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Color name
RGB 198 36 187

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 198 36 187 it is the complementary color RGB 57 219 68. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 198 36 187. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 198 36 187 shade: RGB 203 36 182, RGB 220 54 201, RGB 237 72 220, RGB 254 90 239 and RGB 255 108 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 198 36 187. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 198 36 187 shade: RGB 198 36 187, RGB 181 18 168, RGB 164 0 149, RGB 147 0 130 and RGB 130 0 111

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 198 36 187 shade: RGB 198 36 187, RGB 198 36 143, RGB 198 36 99, RGB 198 36 56 and RGB 198 36 36

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 198 36 187 shade: RGB 198 36 187, RGB 165 36 198, RGB 121 36 198, RGB 78 36 198 and RGB 36 36 198

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 198 36 187 shade matches the following richer shades: RGB 198 36 187 and RGB 217 17 203

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 198 36 187 shade: RGB 198 36 187, RGB 179 55 170, RGB 160 74 154, RGB 141 93 138 and RGB 122 112 121

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 198 36 187 shade: RGB 122 36 198, RGB 165 36 198, RGB 198 36 187, RGB 198 36 144 and RGB 198 36 101

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 198 36 187 shade: RGB 128 23 121, RGB 163 29 154, RGB 198 36 187, RGB 218 57 207 and RGB 225 92 216

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 198 36 187 shade: RGB 198 36 187, RGB 198 79 36 and RGB 36 198 144

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 198 36 187 shade: RGB 198 36 187, RGB 187 198 36 and RGB 36 187 198

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 198 36 187 shade: RGB 198 36 187, RGB 198 79 36, RGB 36 198 47 and RGB 36 155 198

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 198 36 187 shade: RGB 198 36 187, RGB 198 128 36, RGB 36 198 47 and RGB 36 106 198

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 6 / 22

HEX #C624BB

RGB 198 36 187

HSL 304.07, 0.69%, 0.46%

LAB 48.08, 74.83, -42.3

 

Complementary color

CMYK 74 / 0 / 69 / 14

HEX #39DB44

RGB 57 219 68

HSL 124.07, 0.69%, 0.54%

LAB 77.25, -69.01, 59.79

 

CMYK 0 / 82 / 10 / 20

HEX #CB24B6

RGB 203 36 182

HSL 307.54, 0.7%, 0.47%

LAB 48.68, 75.11, -38.36

 

CMYK 0 / 75 / 9 / 14

HEX #DC36C9

RGB 220 54 201

HSL 306.87, 0.7%, 0.54%

LAB 54.1, 76.78, -40.64

 

CMYK 0 / 70 / 7 / 7

HEX #ED48DC

RGB 237 72 220

HSL 306.18, 0.82%, 0.61%

LAB 59.71, 77.71, -42.43

 

CMYK 0 / 65 / 6 / 0

HEX #FE5AEF

RGB 254 90 239

HSL 305.49, 0.99%, 0.67%

LAB 65.45, 78.11, -43.85

 

CMYK 0 / 58 / 0 / 0

HEX #FF6CFF

RGB 255 108 255

HSL 300, 1%, 0.71%

LAB 68.9, 73.78, -47.23

 

CMYK 0 / 82 / 6 / 22

HEX #C624BB

RGB 198 36 187

HSL 304.07, 0.69%, 0.46%

LAB 48.08, 74.83, -42.3

 

CMYK 0 / 90 / 7 / 29

HEX #B512A8

RGB 181 18 168

HSL 304.79, 0.82%, 0.39%

LAB 42.89, 72.15, -39.5

 

CMYK 0 / 100 / 9 / 36

HEX #A40095

RGB 164 0 149

HSL 305.49, 1%, 0.32%

LAB 37.95, 68.43, -36.07

 

CMYK 0 / 100 / 12 / 42

HEX #930082

RGB 147 0 130

HSL 306.94, 1%, 0.29%

LAB 33.59, 62.67, -31.46

 

CMYK 0 / 100 / 15 / 49

HEX #82006F

RGB 130 0 111

HSL 308.77, 1%, 0.25%

LAB 29.14, 56.78, -26.69

 

CMYK 0 / 82 / 6 / 22

HEX #C624BB

RGB 198 36 187

HSL 304.07, 0.69%, 0.46%

LAB 48.08, 74.83, -42.3

 

CMYK 0 / 82 / 28 / 22

HEX #C6248F

RGB 198 36 143

HSL 320.37, 0.69%, 0.46%

LAB 45.98, 69, -19.43

 

CMYK 0 / 82 / 50 / 22

HEX #C62463

RGB 198 36 99

HSL 336.67, 0.69%, 0.46%

LAB 44.47, 64.63, 5.38

 

CMYK 0 / 82 / 72 / 22

HEX #C62438

RGB 198 36 56

HSL 352.59, 0.69%, 0.46%

LAB 43.58, 61.95, 30.83

 

CMYK 0 / 82 / 82 / 22

HEX #C62424

RGB 198 36 36

HSL 0, 0.69%, 0.46%

LAB 43.35, 61.24, 42.08

 

CMYK 0 / 82 / 6 / 22

HEX #C624BB

RGB 198 36 187

HSL 304.07, 0.69%, 0.46%

LAB 48.08, 74.83, -42.3

 

CMYK 17 / 82 / 0 / 22

HEX #A524C6

RGB 165 36 198

HSL 287.78, 0.69%, 0.46%

LAB 43.27, 70.52, -56.72

 

CMYK 39 / 82 / 0 / 22

HEX #7924C6

RGB 121 36 198

HSL 271.48, 0.69%, 0.46%

LAB 36.75, 63.48, -67.61

 

CMYK 61 / 82 / 0 / 22

HEX #4E24C6

RGB 78 36 198

HSL 255.56, 0.69%, 0.46%

LAB 31.71, 58.19, -76.08

 

CMYK 82 / 82 / 0 / 22

HEX #2424C6

RGB 36 36 198

HSL 240, 0.69%, 0.46%

LAB 28.68, 55.08, -81.2

 

CMYK 0 / 82 / 6 / 22

HEX #C624BB

RGB 198 36 187

HSL 304.07, 0.69%, 0.46%

LAB 48.08, 74.83, -42.3

 

CMYK 0 / 92 / 6 / 15

HEX #D911CB

RGB 217 17 203

HSL 304.2, 0.85%, 0.46%

LAB 51.23, 83.66, -46.38

 

CMYK 0 / 82 / 6 / 22

HEX #C624BB

RGB 198 36 187

HSL 304.07, 0.69%, 0.46%

LAB 48.08, 74.83, -42.3

 

CMYK 0 / 69 / 5 / 30

HEX #B337AA

RGB 179 55 170

HSL 304.35, 0.53%, 0.46%

LAB 45.93, 62.6, -35.9

 

CMYK 0 / 54 / 4 / 37

HEX #A04A9A

RGB 160 74 154

HSL 304.19, 0.37%, 0.46%

LAB 45.23, 46.67, -27.7

 

CMYK 0 / 34 / 2 / 45

HEX #8D5D8A

RGB 141 93 138

HSL 303.75, 0.21%, 0.46%

LAB 46.08, 27.25, -17.01

 

CMYK 0 / 8 / 1 / 52

HEX #7A7079

RGB 122 112 121

HSL 306, 0.04%, 0.46%

LAB 48.39, 5.64, -3.57

 

CMYK 38 / 82 / 0 / 22

HEX #7A24C6

RGB 122 36 198

HSL 271.85, 0.69%, 0.46%

LAB 36.89, 63.62, -67.38

 

CMYK 17 / 82 / 0 / 22

HEX #A524C6

RGB 165 36 198

HSL 287.78, 0.69%, 0.46%

LAB 43.27, 70.52, -56.72

 

CMYK 0 / 82 / 6 / 22

HEX #C624BB

RGB 198 36 187

HSL 304.07, 0.69%, 0.46%

LAB 48.08, 74.83, -42.3

 

CMYK 0 / 82 / 27 / 22

HEX #C62490

RGB 198 36 144

HSL 320, 0.69%, 0.46%

LAB 46.02, 69.11, -19.97

 

CMYK 0 / 82 / 49 / 22

HEX #C62465

RGB 198 36 101

HSL 335.93, 0.69%, 0.46%

LAB 44.53, 64.79, 4.21

 

CMYK 0 / 82 / 5 / 50

HEX #801779

RGB 128 23 121

HSL 304, 0.7%, 0.3%

LAB 30.84, 53.46, -30.4

 

CMYK 0 / 82 / 6 / 36

HEX #A31D9A

RGB 163 29 154

HSL 304.03, 0.7%, 0.38%

LAB 39.58, 64.51, -36.55

 

CMYK 0 / 82 / 6 / 22

HEX #C624BB

RGB 198 36 187

HSL 304.07, 0.69%, 0.46%

LAB 48.08, 74.83, -42.3

 

CMYK 0 / 74 / 5 / 15

HEX #DA39CF

RGB 218 57 207

HSL 304.1, 0.69%, 0.54%

LAB 54.38, 76.37, -43.66

 

CMYK 0 / 59 / 4 / 12

HEX #E15CD8

RGB 225 92 216

HSL 304.06, 0.69%, 0.62%

LAB 60.44, 66.65, -39.15

 

CMYK 0 / 82 / 6 / 22

HEX #C624BB

RGB 198 36 187

HSL 304.07, 0.69%, 0.46%

LAB 48.08, 74.83, -42.3

 

CMYK 0 / 60 / 82 / 22

HEX #C64F24

RGB 198 79 36

HSL 15.93, 0.69%, 0.46%

LAB 49.16, 45.38, 47.57

 

CMYK 82 / 0 / 27 / 22

HEX #24C690

RGB 36 198 144

HSL 160, 0.69%, 0.46%

LAB 71.4, -52.35, 15.98

 

CMYK 0 / 82 / 6 / 22

HEX #C624BB

RGB 198 36 187

HSL 304.07, 0.69%, 0.46%

LAB 48.08, 74.83, -42.3

 

CMYK 6 / 0 / 82 / 22

HEX #BBC624

RGB 187 198 36

HSL 64.07, 0.69%, 0.46%

LAB 76.73, -21.88, 71.58

 

CMYK 82 / 6 / 0 / 22

HEX #24BBC6

RGB 36 187 198

HSL 184.07, 0.69%, 0.46%

LAB 69.46, -32.97, -16.28

 

CMYK 0 / 82 / 6 / 22

HEX #C624BB

RGB 198 36 187

HSL 304.07, 0.69%, 0.46%

LAB 48.08, 74.83, -42.3

 

CMYK 0 / 60 / 82 / 22

HEX #C64F24

RGB 198 79 36

HSL 15.93, 0.69%, 0.46%

LAB 49.16, 45.38, 47.57

 

CMYK 82 / 0 / 76 / 22

HEX #24C62F

RGB 36 198 47

HSL 124.07, 0.69%, 0.46%

LAB 70.15, -67.01, 59.94

 

CMYK 82 / 22 / 0 / 22

HEX #249BC6

RGB 36 155 198

HSL 195.93, 0.69%, 0.46%

LAB 59.79, -16.74, -31.09

 

CMYK 0 / 82 / 6 / 22

HEX #C624BB

RGB 198 36 187

HSL 304.07, 0.69%, 0.46%

LAB 48.08, 74.83, -42.3

 

CMYK 0 / 35 / 82 / 22

HEX #C68024

RGB 198 128 36

HSL 34.07, 0.69%, 0.46%

LAB 59.5, 19.95, 56.96

 

CMYK 82 / 0 / 76 / 22

HEX #24C62F

RGB 36 198 47

HSL 124.07, 0.69%, 0.46%

LAB 70.15, -67.01, 59.94

 

CMYK 82 / 46 / 0 / 22

HEX #246AC6

RGB 36 106 198

HSL 214.07, 0.69%, 0.46%

LAB 45.3, 12.26, -54

 

Description

Color code: RGB 198 36 187 | qconv.com Color code: RGB 198 36 187 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 36 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 36 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 6 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 6% 22% C M Y K

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Provide designers and agencies with accurate color values.

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