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Color name
RGB 198 33 59

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 198 33 59 it is the complementary color RGB 57 222 196. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 198 33 59. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 198 33 59 shade: RGB 203 33 54, RGB 220 51 73, RGB 237 69 92, RGB 254 87 111 and RGB 255 105 130

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 198 33 59. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 198 33 59 shade: RGB 198 33 59, RGB 181 15 40, RGB 164 0 21, RGB 147 0 2 and RGB 130 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 198 33 59 shade: RGB 196 33 58 and RGB 196 33 33

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 198 33 59 shade: RGB 196 33 58, RGB 196 33 102, RGB 196 33 146, RGB 196 33 190 and RGB 157 33 196

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 198 33 59 shade matches the following richer shades: RGB 196 33 58 and RGB 214 14 46

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 198 33 59 shade: RGB 196 33 58, RGB 177 51 71, RGB 159 70 84, RGB 140 88 97 and RGB 121 107 109

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 198 33 59 shade: RGB 196 33 147, RGB 196 33 103, RGB 196 33 60, RGB 196 49 33 and RGB 196 93 33

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 198 33 59 shade: RGB 125 21 37, RGB 160 27 48, RGB 196 33 58, RGB 220 50 77 and RGB 226 85 107

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 198 33 59 shade: RGB 198 33 59, RGB 190 196 33 and RGB 33 125 196

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 198 33 59 shade: RGB 198 33 59, RGB 60 196 33 and RGB 33 60 196

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 198 33 59 shade: RGB 198 33 59, RGB 190 196 33, RGB 33 196 169 and RGB 38 33 196

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 198 33 59 shade: RGB 198 33 59, RGB 141 196 33, RGB 33 196 169 and RGB 87 33 196

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 70 / 22

HEX #C6213B

RGB 198 33 59

HSL 350.55, 0.71%, 0.45%

LAB 43.37, 62.82, 28.76

 

Complementary color

CMYK 74 / 0 / 12 / 13

HEX #39DEC4

RGB 57 222 196

HSL 170.55, 0.71%, 0.55%

LAB 80.23, -47.2, 0.82

 

CMYK 0 / 84 / 73 / 20

HEX #CB2136

RGB 203 33 54

HSL 352.59, 0.72%, 0.46%

LAB 44.31, 63.96, 33.13

 

CMYK 0 / 77 / 67 / 14

HEX #DC3349

RGB 220 51 73

HSL 352.19, 0.71%, 0.53%

LAB 49.57, 64.83, 28.91

 

CMYK 0 / 71 / 61 / 7

HEX #ED455C

RGB 237 69 92

HSL 351.79, 0.82%, 0.6%

LAB 55.11, 65, 25.35

 

CMYK 0 / 66 / 56 / 0

HEX #FE576F

RGB 254 87 111

HSL 351.38, 0.99%, 0.67%

LAB 60.81, 64.72, 22.35

 

CMYK 0 / 59 / 49 / 0

HEX #FF6982

RGB 255 105 130

HSL 350, 1%, 0.71%

LAB 64.14, 59.06, 15.98

 

CMYK 0 / 83 / 70 / 22

HEX #C6213B

RGB 198 33 59

HSL 350.55, 0.71%, 0.45%

LAB 43.37, 62.82, 28.76

 

CMYK 0 / 92 / 78 / 29

HEX #B50F28

RGB 181 15 40

HSL 350.96, 0.85%, 0.38%

LAB 38.41, 60.93, 33.63

 

CMYK 0 / 100 / 87 / 36

HEX #A40015

RGB 164 0 21

HSL 352.32, 1%, 0.32%

LAB 33.87, 57.89, 38.81

 

CMYK 0 / 100 / 99 / 42

HEX #930002

RGB 147 0 2

HSL 359.18, 1%, 0.29%

LAB 29.93, 53.16, 42.72

 

CMYK 0 / 100 / 100 / 49

HEX #820000

RGB 130 0 0

HSL 0, 1%, 0.25%

LAB 26, 48.6, 38.66

 

CMYK 0 / 83 / 70 / 23

HEX #C4213A

RGB 196 33 58

HSL 350.8, 0.71%, 0.45%

LAB 42.96, 62.22, 28.77

 

CMYK 0 / 83 / 83 / 23

HEX #C42121

RGB 196 33 33

HSL 0, 0.71%, 0.45%

LAB 42.66, 61.33, 42.88

 

CMYK 0 / 83 / 70 / 23

HEX #C4213A

RGB 196 33 58

HSL 350.8, 0.71%, 0.45%

LAB 42.96, 62.22, 28.77

 

CMYK 0 / 83 / 48 / 23

HEX #C42166

RGB 196 33 102

HSL 334.6, 0.71%, 0.45%

LAB 43.92, 65.08, 2.66

 

CMYK 0 / 83 / 26 / 23

HEX #C42192

RGB 196 33 146

HSL 318.4, 0.71%, 0.45%

LAB 45.5, 69.58, -22.01

 

CMYK 0 / 83 / 3 / 23

HEX #C421BE

RGB 196 33 190

HSL 302.21, 0.71%, 0.45%

LAB 47.68, 75.54, -44.71

 

CMYK 20 / 83 / 0 / 23

HEX #9D21C4

RGB 157 33 196

HSL 285.64, 0.71%, 0.45%

LAB 41.6, 69.57, -58.32

 

CMYK 0 / 83 / 70 / 23

HEX #C4213A

RGB 196 33 58

HSL 350.8, 0.71%, 0.45%

LAB 42.96, 62.22, 28.77

 

CMYK 0 / 93 / 79 / 16

HEX #D60E2E

RGB 214 14 46

HSL 350.4, 0.88%, 0.45%

LAB 45.37, 69.67, 39.62

 

CMYK 0 / 83 / 70 / 23

HEX #C4213A

RGB 196 33 58

HSL 350.8, 0.71%, 0.45%

LAB 42.96, 62.22, 28.77

 

CMYK 0 / 71 / 60 / 31

HEX #B13347

RGB 177 51 71

HSL 350.48, 0.55%, 0.45%

LAB 41.48, 51.84, 18.11

 

CMYK 0 / 56 / 47 / 38

HEX #9F4654

RGB 159 70 84

HSL 350.56, 0.39%, 0.45%

LAB 41.83, 38.33, 10

 

CMYK 0 / 37 / 31 / 45

HEX #8C5861

RGB 140 88 97

HSL 349.62, 0.23%, 0.45%

LAB 43.39, 22.74, 3.83

 

CMYK 0 / 12 / 10 / 53

HEX #796B6D

RGB 121 107 109

HSL 351.43, 0.06%, 0.45%

LAB 46.56, 5.87, 0.89

 

CMYK 0 / 83 / 25 / 23

HEX #C42193

RGB 196 33 147

HSL 318.04, 0.71%, 0.45%

LAB 45.54, 69.7, -22.55

 

CMYK 0 / 83 / 47 / 23

HEX #C42167

RGB 196 33 103

HSL 334.23, 0.71%, 0.45%

LAB 43.95, 65.16, 2.08

 

CMYK 0 / 83 / 69 / 23

HEX #C4213C

RGB 196 33 60

HSL 350.06, 0.71%, 0.45%

LAB 42.99, 62.32, 27.59

 

CMYK 0 / 75 / 83 / 23

HEX #C43121

RGB 196 49 33

HSL 5.89, 0.71%, 0.45%

LAB 44.29, 56.75, 44.38

 

CMYK 0 / 53 / 83 / 23

HEX #C45D21

RGB 196 93 33

HSL 22.09, 0.71%, 0.45%

LAB 51.47, 37.69, 50.87

 

CMYK 0 / 83 / 70 / 51

HEX #7D1525

RGB 125 21 37

HSL 350.77, 0.71%, 0.29%

LAB 26.82, 43.83, 19

 

CMYK 0 / 83 / 70 / 37

HEX #A01B30

RGB 160 27 48

HSL 350.53, 0.71%, 0.37%

LAB 34.94, 53.13, 23.53

 

CMYK 0 / 83 / 70 / 23

HEX #C4213A

RGB 196 33 58

HSL 350.8, 0.71%, 0.45%

LAB 42.96, 62.22, 28.77

 

CMYK 0 / 77 / 65 / 14

HEX #DC324D

RGB 220 50 77

HSL 350.47, 0.71%, 0.53%

LAB 49.54, 65.34, 26.47

 

CMYK 0 / 62 / 53 / 11

HEX #E2556B

RGB 226 85 107

HSL 350.64, 0.71%, 0.61%

LAB 55.81, 56.41, 17.13

 

CMYK 0 / 83 / 70 / 22

HEX #C6213B

RGB 198 33 59

HSL 350.55, 0.71%, 0.45%

LAB 43.37, 62.82, 28.76

 

CMYK 3 / 0 / 83 / 23

HEX #BEC421

RGB 190 196 33

HSL 62.21, 0.71%, 0.45%

LAB 76.4, -19.71, 72.12

 

CMYK 83 / 36 / 0 / 23

HEX #217DC4

RGB 33 125 196

HSL 206.13, 0.71%, 0.45%

LAB 50.66, -0.59, -44.3

 

CMYK 0 / 83 / 70 / 22

HEX #C6213B

RGB 198 33 59

HSL 350.55, 0.71%, 0.45%

LAB 43.37, 62.82, 28.76

 

CMYK 69 / 0 / 83 / 23

HEX #3CC421

RGB 60 196 33

HSL 110.06, 0.71%, 0.45%

LAB 69.86, -63.66, 63.88

 

CMYK 83 / 69 / 0 / 23

HEX #213CC4

RGB 33 60 196

HSL 230.06, 0.71%, 0.45%

LAB 33.01, 41.03, -72.87

 

CMYK 0 / 83 / 70 / 22

HEX #C6213B

RGB 198 33 59

HSL 350.55, 0.71%, 0.45%

LAB 43.37, 62.82, 28.76

 

CMYK 3 / 0 / 83 / 23

HEX #BEC421

RGB 190 196 33

HSL 62.21, 0.71%, 0.45%

LAB 76.4, -19.71, 72.12

 

CMYK 83 / 0 / 14 / 23

HEX #21C4A9

RGB 33 196 169

HSL 170.06, 0.71%, 0.45%

LAB 71.33, -45.6, 2.34

 

CMYK 81 / 83 / 0 / 23

HEX #2621C4

RGB 38 33 196

HSL 241.84, 0.71%, 0.45%

LAB 28.07, 55.93, -81.03

 

CMYK 0 / 83 / 70 / 22

HEX #C6213B

RGB 198 33 59

HSL 350.55, 0.71%, 0.45%

LAB 43.37, 62.82, 28.76

 

CMYK 28 / 0 / 83 / 23

HEX #8DC421

RGB 141 196 33

HSL 80.25, 0.71%, 0.45%

LAB 73.06, -39.7, 67.94

 

CMYK 83 / 0 / 14 / 23

HEX #21C4A9

RGB 33 196 169

HSL 170.06, 0.71%, 0.45%

LAB 71.33, -45.6, 2.34

 

CMYK 56 / 83 / 0 / 23

HEX #5721C4

RGB 87 33 196

HSL 259.88, 0.71%, 0.45%

LAB 32.03, 59.75, -74.35

 

Description

Color code: RGB 198 33 59 | qconv.com Color code: RGB 198 33 59 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 33 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 33 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 70 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 70% 22% C M Y K

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Provide designers and agencies with accurate color values.

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