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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 198 41 146 it is the complementary color RGB 57 214 109. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 198 41 146. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 198 41 146 shade: RGB 203 41 141, RGB 220 59 160, RGB 237 77 179, RGB 254 95 198 and RGB 255 113 217

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 198 41 146. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 198 41 146 shade: RGB 198 41 146, RGB 181 23 127, RGB 164 5 108, RGB 147 0 89 and RGB 130 0 70

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 198 41 146 shade: RGB 198 40 146, RGB 198 40 103, RGB 198 40 61 and RGB 198 40 40

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 198 41 146 shade: RGB 198 40 146, RGB 198 40 189, RGB 166 40 198, RGB 123 40 198 and RGB 80 40 198

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 198 41 146 shade matches the following richer shades: RGB 198 40 146, RGB 218 21 153 and RGB 237 1 159

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 198 41 146 shade: RGB 198 40 146, RGB 179 60 140, RGB 160 79 133, RGB 140 98 126 and RGB 121 118 120

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 198 41 146 shade: RGB 164 40 198, RGB 198 40 191, RGB 198 40 148, RGB 198 40 106 and RGB 198 40 64

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 198 41 146 shade: RGB 130 26 96, RGB 164 33 121, RGB 198 40 146, RGB 216 64 166 and RGB 223 99 182

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 198 41 146 shade: RGB 198 41 146, RGB 198 122 40 and RGB 40 198 185

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 198 41 146 shade: RGB 198 41 146, RGB 148 198 40 and RGB 40 148 198

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 198 41 146 shade: RGB 198 41 146, RGB 198 122 40, RGB 40 198 90 and RGB 40 117 198

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 198 41 146 shade: RGB 198 41 146, RGB 198 169 40, RGB 40 198 90 and RGB 40 69 198

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 26 / 22

HEX #C62992

RGB 198 41 146

HSL 319.87, 0.66%, 0.47%

LAB 46.53, 68.1, -20.38

 

Complementary color

CMYK 73 / 0 / 49 / 16

HEX #39D66D

RGB 57 214 109

HSL 139.87, 0.66%, 0.53%

LAB 76.11, -62.39, 40.34

 

CMYK 0 / 80 / 31 / 20

HEX #CB298D

RGB 203 41 141

HSL 322.96, 0.66%, 0.48%

LAB 47.24, 68.7, -16.2

 

CMYK 0 / 73 / 27 / 14

HEX #DC3BA0

RGB 220 59 160

HSL 322.36, 0.7%, 0.55%

LAB 52.82, 69.84, -18.76

 

CMYK 0 / 68 / 24 / 7

HEX #ED4DB3

RGB 237 77 179

HSL 321.75, 0.82%, 0.62%

LAB 58.57, 70.32, -20.81

 

CMYK 0 / 63 / 22 / 0

HEX #FE5FC6

RGB 254 95 198

HSL 321.13, 0.99%, 0.68%

LAB 64.43, 70.38, -22.47

 

CMYK 0 / 56 / 15 / 0

HEX #FF71D9

RGB 255 113 217

HSL 316.06, 1%, 0.72%

LAB 68.08, 65.72, -27.53

 

CMYK 0 / 79 / 26 / 22

HEX #C62992

RGB 198 41 146

HSL 319.87, 0.66%, 0.47%

LAB 46.53, 68.1, -20.38

 

CMYK 0 / 87 / 30 / 29

HEX #B5177F

RGB 181 23 127

HSL 320.51, 0.77%, 0.4%

LAB 41.17, 66.04, -17.29

 

CMYK 0 / 97 / 34 / 36

HEX #A4056C

RGB 164 5 108

HSL 321.13, 0.94%, 0.33%

LAB 36.15, 62.75, -13.36

 

CMYK 0 / 100 / 39 / 42

HEX #930059

RGB 147 0 89

HSL 323.67, 1%, 0.29%

LAB 31.63, 57.7, -8.28

 

CMYK 0 / 100 / 46 / 49

HEX #820046

RGB 130 0 70

HSL 327.69, 1%, 0.25%

LAB 27.26, 51.99, -2.57

 

CMYK 0 / 80 / 26 / 22

HEX #C62892

RGB 198 40 146

HSL 319.75, 0.66%, 0.47%

LAB 46.44, 68.36, -20.52

 

CMYK 0 / 80 / 48 / 22

HEX #C62867

RGB 198 40 103

HSL 336.08, 0.66%, 0.47%

LAB 44.95, 63.93, 3.57

 

CMYK 0 / 80 / 69 / 22

HEX #C6283D

RGB 198 40 61

HSL 352.03, 0.66%, 0.47%

LAB 44.03, 61.13, 28.34

 

CMYK 0 / 80 / 80 / 22

HEX #C62828

RGB 198 40 40

HSL 0, 0.66%, 0.47%

LAB 43.77, 60.3, 40.31

 

CMYK 0 / 80 / 26 / 22

HEX #C62892

RGB 198 40 146

HSL 319.75, 0.66%, 0.47%

LAB 46.44, 68.36, -20.52

 

CMYK 0 / 80 / 5 / 22

HEX #C628BD

RGB 198 40 189

HSL 303.42, 0.66%, 0.47%

LAB 48.51, 74.19, -42.78

 

CMYK 16 / 80 / 0 / 22

HEX #A628C6

RGB 166 40 198

HSL 287.85, 0.66%, 0.47%

LAB 43.8, 69.6, -55.85

 

CMYK 38 / 80 / 0 / 22

HEX #7B28C6

RGB 123 40 198

HSL 271.52, 0.66%, 0.47%

LAB 37.49, 62.4, -66.39

 

CMYK 60 / 80 / 0 / 22

HEX #5028C6

RGB 80 40 198

HSL 255.19, 0.66%, 0.47%

LAB 32.48, 56.71, -74.8

 

CMYK 0 / 80 / 26 / 22

HEX #C62892

RGB 198 40 146

HSL 319.75, 0.66%, 0.47%

LAB 46.44, 68.36, -20.52

 

CMYK 0 / 90 / 30 / 15

HEX #DA1599

RGB 218 21 153

HSL 319.8, 0.82%, 0.47%

LAB 49.18, 77.19, -20.2

 

CMYK 0 / 100 / 33 / 7

HEX #ED019F

RGB 237 1 159

HSL 319.83, 0.99%, 0.47%

LAB 52.43, 83.43, -18.49

 

CMYK 0 / 80 / 26 / 22

HEX #C62892

RGB 198 40 146

HSL 319.75, 0.66%, 0.47%

LAB 46.44, 68.36, -20.52

 

CMYK 0 / 66 / 22 / 30

HEX #B33C8C

RGB 179 60 140

HSL 319.66, 0.5%, 0.47%

LAB 45.23, 56.17, -19.04

 

CMYK 0 / 51 / 17 / 37

HEX #A04F85

RGB 160 79 133

HSL 320, 0.34%, 0.47%

LAB 45.3, 40.54, -14.96

 

CMYK 0 / 30 / 10 / 45

HEX #8C627E

RGB 140 98 126

HSL 320, 0.18%, 0.47%

LAB 46.73, 21.69, -8.83

 

CMYK 0 / 2 / 1 / 53

HEX #797678

RGB 121 118 120

HSL 320, 0.01%, 0.47%

LAB 49.95, 1.54, -0.7

 

CMYK 17 / 80 / 0 / 22

HEX #A428C6

RGB 164 40 198

HSL 287.09, 0.66%, 0.47%

LAB 43.49, 69.24, -56.37

 

CMYK 0 / 80 / 4 / 22

HEX #C628BF

RGB 198 40 191

HSL 302.66, 0.66%, 0.47%

LAB 48.62, 74.5, -43.77

 

CMYK 0 / 80 / 25 / 22

HEX #C62894

RGB 198 40 148

HSL 318.99, 0.66%, 0.47%

LAB 46.53, 68.61, -21.6

 

CMYK 0 / 80 / 46 / 22

HEX #C6286A

RGB 198 40 106

HSL 334.94, 0.66%, 0.47%

LAB 45.03, 64.19, 1.84

 

CMYK 0 / 80 / 68 / 22

HEX #C62840

RGB 198 40 64

HSL 350.89, 0.66%, 0.47%

LAB 44.08, 61.28, 26.58

 

CMYK 0 / 80 / 26 / 49

HEX #821A60

RGB 130 26 96

HSL 319.62, 0.67%, 0.31%

LAB 30.23, 49.37, -15.3

 

CMYK 0 / 80 / 26 / 36

HEX #A42179

RGB 164 33 121

HSL 319.69, 0.66%, 0.39%

LAB 38.48, 59.07, -17.97

 

CMYK 0 / 80 / 26 / 22

HEX #C62892

RGB 198 40 146

HSL 319.75, 0.66%, 0.47%

LAB 46.44, 68.36, -20.52

 

CMYK 0 / 70 / 23 / 15

HEX #D840A6

RGB 216 64 166

HSL 319.74, 0.66%, 0.55%

LAB 52.97, 67.91, -22.12

 

CMYK 0 / 56 / 18 / 13

HEX #DF63B6

RGB 223 99 182

HSL 319.84, 0.66%, 0.63%

LAB 59.88, 57.77, -20.72

 

CMYK 0 / 79 / 26 / 22

HEX #C62992

RGB 198 41 146

HSL 319.87, 0.66%, 0.47%

LAB 46.53, 68.1, -20.38

 

CMYK 0 / 38 / 80 / 22

HEX #C67A28

RGB 198 122 40

HSL 31.14, 0.66%, 0.47%

LAB 58.11, 23.36, 54.18

 

CMYK 80 / 0 / 7 / 22

HEX #28C6B9

RGB 40 198 185

HSL 175.06, 0.66%, 0.47%

LAB 72.46, -41.5, -4.7

 

CMYK 0 / 79 / 26 / 22

HEX #C62992

RGB 198 41 146

HSL 319.87, 0.66%, 0.47%

LAB 46.53, 68.1, -20.38

 

CMYK 25 / 0 / 80 / 22

HEX #94C628

RGB 148 198 40

HSL 78.99, 0.66%, 0.47%

LAB 74.09, -37.63, 67.18

 

CMYK 80 / 25 / 0 / 22

HEX #2894C6

RGB 40 148 198

HSL 198.99, 0.66%, 0.47%

LAB 57.76, -12.53, -34.25

 

CMYK 0 / 79 / 26 / 22

HEX #C62992

RGB 198 41 146

HSL 319.87, 0.66%, 0.47%

LAB 46.53, 68.1, -20.38

 

CMYK 0 / 38 / 80 / 22

HEX #C67A28

RGB 198 122 40

HSL 31.14, 0.66%, 0.47%

LAB 58.11, 23.36, 54.18

 

CMYK 80 / 0 / 55 / 22

HEX #28C65A

RGB 40 198 90

HSL 138.99, 0.66%, 0.47%

LAB 70.58, -61.99, 42.67

 

CMYK 80 / 41 / 0 / 22

HEX #2875C6

RGB 40 117 198

HSL 210.76, 0.66%, 0.47%

LAB 48.57, 5.73, -48.75

 

CMYK 0 / 79 / 26 / 22

HEX #C62992

RGB 198 41 146

HSL 319.87, 0.66%, 0.47%

LAB 46.53, 68.1, -20.38

 

CMYK 0 / 15 / 80 / 22

HEX #C6A928

RGB 198 169 40

HSL 48.99, 0.66%, 0.47%

LAB 69.85, -2.15, 64.82

 

CMYK 80 / 0 / 55 / 22

HEX #28C65A

RGB 40 198 90

HSL 138.99, 0.66%, 0.47%

LAB 70.58, -61.99, 42.67

 

CMYK 80 / 65 / 0 / 22

HEX #2845C6

RGB 40 69 198

HSL 228.99, 0.66%, 0.47%

LAB 35.57, 36.64, -69.82

 

Description

Color code: RGB 198 41 146 | qconv.com Color code: RGB 198 41 146 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 41 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 41 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 26 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 26% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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