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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 198 26 115 it is the complementary color RGB 57 229 140. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 198 26 115. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 198 26 115 shade: RGB 203 26 110, RGB 220 44 129, RGB 237 62 148, RGB 254 80 167 and RGB 255 98 186

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 198 26 115. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 198 26 115 shade: RGB 198 26 115, RGB 181 8 96, RGB 164 0 77, RGB 147 0 58 and RGB 130 0 39

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 198 26 115 shade: RGB 198 25 115, RGB 198 25 68 and RGB 198 25 25

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 198 26 115 shade: RGB 198 25 115, RGB 198 25 161, RGB 188 25 198, RGB 142 25 198 and RGB 95 25 198

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 198 26 115 shade matches the following richer shades: RGB 198 25 115 and RGB 216 7 115

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 198 26 115 shade: RGB 198 25 115, RGB 180 43 114, RGB 162 62 113, RGB 144 80 113 and RGB 125 98 112

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 198 26 115 shade: RGB 187 25 198, RGB 198 25 164, RGB 198 25 117, RGB 198 25 71 and RGB 198 25 25

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 198 26 115 shade: RGB 125 16 72, RGB 162 21 94, RGB 198 25 115, RGB 226 38 136 and RGB 231 75 156

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 198 26 115 shade: RGB 198 26 115, RGB 198 140 25 and RGB 25 187 198

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 198 26 115 shade: RGB 198 26 115, RGB 117 198 25 and RGB 25 117 198

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 198 26 115 shade: RGB 198 26 115, RGB 198 140 25, RGB 25 198 106 and RGB 25 83 198

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 198 26 115 shade: RGB 198 26 115, RGB 198 192 25, RGB 25 198 106 and RGB 25 31 198

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 42 / 22

HEX #C61A73

RGB 198 26 115

HSL 328.95, 0.77%, 0.44%

LAB 44.21, 68.16, -4.95

 

Complementary color

CMYK 75 / 0 / 39 / 10

HEX #39E58C

RGB 57 229 140

HSL 148.95, 0.77%, 0.56%

LAB 81.18, -62.43, 31.41

 

CMYK 0 / 87 / 46 / 20

HEX #CB1A6E

RGB 203 26 110

HSL 331.53, 0.77%, 0.45%

LAB 45.03, 68.9, -0.53

 

CMYK 0 / 80 / 41 / 14

HEX #DC2C81

RGB 220 44 129

HSL 331.02, 0.72%, 0.52%

LAB 50.22, 70.82, -4.16

 

CMYK 0 / 74 / 38 / 7

HEX #ED3E94

RGB 237 62 148

HSL 330.51, 0.83%, 0.59%

LAB 55.67, 71.88, -7.08

 

CMYK 0 / 69 / 34 / 0

HEX #FE50A7

RGB 254 80 167

HSL 330, 0.99%, 0.65%

LAB 61.31, 72.33, -9.47

 

CMYK 0 / 62 / 27 / 0

HEX #FF62BA

RGB 255 98 186

HSL 326.37, 1%, 0.69%

LAB 64.6, 67.92, -15.4

 

CMYK 0 / 87 / 42 / 22

HEX #C61A73

RGB 198 26 115

HSL 328.95, 0.77%, 0.44%

LAB 44.21, 68.16, -4.95

 

CMYK 0 / 96 / 47 / 29

HEX #B50860

RGB 181 8 96

HSL 329.48, 0.92%, 0.37%

LAB 39.31, 65.07, -0.63

 

CMYK 0 / 100 / 53 / 36

HEX #A4004D

RGB 164 0 77

HSL 331.83, 1%, 0.32%

LAB 34.86, 60.54, 4.73

 

CMYK 0 / 100 / 61 / 42

HEX #93003A

RGB 147 0 58

HSL 336.33, 1%, 0.29%

LAB 30.66, 55.14, 10.87

 

CMYK 0 / 100 / 70 / 49

HEX #820027

RGB 130 0 39

HSL 342, 1%, 0.25%

LAB 26.43, 49.76, 17.39

 

CMYK 0 / 87 / 42 / 22

HEX #C61973

RGB 198 25 115

HSL 328.79, 0.78%, 0.44%

LAB 44.15, 68.34, -5.04

 

CMYK 0 / 87 / 66 / 22

HEX #C61944

RGB 198 25 68

HSL 345.09, 0.78%, 0.44%

LAB 42.94, 64.93, 22.66

 

CMYK 0 / 87 / 87 / 22

HEX #C61919

RGB 198 25 25

HSL 0, 0.78%, 0.44%

LAB 42.42, 63.41, 46.83

 

CMYK 0 / 87 / 42 / 22

HEX #C61973

RGB 198 25 115

HSL 328.79, 0.78%, 0.44%

LAB 44.15, 68.34, -5.04

 

CMYK 0 / 87 / 19 / 22

HEX #C619A1

RGB 198 25 161

HSL 312.83, 0.78%, 0.44%

LAB 46.01, 73.42, -30.2

 

CMYK 5 / 87 / 0 / 22

HEX #BC19C6

RGB 188 25 198

HSL 296.53, 0.78%, 0.44%

LAB 46.26, 76.83, -51.7

 

CMYK 28 / 87 / 0 / 22

HEX #8E19C6

RGB 142 25 198

HSL 280.58, 0.78%, 0.44%

LAB 38.77, 69.52, -64.19

 

CMYK 52 / 87 / 0 / 22

HEX #5F19C6

RGB 95 25 198

HSL 264.28, 0.78%, 0.44%

LAB 32.27, 63.69, -75.1

 

CMYK 0 / 87 / 42 / 22

HEX #C61973

RGB 198 25 115

HSL 328.79, 0.78%, 0.44%

LAB 44.15, 68.34, -5.04

 

CMYK 0 / 97 / 47 / 15

HEX #D80773

RGB 216 7 115

HSL 329, 0.94%, 0.44%

LAB 46.96, 74.6, -0.49

 

CMYK 0 / 87 / 42 / 22

HEX #C61973

RGB 198 25 115

HSL 328.79, 0.78%, 0.44%

LAB 44.15, 68.34, -5.04

 

CMYK 0 / 76 / 37 / 29

HEX #B42B72

RGB 180 43 114

HSL 328.91, 0.61%, 0.44%

LAB 42.22, 59.36, -7.65

 

CMYK 0 / 62 / 30 / 36

HEX #A23E71

RGB 162 62 113

HSL 329.4, 0.45%, 0.44%

LAB 41.72, 46.63, -8.11

 

CMYK 0 / 44 / 22 / 44

HEX #905071

RGB 144 80 113

HSL 329.06, 0.29%, 0.44%

LAB 42.55, 31.27, -7.15

 

CMYK 0 / 22 / 10 / 51

HEX #7D6270

RGB 125 98 112

HSL 328.89, 0.12%, 0.44%

LAB 44.61, 13.38, -3.72

 

CMYK 6 / 87 / 0 / 22

HEX #BB19C6

RGB 187 25 198

HSL 296.18, 0.78%, 0.44%

LAB 46.09, 76.66, -51.98

 

CMYK 0 / 87 / 17 / 22

HEX #C619A4

RGB 198 25 164

HSL 311.79, 0.78%, 0.44%

LAB 46.15, 73.81, -31.76

 

CMYK 0 / 87 / 41 / 22

HEX #C61975

RGB 198 25 117

HSL 328.09, 0.78%, 0.44%

LAB 44.21, 68.53, -6.18

 

CMYK 0 / 87 / 64 / 22

HEX #C61947

RGB 198 25 71

HSL 344.05, 0.78%, 0.44%

LAB 43, 65.09, 20.86

 

CMYK 0 / 87 / 87 / 22

HEX #C61919

RGB 198 25 25

HSL 0, 0.78%, 0.44%

LAB 42.42, 63.41, 46.83

 

CMYK 0 / 87 / 42 / 51

HEX #7D1048

RGB 125 16 72

HSL 329.17, 0.77%, 0.28%

LAB 27.29, 47.95, -3.99

 

CMYK 0 / 87 / 42 / 36

HEX #A2155E

RGB 162 21 94

HSL 328.94, 0.77%, 0.36%

LAB 36.03, 58.47, -4.62

 

CMYK 0 / 87 / 42 / 22

HEX #C61973

RGB 198 25 115

HSL 328.79, 0.78%, 0.44%

LAB 44.15, 68.34, -5.04

 

CMYK 0 / 83 / 40 / 11

HEX #E22688

RGB 226 38 136

HSL 328.72, 0.76%, 0.52%

LAB 51.07, 74.32, -6.99

 

CMYK 0 / 68 / 32 / 9

HEX #E74B9C

RGB 231 75 156

HSL 328.85, 0.76%, 0.6%

LAB 56.51, 66.7, -10.65

 

CMYK 0 / 87 / 42 / 22

HEX #C61A73

RGB 198 26 115

HSL 328.95, 0.77%, 0.44%

LAB 44.21, 68.16, -4.95

 

CMYK 0 / 29 / 87 / 22

HEX #C68C19

RGB 198 140 25

HSL 39.88, 0.78%, 0.44%

LAB 62.37, 13.08, 62.83

 

CMYK 87 / 6 / 0 / 22

HEX #19BBC6

RGB 25 187 198

HSL 183.82, 0.78%, 0.44%

LAB 69.34, -33.73, -16.47

 

CMYK 0 / 87 / 42 / 22

HEX #C61A73

RGB 198 26 115

HSL 328.95, 0.77%, 0.44%

LAB 44.21, 68.16, -4.95

 

CMYK 41 / 0 / 87 / 22

HEX #75C619

RGB 117 198 25

HSL 88.09, 0.78%, 0.44%

LAB 72.39, -49.46, 68.63

 

CMYK 87 / 41 / 0 / 22

HEX #1975C6

RGB 25 117 198

HSL 208.09, 0.78%, 0.44%

LAB 48.27, 4.45, -49.26

 

CMYK 0 / 87 / 42 / 22

HEX #C61A73

RGB 198 26 115

HSL 328.95, 0.77%, 0.44%

LAB 44.21, 68.16, -4.95

 

CMYK 0 / 29 / 87 / 22

HEX #C68C19

RGB 198 140 25

HSL 39.88, 0.78%, 0.44%

LAB 62.37, 13.08, 62.83

 

CMYK 87 / 0 / 46 / 22

HEX #19C66A

RGB 25 198 106

HSL 148.09, 0.78%, 0.44%

LAB 70.62, -60.89, 34.81

 

CMYK 87 / 58 / 0 / 22

HEX #1953C6

RGB 25 83 198

HSL 219.88, 0.78%, 0.44%

LAB 38.67, 26.41, -64.75

 

CMYK 0 / 87 / 42 / 22

HEX #C61A73

RGB 198 26 115

HSL 328.95, 0.77%, 0.44%

LAB 44.21, 68.16, -4.95

 

CMYK 0 / 3 / 87 / 22

HEX #C6C019

RGB 198 192 25

HSL 57.92, 0.78%, 0.44%

LAB 75.93, -14.47, 73.71

 

CMYK 87 / 0 / 46 / 22

HEX #19C66A

RGB 25 198 106

HSL 148.09, 0.78%, 0.44%

LAB 70.62, -60.89, 34.81

 

CMYK 87 / 84 / 0 / 22

HEX #191FC6

RGB 25 31 198

HSL 237.92, 0.78%, 0.44%

LAB 27.47, 56.89, -83.22

 

Description

Color code: RGB 198 26 115 | qconv.com Color code: RGB 198 26 115 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 26 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 26 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 42 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 42% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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