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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 199 107 239 it is the complementary color RGB 56 148 16. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 199 107 239. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 199 107 239 shade: RGB 204 107 234, RGB 221 125 253, RGB 238 143 255, RGB 255 161 255 and RGB 255 179 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 199 107 239. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 199 107 239 shade: RGB 199 107 239, RGB 182 89 220, RGB 165 71 201, RGB 148 53 182 and RGB 131 35 163

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 199 107 239 shade: RGB 199 108 238, RGB 234 108 238, RGB 238 108 207, RGB 238 108 172 and RGB 238 108 137

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 199 107 239 shade: RGB 199 108 238, RGB 163 108 238, RGB 128 108 238 and RGB 108 108 238

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 199 107 239 shade matches the following richer shades: RGB 199 108 238 and RGB 204 94 251

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 199 107 239 shade: RGB 199 108 238, RGB 193 121 225, RGB 188 134 212, RGB 183 147 199 and RGB 178 160 185

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 199 107 239 shade: RGB 127 108 238, RGB 162 108 238, RGB 197 108 238, RGB 232 108 238 and RGB 238 108 210

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 199 107 239 shade: RGB 170 33 230, RGB 184 70 234, RGB 199 108 238, RGB 213 145 242 and RGB 227 182 246

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 199 107 239 shade: RGB 199 107 239, RGB 238 108 123 and RGB 108 238 145

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 199 107 239 shade: RGB 199 107 239, RGB 238 197 108 and RGB 108 238 197

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 199 107 239 shade: RGB 199 107 239, RGB 238 108 123, RGB 149 238 108 and RGB 108 238 223

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 199 107 239 shade: RGB 199 107 239, RGB 238 132 108, RGB 149 238 108 and RGB 108 214 238

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 55 / 0 / 6

HEX #C76BEF

RGB 199 107 239

HSL 281.82, 0.8%, 0.68%

LAB 60.68, 57.4, -51.87

 

Complementary color

CMYK 62 / 0 / 89 / 42

HEX #389410

RGB 56 148 16

HSL 101.82, 0.8%, 0.32%

LAB 54.09, -49.1, 53.81

 

CMYK 13 / 54 / 0 / 8

HEX #CC6BEA

RGB 204 107 234

HSL 285.83, 0.75%, 0.67%

LAB 61.04, 57.66, -48.48

 

CMYK 13 / 51 / 0 / 1

HEX #DD7DFD

RGB 221 125 253

HSL 285, 0.97%, 0.74%

LAB 67.38, 56.98, -48.83

 

CMYK 7 / 44 / 0 / 0

HEX #EE8FFF

RGB 238 143 255

HSL 290.89, 1%, 0.78%

LAB 72.92, 52.98, -41.08

 

CMYK 0 / 37 / 0 / 0

HEX #FFA1FF

RGB 255 161 255

HSL 300, 1%, 0.82%

LAB 78.44, 48.78, -32.36

 

CMYK 0 / 30 / 0 / 0

HEX #FFB3FF

RGB 255 179 255

HSL 300, 1%, 0.85%

LAB 82.23, 39.48, -26.56

 

CMYK 17 / 55 / 0 / 6

HEX #C76BEF

RGB 199 107 239

HSL 281.82, 0.8%, 0.68%

LAB 60.68, 57.4, -51.87

 

CMYK 17 / 60 / 0 / 14

HEX #B659DC

RGB 182 89 220

HSL 282.6, 0.65%, 0.61%

LAB 54.3, 58.02, -51.51

 

CMYK 18 / 65 / 0 / 21

HEX #A547C9

RGB 165 71 201

HSL 283.38, 0.55%, 0.53%

LAB 47.91, 58.46, -51

 

CMYK 19 / 71 / 0 / 29

HEX #9435B6

RGB 148 53 182

HSL 284.19, 0.55%, 0.46%

LAB 41.56, 58.55, -50.23

 

CMYK 20 / 79 / 0 / 36

HEX #8323A3

RGB 131 35 163

HSL 285, 0.65%, 0.39%

LAB 35.34, 58.02, -49.06

 

CMYK 16 / 55 / 0 / 7

HEX #C76CEE

RGB 199 108 238

HSL 282, 0.79%, 0.68%

LAB 60.82, 56.7, -51.1

 

CMYK 2 / 55 / 0 / 7

HEX #EA6CEE

RGB 234 108 238

HSL 298.15, 0.79%, 0.68%

LAB 65.27, 65.66, -43.77

 

CMYK 0 / 55 / 13 / 7

HEX #EE6CCF

RGB 238 108 207

HSL 314.31, 0.79%, 0.68%

LAB 64.49, 61.7, -27.66

 

CMYK 0 / 55 / 28 / 7

HEX #EE6CAC

RGB 238 108 172

HSL 330.46, 0.79%, 0.68%

LAB 63.24, 56.79, -9.71

 

CMYK 0 / 55 / 42 / 7

HEX #EE6C89

RGB 238 108 137

HSL 346.62, 0.79%, 0.68%

LAB 62.26, 52.76, 8.95

 

CMYK 16 / 55 / 0 / 7

HEX #C76CEE

RGB 199 108 238

HSL 282, 0.79%, 0.68%

LAB 60.82, 56.7, -51.1

 

CMYK 32 / 55 / 0 / 7

HEX #A36CEE

RGB 163 108 238

HSL 265.38, 0.79%, 0.68%

LAB 56.77, 47.78, -57.8

 

CMYK 46 / 55 / 0 / 7

HEX #806CEE

RGB 128 108 238

HSL 249.23, 0.79%, 0.68%

LAB 53.48, 39.81, -63.25

 

CMYK 55 / 55 / 0 / 7

HEX #6C6CEE

RGB 108 108 238

HSL 240, 0.79%, 0.68%

LAB 51.93, 35.78, -65.82

 

CMYK 16 / 55 / 0 / 7

HEX #C76CEE

RGB 199 108 238

HSL 282, 0.79%, 0.68%

LAB 60.82, 56.7, -51.1

 

CMYK 19 / 63 / 0 / 2

HEX #CC5EFB

RGB 204 94 251

HSL 282.04, 0.95%, 0.68%

LAB 59.71, 67.11, -60.03

 

CMYK 16 / 55 / 0 / 7

HEX #C76CEE

RGB 199 108 238

HSL 282, 0.79%, 0.68%

LAB 60.82, 56.7, -51.1

 

CMYK 14 / 46 / 0 / 12

HEX #C179E1

RGB 193 121 225

HSL 281.54, 0.63%, 0.68%

LAB 62.04, 45.73, -41.98

 

CMYK 11 / 37 / 0 / 17

HEX #BC86D4

RGB 188 134 212

HSL 281.54, 0.48%, 0.68%

LAB 63.75, 34.49, -32.09

 

CMYK 8 / 26 / 0 / 22

HEX #B793C7

RGB 183 147 199

HSL 281.54, 0.32%, 0.68%

LAB 65.79, 22.98, -21.73

 

CMYK 4 / 14 / 0 / 27

HEX #B2A0B9

RGB 178 160 185

HSL 283.2, 0.15%, 0.68%

LAB 68.1, 11.21, -10.49

 

CMYK 47 / 55 / 0 / 7

HEX #7F6CEE

RGB 127 108 238

HSL 248.77, 0.79%, 0.68%

LAB 53.4, 39.59, -63.39

 

CMYK 32 / 55 / 0 / 7

HEX #A26CEE

RGB 162 108 238

HSL 264.92, 0.79%, 0.68%

LAB 56.66, 47.54, -57.97

 

CMYK 17 / 55 / 0 / 7

HEX #C56CEE

RGB 197 108 238

HSL 281.08, 0.79%, 0.68%

LAB 60.58, 56.19, -51.5

 

CMYK 3 / 55 / 0 / 7

HEX #E86CEE

RGB 232 108 238

HSL 297.23, 0.79%, 0.68%

LAB 65.01, 65.14, -44.21

 

CMYK 0 / 55 / 12 / 7

HEX #EE6CD2

RGB 238 108 210

HSL 312.92, 0.79%, 0.68%

LAB 64.61, 62.16, -29.16

 

CMYK 26 / 86 / 0 / 10

HEX #AA21E6

RGB 170 33 230

HSL 281.73, 0.8%, 0.52%

LAB 46.11, 77.97, -70.46

 

CMYK 21 / 70 / 0 / 8

HEX #B846EA

RGB 184 70 234

HSL 281.71, 0.8%, 0.6%

LAB 52.41, 69.58, -62.42

 

CMYK 16 / 55 / 0 / 7

HEX #C76CEE

RGB 199 108 238

HSL 282, 0.79%, 0.68%

LAB 60.82, 56.7, -51.1

 

CMYK 12 / 40 / 0 / 5

HEX #D591F2

RGB 213 145 242

HSL 282.06, 0.79%, 0.76%

LAB 70.04, 42.21, -38.69

 

CMYK 8 / 26 / 0 / 4

HEX #E3B6F6

RGB 227 182 246

HSL 282.19, 0.78%, 0.84%

LAB 79.86, 27.4, -25.6

 

CMYK 17 / 55 / 0 / 6

HEX #C76BEF

RGB 199 107 239

HSL 281.82, 0.8%, 0.68%

LAB 60.68, 57.4, -51.87

 

CMYK 0 / 55 / 48 / 7

HEX #EE6C7B

RGB 238 108 123

HSL 353.08, 0.79%, 0.68%

LAB 61.94, 51.42, 16.55

 

CMYK 55 / 0 / 39 / 7

HEX #6CEE91

RGB 108 238 145

HSL 137.08, 0.79%, 0.68%

LAB 85.19, -55.72, 34.41

 

CMYK 17 / 55 / 0 / 6

HEX #C76BEF

RGB 199 107 239

HSL 281.82, 0.8%, 0.68%

LAB 60.68, 57.4, -51.87

 

CMYK 0 / 17 / 55 / 7

HEX #EEC56C

RGB 238 197 108

HSL 41.08, 0.79%, 0.68%

LAB 81.4, 4.12, 49.58

 

CMYK 55 / 0 / 17 / 7

HEX #6CEEC5

RGB 108 238 197

HSL 161.08, 0.79%, 0.68%

LAB 86.19, -45.55, 9.05

 

CMYK 17 / 55 / 0 / 6

HEX #C76BEF

RGB 199 107 239

HSL 281.82, 0.8%, 0.68%

LAB 60.68, 57.4, -51.87

 

CMYK 0 / 55 / 48 / 7

HEX #EE6C7B

RGB 238 108 123

HSL 353.08, 0.79%, 0.68%

LAB 61.94, 51.42, 16.55

 

CMYK 37 / 0 / 55 / 7

HEX #95EE6C

RGB 149 238 108

HSL 101.08, 0.79%, 0.68%

LAB 86.32, -49.38, 53.9

 

CMYK 55 / 0 / 6 / 7

HEX #6CEEDF

RGB 108 238 223

HSL 173.08, 0.79%, 0.68%

LAB 86.83, -39.41, -3.64

 

CMYK 17 / 55 / 0 / 6

HEX #C76BEF

RGB 199 107 239

HSL 281.82, 0.8%, 0.68%

LAB 60.68, 57.4, -51.87

 

CMYK 0 / 45 / 55 / 7

HEX #EE846C

RGB 238 132 108

HSL 11.08, 0.79%, 0.68%

LAB 66.34, 38.28, 30.88

 

CMYK 37 / 0 / 55 / 7

HEX #95EE6C

RGB 149 238 108

HSL 101.08, 0.79%, 0.68%

LAB 86.32, -49.38, 53.9

 

CMYK 55 / 10 / 0 / 7

HEX #6CD6EE

RGB 108 214 238

HSL 191.08, 0.79%, 0.68%

LAB 80.43, -24.06, -21.13

 

Description

Color code: RGB 199 107 239 | qconv.com Color code: RGB 199 107 239 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 107 green and 239 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 107 239 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 55 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 55% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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