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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 198 5 43 it is the complementary color RGB 57 250 212. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 198 5 43. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 198 5 43 shade: RGB 203 5 38, RGB 220 23 57, RGB 237 41 76, RGB 254 59 95 and RGB 255 77 114

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 198 5 43. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 198 5 43 shade: RGB 198 5 43, RGB 181 0 24, RGB 164 0 5, RGB 147 0 0 and RGB 130 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 198 5 43 shade: RGB 198 5 43 and RGB 198 5 5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 198 5 43 shade: RGB 198 5 43, RGB 198 5 95, RGB 198 5 147, RGB 197 5 198 and RGB 145 5 198

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 198 5 43 shade matches the following richer shades: RGB 198 5 43

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 198 5 43 shade: RGB 198 5 43, RGB 182 21 53, RGB 165 38 63, RGB 149 54 73 and RGB 132 71 83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 198 5 43 shade: RGB 198 5 147, RGB 198 5 95, RGB 198 5 43, RGB 198 18 5 and RGB 198 69 5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 198 5 43 shade: RGB 118 3 25, RGB 158 4 34, RGB 198 5 43, RGB 239 6 51 and RGB 249 37 78

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 198 5 43 shade: RGB 198 5 43, RGB 198 198 5 and RGB 5 121 198

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 198 5 43 shade: RGB 198 5 43, RGB 43 198 5 and RGB 5 43 198

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 198 5 43 shade: RGB 198 5 43, RGB 198 198 5, RGB 5 198 160 and RGB 5 5 198

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 198 5 43 shade: RGB 198 5 43, RGB 140 198 5, RGB 5 198 160 and RGB 63 5 198

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 97 / 78 / 22

HEX #C6052B

RGB 198 5 43

HSL 348.19, 0.95%, 0.4%

LAB 41.67, 66.47, 36.43

 

Complementary color

CMYK 77 / 0 / 15 / 2

HEX #39FAD4

RGB 57 250 212

HSL 168.19, 0.95%, 0.6%

LAB 88.92, -54.74, 5.01

 

CMYK 0 / 98 / 81 / 20

HEX #CB0526

RGB 203 5 38

HSL 350, 0.95%, 0.41%

LAB 42.68, 67.57, 40.68

 

CMYK 0 / 90 / 74 / 14

HEX #DC1739

RGB 220 23 57

HSL 349.64, 0.81%, 0.48%

LAB 47.14, 70.4, 35.5

 

CMYK 0 / 83 / 68 / 7

HEX #ED294C

RGB 237 41 76

HSL 349.29, 0.84%, 0.55%

LAB 51.96, 72.21, 30.81

 

CMYK 0 / 77 / 63 / 0

HEX #FE3B5F

RGB 254 59 95

HSL 348.92, 0.99%, 0.61%

LAB 57.1, 73.17, 26.77

 

CMYK 0 / 70 / 55 / 0

HEX #FF4D72

RGB 255 77 114

HSL 347.53, 1%, 0.65%

LAB 59.69, 68.94, 19.12

 

CMYK 0 / 97 / 78 / 22

HEX #C6052B

RGB 198 5 43

HSL 348.19, 0.95%, 0.4%

LAB 41.67, 66.47, 36.43

 

CMYK 0 / 100 / 87 / 29

HEX #B50018

RGB 181 0 24

HSL 352.04, 1%, 0.35%

LAB 37.64, 62.26, 41.92

 

CMYK 0 / 100 / 97 / 36

HEX #A40005

RGB 164 0 5

HSL 358.17, 1%, 0.32%

LAB 33.78, 57.64, 45.93

 

CMYK 0 / 100 / 100 / 42

HEX #930000

RGB 147 0 0

HSL 0, 1%, 0.29%

LAB 29.92, 53.13, 43.53

 

CMYK 0 / 100 / 100 / 49

HEX #820000

RGB 130 0 0

HSL 0, 1%, 0.25%

LAB 26, 48.6, 38.66

 

CMYK 0 / 97 / 78 / 22

HEX #C6052B

RGB 198 5 43

HSL 348.19, 0.95%, 0.4%

LAB 41.67, 66.47, 36.43

 

CMYK 0 / 97 / 97 / 22

HEX #C60505

RGB 198 5 5

HSL 0, 0.95%, 0.4%

LAB 41.41, 65.76, 53.85

 

CMYK 0 / 97 / 78 / 22

HEX #C6052B

RGB 198 5 43

HSL 348.19, 0.95%, 0.4%

LAB 41.67, 66.47, 36.43

 

CMYK 0 / 97 / 52 / 22

HEX #C6055F

RGB 198 5 95

HSL 332.02, 0.95%, 0.4%

LAB 42.67, 69.19, 5.31

 

CMYK 0 / 97 / 26 / 22

HEX #C60593

RGB 198 5 147

HSL 315.85, 0.95%, 0.4%

LAB 44.55, 74.11, -24.05

 

CMYK 1 / 97 / 0 / 22

HEX #C505C6

RGB 197 5 198

HSL 299.69, 0.95%, 0.4%

LAB 47.05, 80.63, -50.36

 

CMYK 27 / 97 / 0 / 22

HEX #9105C6

RGB 145 5 198

HSL 283.52, 0.95%, 0.4%

LAB 38.21, 72.98, -65.08

 

CMYK 0 / 97 / 78 / 22

HEX #C6052B

RGB 198 5 43

HSL 348.19, 0.95%, 0.4%

LAB 41.67, 66.47, 36.43

 

CMYK 0 / 97 / 78 / 22

HEX #C6052B

RGB 198 5 43

HSL 348.19, 0.95%, 0.4%

LAB 41.67, 66.47, 36.43

 

CMYK 0 / 88 / 71 / 29

HEX #B61535

RGB 182 21 53

HSL 348.07, 0.79%, 0.4%

LAB 39.14, 60.74, 26.56

 

CMYK 0 / 77 / 62 / 35

HEX #A5263F

RGB 165 38 63

HSL 348.19, 0.63%, 0.4%

LAB 37.38, 52.22, 17.3

 

CMYK 0 / 64 / 51 / 42

HEX #953649

RGB 149 54 73

HSL 348, 0.47%, 0.4%

LAB 36.95, 41.48, 9.84

 

CMYK 0 / 46 / 37 / 48

HEX #844753

RGB 132 71 83

HSL 348.2, 0.3%, 0.4%

LAB 37.91, 27.42, 4.49

 

CMYK 0 / 97 / 26 / 22

HEX #C60593

RGB 198 5 147

HSL 315.85, 0.95%, 0.4%

LAB 44.55, 74.11, -24.05

 

CMYK 0 / 97 / 52 / 22

HEX #C6055F

RGB 198 5 95

HSL 332.02, 0.95%, 0.4%

LAB 42.67, 69.19, 5.31

 

CMYK 0 / 97 / 78 / 22

HEX #C6052B

RGB 198 5 43

HSL 348.19, 0.95%, 0.4%

LAB 41.67, 66.47, 36.43

 

CMYK 0 / 91 / 97 / 22

HEX #C61205

RGB 198 18 5

HSL 4.04, 0.95%, 0.4%

LAB 41.92, 64.3, 54.08

 

CMYK 0 / 65 / 97 / 22

HEX #C64505

RGB 198 69 5

HSL 19.9, 0.95%, 0.4%

LAB 47.33, 49.27, 56.92

 

CMYK 0 / 97 / 79 / 54

HEX #760319

RGB 118 3 25

HSL 348.52, 0.95%, 0.24%

LAB 23.63, 45.34, 22.8

 

CMYK 0 / 97 / 78 / 38

HEX #9E0422

RGB 158 4 34

HSL 348.31, 0.95%, 0.32%

LAB 32.86, 56.16, 29.81

 

CMYK 0 / 97 / 78 / 22

HEX #C6052B

RGB 198 5 43

HSL 348.19, 0.95%, 0.4%

LAB 41.67, 66.47, 36.43

 

CMYK 0 / 97 / 79 / 6

HEX #EF0633

RGB 239 6 51

HSL 348.41, 0.95%, 0.48%

LAB 50.36, 76.6, 43.59

 

CMYK 0 / 85 / 69 / 2

HEX #F9254E

RGB 249 37 78

HSL 348.4, 0.95%, 0.56%

LAB 54.04, 76.21, 32.71

 

CMYK 0 / 97 / 78 / 22

HEX #C6052B

RGB 198 5 43

HSL 348.19, 0.95%, 0.4%

LAB 41.67, 66.47, 36.43

 

CMYK 0 / 0 / 97 / 22

HEX #C6C605

RGB 198 198 5

HSL 60, 0.95%, 0.4%

LAB 77.52, -17.76, 77.6

 

CMYK 97 / 39 / 0 / 22

HEX #0579C6

RGB 5 121 198

HSL 203.94, 0.95%, 0.4%

LAB 49.23, 1.05, -47.73

 

CMYK 0 / 97 / 78 / 22

HEX #C6052B

RGB 198 5 43

HSL 348.19, 0.95%, 0.4%

LAB 41.67, 66.47, 36.43

 

CMYK 78 / 0 / 97 / 22

HEX #2BC605

RGB 43 198 5

HSL 108.19, 0.95%, 0.4%

LAB 70.11, -67.87, 68.65

 

CMYK 97 / 78 / 0 / 22

HEX #052BC6

RGB 5 43 198

HSL 228.19, 0.95%, 0.4%

LAB 29, 50.58, -80.69

 

CMYK 0 / 97 / 78 / 22

HEX #C6052B

RGB 198 5 43

HSL 348.19, 0.95%, 0.4%

LAB 41.67, 66.47, 36.43

 

CMYK 0 / 0 / 97 / 22

HEX #C6C605

RGB 198 198 5

HSL 60, 0.95%, 0.4%

LAB 77.52, -17.76, 77.6

 

CMYK 97 / 0 / 19 / 22

HEX #05C6A0

RGB 5 198 160

HSL 168.19, 0.95%, 0.4%

LAB 71.53, -50.21, 7.49

 

CMYK 97 / 97 / 0 / 22

HEX #0505C6

RGB 5 5 198

HSL 240, 0.95%, 0.4%

LAB 24.38, 64.41, -88.39

 

CMYK 0 / 97 / 78 / 22

HEX #C6052B

RGB 198 5 43

HSL 348.19, 0.95%, 0.4%

LAB 41.67, 66.47, 36.43

 

CMYK 29 / 0 / 97 / 22

HEX #8CC605

RGB 140 198 5

HSL 78.03, 0.95%, 0.4%

LAB 73.53, -41.59, 72.81

 

CMYK 97 / 0 / 19 / 22

HEX #05C6A0

RGB 5 198 160

HSL 168.19, 0.95%, 0.4%

LAB 71.53, -50.21, 7.49

 

CMYK 68 / 97 / 0 / 22

HEX #3F05C6

RGB 63 5 198

HSL 258.03, 0.95%, 0.4%

LAB 27.41, 65.75, -83.25

 

Description

Color code: RGB 198 5 43 | qconv.com Color code: RGB 198 5 43 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 5 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 5 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 97 magenta, 78 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 97% 78% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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