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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 198 223 10 it is the complementary color RGB 57 32 245. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 198 223 10. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 198 223 10 shade: RGB 203 223 5, RGB 220 241 24, RGB 237 255 43, RGB 254 255 62 and RGB 255 255 81

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 198 223 10. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 198 223 10 shade: RGB 198 223 10, RGB 181 205 0, RGB 164 187 0, RGB 147 169 0 and RGB 130 151 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 198 223 10 shade: RGB 198 224 10, RGB 224 191 10, RGB 224 133 10, RGB 224 76 10 and RGB 224 18 10

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 198 223 10 shade: RGB 198 224 10, RGB 141 224 10, RGB 83 224 10, RGB 26 224 10 and RGB 10 224 52

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 198 223 10 shade matches the following richer shades: RGB 198 224 10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 198 223 10 shade: RGB 198 224 10, RGB 184 205 29, RGB 169 186 48, RGB 155 167 67 and RGB 140 148 86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 198 223 10 shade: RGB 224 135 10, RGB 224 192 10, RGB 199 224 10, RGB 142 224 10 and RGB 85 224 10

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 198 223 10 shade: RGB 129 145 6, RGB 163 184 8, RGB 198 224 10, RGB 219 244 31 and RGB 225 246 70

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 198 223 10 shade: RGB 198 223 10, RGB 10 224 78 and RGB 163 10 224

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 198 223 10 shade: RGB 198 223 10, RGB 10 199 224 and RGB 224 10 199

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 198 223 10 shade: RGB 198 223 10, RGB 10 224 78, RGB 35 10 224 and RGB 224 10 156

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 198 223 10 shade: RGB 198 223 10, RGB 10 224 142, RGB 35 10 224 and RGB 224 10 92

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 96 / 13

HEX #C6DF0A

RGB 198 223 10

HSL 67.04, 0.91%, 0.46%

LAB 84.38, -29.78, 82.32

 

Complementary color

CMYK 77 / 87 / 0 / 4

HEX #3920F5

RGB 57 32 245

HSL 247.04, 0.91%, 0.54%

LAB 34.99, 70.93, -97.7

 

CMYK 9 / 0 / 98 / 13

HEX #CBDF05

RGB 203 223 5

HSL 65.5, 0.96%, 0.45%

LAB 84.73, -27.77, 83.16

 

CMYK 9 / 0 / 90 / 5

HEX #DCF118

RGB 220 241 24

HSL 65.81, 0.89%, 0.52%

LAB 90.87, -29.03, 86.45

 

CMYK 7 / 0 / 83 / 0

HEX #EDFF2B

RGB 237 255 43

HSL 65.09, 1%, 0.58%

LAB 95.87, -28.27, 87.67

 

CMYK 0 / 0 / 76 / 0

HEX #FEFF3E

RGB 254 255 62

HSL 60.31, 1%, 0.62%

LAB 97.2, -20.82, 84.58

 

CMYK 0 / 0 / 68 / 0

HEX #FFFF51

RGB 255 255 81

HSL 60, 1%, 0.66%

LAB 97.38, -19.62, 78.71

 

CMYK 11 / 0 / 96 / 13

HEX #C6DF0A

RGB 198 223 10

HSL 67.04, 0.91%, 0.46%

LAB 84.38, -29.78, 82.32

 

CMYK 12 / 0 / 100 / 20

HEX #B5CD00

RGB 181 205 0

HSL 67.02, 1%, 0.4%

LAB 78.16, -28.42, 77.99

 

CMYK 12 / 0 / 100 / 27

HEX #A4BB00

RGB 164 187 0

HSL 67.38, 1%, 0.37%

LAB 71.85, -26.95, 72.74

 

CMYK 13 / 0 / 100 / 34

HEX #93A900

RGB 147 169 0

HSL 67.81, 1%, 0.33%

LAB 65.42, -25.46, 67.39

 

CMYK 14 / 0 / 100 / 41

HEX #829700

RGB 130 151 0

HSL 68.34, 1%, 0.3%

LAB 58.86, -23.94, 61.93

 

CMYK 12 / 0 / 96 / 12

HEX #C6E00A

RGB 198 224 10

HSL 67.29, 0.91%, 0.46%

LAB 84.66, -30.25, 82.53

 

CMYK 0 / 15 / 96 / 12

HEX #E0BF0A

RGB 224 191 10

HSL 50.75, 0.91%, 0.46%

LAB 77.95, -2.89, 78.44

 

CMYK 0 / 41 / 96 / 12

HEX #E0850A

RGB 224 133 10

HSL 34.49, 0.91%, 0.46%

LAB 63.87, 27.85, 68.44

 

CMYK 0 / 66 / 96 / 12

HEX #E04C0A

RGB 224 76 10

HSL 18.5, 0.91%, 0.46%

LAB 52.99, 55.39, 61.44

 

CMYK 0 / 92 / 96 / 12

HEX #E0120A

RGB 224 18 10

HSL 2.24, 0.91%, 0.46%

LAB 47.37, 71.08, 58.31

 

CMYK 12 / 0 / 96 / 12

HEX #C6E00A

RGB 198 224 10

HSL 67.29, 0.91%, 0.46%

LAB 84.66, -30.25, 82.53

 

CMYK 37 / 0 / 96 / 12

HEX #8DE00A

RGB 141 224 10

HSL 83.27, 0.91%, 0.46%

LAB 81.29, -52, 78.45

 

CMYK 63 / 0 / 96 / 12

HEX #53E00A

RGB 83 224 10

HSL 99.53, 0.91%, 0.46%

LAB 79.14, -68.61, 75.83

 

CMYK 88 / 0 / 96 / 12

HEX #1AE00A

RGB 26 224 10

HSL 115.51, 0.91%, 0.46%

LAB 78.2, -76.8, 74.67

 

CMYK 96 / 0 / 77 / 12

HEX #0AE034

RGB 10 224 52

HSL 131.78, 0.91%, 0.46%

LAB 78.24, -75.91, 66.19

 

CMYK 12 / 0 / 96 / 12

HEX #C6E00A

RGB 198 224 10

HSL 67.29, 0.91%, 0.46%

LAB 84.66, -30.25, 82.53

 

CMYK 12 / 0 / 96 / 12

HEX #C6E00A

RGB 198 224 10

HSL 67.29, 0.91%, 0.46%

LAB 84.66, -30.25, 82.53

 

CMYK 10 / 0 / 86 / 20

HEX #B8CD1D

RGB 184 205 29

HSL 67.16, 0.75%, 0.46%

LAB 78.43, -26.72, 74.51

 

CMYK 9 / 0 / 74 / 27

HEX #A9BA30

RGB 169 186 48

HSL 67.39, 0.59%, 0.46%

LAB 72.07, -23.11, 63.37

 

CMYK 7 / 0 / 60 / 35

HEX #9BA743

RGB 155 167 67

HSL 67.2, 0.43%, 0.46%

LAB 65.76, -18.33, 49.03

 

CMYK 5 / 0 / 42 / 42

HEX #8C9456

RGB 140 148 86

HSL 67.74, 0.26%, 0.46%

LAB 59.37, -12.9, 31.76

 

CMYK 0 / 40 / 96 / 12

HEX #E0870A

RGB 224 135 10

HSL 35.05, 0.91%, 0.46%

LAB 64.32, 26.79, 68.75

 

CMYK 0 / 14 / 96 / 12

HEX #E0C00A

RGB 224 192 10

HSL 51.03, 0.91%, 0.46%

LAB 78.21, -3.41, 78.63

 

CMYK 11 / 0 / 96 / 12

HEX #C7E00A

RGB 199 224 10

HSL 67.01, 0.91%, 0.46%

LAB 84.73, -29.84, 82.61

 

CMYK 37 / 0 / 96 / 12

HEX #8EE00A

RGB 142 224 10

HSL 82.99, 0.91%, 0.46%

LAB 81.34, -51.65, 78.51

 

CMYK 62 / 0 / 96 / 12

HEX #55E00A

RGB 85 224 10

HSL 98.97, 0.91%, 0.46%

LAB 79.19, -68.16, 75.89

 

CMYK 11 / 0 / 96 / 43

HEX #819106

RGB 129 145 6

HSL 66.91, 0.92%, 0.3%

LAB 57.01, -21.26, 59.55

 

CMYK 11 / 0 / 96 / 28

HEX #A3B808

RGB 163 184 8

HSL 67.16, 0.92%, 0.38%

LAB 70.93, -25.82, 71.11

 

CMYK 12 / 0 / 96 / 12

HEX #C6E00A

RGB 198 224 10

HSL 67.29, 0.91%, 0.46%

LAB 84.66, -30.25, 82.53

 

CMYK 10 / 0 / 87 / 4

HEX #DBF41F

RGB 219 244 31

HSL 67.04, 0.91%, 0.54%

LAB 91.62, -30.7, 85.94

 

CMYK 9 / 0 / 72 / 4

HEX #E1F646

RGB 225 246 70

HSL 67.16, 0.91%, 0.62%

LAB 92.73, -27.91, 77.18

 

CMYK 11 / 0 / 96 / 13

HEX #C6DF0A

RGB 198 223 10

HSL 67.04, 0.91%, 0.46%

LAB 84.38, -29.78, 82.32

 

CMYK 96 / 0 / 65 / 12

HEX #0AE04E

RGB 10 224 78

HSL 139.07, 0.91%, 0.46%

LAB 78.42, -73.67, 56.96

 

CMYK 27 / 96 / 0 / 12

HEX #A30AE0

RGB 163 10 224

HSL 282.9, 0.91%, 0.46%

LAB 43.34, 79.55, -71.61

 

CMYK 11 / 0 / 96 / 13

HEX #C6DF0A

RGB 198 223 10

HSL 67.04, 0.91%, 0.46%

LAB 84.38, -29.78, 82.32

 

CMYK 96 / 11 / 0 / 12

HEX #0AC7E0

RGB 10 199 224

HSL 187.01, 0.91%, 0.46%

LAB 73.74, -31.84, -23.98

 

CMYK 0 / 96 / 11 / 12

HEX #E00AC7

RGB 224 10 199

HSL 307.01, 0.91%, 0.46%

LAB 52.05, 84.96, -42.69

 

CMYK 11 / 0 / 96 / 13

HEX #C6DF0A

RGB 198 223 10

HSL 67.04, 0.91%, 0.46%

LAB 84.38, -29.78, 82.32

 

CMYK 96 / 0 / 65 / 12

HEX #0AE04E

RGB 10 224 78

HSL 139.07, 0.91%, 0.46%

LAB 78.42, -73.67, 56.96

 

CMYK 84 / 96 / 0 / 12

HEX #230AE0

RGB 35 10 224

HSL 247.01, 0.91%, 0.46%

LAB 29.3, 70.39, -95.26

 

CMYK 0 / 96 / 30 / 12

HEX #E00A9C

RGB 224 10 156

HSL 319.07, 0.91%, 0.46%

LAB 50.05, 79.87, -20.56

 

CMYK 11 / 0 / 96 / 13

HEX #C6DF0A

RGB 198 223 10

HSL 67.04, 0.91%, 0.46%

LAB 84.38, -29.78, 82.32

 

CMYK 96 / 0 / 37 / 12

HEX #0AE08E

RGB 10 224 142

HSL 157.01, 0.91%, 0.46%

LAB 79.23, -63.86, 27.71

 

CMYK 84 / 96 / 0 / 12

HEX #230AE0

RGB 35 10 224

HSL 247.01, 0.91%, 0.46%

LAB 29.3, 70.39, -95.26

 

CMYK 0 / 96 / 59 / 12

HEX #E00A5C

RGB 224 10 92

HSL 337.01, 0.91%, 0.46%

LAB 48.05, 74.55, 15.5

 

Description

Color code: RGB 198 223 10 | qconv.com Color code: RGB 198 223 10 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 223 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 223 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 96 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 96% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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