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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 198 40 169 it is the complementary color RGB 57 215 86. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 198 40 169. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 198 40 169 shade: RGB 203 40 164, RGB 220 58 183, RGB 237 76 202, RGB 254 94 221 and RGB 255 112 240

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 198 40 169. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 198 40 169 shade: RGB 198 40 169, RGB 181 22 150, RGB 164 4 131, RGB 147 0 112 and RGB 130 0 93

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 198 40 169 shade: RGB 198 40 169, RGB 198 40 127, RGB 198 40 84, RGB 198 40 41 and RGB 198 40 40

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 198 40 169 shade: RGB 198 40 169, RGB 185 40 198, RGB 142 40 198, RGB 99 40 198 and RGB 57 40 198

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 198 40 169 shade matches the following richer shades: RGB 198 40 169, RGB 218 21 182 and RGB 237 1 194

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 198 40 169 shade: RGB 198 40 169, RGB 179 60 157, RGB 160 79 145, RGB 140 98 133 and RGB 121 118 120

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 198 40 169 shade: RGB 143 40 198, RGB 185 40 198, RGB 198 40 169, RGB 198 40 127 and RGB 198 40 85

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 198 40 169 shade: RGB 130 26 111, RGB 164 33 140, RGB 198 40 169, RGB 216 64 188 and RGB 223 99 200

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 198 40 169 shade: RGB 198 40 169, RGB 198 101 40 and RGB 40 198 164

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 198 40 169 shade: RGB 198 40 169, RGB 169 198 40 and RGB 40 169 198

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 198 40 169 shade: RGB 198 40 169, RGB 198 101 40, RGB 40 198 69 and RGB 40 138 198

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 198 40 169 shade: RGB 198 40 169, RGB 198 148 40, RGB 40 198 69 and RGB 40 90 198

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 15 / 22

HEX #C628A9

RGB 198 40 169

HSL 311.01, 0.66%, 0.47%

LAB 47.48, 71.33, -32.65

 

Complementary color

CMYK 73 / 0 / 60 / 16

HEX #39D756

RGB 57 215 86

HSL 131.01, 0.66%, 0.53%

LAB 76.16, -65.86, 51.15

 

CMYK 0 / 80 / 19 / 20

HEX #CB28A4

RGB 203 40 164

HSL 314.36, 0.67%, 0.48%

LAB 48.13, 71.75, -28.61

 

CMYK 0 / 74 / 17 / 14

HEX #DC3AB7

RGB 220 58 183

HSL 313.7, 0.7%, 0.55%

LAB 53.67, 73.08, -30.93

 

CMYK 0 / 68 / 15 / 7

HEX #ED4CCA

RGB 237 76 202

HSL 313.04, 0.82%, 0.61%

LAB 59.38, 73.74, -32.75

 

CMYK 0 / 63 / 13 / 0

HEX #FE5EDD

RGB 254 94 221

HSL 312.38, 0.99%, 0.68%

LAB 65.2, 73.93, -34.23

 

CMYK 0 / 56 / 6 / 0

HEX #FF70F0

RGB 255 112 240

HSL 306.29, 1%, 0.72%

LAB 68.85, 69.66, -39.07

 

CMYK 0 / 80 / 15 / 22

HEX #C628A9

RGB 198 40 169

HSL 311.01, 0.66%, 0.47%

LAB 47.48, 71.33, -32.65

 

CMYK 0 / 88 / 17 / 29

HEX #B51696

RGB 181 22 150

HSL 311.7, 0.78%, 0.4%

LAB 42.15, 69.05, -29.84

 

CMYK 0 / 98 / 20 / 36

HEX #A40483

RGB 164 4 131

HSL 312.38, 0.95%, 0.33%

LAB 37.15, 65.56, -26.26

 

CMYK 0 / 100 / 24 / 42

HEX #930070

RGB 147 0 112

HSL 314.29, 1%, 0.29%

LAB 32.64, 60.28, -21.6

 

CMYK 0 / 100 / 28 / 49

HEX #82005D

RGB 130 0 93

HSL 317.08, 1%, 0.25%

LAB 28.21, 54.43, -16.46

 

CMYK 0 / 80 / 15 / 22

HEX #C628A9

RGB 198 40 169

HSL 311.01, 0.66%, 0.47%

LAB 47.48, 71.33, -32.65

 

CMYK 0 / 80 / 36 / 22

HEX #C6287F

RGB 198 40 127

HSL 326.96, 0.66%, 0.47%

LAB 45.71, 66.22, -10.09

 

CMYK 0 / 80 / 58 / 22

HEX #C62854

RGB 198 40 84

HSL 343.29, 0.66%, 0.47%

LAB 44.47, 62.47, 14.72

 

CMYK 0 / 80 / 79 / 22

HEX #C62829

RGB 198 40 41

HSL 359.62, 0.66%, 0.47%

LAB 43.78, 60.33, 39.77

 

CMYK 0 / 80 / 80 / 22

HEX #C62828

RGB 198 40 40

HSL 0, 0.66%, 0.47%

LAB 43.77, 60.3, 40.31

 

CMYK 0 / 80 / 15 / 22

HEX #C628A9

RGB 198 40 169

HSL 311.01, 0.66%, 0.47%

LAB 47.48, 71.33, -32.65

 

CMYK 7 / 80 / 0 / 22

HEX #B928C6

RGB 185 40 198

HSL 295.06, 0.66%, 0.47%

LAB 46.85, 73.1, -50.78

 

CMYK 28 / 80 / 0 / 22

HEX #8E28C6

RGB 142 40 198

HSL 278.73, 0.66%, 0.47%

LAB 40.16, 65.44, -61.93

 

CMYK 50 / 80 / 0 / 22

HEX #6328C6

RGB 99 40 198

HSL 262.41, 0.66%, 0.47%

LAB 34.49, 58.99, -71.42

 

CMYK 71 / 80 / 0 / 22

HEX #3928C6

RGB 57 40 198

HSL 246.46, 0.66%, 0.47%

LAB 30.56, 54.54, -78.05

 

CMYK 0 / 80 / 15 / 22

HEX #C628A9

RGB 198 40 169

HSL 311.01, 0.66%, 0.47%

LAB 47.48, 71.33, -32.65

 

CMYK 0 / 90 / 17 / 15

HEX #DA15B6

RGB 218 21 182

HSL 310.96, 0.82%, 0.47%

LAB 50.47, 80.6, -35.36

 

CMYK 0 / 100 / 18 / 7

HEX #ED01C2

RGB 237 1 194

HSL 310.93, 0.99%, 0.47%

LAB 53.94, 87.27, -36.65

 

CMYK 0 / 80 / 15 / 22

HEX #C628A9

RGB 198 40 169

HSL 311.01, 0.66%, 0.47%

LAB 47.48, 71.33, -32.65

 

CMYK 0 / 66 / 12 / 30

HEX #B33C9D

RGB 179 60 157

HSL 311.09, 0.5%, 0.47%

LAB 45.97, 58.65, -28.11

 

CMYK 0 / 51 / 9 / 37

HEX #A04F91

RGB 160 79 145

HSL 311.11, 0.34%, 0.47%

LAB 45.78, 42.55, -21.45

 

CMYK 0 / 30 / 5 / 45

HEX #8C6285

RGB 140 98 133

HSL 310, 0.18%, 0.47%

LAB 46.98, 23.01, -12.65

 

CMYK 0 / 2 / 1 / 53

HEX #797678

RGB 121 118 120

HSL 320, 0.01%, 0.47%

LAB 49.95, 1.54, -0.7

 

CMYK 28 / 80 / 0 / 22

HEX #8F28C6

RGB 143 40 198

HSL 279.11, 0.66%, 0.47%

LAB 40.3, 65.61, -61.68

 

CMYK 7 / 80 / 0 / 22

HEX #B928C6

RGB 185 40 198

HSL 295.06, 0.66%, 0.47%

LAB 46.85, 73.1, -50.78

 

CMYK 0 / 80 / 15 / 22

HEX #C628A9

RGB 198 40 169

HSL 311.01, 0.66%, 0.47%

LAB 47.48, 71.33, -32.65

 

CMYK 0 / 80 / 36 / 22

HEX #C6287F

RGB 198 40 127

HSL 326.96, 0.66%, 0.47%

LAB 45.71, 66.22, -10.09

 

CMYK 0 / 80 / 57 / 22

HEX #C62855

RGB 198 40 85

HSL 342.91, 0.66%, 0.47%

LAB 44.49, 62.54, 14.12

 

CMYK 0 / 80 / 15 / 49

HEX #821A6F

RGB 130 26 111

HSL 310.96, 0.67%, 0.31%

LAB 30.95, 51.5, -23.84

 

CMYK 0 / 80 / 15 / 36

HEX #A4218C

RGB 164 33 140

HSL 310.99, 0.66%, 0.39%

LAB 39.37, 61.63, -28.34

 

CMYK 0 / 80 / 15 / 22

HEX #C628A9

RGB 198 40 169

HSL 311.01, 0.66%, 0.47%

LAB 47.48, 71.33, -32.65

 

CMYK 0 / 70 / 13 / 15

HEX #D840BC

RGB 216 64 188

HSL 311.05, 0.66%, 0.55%

LAB 53.92, 70.91, -33.48

 

CMYK 0 / 56 / 10 / 13

HEX #DF63C8

RGB 223 99 200

HSL 311.13, 0.66%, 0.63%

LAB 60.59, 60.49, -29.9

 

CMYK 0 / 80 / 15 / 22

HEX #C628A9

RGB 198 40 169

HSL 311.01, 0.66%, 0.47%

LAB 47.48, 71.33, -32.65

 

CMYK 0 / 49 / 80 / 22

HEX #C66528

RGB 198 101 40

HSL 23.16, 0.66%, 0.47%

LAB 53.46, 34.6, 49.8

 

CMYK 80 / 0 / 17 / 22

HEX #28C6A4

RGB 40 198 164

HSL 167.09, 0.66%, 0.47%

LAB 71.91, -47.13, 5.91

 

CMYK 0 / 80 / 15 / 22

HEX #C628A9

RGB 198 40 169

HSL 311.01, 0.66%, 0.47%

LAB 47.48, 71.33, -32.65

 

CMYK 15 / 0 / 80 / 22

HEX #A9C628

RGB 169 198 40

HSL 71.01, 0.66%, 0.47%

LAB 75.44, -29.24, 68.9

 

CMYK 80 / 15 / 0 / 22

HEX #28A9C6

RGB 40 169 198

HSL 191.01, 0.66%, 0.47%

LAB 64.08, -23.74, -24.47

 

CMYK 0 / 80 / 15 / 22

HEX #C628A9

RGB 198 40 169

HSL 311.01, 0.66%, 0.47%

LAB 47.48, 71.33, -32.65

 

CMYK 0 / 49 / 80 / 22

HEX #C66528

RGB 198 101 40

HSL 23.16, 0.66%, 0.47%

LAB 53.46, 34.6, 49.8

 

CMYK 80 / 0 / 65 / 22

HEX #28C645

RGB 40 198 69

HSL 131.01, 0.66%, 0.47%

LAB 70.36, -64.6, 51.89

 

CMYK 80 / 30 / 0 / 22

HEX #288AC6

RGB 40 138 198

HSL 202.78, 0.66%, 0.47%

LAB 54.77, -6.86, -38.94

 

CMYK 0 / 80 / 15 / 22

HEX #C628A9

RGB 198 40 169

HSL 311.01, 0.66%, 0.47%

LAB 47.48, 71.33, -32.65

 

CMYK 0 / 25 / 80 / 22

HEX #C69428

RGB 198 148 40

HSL 41.01, 0.66%, 0.47%

LAB 64.43, 9.14, 59.97

 

CMYK 80 / 0 / 65 / 22

HEX #28C645

RGB 40 198 69

HSL 131.01, 0.66%, 0.47%

LAB 70.36, -64.6, 51.89

 

CMYK 80 / 55 / 0 / 22

HEX #285AC6

RGB 40 90 198

HSL 221.01, 0.66%, 0.47%

LAB 40.96, 23.01, -61.01

 

Description

Color code: RGB 198 40 169 | qconv.com Color code: RGB 198 40 169 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 40 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 40 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 15 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 15% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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