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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 198 249 59 it is the complementary color RGB 57 6 196. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 198 249 59. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 198 249 59 shade: RGB 203 249 54, RGB 220 255 73, RGB 237 255 92, RGB 254 255 111 and RGB 255 255 130

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 198 249 59. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 198 249 59 shade: RGB 198 249 59, RGB 181 231 40, RGB 164 213 21, RGB 147 195 2 and RGB 130 177 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 198 249 59 shade: RGB 197 248 57, RGB 248 248 57, RGB 248 196 57, RGB 248 145 57 and RGB 248 93 57

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 198 249 59 shade: RGB 197 248 57, RGB 145 248 57, RGB 93 248 57, RGB 57 248 71 and RGB 57 248 123

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 198 249 59 shade matches the following richer shades: RGB 197 248 57

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 198 249 59 shade: RGB 197 248 57, RGB 189 232 73, RGB 182 215 90, RGB 174 199 106 and RGB 166 182 123

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 198 249 59 shade: RGB 248 197 57, RGB 248 248 57, RGB 197 248 57, RGB 146 248 57 and RGB 95 248 57

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 198 249 59 shade: RGB 160 216 6, RGB 185 247 17, RGB 197 248 57, RGB 209 250 97 and RGB 220 251 137

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 198 249 59 shade: RGB 198 249 59, RGB 57 248 146 and RGB 223 57 248

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 198 249 59 shade: RGB 198 249 59, RGB 57 197 248 and RGB 248 57 197

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 198 249 59 shade: RGB 198 249 59, RGB 57 248 146, RGB 108 57 248 and RGB 248 57 159

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 198 249 59 shade: RGB 198 249 59, RGB 57 248 204, RGB 108 57 248 and RGB 248 57 101

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 76 / 2

HEX #C6F93B

RGB 198 249 59

HSL 76.11, 0.94%, 0.6%

LAB 91.72, -40.31, 79.01

 

Complementary color

CMYK 71 / 97 / 0 / 23

HEX #3906C4

RGB 57 6 196

HSL 256.11, 0.94%, 0.4%

LAB 26.69, 64.82, -83.29

 

CMYK 18 / 0 / 78 / 2

HEX #CBF936

RGB 203 249 54

HSL 74.15, 0.94%, 0.59%

LAB 92, -38.6, 80.78

 

CMYK 14 / 0 / 71 / 0

HEX #DCFF49

RGB 220 255 73

HSL 71.54, 1%, 0.64%

LAB 94.83, -33.89, 78.09

 

CMYK 7 / 0 / 64 / 0

HEX #EDFF5C

RGB 237 255 92

HSL 66.63, 1%, 0.68%

LAB 96.12, -26.18, 72.96

 

CMYK 0 / 0 / 56 / 0

HEX #FEFF6F

RGB 254 255 111

HSL 60.42, 1%, 0.72%

LAB 97.53, -18.23, 67.14

 

CMYK 0 / 0 / 49 / 0

HEX #FFFF82

RGB 255 255 130

HSL 60, 1%, 0.75%

LAB 97.79, -16.37, 59.1

 

CMYK 20 / 0 / 76 / 2

HEX #C6F93B

RGB 198 249 59

HSL 76.11, 0.94%, 0.6%

LAB 91.72, -40.31, 79.01

 

CMYK 22 / 0 / 83 / 9

HEX #B5E728

RGB 181 231 40

HSL 75.71, 0.8%, 0.53%

LAB 85.57, -39.58, 78.09

 

CMYK 23 / 0 / 90 / 16

HEX #A4D515

RGB 164 213 21

HSL 75.31, 0.82%, 0.46%

LAB 79.35, -38.68, 76.12

 

CMYK 25 / 0 / 99 / 24

HEX #93C302

RGB 147 195 2

HSL 74.92, 0.98%, 0.39%

LAB 73.05, -37.6, 72.93

 

CMYK 27 / 0 / 100 / 31

HEX #82B100

RGB 130 177 0

HSL 75.93, 1%, 0.35%

LAB 66.66, -36.26, 67.83

 

CMYK 21 / 0 / 77 / 3

HEX #C5F839

RGB 197 248 57

HSL 76.02, 0.93%, 0.6%

LAB 91.37, -40.34, 79.24

 

CMYK 0 / 0 / 77 / 3

HEX #F8F839

RGB 248 248 57

HSL 60, 0.93%, 0.6%

LAB 94.9, -20.1, 83.75

 

CMYK 0 / 21 / 77 / 3

HEX #F8C439

RGB 248 196 57

HSL 43.66, 0.93%, 0.6%

LAB 81.69, 5.89, 71.8

 

CMYK 0 / 42 / 77 / 3

HEX #F89139

RGB 248 145 57

HSL 27.64, 0.93%, 0.6%

LAB 69.83, 32.54, 60.61

 

CMYK 0 / 63 / 77 / 3

HEX #F85D39

RGB 248 93 57

HSL 11.31, 0.93%, 0.6%

LAB 59.96, 57.5, 50.83

 

CMYK 21 / 0 / 77 / 3

HEX #C5F839

RGB 197 248 57

HSL 76.02, 0.93%, 0.6%

LAB 91.37, -40.34, 79.24

 

CMYK 42 / 0 / 77 / 3

HEX #91F839

RGB 145 248 57

HSL 92.36, 0.93%, 0.6%

LAB 88.66, -58.61, 75.74

 

CMYK 63 / 0 / 77 / 3

HEX #5DF839

RGB 93 248 57

HSL 108.69, 0.93%, 0.6%

LAB 86.88, -72.47, 73.42

 

CMYK 77 / 0 / 71 / 3

HEX #39F847

RGB 57 248 71

HSL 124.4, 0.93%, 0.6%

LAB 86.24, -77.6, 68.03

 

CMYK 77 / 0 / 50 / 3

HEX #39F87B

RGB 57 248 123

HSL 140.73, 0.93%, 0.6%

LAB 86.72, -71.75, 46.82

 

CMYK 21 / 0 / 77 / 3

HEX #C5F839

RGB 197 248 57

HSL 76.02, 0.93%, 0.6%

LAB 91.37, -40.34, 79.24

 

CMYK 21 / 0 / 77 / 3

HEX #C5F839

RGB 197 248 57

HSL 76.02, 0.93%, 0.6%

LAB 91.37, -40.34, 79.24

 

CMYK 19 / 0 / 69 / 9

HEX #BDE849

RGB 189 232 73

HSL 76.23, 0.78%, 0.6%

LAB 86.51, -35.43, 69.19

 

CMYK 15 / 0 / 58 / 16

HEX #B6D75A

RGB 182 215 90

HSL 75.84, 0.61%, 0.6%

LAB 81.45, -29.08, 56.8

 

CMYK 13 / 0 / 47 / 22

HEX #AEC76A

RGB 174 199 106

HSL 76.13, 0.45%, 0.6%

LAB 76.61, -22.99, 43.53

 

CMYK 9 / 0 / 32 / 29

HEX #A6B67B

RGB 166 182 123

HSL 76.27, 0.29%, 0.6%

LAB 71.55, -15.51, 28.25

 

CMYK 0 / 21 / 77 / 3

HEX #F8C539

RGB 248 197 57

HSL 43.98, 0.93%, 0.6%

LAB 81.94, 5.37, 72.03

 

CMYK 0 / 0 / 77 / 3

HEX #F8F839

RGB 248 248 57

HSL 60, 0.93%, 0.6%

LAB 94.9, -20.1, 83.75

 

CMYK 21 / 0 / 77 / 3

HEX #C5F839

RGB 197 248 57

HSL 76.02, 0.93%, 0.6%

LAB 91.37, -40.34, 79.24

 

CMYK 41 / 0 / 77 / 3

HEX #92F839

RGB 146 248 57

HSL 92.04, 0.93%, 0.6%

LAB 88.71, -58.3, 75.8

 

CMYK 62 / 0 / 77 / 3

HEX #5FF839

RGB 95 248 57

HSL 108.06, 0.93%, 0.6%

LAB 86.93, -72.04, 73.49

 

CMYK 26 / 0 / 97 / 15

HEX #A0D806

RGB 160 216 6

HSL 76, 0.95%, 0.44%

LAB 79.95, -41.77, 78.2

 

CMYK 25 / 0 / 93 / 3

HEX #B9F711

RGB 185 247 17

HSL 76.17, 0.93%, 0.52%

LAB 90.26, -45.54, 85.87

 

CMYK 21 / 0 / 77 / 3

HEX #C5F839

RGB 197 248 57

HSL 76.02, 0.93%, 0.6%

LAB 91.37, -40.34, 79.24

 

CMYK 16 / 0 / 61 / 2

HEX #D1FA61

RGB 209 250 97

HSL 76.08, 0.94%, 0.68%

LAB 92.92, -34.38, 67

 

CMYK 12 / 0 / 45 / 2

HEX #DCFB89

RGB 220 251 137

HSL 76.32, 0.93%, 0.76%

LAB 94.32, -27.17, 51.07

 

CMYK 20 / 0 / 76 / 2

HEX #C6F93B

RGB 198 249 59

HSL 76.11, 0.94%, 0.6%

LAB 91.72, -40.31, 79.01

 

CMYK 77 / 0 / 41 / 3

HEX #39F892

RGB 57 248 146

HSL 147.96, 0.93%, 0.6%

LAB 87.04, -68.05, 36.11

 

CMYK 10 / 77 / 0 / 3

HEX #DF39F8

RGB 223 57 248

HSL 292.15, 0.93%, 0.6%

LAB 57.45, 83.86, -61.84

 

CMYK 20 / 0 / 76 / 2

HEX #C6F93B

RGB 198 249 59

HSL 76.11, 0.94%, 0.6%

LAB 91.72, -40.31, 79.01

 

CMYK 77 / 21 / 0 / 3

HEX #39C5F8

RGB 57 197 248

HSL 196.02, 0.93%, 0.6%

LAB 74.56, -20.08, -35.61

 

CMYK 0 / 77 / 21 / 3

HEX #F839C5

RGB 248 57 197

HSL 316.02, 0.93%, 0.6%

LAB 58.89, 81.48, -30.51

 

CMYK 20 / 0 / 76 / 2

HEX #C6F93B

RGB 198 249 59

HSL 76.11, 0.94%, 0.6%

LAB 91.72, -40.31, 79.01

 

CMYK 77 / 0 / 41 / 3

HEX #39F892

RGB 57 248 146

HSL 147.96, 0.93%, 0.6%

LAB 87.04, -68.05, 36.11

 

CMYK 56 / 77 / 0 / 3

HEX #6C39F8

RGB 108 57 248

HSL 256.02, 0.93%, 0.6%

LAB 42.6, 66.02, -86.66

 

CMYK 0 / 77 / 36 / 3

HEX #F8399F

RGB 248 57 159

HSL 327.96, 0.93%, 0.6%

LAB 57.45, 77.2, -10.7

 

CMYK 20 / 0 / 76 / 2

HEX #C6F93B

RGB 198 249 59

HSL 76.11, 0.94%, 0.6%

LAB 91.72, -40.31, 79.01

 

CMYK 77 / 0 / 18 / 3

HEX #39F8CC

RGB 57 248 204

HSL 166.18, 0.93%, 0.6%

LAB 88.14, -55.89, 8.05

 

CMYK 56 / 77 / 0 / 3

HEX #6C39F8

RGB 108 57 248

HSL 256.02, 0.93%, 0.6%

LAB 42.6, 66.02, -86.66

 

CMYK 0 / 77 / 59 / 3

HEX #F83965

RGB 248 57 101

HSL 346.18, 0.93%, 0.6%

LAB 55.91, 72.46, 21.45

 

Description

Color code: RGB 198 249 59 | qconv.com Color code: RGB 198 249 59 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 249 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 249 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 76 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 76% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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