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Color name
RGB 199 104 187

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 199 104 187 it is the complementary color RGB 56 151 68. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 199 104 187. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 199 104 187 shade: RGB 204 104 182, RGB 221 122 201, RGB 238 140 220, RGB 255 158 239 and RGB 255 176 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 199 104 187. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 199 104 187 shade: RGB 199 104 187, RGB 182 86 168, RGB 165 68 149, RGB 148 50 130 and RGB 131 32 111

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 199 104 187 shade: RGB 198 102 186, RGB 198 102 160, RGB 198 102 134, RGB 198 102 108 and RGB 198 102 102

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 199 104 187 shade: RGB 198 102 186, RGB 184 102 198, RGB 158 102 198, RGB 132 102 198 and RGB 106 102 198

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 199 104 187 shade matches the following richer shades: RGB 198 102 186, RGB 215 85 199, RGB 232 68 211 and RGB 249 51 224

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 199 104 187 shade: RGB 198 102 186, RGB 181 119 173, RGB 164 136 161, RGB 147 153 148 and RGB 130 170 135

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 199 104 187 shade: RGB 158 102 198, RGB 184 102 198, RGB 198 102 187, RGB 198 102 161 and RGB 198 102 136

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 199 104 187 shade: RGB 159 58 146, RGB 187 72 172, RGB 198 102 186, RGB 209 132 199 and RGB 220 162 213

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 199 104 187 shade: RGB 199 104 187, RGB 198 132 102 and RGB 102 198 171

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 199 104 187 shade: RGB 199 104 187, RGB 187 198 102 and RGB 102 187 198

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 199 104 187 shade: RGB 199 104 187, RGB 198 132 102, RGB 102 198 113 and RGB 102 168 198

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 199 104 187 shade: RGB 199 104 187, RGB 198 161 102, RGB 102 198 113 and RGB 102 139 198

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 6 / 22

HEX #C768BB

RGB 199 104 187

HSL 307.58, 0.46%, 0.59%

LAB 57.68, 49.03, -27.24

 

Complementary color

CMYK 63 / 0 / 55 / 41

HEX #389744

RGB 56 151 68

HSL 127.58, 0.46%, 0.41%

LAB 55.47, -45.65, 35.28

 

CMYK 0 / 49 / 11 / 20

HEX #CC68B6

RGB 204 104 182

HSL 313.2, 0.5%, 0.6%

LAB 58.15, 49.7, -23.61

 

CMYK 0 / 45 / 9 / 13

HEX #DD7AC9

RGB 221 122 201

HSL 312.12, 0.59%, 0.67%

LAB 64.57, 49, -24.35

 

CMYK 0 / 41 / 8 / 7

HEX #EE8CDC

RGB 238 140 220

HSL 311.02, 0.74%, 0.74%

LAB 70.94, 48.27, -24.99

 

CMYK 0 / 38 / 6 / 0

HEX #FF9EEF

RGB 255 158 239

HSL 309.9, 1%, 0.81%

LAB 77.25, 47.54, -25.56

 

CMYK 0 / 31 / 0 / 0

HEX #FFB0FF

RGB 255 176 255

HSL 300, 1%, 0.85%

LAB 81.58, 41.04, -27.55

 

CMYK 0 / 48 / 6 / 22

HEX #C768BB

RGB 199 104 187

HSL 307.58, 0.46%, 0.59%

LAB 57.68, 49.03, -27.24

 

CMYK 0 / 53 / 8 / 29

HEX #B656A8

RGB 182 86 168

HSL 308.75, 0.4%, 0.53%

LAB 51.18, 49.66, -26.48

 

CMYK 0 / 59 / 10 / 35

HEX #A54495

RGB 165 68 149

HSL 309.9, 0.42%, 0.46%

LAB 44.67, 50.13, -25.52

 

CMYK 0 / 66 / 12 / 42

HEX #943282

RGB 148 50 130

HSL 311.02, 0.49%, 0.39%

LAB 38.18, 50.28, -24.25

 

CMYK 0 / 76 / 15 / 49

HEX #83206F

RGB 131 32 111

HSL 312.12, 0.61%, 0.32%

LAB 31.82, 49.8, -22.47

 

CMYK 0 / 48 / 6 / 22

HEX #C666BA

RGB 198 102 186

HSL 307.5, 0.46%, 0.59%

LAB 57.13, 49.56, -27.54

 

CMYK 0 / 48 / 19 / 22

HEX #C666A0

RGB 198 102 160

HSL 323.75, 0.46%, 0.59%

LAB 56.13, 45.35, -14.04

 

CMYK 0 / 48 / 32 / 22

HEX #C66686

RGB 198 102 134

HSL 340, 0.46%, 0.59%

LAB 55.31, 41.71, -0.06

 

CMYK 0 / 48 / 45 / 22

HEX #C6666C

RGB 198 102 108

HSL 356.25, 0.46%, 0.59%

LAB 54.65, 38.71, 14.27

 

CMYK 0 / 48 / 48 / 22

HEX #C66666

RGB 198 102 102

HSL 0, 0.46%, 0.59%

LAB 54.52, 38.12, 17.6

 

CMYK 0 / 48 / 6 / 22

HEX #C666BA

RGB 198 102 186

HSL 307.5, 0.46%, 0.59%

LAB 57.13, 49.56, -27.54

 

CMYK 7 / 48 / 0 / 22

HEX #B866C6

RGB 184 102 198

HSL 291.25, 0.46%, 0.59%

LAB 55.86, 47.67, -36.53

 

CMYK 20 / 48 / 0 / 22

HEX #9E66C6

RGB 158 102 198

HSL 275, 0.46%, 0.59%

LAB 52.78, 40.3, -41.57

 

CMYK 33 / 48 / 0 / 22

HEX #8466C6

RGB 132 102 198

HSL 258.75, 0.46%, 0.59%

LAB 50.08, 33.21, -46.03

 

CMYK 46 / 48 / 0 / 22

HEX #6A66C6

RGB 106 102 198

HSL 242.5, 0.46%, 0.59%

LAB 47.81, 26.7, -49.78

 

CMYK 0 / 48 / 6 / 22

HEX #C666BA

RGB 198 102 186

HSL 307.5, 0.46%, 0.59%

LAB 57.13, 49.56, -27.54

 

CMYK 0 / 60 / 7 / 16

HEX #D755C7

RGB 215 85 199

HSL 307.38, 0.62%, 0.59%

LAB 57.14, 64.31, -34.78

 

CMYK 0 / 71 / 9 / 9

HEX #E844D3

RGB 232 68 211

HSL 307.68, 0.78%, 0.59%

LAB 58.03, 76.58, -40.04

 

CMYK 0 / 80 / 10 / 2

HEX #F933E0

RGB 249 51 224

HSL 307.58, 0.94%, 0.59%

LAB 59.79, 86.69, -44.43

 

CMYK 0 / 48 / 6 / 22

HEX #C666BA

RGB 198 102 186

HSL 307.5, 0.46%, 0.59%

LAB 57.13, 49.56, -27.54

 

CMYK 0 / 34 / 4 / 29

HEX #B577AD

RGB 181 119 173

HSL 307.74, 0.3%, 0.59%

LAB 58.07, 32.85, -18.81

 

CMYK 0 / 17 / 2 / 36

HEX #A488A1

RGB 164 136 161

HSL 306.43, 0.13%, 0.59%

LAB 59.96, 15.09, -9.27

 

CMYK 4 / 0 / 3 / 40

HEX #939994

RGB 147 153 148

HSL 130, 0.03%, 0.59%

LAB 62.61, -3.13, 1.87

 

CMYK 24 / 0 / 21 / 33

HEX #82AA87

RGB 130 170 135

HSL 127.5, 0.19%, 0.59%

LAB 65.94, -20.67, 13.71

 

CMYK 20 / 48 / 0 / 22

HEX #9E66C6

RGB 158 102 198

HSL 275, 0.46%, 0.59%

LAB 52.78, 40.3, -41.57

 

CMYK 7 / 48 / 0 / 22

HEX #B866C6

RGB 184 102 198

HSL 291.25, 0.46%, 0.59%

LAB 55.86, 47.67, -36.53

 

CMYK 0 / 48 / 6 / 22

HEX #C666BB

RGB 198 102 187

HSL 306.88, 0.46%, 0.59%

LAB 57.17, 49.73, -28.05

 

CMYK 0 / 48 / 19 / 22

HEX #C666A1

RGB 198 102 161

HSL 323.13, 0.46%, 0.59%

LAB 56.17, 45.5, -14.57

 

CMYK 0 / 48 / 31 / 22

HEX #C66688

RGB 198 102 136

HSL 338.75, 0.46%, 0.59%

LAB 55.37, 41.97, -1.15

 

CMYK 0 / 64 / 8 / 38

HEX #9F3A92

RGB 159 58 146

HSL 307.72, 0.47%, 0.43%

LAB 41.96, 52.45, -28

 

CMYK 0 / 61 / 8 / 27

HEX #BB48AC

RGB 187 72 172

HSL 307.83, 0.46%, 0.51%

LAB 49.71, 58.16, -31.06

 

CMYK 0 / 48 / 6 / 22

HEX #C666BA

RGB 198 102 186

HSL 307.5, 0.46%, 0.59%

LAB 57.13, 49.56, -27.54

 

CMYK 0 / 37 / 5 / 18

HEX #D184C7

RGB 209 132 199

HSL 307.79, 0.46%, 0.67%

LAB 65.11, 39.68, -22.54

 

CMYK 0 / 26 / 3 / 14

HEX #DCA2D5

RGB 220 162 213

HSL 307.24, 0.45%, 0.75%

LAB 73.45, 29.67, -17.5

 

CMYK 0 / 48 / 6 / 22

HEX #C768BB

RGB 199 104 187

HSL 307.58, 0.46%, 0.59%

LAB 57.68, 49.03, -27.24

 

CMYK 0 / 33 / 48 / 22

HEX #C68466

RGB 198 132 102

HSL 18.75, 0.46%, 0.59%

LAB 61.19, 22, 26.53

 

CMYK 48 / 0 / 14 / 22

HEX #66C6AB

RGB 102 198 171

HSL 163.13, 0.46%, 0.59%

LAB 73.64, -34.89, 4.82

 

CMYK 0 / 48 / 6 / 22

HEX #C768BB

RGB 199 104 187

HSL 307.58, 0.46%, 0.59%

LAB 57.68, 49.03, -27.24

 

CMYK 6 / 0 / 48 / 22

HEX #BBC666

RGB 187 198 102

HSL 66.88, 0.46%, 0.59%

LAB 77.23, -17.75, 46.45

 

CMYK 48 / 6 / 0 / 22

HEX #66BBC6

RGB 102 187 198

HSL 186.88, 0.46%, 0.59%

LAB 71.18, -22.77, -13.54

 

CMYK 0 / 48 / 6 / 22

HEX #C768BB

RGB 199 104 187

HSL 307.58, 0.46%, 0.59%

LAB 57.68, 49.03, -27.24

 

CMYK 0 / 33 / 48 / 22

HEX #C68466

RGB 198 132 102

HSL 18.75, 0.46%, 0.59%

LAB 61.19, 22, 26.53

 

CMYK 48 / 0 / 43 / 22

HEX #66C671

RGB 102 198 113

HSL 126.88, 0.46%, 0.59%

LAB 72.5, -46.2, 34.02

 

CMYK 48 / 15 / 0 / 22

HEX #66A8C6

RGB 102 168 198

HSL 198.75, 0.46%, 0.59%

LAB 65.68, -12.85, -21.86

 

CMYK 0 / 48 / 6 / 22

HEX #C768BB

RGB 199 104 187

HSL 307.58, 0.46%, 0.59%

LAB 57.68, 49.03, -27.24

 

CMYK 0 / 19 / 48 / 22

HEX #C6A166

RGB 198 161 102

HSL 36.88, 0.46%, 0.59%

LAB 68.35, 6.14, 35.74

 

CMYK 48 / 0 / 43 / 22

HEX #66C671

RGB 102 198 113

HSL 126.88, 0.46%, 0.59%

LAB 72.5, -46.2, 34.02

 

CMYK 48 / 30 / 0 / 22

HEX #668BC6

RGB 102 139 198

HSL 216.88, 0.46%, 0.59%

LAB 57.43, 3.44, -34.59

 

Description

Color code: RGB 199 104 187 | qconv.com Color code: RGB 199 104 187 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 104 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 104 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 6 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 6% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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