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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 198 211 19 it is the complementary color RGB 57 44 236. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 198 211 19. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 198 211 19 shade: RGB 203 211 14, RGB 220 229 33, RGB 237 247 52, RGB 254 255 71 and RGB 255 255 90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 198 211 19. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 198 211 19 shade: RGB 198 211 19, RGB 181 193 0, RGB 164 175 0, RGB 147 157 0 and RGB 130 139 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 198 211 19 shade: RGB 197 209 19, RGB 209 171 19, RGB 209 120 19, RGB 209 68 19 and RGB 209 19 19

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 198 211 19 shade: RGB 197 209 19, RGB 145 209 19, RGB 94 209 19, RGB 43 209 19 and RGB 19 209 47

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 198 211 19 shade matches the following richer shades: RGB 197 209 19 and RGB 213 228 0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 198 211 19 shade: RGB 197 209 19, RGB 181 191 38, RGB 164 172 56, RGB 148 154 75 and RGB 132 135 93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 198 211 19 shade: RGB 209 121 19, RGB 209 171 19, RGB 197 209 19, RGB 146 209 19 and RGB 95 209 19

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 198 211 19 shade: RGB 126 134 12, RGB 161 172 16, RGB 197 209 19, RGB 221 234 36 and RGB 227 238 73

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 198 211 19 shade: RGB 198 211 19, RGB 19 209 70 and RGB 146 19 209

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 198 211 19 shade: RGB 198 211 19, RGB 19 197 209 and RGB 209 19 197

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 198 211 19 shade: RGB 198 211 19, RGB 19 209 70, RGB 32 19 209 and RGB 209 19 159

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 198 211 19 shade: RGB 198 211 19, RGB 19 209 127, RGB 32 19 209 and RGB 209 19 102

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 91 / 17

HEX #C6D313

RGB 198 211 19

HSL 64.06, 0.83%, 0.45%

LAB 81.09, -23.96, 78.78

 

Complementary color

CMYK 76 / 81 / 0 / 7

HEX #392CEC

RGB 57 44 236

HSL 244.06, 0.83%, 0.55%

LAB 35.45, 63.9, -91.84

 

CMYK 4 / 0 / 93 / 17

HEX #CBD30E

RGB 203 211 14

HSL 62.44, 0.88%, 0.44%

LAB 81.47, -21.93, 79.86

 

CMYK 4 / 0 / 86 / 10

HEX #DCE521

RGB 220 229 33

HSL 62.76, 0.79%, 0.51%

LAB 87.66, -23.18, 82.4

 

CMYK 4 / 0 / 79 / 3

HEX #EDF734

RGB 237 247 52

HSL 63.08, 0.92%, 0.59%

LAB 93.79, -24.26, 83.78

 

CMYK 0 / 0 / 72 / 0

HEX #FEFF47

RGB 254 255 71

HSL 60.33, 1%, 0.64%

LAB 97.25, -20.47, 81.9

 

CMYK 0 / 0 / 65 / 0

HEX #FFFF5A

RGB 255 255 90

HSL 60, 1%, 0.68%

LAB 97.44, -19.15, 75.5

 

CMYK 6 / 0 / 91 / 17

HEX #C6D313

RGB 198 211 19

HSL 64.06, 0.83%, 0.45%

LAB 81.09, -23.96, 78.78

 

CMYK 6 / 0 / 100 / 24

HEX #B5C100

RGB 181 193 0

HSL 63.73, 1%, 0.38%

LAB 74.8, -22.64, 75.5

 

CMYK 6 / 0 / 100 / 31

HEX #A4AF00

RGB 164 175 0

HSL 63.77, 1%, 0.34%

LAB 68.43, -21.07, 70.2

 

CMYK 6 / 0 / 100 / 38

HEX #939D00

RGB 147 157 0

HSL 63.82, 1%, 0.31%

LAB 61.93, -19.47, 64.79

 

CMYK 6 / 0 / 100 / 45

HEX #828B00

RGB 130 139 0

HSL 63.88, 1%, 0.27%

LAB 55.29, -17.84, 59.27

 

CMYK 6 / 0 / 91 / 18

HEX #C5D113

RGB 197 209 19

HSL 63.79, 0.83%, 0.45%

LAB 80.47, -23.42, 78.26

 

CMYK 0 / 18 / 91 / 18

HEX #D1AB13

RGB 209 171 19

HSL 48, 0.83%, 0.45%

LAB 71.37, 1.12, 71.66

 

CMYK 0 / 43 / 91 / 18

HEX #D17813

RGB 209 120 19

HSL 31.89, 0.83%, 0.45%

LAB 59.01, 28.57, 62.35

 

CMYK 0 / 67 / 91 / 18

HEX #D14413

RGB 209 68 19

HSL 15.47, 0.83%, 0.45%

LAB 49.18, 53.65, 55.24

 

CMYK 0 / 91 / 91 / 18

HEX #D11313

RGB 209 19 19

HSL 0, 0.83%, 0.45%

LAB 44.33, 67.19, 51.9

 

CMYK 6 / 0 / 91 / 18

HEX #C5D113

RGB 197 209 19

HSL 63.79, 0.83%, 0.45%

LAB 80.47, -23.42, 78.26

 

CMYK 31 / 0 / 91 / 18

HEX #91D113

RGB 145 209 19

HSL 80.21, 0.83%, 0.45%

LAB 77.08, -44.22, 74.13

 

CMYK 55 / 0 / 91 / 18

HEX #5ED113

RGB 94 209 19

HSL 96.32, 0.83%, 0.45%

LAB 74.84, -60.72, 71.37

 

CMYK 79 / 0 / 91 / 18

HEX #2BD113

RGB 43 209 19

HSL 112.42, 0.83%, 0.45%

LAB 73.65, -70.77, 69.88

 

CMYK 91 / 0 / 78 / 18

HEX #13D12F

RGB 19 209 47

HSL 128.84, 0.83%, 0.45%

LAB 73.51, -71.63, 63.15

 

CMYK 6 / 0 / 91 / 18

HEX #C5D113

RGB 197 209 19

HSL 63.79, 0.83%, 0.45%

LAB 80.47, -23.42, 78.26

 

CMYK 7 / 0 / 100 / 11

HEX #D5E400

RGB 213 228 0

HSL 63.95, 1%, 0.45%

LAB 86.82, -26.05, 85.46

 

CMYK 6 / 0 / 91 / 18

HEX #C5D113

RGB 197 209 19

HSL 63.79, 0.83%, 0.45%

LAB 80.47, -23.42, 78.26

 

CMYK 5 / 0 / 80 / 25

HEX #B5BF26

RGB 181 191 38

HSL 63.92, 0.67%, 0.45%

LAB 74.33, -20.91, 68.81

 

CMYK 5 / 0 / 67 / 33

HEX #A4AC38

RGB 164 172 56

HSL 64.14, 0.51%, 0.45%

LAB 67.79, -17.8, 56.09

 

CMYK 4 / 0 / 51 / 40

HEX #949A4B

RGB 148 154 75

HSL 64.56, 0.34%, 0.45%

LAB 61.58, -13.88, 40.3

 

CMYK 2 / 0 / 31 / 47

HEX #84875D

RGB 132 135 93

HSL 64.29, 0.18%, 0.45%

LAB 55.1, -8.29, 22.27

 

CMYK 0 / 42 / 91 / 18

HEX #D17913

RGB 209 121 19

HSL 32.21, 0.83%, 0.45%

LAB 59.23, 28.04, 62.52

 

CMYK 0 / 18 / 91 / 18

HEX #D1AB13

RGB 209 171 19

HSL 48, 0.83%, 0.45%

LAB 71.37, 1.12, 71.66

 

CMYK 6 / 0 / 91 / 18

HEX #C5D113

RGB 197 209 19

HSL 63.79, 0.83%, 0.45%

LAB 80.47, -23.42, 78.26

 

CMYK 30 / 0 / 91 / 18

HEX #92D113

RGB 146 209 19

HSL 79.89, 0.83%, 0.45%

LAB 77.14, -43.85, 74.19

 

CMYK 55 / 0 / 91 / 18

HEX #5FD113

RGB 95 209 19

HSL 96, 0.83%, 0.45%

LAB 74.88, -60.46, 71.41

 

CMYK 6 / 0 / 91 / 47

HEX #7E860C

RGB 126 134 12

HSL 63.93, 0.84%, 0.29%

LAB 53.51, -16.8, 55.68

 

CMYK 6 / 0 / 91 / 33

HEX #A1AC10

RGB 161 172 16

HSL 64.23, 0.83%, 0.37%

LAB 67.37, -20.64, 67.22

 

CMYK 6 / 0 / 91 / 18

HEX #C5D113

RGB 197 209 19

HSL 63.79, 0.83%, 0.45%

LAB 80.47, -23.42, 78.26

 

CMYK 6 / 0 / 85 / 8

HEX #DDEA24

RGB 221 234 36

HSL 63.94, 0.83%, 0.53%

LAB 89.09, -25.09, 83

 

CMYK 5 / 0 / 69 / 7

HEX #E3EE49

RGB 227 238 73

HSL 64, 0.83%, 0.61%

LAB 90.76, -23.18, 74.29

 

CMYK 6 / 0 / 91 / 17

HEX #C6D313

RGB 198 211 19

HSL 64.06, 0.83%, 0.45%

LAB 81.09, -23.96, 78.78

 

CMYK 91 / 0 / 67 / 18

HEX #13D146

RGB 19 209 70

HSL 136.11, 0.83%, 0.45%

LAB 73.66, -69.69, 55.03

 

CMYK 30 / 91 / 0 / 18

HEX #9213D1

RGB 146 19 209

HSL 280.11, 0.83%, 0.45%

LAB 39.88, 73.37, -68.74

 

CMYK 6 / 0 / 91 / 17

HEX #C6D313

RGB 198 211 19

HSL 64.06, 0.83%, 0.45%

LAB 81.09, -23.96, 78.78

 

CMYK 91 / 6 / 0 / 18

HEX #13C5D1

RGB 19 197 209

HSL 183.79, 0.83%, 0.45%

LAB 72.68, -35.33, -17.45

 

CMYK 0 / 91 / 6 / 18

HEX #D113C5

RGB 209 19 197

HSL 303.79, 0.83%, 0.45%

LAB 49.56, 81.2, -45.65

 

CMYK 6 / 0 / 91 / 17

HEX #C6D313

RGB 198 211 19

HSL 64.06, 0.83%, 0.45%

LAB 81.09, -23.96, 78.78

 

CMYK 91 / 0 / 67 / 18

HEX #13D146

RGB 19 209 70

HSL 136.11, 0.83%, 0.45%

LAB 73.66, -69.69, 55.03

 

CMYK 85 / 91 / 0 / 18

HEX #2013D1

RGB 32 19 209

HSL 244.11, 0.83%, 0.45%

LAB 27.78, 64.45, -89.13

 

CMYK 0 / 91 / 24 / 18

HEX #D1139F

RGB 209 19 159

HSL 315.79, 0.83%, 0.45%

LAB 47.65, 76.28, -26.28

 

CMYK 6 / 0 / 91 / 17

HEX #C6D313

RGB 198 211 19

HSL 64.06, 0.83%, 0.45%

LAB 81.09, -23.96, 78.78

 

CMYK 91 / 0 / 39 / 18

HEX #13D17F

RGB 19 209 127

HSL 154.11, 0.83%, 0.45%

LAB 74.36, -61.22, 28.94

 

CMYK 85 / 91 / 0 / 18

HEX #2013D1

RGB 32 19 209

HSL 244.11, 0.83%, 0.45%

LAB 27.78, 64.45, -89.13

 

CMYK 0 / 91 / 51 / 18

HEX #D11366

RGB 209 19 102

HSL 333.79, 0.83%, 0.45%

LAB 45.61, 70.77, 5.43

 

Description

Color code: RGB 198 211 19 | qconv.com Color code: RGB 198 211 19 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 211 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 211 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 91 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 91% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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