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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 198 8 246 it is the complementary color RGB 57 247 9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 198 8 246. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 198 8 246 shade: RGB 203 8 241, RGB 220 26 255, RGB 237 44 255, RGB 254 62 255 and RGB 255 80 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 198 8 246. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 198 8 246 shade: RGB 198 8 246, RGB 181 0 227, RGB 164 0 208, RGB 147 0 189 and RGB 130 0 170

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 198 8 246 shade: RGB 199 7 247, RGB 247 7 231, RGB 247 7 166, RGB 247 7 101 and RGB 247 7 37

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 198 8 246 shade: RGB 199 7 247, RGB 134 7 247, RGB 69 7 247 and RGB 7 7 247

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 198 8 246 shade matches the following richer shades: RGB 199 7 247

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 198 8 246 shade: RGB 199 7 247, RGB 186 28 226, RGB 174 48 206, RGB 162 69 185 and RGB 149 90 164

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 198 8 246 shade: RGB 67 7 247, RGB 131 7 247, RGB 195 7 247, RGB 247 7 235 and RGB 247 7 171

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 198 8 246 shade: RGB 134 5 167, RGB 166 6 207, RGB 199 7 247, RGB 208 47 248 and RGB 217 87 249

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 198 8 246 shade: RGB 198 8 246, RGB 247 7 11 and RGB 7 247 99

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 198 8 246 shade: RGB 198 8 246, RGB 247 195 7 and RGB 7 247 195

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 198 8 246 shade: RGB 198 8 246, RGB 247 7 11, RGB 59 247 7 and RGB 7 247 243

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 198 8 246 shade: RGB 198 8 246, RGB 247 75 7, RGB 59 247 7 and RGB 7 179 247

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 97 / 0 / 4

HEX #C608F6

RGB 198 8 246

HSL 287.9, 0.94%, 0.5%

LAB 50.49, 88.12, -72.16

 

Complementary color

CMYK 77 / 0 / 96 / 3

HEX #39F709

RGB 57 247 9

HSL 107.9, 0.94%, 0.5%

LAB 85.71, -80.04, 81.03

 

CMYK 16 / 97 / 0 / 5

HEX #CB08F1

RGB 203 8 241

HSL 290.21, 0.94%, 0.49%

LAB 50.94, 87.98, -68.58

 

CMYK 14 / 90 / 0 / 0

HEX #DC1AFF

RGB 220 26 255

HSL 290.83, 1%, 0.55%

LAB 55.25, 90.87, -69.3

 

CMYK 7 / 83 / 0 / 0

HEX #ED2CFF

RGB 237 44 255

HSL 294.88, 1%, 0.59%

LAB 59, 90.53, -63.12

 

CMYK 0 / 76 / 0 / 0

HEX #FE3EFF

RGB 254 62 255

HSL 299.69, 1%, 0.62%

LAB 63.12, 89.4, -56.38

 

CMYK 0 / 69 / 0 / 0

HEX #FF50FF

RGB 255 80 255

HSL 300, 1%, 0.66%

LAB 65.13, 84.28, -53.17

 

CMYK 20 / 97 / 0 / 4

HEX #C608F6

RGB 198 8 246

HSL 287.9, 0.94%, 0.5%

LAB 50.49, 88.12, -72.16

 

CMYK 20 / 100 / 0 / 11

HEX #B500E3

RGB 181 0 227

HSL 287.84, 1%, 0.45%

LAB 46.14, 83.31, -68.63

 

CMYK 21 / 100 / 0 / 18

HEX #A400D0

RGB 164 0 208

HSL 287.31, 1%, 0.41%

LAB 41.92, 77.8, -64.72

 

CMYK 22 / 100 / 0 / 26

HEX #9300BD

RGB 147 0 189

HSL 286.67, 1%, 0.37%

LAB 37.62, 72.19, -60.74

 

CMYK 24 / 100 / 0 / 33

HEX #8200AA

RGB 130 0 170

HSL 285.88, 1%, 0.33%

LAB 33.24, 66.47, -56.7

 

CMYK 19 / 97 / 0 / 3

HEX #C707F7

RGB 199 7 247

HSL 288, 0.94%, 0.5%

LAB 50.7, 88.5, -72.38

 

CMYK 0 / 97 / 6 / 3

HEX #F707E7

RGB 247 7 231

HSL 304, 0.94%, 0.5%

LAB 57.75, 93.3, -51.63

 

CMYK 0 / 97 / 33 / 3

HEX #F707A6

RGB 247 7 166

HSL 320.25, 0.94%, 0.5%

LAB 54.74, 85.69, -18.93

 

CMYK 0 / 97 / 59 / 3

HEX #F70765

RGB 247 7 101

HSL 336.5, 0.94%, 0.5%

LAB 52.8, 80.56, 17.22

 

CMYK 0 / 97 / 85 / 3

HEX #F70725

RGB 247 7 37

HSL 352.5, 0.94%, 0.5%

LAB 51.9, 78.11, 53.01

 

CMYK 19 / 97 / 0 / 3

HEX #C707F7

RGB 199 7 247

HSL 288, 0.94%, 0.5%

LAB 50.7, 88.5, -72.38

 

CMYK 46 / 97 / 0 / 3

HEX #8607F7

RGB 134 7 247

HSL 271.75, 0.94%, 0.5%

LAB 41.11, 81.27, -88.45

 

CMYK 72 / 97 / 0 / 3

HEX #4507F7

RGB 69 7 247

HSL 255.5, 0.94%, 0.5%

LAB 34.26, 77.35, -100.03

 

CMYK 97 / 97 / 0 / 3

HEX #0707F7

RGB 7 7 247

HSL 240, 0.94%, 0.5%

LAB 31.61, 76.25, -104.52

 

CMYK 19 / 97 / 0 / 3

HEX #C707F7

RGB 199 7 247

HSL 288, 0.94%, 0.5%

LAB 50.7, 88.5, -72.38

 

CMYK 19 / 97 / 0 / 3

HEX #C707F7

RGB 199 7 247

HSL 288, 0.94%, 0.5%

LAB 50.7, 88.5, -72.38

 

CMYK 18 / 88 / 0 / 11

HEX #BA1CE2

RGB 186 28 226

HSL 287.88, 0.78%, 0.5%

LAB 47.96, 80.62, -65.07

 

CMYK 16 / 77 / 0 / 19

HEX #AE30CE

RGB 174 48 206

HSL 287.85, 0.62%, 0.5%

LAB 46.4, 70.13, -56.23

 

CMYK 12 / 63 / 0 / 27

HEX #A245B9

RGB 162 69 185

HSL 288.1, 0.46%, 0.5%

LAB 46.23, 55.44, -44.41

 

CMYK 9 / 45 / 0 / 36

HEX #955AA4

RGB 149 90 164

HSL 287.84, 0.29%, 0.5%

LAB 47.47, 36.86, -30.24

 

CMYK 73 / 97 / 0 / 3

HEX #4307F7

RGB 67 7 247

HSL 255, 0.94%, 0.5%

LAB 34.11, 77.28, -100.28

 

CMYK 47 / 97 / 0 / 3

HEX #8307F7

RGB 131 7 247

HSL 271, 0.94%, 0.5%

LAB 40.72, 81.01, -89.11

 

CMYK 21 / 97 / 0 / 3

HEX #C307F7

RGB 195 7 247

HSL 287, 0.94%, 0.5%

LAB 50.06, 87.97, -73.44

 

CMYK 0 / 97 / 5 / 3

HEX #F707EB

RGB 247 7 235

HSL 303, 0.94%, 0.5%

LAB 57.97, 93.84, -53.53

 

CMYK 0 / 97 / 31 / 3

HEX #F707AB

RGB 247 7 171

HSL 319, 0.94%, 0.5%

LAB 54.93, 86.2, -21.57

 

CMYK 20 / 97 / 0 / 35

HEX #8605A7

RGB 134 5 167

HSL 287.78, 0.94%, 0.34%

LAB 33.91, 65.8, -53.77

 

CMYK 20 / 97 / 0 / 19

HEX #A606CF

RGB 166 6 207

HSL 287.76, 0.94%, 0.42%

LAB 42.37, 77.3, -63.39

 

CMYK 19 / 97 / 0 / 3

HEX #C707F7

RGB 199 7 247

HSL 288, 0.94%, 0.5%

LAB 50.7, 88.5, -72.38

 

CMYK 16 / 81 / 0 / 3

HEX #D02FF8

RGB 208 47 248

HSL 288.06, 0.93%, 0.58%

LAB 54.26, 83.86, -67.1

 

CMYK 13 / 65 / 0 / 2

HEX #D957F9

RGB 217 87 249

HSL 288.15, 0.93%, 0.66%

LAB 60.26, 72.57, -57.96

 

CMYK 20 / 97 / 0 / 4

HEX #C608F6

RGB 198 8 246

HSL 287.9, 0.94%, 0.5%

LAB 50.49, 88.12, -72.16

 

CMYK 0 / 97 / 96 / 3

HEX #F7070B

RGB 247 7 11

HSL 359, 0.94%, 0.5%

LAB 51.78, 77.77, 62.9

 

CMYK 97 / 0 / 60 / 3

HEX #07F763

RGB 7 247 99

HSL 143, 0.94%, 0.5%

LAB 85.74, -78.11, 56.39

 

CMYK 20 / 97 / 0 / 4

HEX #C608F6

RGB 198 8 246

HSL 287.9, 0.94%, 0.5%

LAB 50.49, 88.12, -72.16

 

CMYK 0 / 21 / 97 / 3

HEX #F7C307

RGB 247 195 7

HSL 47, 0.94%, 0.5%

LAB 81.19, 4.95, 82.09

 

CMYK 97 / 0 / 21 / 3

HEX #07F7C3

RGB 7 247 195

HSL 167, 0.94%, 0.5%

LAB 87.24, -60.59, 11.38

 

CMYK 20 / 97 / 0 / 4

HEX #C608F6

RGB 198 8 246

HSL 287.9, 0.94%, 0.5%

LAB 50.49, 88.12, -72.16

 

CMYK 0 / 97 / 96 / 3

HEX #F7070B

RGB 247 7 11

HSL 359, 0.94%, 0.5%

LAB 51.78, 77.77, 62.9

 

CMYK 76 / 0 / 97 / 3

HEX #3BF707

RGB 59 247 7

HSL 107, 0.94%, 0.5%

LAB 85.74, -79.8, 81.22

 

CMYK 97 / 0 / 2 / 3

HEX #07F7F3

RGB 7 247 243

HSL 179, 0.94%, 0.5%

LAB 88.47, -47.94, -11.85

 

CMYK 20 / 97 / 0 / 4

HEX #C608F6

RGB 198 8 246

HSL 287.9, 0.94%, 0.5%

LAB 50.49, 88.12, -72.16

 

CMYK 0 / 70 / 97 / 3

HEX #F74B07

RGB 247 75 7

HSL 17, 0.94%, 0.5%

LAB 56.9, 63.29, 66.41

 

CMYK 76 / 0 / 97 / 3

HEX #3BF707

RGB 59 247 7

HSL 107, 0.94%, 0.5%

LAB 85.74, -79.8, 81.22

 

CMYK 97 / 28 / 0 / 3

HEX #07B3F7

RGB 7 179 247

HSL 197, 0.94%, 0.5%

LAB 68.75, -13.9, -44.17

 

Description

Color code: RGB 198 8 246 | qconv.com Color code: RGB 198 8 246 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 8 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 8 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 97 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 97% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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