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Color name
RGB 198 37 126

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 198 37 126 it is the complementary color RGB 57 218 129. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 198 37 126. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 198 37 126 shade: RGB 203 37 121, RGB 220 55 140, RGB 237 73 159, RGB 254 91 178 and RGB 255 109 197

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 198 37 126. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 198 37 126 shade: RGB 198 37 126, RGB 181 19 107, RGB 164 1 88, RGB 147 0 69 and RGB 130 0 50

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 198 37 126 shade: RGB 198 36 125, RGB 198 36 82, RGB 198 36 38 and RGB 198 36 36

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 198 37 126 shade: RGB 198 36 125, RGB 198 36 169, RGB 183 36 198, RGB 139 36 198 and RGB 96 36 198

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 198 37 126 shade matches the following richer shades: RGB 198 36 125 and RGB 217 17 127

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 198 37 126 shade: RGB 198 36 125, RGB 179 55 123, RGB 160 74 121, RGB 141 93 119 and RGB 122 112 117

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 198 37 126 shade: RGB 182 36 198, RGB 198 36 171, RGB 198 36 128, RGB 198 36 84 and RGB 198 36 41

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 198 37 126 shade: RGB 128 23 81, RGB 163 29 103, RGB 198 36 125, RGB 218 57 146 and RGB 225 92 165

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 198 37 126 shade: RGB 198 37 126, RGB 198 138 36 and RGB 36 192 198

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 198 37 126 shade: RGB 198 37 126, RGB 128 198 36 and RGB 36 128 198

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 198 37 126 shade: RGB 198 37 126, RGB 198 138 36, RGB 36 198 106 and RGB 36 95 198

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 198 37 126 shade: RGB 198 37 126, RGB 198 187 36, RGB 36 198 106 and RGB 36 47 198

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 36 / 22

HEX #C6257E

RGB 198 37 126

HSL 326.83, 0.69%, 0.46%

LAB 45.41, 66.88, -9.94

 

Complementary color

CMYK 74 / 0 / 41 / 15

HEX #39DA81

RGB 57 218 129

HSL 146.83, 0.69%, 0.54%

LAB 77.64, -60.47, 32.32

 

CMYK 0 / 82 / 40 / 20

HEX #CB2579

RGB 203 37 121

HSL 329.64, 0.69%, 0.47%

LAB 46.18, 67.6, -5.62

 

CMYK 0 / 75 / 36 / 14

HEX #DC378C

RGB 220 55 140

HSL 329.09, 0.7%, 0.54%

LAB 51.66, 68.84, -8.63

 

CMYK 0 / 69 / 33 / 7

HEX #ED499F

RGB 237 73 159

HSL 328.54, 0.82%, 0.61%

LAB 57.34, 69.39, -11.05

 

CMYK 0 / 64 / 30 / 0

HEX #FE5BB2

RGB 254 91 178

HSL 327.98, 0.99%, 0.68%

LAB 63.15, 69.47, -13.03

 

CMYK 0 / 57 / 23 / 0

HEX #FF6DC5

RGB 255 109 197

HSL 323.84, 1%, 0.71%

LAB 66.69, 64.68, -18.45

 

CMYK 0 / 81 / 36 / 22

HEX #C6257E

RGB 198 37 126

HSL 326.83, 0.69%, 0.46%

LAB 45.41, 66.88, -9.94

 

CMYK 0 / 90 / 41 / 29

HEX #B5136B

RGB 181 19 107

HSL 327.41, 0.81%, 0.39%

LAB 40.17, 64.64, -6.33

 

CMYK 0 / 99 / 46 / 36

HEX #A40158

RGB 164 1 88

HSL 327.98, 0.99%, 0.32%

LAB 35.24, 61.31, -1.88

 

CMYK 0 / 100 / 53 / 42

HEX #930045

RGB 147 0 69

HSL 331.84, 1%, 0.29%

LAB 30.96, 55.92, 3.93

 

CMYK 0 / 100 / 62 / 49

HEX #820032

RGB 130 0 50

HSL 336.92, 1%, 0.25%

LAB 26.67, 50.4, 10.2

 

CMYK 0 / 82 / 37 / 22

HEX #C6247D

RGB 198 36 125

HSL 327.04, 0.69%, 0.46%

LAB 45.29, 67.02, -9.5

 

CMYK 0 / 82 / 59 / 22

HEX #C62452

RGB 198 36 82

HSL 342.96, 0.69%, 0.46%

LAB 44.06, 63.38, 15.4

 

CMYK 0 / 82 / 81 / 22

HEX #C62426

RGB 198 36 38

HSL 359.26, 0.69%, 0.46%

LAB 43.37, 61.3, 41.02

 

CMYK 0 / 82 / 82 / 22

HEX #C62424

RGB 198 36 36

HSL 0, 0.69%, 0.46%

LAB 43.35, 61.24, 42.08

 

CMYK 0 / 82 / 37 / 22

HEX #C6247D

RGB 198 36 125

HSL 327.04, 0.69%, 0.46%

LAB 45.29, 67.02, -9.5

 

CMYK 0 / 82 / 15 / 22

HEX #C624A9

RGB 198 36 169

HSL 310.74, 0.69%, 0.46%

LAB 47.15, 72.29, -33.18

 

CMYK 8 / 82 / 0 / 22

HEX #B724C6

RGB 183 36 198

HSL 294.44, 0.69%, 0.46%

LAB 46.19, 73.72, -51.87

 

CMYK 30 / 82 / 0 / 22

HEX #8B24C6

RGB 139 36 198

HSL 278.15, 0.69%, 0.46%

LAB 39.29, 66.2, -63.36

 

CMYK 52 / 82 / 0 / 22

HEX #6024C6

RGB 96 36 198

HSL 262.22, 0.69%, 0.46%

LAB 33.62, 60.17, -72.87

 

CMYK 0 / 82 / 37 / 22

HEX #C6247D

RGB 198 36 125

HSL 327.04, 0.69%, 0.46%

LAB 45.29, 67.02, -9.5

 

CMYK 0 / 92 / 41 / 15

HEX #D9117F

RGB 217 17 127

HSL 327, 0.85%, 0.46%

LAB 47.86, 74.9, -6.5

 

CMYK 0 / 82 / 37 / 22

HEX #C6247D

RGB 198 36 125

HSL 327.04, 0.69%, 0.46%

LAB 45.29, 67.02, -9.5

 

CMYK 0 / 69 / 31 / 30

HEX #B3377B

RGB 179 55 123

HSL 327.1, 0.53%, 0.46%

LAB 43.87, 55.91, -10.76

 

CMYK 0 / 54 / 24 / 37

HEX #A04A79

RGB 160 74 121

HSL 327.21, 0.37%, 0.46%

LAB 43.87, 41.27, -9.83

 

CMYK 0 / 34 / 16 / 45

HEX #8D5D77

RGB 141 93 119

HSL 327.5, 0.21%, 0.46%

LAB 45.39, 23.72, -6.6

 

CMYK 0 / 8 / 4 / 52

HEX #7A7075

RGB 122 112 117

HSL 330, 0.04%, 0.46%

LAB 48.27, 4.85, -1.37

 

CMYK 8 / 82 / 0 / 22

HEX #B624C6

RGB 182 36 198

HSL 294.07, 0.69%, 0.46%

LAB 46.02, 73.54, -52.14

 

CMYK 0 / 82 / 14 / 22

HEX #C624AB

RGB 198 36 171

HSL 310, 0.69%, 0.46%

LAB 47.25, 72.56, -34.2

 

CMYK 0 / 82 / 35 / 22

HEX #C62480

RGB 198 36 128

HSL 325.93, 0.69%, 0.46%

LAB 45.39, 67.33, -11.18

 

CMYK 0 / 82 / 58 / 22

HEX #C62454

RGB 198 36 84

HSL 342.22, 0.69%, 0.46%

LAB 44.1, 63.51, 14.21

 

CMYK 0 / 82 / 79 / 22

HEX #C62429

RGB 198 36 41

HSL 358.15, 0.69%, 0.46%

LAB 43.4, 61.39, 39.39

 

CMYK 0 / 82 / 37 / 50

HEX #801751

RGB 128 23 81

HSL 326.86, 0.7%, 0.3%

LAB 28.89, 47.88, -7.54

 

CMYK 0 / 82 / 37 / 36

HEX #A31D67

RGB 163 29 103

HSL 326.87, 0.7%, 0.38%

LAB 37.2, 57.79, -8.61

 

CMYK 0 / 82 / 37 / 22

HEX #C6247D

RGB 198 36 125

HSL 327.04, 0.69%, 0.46%

LAB 45.29, 67.02, -9.5

 

CMYK 0 / 74 / 33 / 15

HEX #DA3992

RGB 218 57 146

HSL 326.83, 0.69%, 0.54%

LAB 51.73, 68.35, -12.14

 

CMYK 0 / 59 / 27 / 12

HEX #E15CA5

RGB 225 92 165

HSL 327.07, 0.69%, 0.62%

LAB 58.39, 59.17, -13.15

 

CMYK 0 / 81 / 36 / 22

HEX #C6257E

RGB 198 37 126

HSL 326.83, 0.69%, 0.46%

LAB 45.41, 66.88, -9.94

 

CMYK 0 / 30 / 82 / 22

HEX #C68A24

RGB 198 138 36

HSL 37.78, 0.69%, 0.46%

LAB 61.92, 14.47, 59.11

 

CMYK 82 / 3 / 0 / 22

HEX #24C0C6

RGB 36 192 198

HSL 182.22, 0.69%, 0.46%

LAB 70.98, -35.33, -14

 

CMYK 0 / 81 / 36 / 22

HEX #C6257E

RGB 198 37 126

HSL 326.83, 0.69%, 0.46%

LAB 45.41, 66.88, -9.94

 

CMYK 35 / 0 / 82 / 22

HEX #80C624

RGB 128 198 36

HSL 85.93, 0.69%, 0.46%

LAB 72.96, -45.25, 66.83

 

CMYK 82 / 35 / 0 / 22

HEX #2480C6

RGB 36 128 198

HSL 205.93, 0.69%, 0.46%

LAB 51.71, -1.37, -43.76

 

CMYK 0 / 81 / 36 / 22

HEX #C6257E

RGB 198 37 126

HSL 326.83, 0.69%, 0.46%

LAB 45.41, 66.88, -9.94

 

CMYK 0 / 30 / 82 / 22

HEX #C68A24

RGB 198 138 36

HSL 37.78, 0.69%, 0.46%

LAB 61.92, 14.47, 59.11

 

CMYK 82 / 0 / 46 / 22

HEX #24C66A

RGB 36 198 106

HSL 145.93, 0.69%, 0.46%

LAB 70.74, -59.94, 34.98

 

CMYK 82 / 52 / 0 / 22

HEX #245FC6

RGB 36 95 198

HSL 218.15, 0.69%, 0.46%

LAB 42.21, 19.37, -58.99

 

CMYK 0 / 81 / 36 / 22

HEX #C6257E

RGB 198 37 126

HSL 326.83, 0.69%, 0.46%

LAB 45.41, 66.88, -9.94

 

CMYK 0 / 6 / 82 / 22

HEX #C6BB24

RGB 198 187 36

HSL 55.93, 0.69%, 0.46%

LAB 74.62, -11.65, 70.13

 

CMYK 82 / 0 / 46 / 22

HEX #24C66A

RGB 36 198 106

HSL 145.93, 0.69%, 0.46%

LAB 70.74, -59.94, 34.98

 

CMYK 82 / 76 / 0 / 22

HEX #242FC6

RGB 36 47 198

HSL 235.93, 0.69%, 0.46%

LAB 30.61, 49.51, -78

 

Description

Color code: RGB 198 37 126 | qconv.com Color code: RGB 198 37 126 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 37 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 37 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 36 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 36% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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