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Color name
RGB 199 114 155

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 199 114 155 it is the complementary color RGB 56 141 100. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 199 114 155. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 199 114 155 shade: RGB 204 114 150, RGB 221 132 169, RGB 238 150 188, RGB 255 168 207 and RGB 255 186 226

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 199 114 155. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 199 114 155 shade: RGB 199 114 155, RGB 182 96 136, RGB 165 78 117, RGB 148 60 98 and RGB 131 42 79

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 199 114 155 shade: RGB 198 112 154, RGB 198 112 130 and RGB 198 112 112

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 199 114 155 shade: RGB 198 112 154, RGB 198 112 177, RGB 196 112 198, RGB 173 112 198 and RGB 150 112 198

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 199 114 155 shade matches the following richer shades: RGB 198 112 154, RGB 214 96 153, RGB 230 80 152 and RGB 246 64 152

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 199 114 155 shade: RGB 198 112 154, RGB 182 128 154, RGB 166 144 155, RGB 150 161 155 and RGB 133 177 156

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 199 114 155 shade: RGB 196 112 198, RGB 198 112 176, RGB 198 112 154, RGB 198 112 131 and RGB 198 117 112

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 199 114 155 shade: RGB 163 65 112, RGB 186 83 133, RGB 198 112 154, RGB 210 142 174 and RGB 221 171 195

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 199 114 155 shade: RGB 199 114 155, RGB 198 174 112 and RGB 112 188 198

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 199 114 155 shade: RGB 199 114 155, RGB 154 198 112 and RGB 112 154 198

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 199 114 155 shade: RGB 199 114 155, RGB 198 174 112, RGB 112 198 156 and RGB 112 137 198

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 199 114 155 shade: RGB 199 114 155, RGB 196 198 112, RGB 112 198 156 and RGB 114 112 198

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 22 / 22

HEX #C7729B

RGB 199 114 155

HSL 331.06, 0.43%, 0.61%

LAB 58.55, 38.7, -7.5

 

Complementary color

CMYK 60 / 0 / 29 / 45

HEX #388D64

RGB 56 141 100

HSL 151.06, 0.43%, 0.39%

LAB 52.74, -35.71, 14.4

 

CMYK 0 / 44 / 26 / 20

HEX #CC7296

RGB 204 114 150

HSL 336, 0.47%, 0.62%

LAB 59.04, 39.72, -3.81

 

CMYK 0 / 40 / 24 / 13

HEX #DD84A9

RGB 221 132 169

HSL 335.06, 0.57%, 0.69%

LAB 65.55, 38.88, -4.83

 

CMYK 0 / 37 / 21 / 7

HEX #EE96BC

RGB 238 150 188

HSL 334.09, 0.72%, 0.76%

LAB 71.97, 38.07, -5.73

 

CMYK 0 / 34 / 19 / 0

HEX #FFA8CF

RGB 255 168 207

HSL 333.1, 1%, 0.83%

LAB 78.33, 37.31, -6.55

 

CMYK 0 / 27 / 11 / 0

HEX #FFBAE2

RGB 255 186 226

HSL 325.22, 1%, 0.86%

LAB 82.84, 30.85, -10.1

 

CMYK 0 / 43 / 22 / 22

HEX #C7729B

RGB 199 114 155

HSL 331.06, 0.43%, 0.61%

LAB 58.55, 38.7, -7.5

 

CMYK 0 / 47 / 25 / 29

HEX #B66088

RGB 182 96 136

HSL 332.09, 0.37%, 0.55%

LAB 51.94, 39.54, -6.47

 

CMYK 0 / 53 / 29 / 35

HEX #A54E75

RGB 165 78 117

HSL 333.1, 0.36%, 0.48%

LAB 45.27, 40.35, -5.23

 

CMYK 0 / 59 / 34 / 42

HEX #943C62

RGB 148 60 98

HSL 334.09, 0.42%, 0.41%

LAB 38.57, 41.06, -3.69

 

CMYK 0 / 68 / 40 / 49

HEX #832A4F

RGB 131 42 79

HSL 335.06, 0.51%, 0.34%

LAB 31.91, 41.5, -1.67

 

CMYK 0 / 43 / 22 / 22

HEX #C6709A

RGB 198 112 154

HSL 330.7, 0.43%, 0.61%

LAB 57.97, 39.27, -7.8

 

CMYK 0 / 43 / 34 / 22

HEX #C67082

RGB 198 112 130

HSL 347.44, 0.43%, 0.61%

LAB 57.28, 35.98, 5.12

 

CMYK 0 / 43 / 43 / 22

HEX #C67070

RGB 198 112 112

HSL 0, 0.43%, 0.61%

LAB 56.84, 33.88, 14.98

 

CMYK 0 / 43 / 22 / 22

HEX #C6709A

RGB 198 112 154

HSL 330.7, 0.43%, 0.61%

LAB 57.97, 39.27, -7.8

 

CMYK 0 / 43 / 11 / 22

HEX #C670B1

RGB 198 112 177

HSL 314.65, 0.43%, 0.61%

LAB 58.76, 42.91, -19.87

 

CMYK 1 / 43 / 0 / 22

HEX #C470C6

RGB 196 112 198

HSL 298.6, 0.43%, 0.61%

LAB 59.34, 46, -30.98

 

CMYK 13 / 43 / 0 / 22

HEX #AD70C6

RGB 173 112 198

HSL 282.56, 0.43%, 0.61%

LAB 56.63, 39.13, -35.4

 

CMYK 24 / 43 / 0 / 22

HEX #9670C6

RGB 150 112 198

HSL 266.51, 0.43%, 0.61%

LAB 54.19, 32.39, -39.42

 

CMYK 0 / 43 / 22 / 22

HEX #C6709A

RGB 198 112 154

HSL 330.7, 0.43%, 0.61%

LAB 57.97, 39.27, -7.8

 

CMYK 0 / 55 / 29 / 16

HEX #D66099

RGB 214 96 153

HSL 331.02, 0.59%, 0.61%

LAB 57.04, 52.43, -8.37

 

CMYK 0 / 65 / 34 / 10

HEX #E65098

RGB 230 80 152

HSL 331.2, 0.75%, 0.61%

LAB 56.91, 64.06, -7.72

 

CMYK 0 / 74 / 38 / 4

HEX #F64098

RGB 246 64 152

HSL 330.99, 0.91%, 0.61%

LAB 57.58, 73.98, -6.43

 

CMYK 0 / 43 / 22 / 22

HEX #C6709A

RGB 198 112 154

HSL 330.7, 0.43%, 0.61%

LAB 57.97, 39.27, -7.8

 

CMYK 0 / 30 / 15 / 29

HEX #B6809A

RGB 182 128 154

HSL 331.11, 0.27%, 0.61%

LAB 59.63, 24.87, -5.54

 

CMYK 0 / 13 / 7 / 35

HEX #A6909B

RGB 166 144 155

HSL 330, 0.11%, 0.61%

LAB 62.01, 10.17, -2.78

 

CMYK 7 / 0 / 4 / 37

HEX #96A19B

RGB 150 161 155

HSL 147.27, 0.06%, 0.61%

LAB 65.23, -5.08, 1.77

 

CMYK 25 / 0 / 12 / 31

HEX #85B19C

RGB 133 177 156

HSL 151.36, 0.22%, 0.61%

LAB 68.63, -19.15, 5.98

 

CMYK 1 / 43 / 0 / 22

HEX #C470C6

RGB 196 112 198

HSL 298.6, 0.43%, 0.61%

LAB 59.34, 46, -30.98

 

CMYK 0 / 43 / 11 / 22

HEX #C670B0

RGB 198 112 176

HSL 315.35, 0.43%, 0.61%

LAB 58.72, 42.74, -19.35

 

CMYK 0 / 43 / 22 / 22

HEX #C6709A

RGB 198 112 154

HSL 330.7, 0.43%, 0.61%

LAB 57.97, 39.27, -7.8

 

CMYK 0 / 43 / 34 / 22

HEX #C67083

RGB 198 112 131

HSL 346.74, 0.43%, 0.61%

LAB 57.3, 36.1, 4.58

 

CMYK 0 / 41 / 43 / 22

HEX #C67570

RGB 198 117 112

HSL 3.49, 0.43%, 0.61%

LAB 57.94, 31.2, 16.49

 

CMYK 0 / 60 / 31 / 36

HEX #A34170

RGB 163 65 112

HSL 331.22, 0.43%, 0.45%

LAB 42.36, 45.42, -6.51

 

CMYK 0 / 55 / 28 / 27

HEX #BA5385

RGB 186 83 133

HSL 330.87, 0.43%, 0.53%

LAB 49.88, 47.04, -7.68

 

CMYK 0 / 43 / 22 / 22

HEX #C6709A

RGB 198 112 154

HSL 330.7, 0.43%, 0.61%

LAB 57.97, 39.27, -7.8

 

CMYK 0 / 32 / 17 / 18

HEX #D28EAE

RGB 210 142 174

HSL 331.76, 0.43%, 0.69%

LAB 66.6, 30.44, -6.23

 

CMYK 0 / 23 / 12 / 13

HEX #DDABC3

RGB 221 171 195

HSL 331.2, 0.42%, 0.77%

LAB 75.1, 22.03, -5.17

 

CMYK 0 / 43 / 22 / 22

HEX #C7729B

RGB 199 114 155

HSL 331.06, 0.43%, 0.61%

LAB 58.55, 38.7, -7.5

 

CMYK 0 / 12 / 43 / 22

HEX #C6AE70

RGB 198 174 112

HSL 43.26, 0.43%, 0.61%

LAB 71.86, 0.16, 34.95

 

CMYK 43 / 5 / 0 / 22

HEX #70BCC6

RGB 112 188 198

HSL 186.98, 0.43%, 0.61%

LAB 71.89, -20.92, -12.43

 

CMYK 0 / 43 / 22 / 22

HEX #C7729B

RGB 199 114 155

HSL 331.06, 0.43%, 0.61%

LAB 58.55, 38.7, -7.5

 

CMYK 22 / 0 / 43 / 22

HEX #9AC670

RGB 154 198 112

HSL 90.7, 0.43%, 0.61%

LAB 75.09, -29.4, 38.37

 

CMYK 43 / 22 / 0 / 22

HEX #709AC6

RGB 112 154 198

HSL 210.7, 0.43%, 0.61%

LAB 62.2, -2.66, -27.16

 

CMYK 0 / 43 / 22 / 22

HEX #C7729B

RGB 199 114 155

HSL 331.06, 0.43%, 0.61%

LAB 58.55, 38.7, -7.5

 

CMYK 0 / 12 / 43 / 22

HEX #C6AE70

RGB 198 174 112

HSL 43.26, 0.43%, 0.61%

LAB 71.86, 0.16, 34.95

 

CMYK 43 / 0 / 21 / 22

HEX #70C69C

RGB 112 198 156

HSL 150.7, 0.43%, 0.61%

LAB 73.7, -35.64, 13.05

 

CMYK 43 / 31 / 0 / 22

HEX #7089C6

RGB 112 137 198

HSL 222.56, 0.43%, 0.61%

LAB 57.48, 7.12, -34.48

 

CMYK 0 / 43 / 22 / 22

HEX #C7729B

RGB 199 114 155

HSL 331.06, 0.43%, 0.61%

LAB 58.55, 38.7, -7.5

 

CMYK 1 / 0 / 43 / 22

HEX #C4C670

RGB 196 198 112

HSL 61.4, 0.43%, 0.61%

LAB 78.05, -13.15, 42.7

 

CMYK 43 / 0 / 21 / 22

HEX #70C69C

RGB 112 198 156

HSL 150.7, 0.43%, 0.61%

LAB 73.7, -35.64, 13.05

 

CMYK 42 / 43 / 0 / 22

HEX #7270C6

RGB 114 112 198

HSL 241.4, 0.43%, 0.61%

LAB 50.97, 22.58, -44.71

 

Description

Color code: RGB 199 114 155 | qconv.com Color code: RGB 199 114 155 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 114 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 114 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 22 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 22% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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