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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 198 213 194 it is the complementary color RGB 57 42 61. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 198 213 194. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 198 213 194 shade: RGB 203 213 189, RGB 220 231 208, RGB 237 249 227 and RGB 254 255 246

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 198 213 194. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 198 213 194 shade: RGB 198 213 194, RGB 181 195 175, RGB 164 177 156, RGB 147 159 137 and RGB 130 141 118

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 198 213 194 shade: RGB 198 213 194, RGB 203 213 194, RGB 208 213 194, RGB 213 212 194 and RGB 213 207 194

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 198 213 194 shade: RGB 198 213 194, RGB 194 213 195, RGB 194 213 200, RGB 194 213 205 and RGB 194 213 210

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 198 213 194 shade matches the following richer shades: RGB 198 213 194, RGB 193 221 186, RGB 189 229 178, RGB 184 237 170 and RGB 179 246 161

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 198 213 194 shade: RGB 198 213 194, RGB 203 204 203, RGB 208 196 211, RGB 213 188 219 and RGB 217 180 227

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 198 213 194 shade: RGB 208 213 194, RGB 203 213 194, RGB 198 213 194, RGB 194 213 195 and RGB 194 213 200

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 198 213 194 shade: RGB 153 179 146, RGB 175 196 170, RGB 198 213 194, RGB 221 230 219 and RGB 244 247 243

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 198 213 194 shade: RGB 198 213 194, RGB 194 213 212 and RGB 213 194 206

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 198 213 194 shade: RGB 198 213 194, RGB 194 198 213 and RGB 213 194 198

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 198 213 194 shade: RGB 198 213 194, RGB 194 213 212, RGB 209 194 213 and RGB 213 194 195

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 198 213 194 shade: RGB 198 213 194, RGB 194 207 213, RGB 209 194 213 and RGB 213 200 194

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 9 / 16

HEX #C6D5C2

RGB 198 213 194

HSL 107.37, 0.18%, 0.8%

LAB 83.7, -8.53, 7.65

 

Complementary color

CMYK 7 / 31 / 0 / 76

HEX #392A3D

RGB 57 42 61

HSL 287.37, 0.18%, 0.2%

LAB 19.49, 11.1, -9.42

 

CMYK 5 / 0 / 11 / 16

HEX #CBD5BD

RGB 203 213 189

HSL 85, 0.22%, 0.79%

LAB 83.94, -7.65, 10.7

 

CMYK 5 / 0 / 10 / 9

HEX #DCE7D0

RGB 220 231 208

HSL 88.7, 0.32%, 0.86%

LAB 90.29, -7.72, 9.93

 

CMYK 5 / 0 / 9 / 2

HEX #EDF9E3

RGB 237 249 227

HSL 92.73, 0.65%, 0.93%

LAB 96.53, -7.79, 9.19

 

CMYK 0 / 0 / 4 / 0

HEX #FEFFF6

RGB 254 255 246

HSL 66.67, 1%, 0.98%

LAB 99.71, -1.88, 4.17

 

CMYK 7 / 0 / 9 / 16

HEX #C6D5C2

RGB 198 213 194

HSL 107.37, 0.18%, 0.8%

LAB 83.7, -8.53, 7.65

 

CMYK 7 / 0 / 10 / 24

HEX #B5C3AF

RGB 181 195 175

HSL 102, 0.14%, 0.73%

LAB 77.25, -8.5, 8.41

 

CMYK 7 / 0 / 12 / 31

HEX #A4B19C

RGB 164 177 156

HSL 97.14, 0.12%, 0.65%

LAB 70.69, -8.47, 9.2

 

CMYK 8 / 0 / 14 / 38

HEX #939F89

RGB 147 159 137

HSL 92.73, 0.1%, 0.58%

LAB 64, -8.44, 10.04

 

CMYK 8 / 0 / 16 / 45

HEX #828D76

RGB 130 141 118

HSL 88.7, 0.09%, 0.51%

LAB 57.18, -8.42, 10.93

 

CMYK 7 / 0 / 9 / 16

HEX #C6D5C2

RGB 198 213 194

HSL 107.37, 0.18%, 0.8%

LAB 83.7, -8.53, 7.65

 

CMYK 5 / 0 / 9 / 16

HEX #CBD5C2

RGB 203 213 194

HSL 91.58, 0.18%, 0.8%

LAB 84.06, -6.8, 8.22

 

CMYK 2 / 0 / 9 / 16

HEX #D0D5C2

RGB 208 213 194

HSL 75.79, 0.18%, 0.8%

LAB 84.43, -5.05, 8.8

 

CMYK 0 / 0 / 9 / 16

HEX #D5D4C2

RGB 213 212 194

HSL 56.84, 0.18%, 0.8%

LAB 84.55, -2.77, 9.02

 

CMYK 0 / 3 / 9 / 16

HEX #D5CFC2

RGB 213 207 194

HSL 41.05, 0.18%, 0.8%

LAB 83.27, -0.17, 7.18

 

CMYK 7 / 0 / 9 / 16

HEX #C6D5C2

RGB 198 213 194

HSL 107.37, 0.18%, 0.8%

LAB 83.7, -8.53, 7.65

 

CMYK 9 / 0 / 8 / 16

HEX #C2D5C3

RGB 194 213 195

HSL 123.16, 0.18%, 0.8%

LAB 83.44, -9.73, 6.72

 

CMYK 9 / 0 / 6 / 16

HEX #C2D5C8

RGB 194 213 200

HSL 138.95, 0.18%, 0.8%

LAB 83.56, -8.82, 4.24

 

CMYK 9 / 0 / 4 / 16

HEX #C2D5CD

RGB 194 213 205

HSL 154.74, 0.18%, 0.8%

LAB 83.69, -7.89, 1.76

 

CMYK 9 / 0 / 1 / 16

HEX #C2D5D2

RGB 194 213 210

HSL 170.53, 0.18%, 0.8%

LAB 83.82, -6.93, -0.71

 

CMYK 7 / 0 / 9 / 16

HEX #C6D5C2

RGB 198 213 194

HSL 107.37, 0.18%, 0.8%

LAB 83.7, -8.53, 7.65

 

CMYK 13 / 0 / 16 / 13

HEX #C1DDBA

RGB 193 221 186

HSL 108, 0.34%, 0.8%

LAB 85.3, -15.7, 14.11

 

CMYK 17 / 0 / 22 / 10

HEX #BDE5B2

RGB 189 229 178

HSL 107.06, 0.5%, 0.8%

LAB 87.03, -22.35, 20.67

 

CMYK 22 / 0 / 28 / 7

HEX #B8EDAA

RGB 184 237 170

HSL 107.46, 0.65%, 0.8%

LAB 88.76, -29.16, 27.12

 

CMYK 27 / 0 / 35 / 4

HEX #B3F6A1

RGB 179 246 161

HSL 107.29, 0.83%, 0.8%

LAB 90.81, -36.35, 34.38

 

CMYK 7 / 0 / 9 / 16

HEX #C6D5C2

RGB 198 213 194

HSL 107.37, 0.18%, 0.8%

LAB 83.7, -8.53, 7.65

 

CMYK 0 / 0 / 0 / 20

HEX #CBCCCB

RGB 203 204 203

HSL 120, 0.01%, 0.8%

LAB 81.94, -0.52, 0.37

 

CMYK 1 / 7 / 0 / 17

HEX #D0C4D3

RGB 208 196 211

HSL 288, 0.15%, 0.8%

LAB 80.51, 6.9, -5.98

 

CMYK 3 / 14 / 0 / 14

HEX #D5BCDB

RGB 213 188 219

HSL 288.39, 0.3%, 0.8%

LAB 79.17, 14.39, -12.23

 

CMYK 4 / 21 / 0 / 11

HEX #D9B4E3

RGB 217 180 227

HSL 287.23, 0.46%, 0.8%

LAB 77.84, 21.56, -18.52

 

CMYK 2 / 0 / 9 / 16

HEX #D0D5C2

RGB 208 213 194

HSL 75.79, 0.18%, 0.8%

LAB 84.43, -5.05, 8.8

 

CMYK 5 / 0 / 9 / 16

HEX #CBD5C2

RGB 203 213 194

HSL 91.58, 0.18%, 0.8%

LAB 84.06, -6.8, 8.22

 

CMYK 7 / 0 / 9 / 16

HEX #C6D5C2

RGB 198 213 194

HSL 107.37, 0.18%, 0.8%

LAB 83.7, -8.53, 7.65

 

CMYK 9 / 0 / 8 / 16

HEX #C2D5C3

RGB 194 213 195

HSL 123.16, 0.18%, 0.8%

LAB 83.44, -9.73, 6.72

 

CMYK 9 / 0 / 6 / 16

HEX #C2D5C8

RGB 194 213 200

HSL 138.95, 0.18%, 0.8%

LAB 83.56, -8.82, 4.24

 

CMYK 15 / 0 / 18 / 30

HEX #99B392

RGB 153 179 146

HSL 107.27, 0.18%, 0.64%

LAB 70.24, -15.23, 13.92

 

CMYK 11 / 0 / 13 / 23

HEX #AFC4AA

RGB 175 196 170

HSL 108.46, 0.18%, 0.72%

LAB 76.98, -12.01, 10.66

 

CMYK 7 / 0 / 9 / 16

HEX #C6D5C2

RGB 198 213 194

HSL 107.37, 0.18%, 0.8%

LAB 83.7, -8.53, 7.65

 

CMYK 4 / 0 / 5 / 10

HEX #DDE6DB

RGB 221 230 219

HSL 109.09, 0.18%, 0.88%

LAB 90.36, -4.98, 4.3

 

CMYK 1 / 0 / 2 / 3

HEX #F4F7F3

RGB 244 247 243

HSL 105, 0.2%, 0.96%

LAB 96.91, -1.69, 1.56

 

CMYK 7 / 0 / 9 / 16

HEX #C6D5C2

RGB 198 213 194

HSL 107.37, 0.18%, 0.8%

LAB 83.7, -8.53, 7.65

 

CMYK 9 / 0 / 0 / 16

HEX #C2D5D4

RGB 194 213 212

HSL 176.84, 0.18%, 0.8%

LAB 83.87, -6.55, -1.69

 

CMYK 0 / 9 / 3 / 16

HEX #D5C2CE

RGB 213 194 206

HSL 322.11, 0.18%, 0.8%

LAB 80.28, 8.77, -3.58

 

CMYK 7 / 0 / 9 / 16

HEX #C6D5C2

RGB 198 213 194

HSL 107.37, 0.18%, 0.8%

LAB 83.7, -8.53, 7.65

 

CMYK 9 / 7 / 0 / 16

HEX #C2C6D5

RGB 194 198 213

HSL 227.37, 0.18%, 0.8%

LAB 79.99, 1.52, -7.95

 

CMYK 0 / 9 / 7 / 16

HEX #D5C2C6

RGB 213 194 198

HSL 347.37, 0.18%, 0.8%

LAB 80.07, 7.36, 0.41

 

CMYK 7 / 0 / 9 / 16

HEX #C6D5C2

RGB 198 213 194

HSL 107.37, 0.18%, 0.8%

LAB 83.7, -8.53, 7.65

 

CMYK 9 / 0 / 0 / 16

HEX #C2D5D4

RGB 194 213 212

HSL 176.84, 0.18%, 0.8%

LAB 83.87, -6.55, -1.69

 

CMYK 2 / 9 / 0 / 16

HEX #D1C2D5

RGB 209 194 213

HSL 287.37, 0.18%, 0.8%

LAB 80.15, 8.68, -7.58

 

CMYK 0 / 9 / 8 / 16

HEX #D5C2C3

RGB 213 194 195

HSL 356.84, 0.18%, 0.8%

LAB 79.99, 6.85, 1.92

 

CMYK 7 / 0 / 9 / 16

HEX #C6D5C2

RGB 198 213 194

HSL 107.37, 0.18%, 0.8%

LAB 83.7, -8.53, 7.65

 

CMYK 9 / 3 / 0 / 16

HEX #C2CFD5

RGB 194 207 213

HSL 198.95, 0.18%, 0.8%

LAB 82.32, -3.23, -4.49

 

CMYK 2 / 9 / 0 / 16

HEX #D1C2D5

RGB 209 194 213

HSL 287.37, 0.18%, 0.8%

LAB 80.15, 8.68, -7.58

 

CMYK 0 / 6 / 9 / 16

HEX #D5C8C2

RGB 213 200 194

HSL 18.95, 0.18%, 0.8%

LAB 81.48, 3.5, 4.61

 

Description

Color code: RGB 198 213 194 | qconv.com Color code: RGB 198 213 194 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 213 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 213 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 9 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 9% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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