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Color name
RGB 199 108 85

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 199 108 85 it is the complementary color RGB 56 147 170. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 199 108 85. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 199 108 85 shade: RGB 204 108 80, RGB 221 126 99, RGB 238 144 118, RGB 255 162 137 and RGB 255 180 156

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 199 108 85. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 199 108 85 shade: RGB 199 108 85, RGB 182 90 66, RGB 165 72 47, RGB 148 54 28 and RGB 131 36 9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 199 108 85 shade: RGB 198 109 86 and RGB 198 86 86

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 199 108 85 shade: RGB 198 109 86, RGB 198 139 86, RGB 198 169 86, RGB 197 198 86 and RGB 167 198 86

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 199 108 85 shade matches the following richer shades: RGB 198 109 86, RGB 217 98 68, RGB 235 87 50 and RGB 253 76 32

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 199 108 85 shade: RGB 198 109 86, RGB 180 120 104, RGB 162 130 123, RGB 144 141 141 and RGB 126 152 159

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 199 108 85 shade: RGB 198 86 124, RGB 198 86 94, RGB 198 109 86, RGB 198 139 86 and RGB 198 168 86

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 199 108 85 shade: RGB 152 71 50, RGB 183 85 61, RGB 198 109 86, RGB 209 136 117 and RGB 219 162 148

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 199 108 85 shade: RGB 199 108 85, RGB 154 198 86 and RGB 86 109 198

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 199 108 85 shade: RGB 199 108 85, RGB 86 198 109 and RGB 109 86 198

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 199 108 85 shade: RGB 199 108 85, RGB 154 198 86, RGB 86 176 198 and RGB 131 86 198

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 199 108 85 shade: RGB 199 108 85, RGB 120 198 86, RGB 86 176 198 and RGB 165 86 198

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 57 / 22

HEX #C76C55

RGB 199 108 85

HSL 12.11, 0.5%, 0.56%

LAB 55.61, 33.87, 28.86

 

Complementary color

CMYK 67 / 14 / 0 / 33

HEX #3893AA

RGB 56 147 170

HSL 192.11, 0.5%, 0.44%

LAB 56.69, -19.35, -19.98

 

CMYK 0 / 47 / 61 / 20

HEX #CC6C50

RGB 204 108 80

HSL 13.55, 0.55%, 0.56%

LAB 56.23, 35.46, 32.59

 

CMYK 0 / 43 / 55 / 13

HEX #DD7E63

RGB 221 126 99

HSL 13.28, 0.64%, 0.63%

LAB 62.67, 34.12, 30.67

 

CMYK 0 / 39 / 50 / 7

HEX #EE9076

RGB 238 144 118

HSL 13, 0.78%, 0.7%

LAB 69.06, 32.91, 28.96

 

CMYK 0 / 36 / 46 / 0

HEX #FFA289

RGB 255 162 137

HSL 12.71, 1%, 0.77%

LAB 75.39, 31.8, 27.41

 

CMYK 0 / 29 / 39 / 0

HEX #FFB49C

RGB 255 180 156

HSL 14.55, 1%, 0.81%

LAB 79.79, 24.37, 23.15

 

CMYK 0 / 46 / 57 / 22

HEX #C76C55

RGB 199 108 85

HSL 12.11, 0.5%, 0.56%

LAB 55.61, 33.87, 28.86

 

CMYK 0 / 51 / 64 / 29

HEX #B65A42

RGB 182 90 66

HSL 12.41, 0.47%, 0.49%

LAB 49.07, 35.25, 30.94

 

CMYK 0 / 56 / 72 / 35

HEX #A5482F

RGB 165 72 47

HSL 12.71, 0.56%, 0.42%

LAB 42.52, 36.73, 33.32

 

CMYK 0 / 64 / 81 / 42

HEX #94361C

RGB 148 54 28

HSL 13, 0.68%, 0.35%

LAB 36.02, 38.2, 35.93

 

CMYK 0 / 73 / 93 / 49

HEX #832409

RGB 131 36 9

HSL 13.28, 0.87%, 0.27%

LAB 29.68, 39.46, 38.19

 

CMYK 0 / 45 / 57 / 22

HEX #C66D56

RGB 198 109 86

HSL 12.32, 0.5%, 0.56%

LAB 55.7, 33.03, 28.38

 

CMYK 0 / 57 / 57 / 22

HEX #C65656

RGB 198 86 86

HSL 0, 0.5%, 0.56%

LAB 51.07, 44.75, 22.37

 

CMYK 0 / 45 / 57 / 22

HEX #C66D56

RGB 198 109 86

HSL 12.32, 0.5%, 0.56%

LAB 55.7, 33.03, 28.38

 

CMYK 0 / 30 / 57 / 22

HEX #C68B56

RGB 198 139 86

HSL 28.39, 0.5%, 0.56%

LAB 62.63, 16.72, 37.05

 

CMYK 0 / 15 / 57 / 22

HEX #C6A956

RGB 198 169 86

HSL 44.46, 0.5%, 0.56%

LAB 70.21, 0.43, 46.13

 

CMYK 1 / 0 / 57 / 22

HEX #C5C656

RGB 197 198 86

HSL 60.54, 0.5%, 0.56%

LAB 77.83, -15.05, 54.82

 

CMYK 16 / 0 / 57 / 22

HEX #A7C656

RGB 167 198 86

HSL 76.61, 0.5%, 0.56%

LAB 75.62, -27.2, 51.73

 

CMYK 0 / 45 / 57 / 22

HEX #C66D56

RGB 198 109 86

HSL 12.32, 0.5%, 0.56%

LAB 55.7, 33.03, 28.38

 

CMYK 0 / 55 / 69 / 15

HEX #D96244

RGB 217 98 68

HSL 12.08, 0.66%, 0.56%

LAB 55.99, 44.72, 39.36

 

CMYK 0 / 63 / 79 / 8

HEX #EB5732

RGB 235 87 50

HSL 12, 0.82%, 0.56%

LAB 56.79, 55.38, 50.37

 

CMYK 0 / 70 / 87 / 1

HEX #FD4C20

RGB 253 76 32

HSL 11.95, 0.98%, 0.56%

LAB 58.18, 65.12, 60.71

 

CMYK 0 / 45 / 57 / 22

HEX #C66D56

RGB 198 109 86

HSL 12.32, 0.5%, 0.56%

LAB 55.7, 33.03, 28.38

 

CMYK 0 / 33 / 42 / 29

HEX #B47868

RGB 180 120 104

HSL 12.63, 0.34%, 0.56%

LAB 56.22, 21.53, 18.38

 

CMYK 0 / 20 / 24 / 36

HEX #A2827B

RGB 162 130 123

HSL 10.77, 0.17%, 0.56%

LAB 57.15, 11.17, 8.43

 

CMYK 0 / 2 / 2 / 44

HEX #908D8D

RGB 144 141 141

HSL 0, 0.01%, 0.56%

LAB 58.88, 1.11, 0.39

 

CMYK 21 / 4 / 0 / 38

HEX #7E989F

RGB 126 152 159

HSL 192.73, 0.15%, 0.56%

LAB 61.13, -7.5, -6.71

 

CMYK 0 / 57 / 37 / 22

HEX #C6567C

RGB 198 86 124

HSL 339.64, 0.5%, 0.56%

LAB 51.97, 48.42, 0.98

 

CMYK 0 / 57 / 53 / 22

HEX #C6565E

RGB 198 86 94

HSL 355.71, 0.5%, 0.56%

LAB 51.23, 45.4, 17.85

 

CMYK 0 / 45 / 57 / 22

HEX #C66D56

RGB 198 109 86

HSL 12.32, 0.5%, 0.56%

LAB 55.7, 33.03, 28.38

 

CMYK 0 / 30 / 57 / 22

HEX #C68B56

RGB 198 139 86

HSL 28.39, 0.5%, 0.56%

LAB 62.63, 16.72, 37.05

 

CMYK 0 / 15 / 57 / 22

HEX #C6A856

RGB 198 168 86

HSL 43.93, 0.5%, 0.56%

LAB 69.95, 0.97, 45.82

 

CMYK 0 / 53 / 67 / 40

HEX #984732

RGB 152 71 50

HSL 12.35, 0.5%, 0.4%

LAB 40.27, 32.27, 28.44

 

CMYK 0 / 54 / 67 / 28

HEX #B7553D

RGB 183 85 61

HSL 11.8, 0.5%, 0.48%

LAB 48.14, 37.9, 32.69

 

CMYK 0 / 45 / 57 / 22

HEX #C66D56

RGB 198 109 86

HSL 12.32, 0.5%, 0.56%

LAB 55.7, 33.03, 28.38

 

CMYK 0 / 35 / 44 / 18

HEX #D18875

RGB 209 136 117

HSL 12.39, 0.5%, 0.64%

LAB 63.71, 25.76, 21.75

 

CMYK 0 / 26 / 32 / 14

HEX #DBA294

RGB 219 162 148

HSL 11.83, 0.5%, 0.72%

LAB 71.58, 19.22, 15.55

 

CMYK 0 / 46 / 57 / 22

HEX #C76C55

RGB 199 108 85

HSL 12.11, 0.5%, 0.56%

LAB 55.61, 33.87, 28.86

 

CMYK 22 / 0 / 57 / 22

HEX #9AC656

RGB 154 198 86

HSL 83.57, 0.5%, 0.56%

LAB 74.78, -32.23, 50.54

 

CMYK 57 / 45 / 0 / 22

HEX #566DC6

RGB 86 109 198

HSL 227.68, 0.5%, 0.56%

LAB 48.25, 17.95, -49.16

 

CMYK 0 / 46 / 57 / 22

HEX #C76C55

RGB 199 108 85

HSL 12.11, 0.5%, 0.56%

LAB 55.61, 33.87, 28.86

 

CMYK 57 / 0 / 45 / 22

HEX #56C66D

RGB 86 198 109

HSL 132.32, 0.5%, 0.56%

LAB 71.87, -50.93, 35.14

 

CMYK 45 / 57 / 0 / 22

HEX #6D56C6

RGB 109 86 198

HSL 252.32, 0.5%, 0.56%

LAB 44.21, 37.01, -55.55

 

CMYK 0 / 46 / 57 / 22

HEX #C76C55

RGB 199 108 85

HSL 12.11, 0.5%, 0.56%

LAB 55.61, 33.87, 28.86

 

CMYK 22 / 0 / 57 / 22

HEX #9AC656

RGB 154 198 86

HSL 83.57, 0.5%, 0.56%

LAB 74.78, -32.23, 50.54

 

CMYK 57 / 11 / 0 / 22

HEX #56B0C6

RGB 86 176 198

HSL 191.79, 0.5%, 0.56%

LAB 67.36, -20.55, -19.36

 

CMYK 34 / 57 / 0 / 22

HEX #8356C6

RGB 131 86 198

HSL 264.11, 0.5%, 0.56%

LAB 46.39, 42.12, -51.93

 

CMYK 0 / 46 / 57 / 22

HEX #C76C55

RGB 199 108 85

HSL 12.11, 0.5%, 0.56%

LAB 55.61, 33.87, 28.86

 

CMYK 39 / 0 / 57 / 22

HEX #78C656

RGB 120 198 86

HSL 101.79, 0.5%, 0.56%

LAB 72.93, -44.32, 47.92

 

CMYK 57 / 11 / 0 / 22

HEX #56B0C6

RGB 86 176 198

HSL 191.79, 0.5%, 0.56%

LAB 67.36, -20.55, -19.36

 

CMYK 17 / 57 / 0 / 22

HEX #A556C6

RGB 165 86 198

HSL 282.32, 0.5%, 0.56%

LAB 50.37, 50.67, -45.34

 

Description

Color code: RGB 199 108 85 | qconv.com Color code: RGB 199 108 85 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 108 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 108 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 57 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 57% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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