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Color name
RGB 199 112 142

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 199 112 142 it is the complementary color RGB 56 143 113. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 199 112 142. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 199 112 142 shade: RGB 204 112 137, RGB 221 130 156, RGB 238 148 175, RGB 255 166 194 and RGB 255 184 213

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 199 112 142. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 199 112 142 shade: RGB 199 112 142, RGB 182 94 123, RGB 165 76 104, RGB 148 58 85 and RGB 131 40 66

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 199 112 142 shade: RGB 199 111 141, RGB 199 111 118 and RGB 199 111 111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 199 112 142 shade: RGB 199 111 141, RGB 199 111 165, RGB 199 111 189, RGB 185 111 199 and RGB 162 111 199

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 199 112 142 shade matches the following richer shades: RGB 199 111 141, RGB 215 95 136, RGB 231 79 131 and RGB 247 63 126

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 199 112 142 shade: RGB 199 111 141, RGB 183 127 146, RGB 167 143 151, RGB 151 160 156 and RGB 134 176 161

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 199 112 142 shade: RGB 199 111 189, RGB 199 111 165, RGB 199 111 142, RGB 199 111 119 and RGB 199 127 111

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 199 112 142 shade: RGB 164 64 98, RGB 187 82 118, RGB 199 111 141, RGB 210 141 165 and RGB 222 171 188

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 199 112 142 shade: RGB 199 112 142, RGB 199 186 111 and RGB 111 177 199

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 199 112 142 shade: RGB 199 112 142, RGB 142 199 111 and RGB 111 142 199

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 199 112 142 shade: RGB 199 112 142, RGB 199 186 111, RGB 111 199 168 and RGB 111 124 199

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 199 112 142 shade: RGB 199 112 142, RGB 186 199 111, RGB 111 199 168 and RGB 124 111 199

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 29 / 22

HEX #C7708E

RGB 199 112 142

HSL 339.31, 0.44%, 0.61%

LAB 57.74, 37.91, -1.17

 

Complementary color

CMYK 61 / 0 / 21 / 44

HEX #388F71

RGB 56 143 113

HSL 159.31, 0.44%, 0.39%

LAB 53.68, -33.6, 8.29

 

CMYK 0 / 45 / 33 / 20

HEX #CC7089

RGB 204 112 137

HSL 343.7, 0.47%, 0.62%

LAB 58.26, 39.03, 2.57

 

CMYK 0 / 41 / 29 / 13

HEX #DD829C

RGB 221 130 156

HSL 342.86, 0.57%, 0.69%

LAB 64.75, 38.13, 1.38

 

CMYK 0 / 38 / 26 / 7

HEX #EE94AF

RGB 238 148 175

HSL 342, 0.73%, 0.76%

LAB 71.18, 37.28, 0.32

 

CMYK 0 / 35 / 24 / 0

HEX #FFA6C2

RGB 255 166 194

HSL 341.12, 1%, 0.83%

LAB 77.54, 36.47, -0.63

 

CMYK 0 / 28 / 16 / 0

HEX #FFB8D5

RGB 255 184 213

HSL 335.49, 1%, 0.86%

LAB 82.03, 29.85, -4.33

 

CMYK 0 / 44 / 29 / 22

HEX #C7708E

RGB 199 112 142

HSL 339.31, 0.44%, 0.61%

LAB 57.74, 37.91, -1.17

 

CMYK 0 / 48 / 32 / 29

HEX #B65E7B

RGB 182 94 123

HSL 340.23, 0.38%, 0.54%

LAB 51.13, 38.8, 0.07

 

CMYK 0 / 54 / 37 / 35

HEX #A54C68

RGB 165 76 104

HSL 341.12, 0.37%, 0.47%

LAB 44.47, 39.68, 1.56

 

CMYK 0 / 61 / 43 / 42

HEX #943A55

RGB 148 58 85

HSL 342, 0.44%, 0.4%

LAB 37.8, 40.47, 3.41

 

CMYK 0 / 69 / 50 / 49

HEX #832842

RGB 131 40 66

HSL 342.86, 0.53%, 0.34%

LAB 31.2, 40.97, 5.83

 

CMYK 0 / 44 / 29 / 22

HEX #C76F8D

RGB 199 111 141

HSL 339.55, 0.44%, 0.61%

LAB 57.5, 38.3, -0.94

 

CMYK 0 / 44 / 41 / 22

HEX #C76F76

RGB 199 111 118

HSL 355.23, 0.44%, 0.61%

LAB 56.9, 35.45, 11.59

 

CMYK 0 / 44 / 44 / 22

HEX #C76F6F

RGB 199 111 111

HSL 0, 0.44%, 0.61%

LAB 56.74, 34.68, 15.43

 

CMYK 0 / 44 / 29 / 22

HEX #C76F8D

RGB 199 111 141

HSL 339.55, 0.44%, 0.61%

LAB 57.5, 38.3, -0.94

 

CMYK 0 / 44 / 17 / 22

HEX #C76FA5

RGB 199 111 165

HSL 323.18, 0.44%, 0.61%

LAB 58.25, 41.81, -13.72

 

CMYK 0 / 44 / 5 / 22

HEX #C76FBD

RGB 199 111 189

HSL 306.82, 0.44%, 0.61%

LAB 59.15, 45.8, -26.13

 

CMYK 7 / 44 / 0 / 22

HEX #B96FC7

RGB 185 111 199

HSL 290.45, 0.44%, 0.61%

LAB 57.85, 43.43, -33.97

 

CMYK 19 / 44 / 0 / 22

HEX #A26FC7

RGB 162 111 199

HSL 274.77, 0.44%, 0.61%

LAB 55.25, 36.66, -38.23

 

CMYK 0 / 44 / 29 / 22

HEX #C76F8D

RGB 199 111 141

HSL 339.55, 0.44%, 0.61%

LAB 57.5, 38.3, -0.94

 

CMYK 0 / 56 / 37 / 16

HEX #D75F88

RGB 215 95 136

HSL 339.5, 0.6%, 0.61%

LAB 56.5, 51.15, 0.79

 

CMYK 0 / 66 / 43 / 9

HEX #E74F83

RGB 231 79 131

HSL 339.47, 0.76%, 0.61%

LAB 56.31, 62.55, 3.77

 

CMYK 0 / 74 / 49 / 3

HEX #F73F7E

RGB 247 63 126

HSL 339.46, 0.92%, 0.61%

LAB 56.91, 72.21, 7.97

 

CMYK 0 / 44 / 29 / 22

HEX #C76F8D

RGB 199 111 141

HSL 339.55, 0.44%, 0.61%

LAB 57.5, 38.3, -0.94

 

CMYK 0 / 31 / 20 / 28

HEX #B77F92

RGB 183 127 146

HSL 339.64, 0.28%, 0.61%

LAB 59.27, 24.5, -1.46

 

CMYK 0 / 14 / 10 / 35

HEX #A78F97

RGB 167 143 151

HSL 340, 0.12%, 0.61%

LAB 61.74, 10.38, -0.9

 

CMYK 6 / 0 / 2 / 37

HEX #97A09C

RGB 151 160 156

HSL 153.33, 0.05%, 0.61%

LAB 65.06, -3.99, 0.97

 

CMYK 24 / 0 / 9 / 31

HEX #86B0A1

RGB 134 176 161

HSL 158.57, 0.21%, 0.61%

LAB 68.53, -17.27, 3.08

 

CMYK 0 / 44 / 5 / 22

HEX #C76FBD

RGB 199 111 189

HSL 306.82, 0.44%, 0.61%

LAB 59.15, 45.8, -26.13

 

CMYK 0 / 44 / 17 / 22

HEX #C76FA5

RGB 199 111 165

HSL 323.18, 0.44%, 0.61%

LAB 58.25, 41.81, -13.72

 

CMYK 0 / 44 / 29 / 22

HEX #C76F8E

RGB 199 111 142

HSL 338.86, 0.44%, 0.61%

LAB 57.52, 38.44, -1.48

 

CMYK 0 / 44 / 40 / 22

HEX #C76F77

RGB 199 111 119

HSL 354.55, 0.44%, 0.61%

LAB 56.92, 35.56, 11.04

 

CMYK 0 / 36 / 44 / 22

HEX #C77F6F

RGB 199 127 111

HSL 10.91, 0.44%, 0.61%

LAB 60.31, 26.06, 20.32

 

CMYK 0 / 61 / 40 / 36

HEX #A44062

RGB 164 64 98

HSL 339.6, 0.44%, 0.45%

LAB 41.91, 44.52, 1.52

 

CMYK 0 / 56 / 37 / 27

HEX #BB5276

RGB 187 82 118

HSL 339.43, 0.44%, 0.53%

LAB 49.38, 45.97, 0.61

 

CMYK 0 / 44 / 29 / 22

HEX #C76F8D

RGB 199 111 141

HSL 339.55, 0.44%, 0.61%

LAB 57.5, 38.3, -0.94

 

CMYK 0 / 33 / 21 / 18

HEX #D28DA5

RGB 210 141 165

HSL 339.13, 0.43%, 0.69%

LAB 66.11, 29.59, -1.89

 

CMYK 0 / 23 / 15 / 13

HEX #DEABBC

RGB 222 171 188

HSL 340, 0.44%, 0.77%

LAB 75.01, 21.25, -1.47

 

CMYK 0 / 44 / 29 / 22

HEX #C7708E

RGB 199 112 142

HSL 339.31, 0.44%, 0.61%

LAB 57.74, 37.91, -1.17

 

CMYK 0 / 7 / 44 / 22

HEX #C7BA6F

RGB 199 186 111

HSL 51.14, 0.44%, 0.61%

LAB 75.08, -5.86, 39.56

 

CMYK 44 / 11 / 0 / 22

HEX #6FB1C7

RGB 111 177 199

HSL 195, 0.44%, 0.61%

LAB 68.71, -15.19, -17.76

 

CMYK 0 / 44 / 29 / 22

HEX #C7708E

RGB 199 112 142

HSL 339.31, 0.44%, 0.61%

LAB 57.74, 37.91, -1.17

 

CMYK 29 / 0 / 44 / 22

HEX #8EC76F

RGB 142 199 111

HSL 98.86, 0.44%, 0.61%

LAB 74.66, -34.3, 38.18

 

CMYK 44 / 29 / 0 / 22

HEX #6F8EC7

RGB 111 142 199

HSL 218.86, 0.44%, 0.61%

LAB 58.83, 4.23, -32.93

 

CMYK 0 / 44 / 29 / 22

HEX #C7708E

RGB 199 112 142

HSL 339.31, 0.44%, 0.61%

LAB 57.74, 37.91, -1.17

 

CMYK 0 / 7 / 44 / 22

HEX #C7BA6F

RGB 199 186 111

HSL 51.14, 0.44%, 0.61%

LAB 75.08, -5.86, 39.56

 

CMYK 44 / 0 / 16 / 22

HEX #6FC7A8

RGB 111 199 168

HSL 158.86, 0.44%, 0.61%

LAB 74.22, -33.8, 7.32

 

CMYK 44 / 38 / 0 / 22

HEX #6F7CC7

RGB 111 124 199

HSL 231.14, 0.44%, 0.61%

LAB 53.94, 14.88, -40.6

 

CMYK 0 / 44 / 29 / 22

HEX #C7708E

RGB 199 112 142

HSL 339.31, 0.44%, 0.61%

LAB 57.74, 37.91, -1.17

 

CMYK 7 / 0 / 44 / 22

HEX #BAC76F

RGB 186 199 111

HSL 68.86, 0.44%, 0.61%

LAB 77.54, -17.74, 42.4

 

CMYK 44 / 0 / 16 / 22

HEX #6FC7A8

RGB 111 199 168

HSL 158.86, 0.44%, 0.61%

LAB 74.22, -33.8, 7.32

 

CMYK 38 / 44 / 0 / 22

HEX #7C6FC7

RGB 124 111 199

HSL 248.86, 0.44%, 0.61%

LAB 51.58, 26.05, -44.26

 

Description

Color code: RGB 199 112 142 | qconv.com Color code: RGB 199 112 142 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 112 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 112 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 29 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 29% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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