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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 198 30 62 it is the complementary color RGB 57 225 193. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 198 30 62. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 198 30 62 shade: RGB 203 30 57, RGB 220 48 76, RGB 237 66 95, RGB 254 84 114 and RGB 255 102 133

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 198 30 62. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 198 30 62 shade: RGB 198 30 62, RGB 181 12 43, RGB 164 0 24, RGB 147 0 5 and RGB 130 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 198 30 62 shade: RGB 199 29 62 and RGB 199 29 29

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 198 30 62 shade: RGB 199 29 62, RGB 199 29 107, RGB 199 29 153, RGB 199 29 199 and RGB 153 29 199

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 198 30 62 shade matches the following richer shades: RGB 199 29 62 and RGB 218 11 50

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 198 30 62 shade: RGB 199 29 62, RGB 181 48 73, RGB 162 66 85, RGB 143 85 96 and RGB 125 104 108

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 198 30 62 shade: RGB 199 29 154, RGB 199 29 109, RGB 199 29 63, RGB 199 41 29 and RGB 199 86 29

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 198 30 62 shade: RGB 127 19 39, RGB 163 24 51, RGB 199 29 62, RGB 223 46 80 and RGB 229 82 110

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 198 30 62 shade: RGB 198 30 62, RGB 199 199 29 and RGB 29 131 199

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 198 30 62 shade: RGB 198 30 62, RGB 63 199 29 and RGB 29 63 199

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 198 30 62 shade: RGB 198 30 62, RGB 199 199 29, RGB 29 199 165 and RGB 29 29 199

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 198 30 62 shade: RGB 198 30 62, RGB 148 199 29, RGB 29 199 165 and RGB 80 29 199

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 85 / 69 / 22

HEX #C61E3E

RGB 198 30 62

HSL 348.57, 0.74%, 0.45%

LAB 43.19, 63.63, 26.69

 

Complementary color

CMYK 75 / 0 / 14 / 12

HEX #39E1C1

RGB 57 225 193

HSL 168.57, 0.74%, 0.55%

LAB 81.05, -49.23, 3.6

 

CMYK 0 / 85 / 72 / 20

HEX #CB1E39

RGB 203 30 57

HSL 350.64, 0.74%, 0.46%

LAB 44.12, 64.74, 31.11

 

CMYK 0 / 78 / 65 / 14

HEX #DC304C

RGB 220 48 76

HSL 350.23, 0.71%, 0.53%

LAB 49.32, 65.86, 26.79

 

CMYK 0 / 72 / 60 / 7

HEX #ED425F

RGB 237 66 95

HSL 349.82, 0.83%, 0.59%

LAB 54.79, 66.22, 23.17

 

CMYK 0 / 67 / 55 / 0

HEX #FE5472

RGB 254 84 114

HSL 349.41, 0.99%, 0.66%

LAB 60.45, 66.09, 20.12

 

CMYK 0 / 60 / 48 / 0

HEX #FF6685

RGB 255 102 133

HSL 347.84, 1%, 0.7%

LAB 63.72, 60.62, 13.67

 

CMYK 0 / 85 / 69 / 22

HEX #C61E3E

RGB 198 30 62

HSL 348.57, 0.74%, 0.45%

LAB 43.19, 63.63, 26.69

 

CMYK 0 / 93 / 76 / 29

HEX #B50C2B

RGB 181 12 43

HSL 348.99, 0.88%, 0.38%

LAB 38.31, 61.44, 31.71

 

CMYK 0 / 100 / 85 / 36

HEX #A40018

RGB 164 0 24

HSL 351.22, 1%, 0.32%

LAB 33.9, 57.95, 37.2

 

CMYK 0 / 100 / 97 / 42

HEX #930005

RGB 147 0 5

HSL 357.96, 1%, 0.29%

LAB 29.95, 53.21, 41.51

 

CMYK 0 / 100 / 100 / 49

HEX #820000

RGB 130 0 0

HSL 0, 1%, 0.25%

LAB 26, 48.6, 38.66

 

CMYK 0 / 85 / 69 / 22

HEX #C71D3E

RGB 199 29 62

HSL 348.35, 0.75%, 0.45%

LAB 43.31, 64.11, 26.89

 

CMYK 0 / 85 / 85 / 22

HEX #C71D1D

RGB 199 29 29

HSL 0, 0.75%, 0.45%

LAB 42.93, 62.97, 45.39

 

CMYK 0 / 85 / 69 / 22

HEX #C71D3E

RGB 199 29 62

HSL 348.35, 0.75%, 0.45%

LAB 43.31, 64.11, 26.89

 

CMYK 0 / 85 / 46 / 22

HEX #C71D6B

RGB 199 29 107

HSL 332.47, 0.75%, 0.45%

LAB 44.35, 67.11, 0.25

 

CMYK 0 / 85 / 23 / 22

HEX #C71D99

RGB 199 29 153

HSL 316.24, 0.75%, 0.45%

LAB 46.07, 71.91, -25.29

 

CMYK 0 / 85 / 0 / 22

HEX #C71DC7

RGB 199 29 199

HSL 300, 0.75%, 0.45%

LAB 48.44, 78.22, -48.69

 

CMYK 23 / 85 / 0 / 22

HEX #991DC7

RGB 153 29 199

HSL 283.76, 0.75%, 0.45%

LAB 40.86, 70.46, -61.3

 

CMYK 0 / 85 / 69 / 22

HEX #C71D3E

RGB 199 29 62

HSL 348.35, 0.75%, 0.45%

LAB 43.31, 64.11, 26.89

 

CMYK 0 / 95 / 77 / 15

HEX #DA0B32

RGB 218 11 50

HSL 348.7, 0.9%, 0.45%

LAB 46.14, 71.09, 38.38

 

CMYK 0 / 85 / 69 / 22

HEX #C71D3E

RGB 199 29 62

HSL 348.35, 0.75%, 0.45%

LAB 43.31, 64.11, 26.89

 

CMYK 0 / 73 / 60 / 29

HEX #B53049

RGB 181 48 73

HSL 348.72, 0.58%, 0.45%

LAB 41.87, 54.32, 17.52

 

CMYK 0 / 59 / 48 / 36

HEX #A24255

RGB 162 66 85

HSL 348.13, 0.42%, 0.45%

LAB 41.59, 41.49, 9.11

 

CMYK 0 / 41 / 33 / 44

HEX #8F5560

RGB 143 85 96

HSL 348.62, 0.25%, 0.45%

LAB 43.03, 25.52, 3.99

 

CMYK 0 / 17 / 14 / 51

HEX #7D686C

RGB 125 104 108

HSL 348.57, 0.09%, 0.45%

LAB 46.1, 9.06, 0.88

 

CMYK 0 / 85 / 23 / 22

HEX #C71D9A

RGB 199 29 154

HSL 315.88, 0.75%, 0.45%

LAB 46.12, 72.03, -25.83

 

CMYK 0 / 85 / 45 / 22

HEX #C71D6D

RGB 199 29 109

HSL 331.76, 0.75%, 0.45%

LAB 44.41, 67.28, -0.91

 

CMYK 0 / 85 / 68 / 22

HEX #C71D3F

RGB 199 29 63

HSL 348, 0.75%, 0.45%

LAB 43.33, 64.16, 26.3

 

CMYK 0 / 79 / 85 / 22

HEX #C7291D

RGB 199 41 29

HSL 4.24, 0.75%, 0.45%

LAB 43.97, 60.02, 46.29

 

CMYK 0 / 57 / 85 / 22

HEX #C7561D

RGB 199 86 29

HSL 20.12, 0.75%, 0.45%

LAB 50.55, 42.23, 51.9

 

CMYK 0 / 85 / 69 / 50

HEX #7F1327

RGB 127 19 39

HSL 348.89, 0.74%, 0.29%

LAB 27.09, 45.11, 18.09

 

CMYK 0 / 85 / 69 / 36

HEX #A31833

RGB 163 24 51

HSL 348.35, 0.74%, 0.37%

LAB 35.36, 54.87, 22.27

 

CMYK 0 / 85 / 69 / 22

HEX #C71D3E

RGB 199 29 62

HSL 348.35, 0.75%, 0.45%

LAB 43.31, 64.11, 26.89

 

CMYK 0 / 79 / 64 / 13

HEX #DF2E50

RGB 223 46 80

HSL 348.47, 0.73%, 0.53%

LAB 49.76, 67.45, 25.07

 

CMYK 0 / 64 / 52 / 10

HEX #E5526E

RGB 229 82 110

HSL 348.57, 0.74%, 0.61%

LAB 55.91, 58.87, 15.57

 

CMYK 0 / 85 / 69 / 22

HEX #C61E3E

RGB 198 30 62

HSL 348.57, 0.74%, 0.45%

LAB 43.19, 63.63, 26.69

 

CMYK 0 / 0 / 85 / 22

HEX #C7C71D

RGB 199 199 29

HSL 60, 0.75%, 0.45%

LAB 77.92, -17.46, 74.56

 

CMYK 85 / 34 / 0 / 22

HEX #1D83C7

RGB 29 131 199

HSL 204, 0.75%, 0.45%

LAB 52.53, -3.38, -43.05

 

CMYK 0 / 85 / 69 / 22

HEX #C61E3E

RGB 198 30 62

HSL 348.57, 0.74%, 0.45%

LAB 43.19, 63.63, 26.69

 

CMYK 68 / 0 / 85 / 22

HEX #3FC71D

RGB 63 199 29

HSL 108, 0.75%, 0.45%

LAB 70.87, -64.23, 65.75

 

CMYK 85 / 68 / 0 / 22

HEX #1D3FC7

RGB 29 63 199

HSL 228, 0.75%, 0.45%

LAB 33.86, 40, -73.23

 

CMYK 0 / 85 / 69 / 22

HEX #C61E3E

RGB 198 30 62

HSL 348.57, 0.74%, 0.45%

LAB 43.19, 63.63, 26.69

 

CMYK 0 / 0 / 85 / 22

HEX #C7C71D

RGB 199 199 29

HSL 60, 0.75%, 0.45%

LAB 77.92, -17.46, 74.56

 

CMYK 85 / 0 / 17 / 22

HEX #1DC7A5

RGB 29 199 165

HSL 168, 0.75%, 0.45%

LAB 72.11, -48.2, 5.64

 

CMYK 85 / 85 / 0 / 22

HEX #1D1DC7

RGB 29 29 199

HSL 240, 0.75%, 0.45%

LAB 27.47, 58.15, -83.8

 

CMYK 0 / 85 / 69 / 22

HEX #C61E3E

RGB 198 30 62

HSL 348.57, 0.74%, 0.45%

LAB 43.19, 63.63, 26.69

 

CMYK 26 / 0 / 85 / 22

HEX #94C71D

RGB 148 199 29

HSL 78, 0.75%, 0.45%

LAB 74.34, -38.47, 70.12

 

CMYK 85 / 0 / 17 / 22

HEX #1DC7A5

RGB 29 199 165

HSL 168, 0.75%, 0.45%

LAB 72.11, -48.2, 5.64

 

CMYK 60 / 85 / 0 / 22

HEX #501DC7

RGB 80 29 199

HSL 258, 0.75%, 0.45%

LAB 31.13, 61.26, -77.62

 

Description

Color code: RGB 198 30 62 | qconv.com Color code: RGB 198 30 62 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 30 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 30 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 85 magenta, 69 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 85% 69% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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