46.67, 78.65, -43.95

 

CMYK 0 / 95 / 32 / 22

HEX #C60A87

RGB 198 10 135

HSL 320.11, 0.9%, 0.41%

LAB 44.19, 72.33, -17.29

 

CMYK 0 / 95 / 57 / 22

HEX #C60A55

RGB 198 10 85

HSL 336.06, 0.9%, 0.41%

LAB 42.58, 68.02, 11.49

 

CMYK 0 / 95 / 8 / 53

HEX #78066F

RGB 120 6 111

HSL 304.74, 0.9%, 0.25%

LAB 27.49, 53.81, -29.43

 

CMYK 0 / 95 / 7 / 38

HEX #9F0894

RGB 159 8 148

HSL 304.37, 0.9%, 0.33%

LAB 37.27, 66.45, -36.61

 

CMYK 0 / 95 / 7 / 22

HEX #C60AB8

RGB 198 10 184

HSL 304.47, 0.9%, 0.41%

LAB 46.56, 78.37, -42.96

 

CMYK 0 / 95 / 7 / 7

HEX #ED0CDD

RGB 237 12 221

HSL 304.27, 0.9%, 0.49%

LAB 55.57, 89.97, -49.55

 

CMYK 0 / 81 / 6 / 4

HEX #F42FE5

RGB 244 47 229

HSL 304.57, 0.9%, 0.57%

LAB 58.9, 87.3, -48.7

 

CMYK 0 / 94 / 7 / 22

HEX #C70BB9

RGB 199 11 185

HSL 304.47, 0.9%, 0.41%

LAB 46.82, 78.6, -43.11

 

CMYK 0 / 70 / 95 / 22

HEX #C63C0A

RGB 198 60 10

HSL 15.96, 0.9%, 0.41%

LAB 45.99, 53, 54.85

 

CMYK 95 / 0 / 32 / 22

HEX #0AC687

RGB 10 198 135

HSL 159.89, 0.9%, 0.41%

LAB 71.01, -56, 20.21

 

CMYK 0 / 94 / 7 / 22

HEX #C70BB9

RGB 199 11 185

HSL 304.47, 0.9%, 0.41%

LAB 46.82, 78.6, -43.11

 

CMYK 6 / 0 / 95 / 22

HEX #BAC60A

RGB 186 198 10

HSL 63.83, 0.9%, 0.41%

LAB 76.59, -22.84, 75.98

 

CMYK 95 / 6 / 0 / 22

HEX #0ABAC6

RGB 10 186 198

HSL 183.83, 0.9%, 0.41%

LAB 68.94, -33.91, -17.1

 

CMYK 0 / 94 / 7 / 22

HEX #C70BB9

RGB 199 11 185

HSL 304.47, 0.9%, 0.41%

LAB 46.82, 78.6, -43.11

 

CMYK 0 / 70 / 95 / 22

HEX #C63C0A

RGB 198 60 10

HSL 15.96, 0.9%, 0.41%

LAB 45.99, 53, 54.85

 

CMYK 95 / 0 / 88 / 22

HEX #0AC617

RGB 10 198 23

HSL 124.15, 0.9%, 0.41%

LAB 69.83, -70.25, 65.82

 

CMYK 95 / 25 / 0 / 22

HEX #0A94C6

RGB 10 148 198

HSL 195.96, 0.9%, 0.41%

LAB 57.39, -14.5, -34.86

 

CMYK 0 / 94 / 7 / 22

HEX #C70BB9

RGB 199 11 185

HSL 304.47, 0.9%, 0.41%

LAB 46.82, 78.6, -43.11

 

CMYK 0 / 41 / 95 / 22

HEX #C6750A

RGB 198 117 10

HSL 34.15, 0.9%, 0.41%

LAB 56.83, 25.38, 61.99

 

CMYK 95 / 0 / 88 / 22

HEX #0AC617

RGB 10 198 23

HSL 124.15, 0.9%, 0.41%

LAB 69.83, -70.25, 65.82

 

CMYK 95 / 54 / 0 / 22

HEX #0A5CC6

RGB 10 92 198

HSL 213.83, 0.9%, 0.41%

LAB 40.89, 19.75, -61.15

 

Description

Color code: RGB 199 11 185 | qconv.com Color code: RGB 199 11 185 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 11 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 11 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 94 magenta, 7 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 94% 7% 22% C M Y K

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Provide designers and agencies with accurate color values.

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