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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 198 219 39 it is the complementary color RGB 57 36 216. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 198 219 39. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 198 219 39 shade: RGB 203 219 34, RGB 220 237 53, RGB 237 255 72, RGB 254 255 91 and RGB 255 255 110

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 198 219 39. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 198 219 39 shade: RGB 198 219 39, RGB 181 201 20, RGB 164 183 1, RGB 147 165 0 and RGB 130 147 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 198 219 39 shade: RGB 198 218 41, RGB 218 191 41, RGB 218 143 41, RGB 218 95 41 and RGB 218 48 41

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 198 219 39 shade: RGB 198 218 41, RGB 150 218 41, RGB 102 218 41, RGB 54 218 41 and RGB 41 218 75

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 198 219 39 shade matches the following richer shades: RGB 198 218 41 and RGB 213 238 21

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 198 219 39 shade: RGB 198 218 41, RGB 182 198 61, RGB 167 178 81, RGB 151 158 101 and RGB 136 137 122

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 198 219 39 shade: RGB 218 144 41, RGB 218 192 41, RGB 198 218 41, RGB 150 218 41 and RGB 103 218 41

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 198 219 39 shade: RGB 137 151 25, RGB 168 187 31, RGB 198 218 41, RGB 207 224 76 and RGB 216 230 111

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 198 219 39 shade: RGB 198 219 39, RGB 41 218 97 and RGB 168 41 218

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 198 219 39 shade: RGB 198 219 39, RGB 41 198 218 and RGB 218 41 198

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 198 219 39 shade: RGB 198 219 39, RGB 41 218 97, RGB 62 41 218 and RGB 218 41 162

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 198 219 39 shade: RGB 198 219 39, RGB 41 218 150, RGB 62 41 218 and RGB 218 41 109

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 82 / 14

HEX #C6DB27

RGB 198 219 39

HSL 67, 0.71%, 0.51%

LAB 83.35, -27.33, 76.85

 

Complementary color

CMYK 74 / 83 / 0 / 15

HEX #3924D8

RGB 57 36 216

HSL 247, 0.71%, 0.49%

LAB 32.01, 61.53, -86.11

 

CMYK 7 / 0 / 84 / 14

HEX #CBDB22

RGB 203 219 34

HSL 65.19, 0.73%, 0.5%

LAB 83.69, -25.41, 78.41

 

CMYK 7 / 0 / 78 / 7

HEX #DCED35

RGB 220 237 53

HSL 65.54, 0.84%, 0.57%

LAB 89.88, -26.4, 79.58

 

CMYK 7 / 0 / 72 / 0

HEX #EDFF48

RGB 237 255 72

HSL 65.9, 1%, 0.64%

LAB 95.99, -27.24, 79.95

 

CMYK 0 / 0 / 64 / 0

HEX #FEFF5B

RGB 254 255 91

HSL 60.37, 1%, 0.68%

LAB 97.37, -19.5, 75.02

 

CMYK 0 / 0 / 57 / 0

HEX #FFFF6E

RGB 255 255 110

HSL 60, 1%, 0.72%

LAB 97.59, -17.91, 67.66

 

CMYK 10 / 0 / 82 / 14

HEX #C6DB27

RGB 198 219 39

HSL 67, 0.71%, 0.51%

LAB 83.35, -27.33, 76.85

 

CMYK 10 / 0 / 90 / 21

HEX #B5C914

RGB 181 201 20

HSL 66.63, 0.82%, 0.43%

LAB 77.07, -26.25, 74.92

 

CMYK 10 / 0 / 99 / 28

HEX #A4B701

RGB 164 183 1

HSL 66.26, 0.99%, 0.36%

LAB 70.71, -25, 71.77

 

CMYK 11 / 0 / 100 / 35

HEX #93A500

RGB 147 165 0

HSL 66.55, 1%, 0.32%

LAB 64.25, -23.49, 66.52

 

CMYK 12 / 0 / 100 / 42

HEX #829300

RGB 130 147 0

HSL 66.94, 1%, 0.29%

LAB 57.67, -21.94, 61.04

 

CMYK 9 / 0 / 81 / 15

HEX #C6DA29

RGB 198 218 41

HSL 66.78, 0.71%, 0.51%

LAB 83.08, -26.79, 76.13

 

CMYK 0 / 12 / 81 / 15

HEX #DABF29

RGB 218 191 41

HSL 50.85, 0.71%, 0.51%

LAB 77.48, -4.9, 71.93

 

CMYK 0 / 34 / 81 / 15

HEX #DA8F29

RGB 218 143 41

HSL 34.58, 0.71%, 0.51%

LAB 65.52, 20.59, 61.46

 

CMYK 0 / 56 / 81 / 15

HEX #DA5F29

RGB 218 95 41

HSL 18.31, 0.71%, 0.51%

LAB 55.33, 45.4, 52.21

 

CMYK 0 / 78 / 81 / 15

HEX #DA3029

RGB 218 48 41

HSL 2.37, 0.71%, 0.51%

LAB 48.49, 63.87, 45.75

 

CMYK 9 / 0 / 81 / 15

HEX #C6DA29

RGB 198 218 41

HSL 66.78, 0.71%, 0.51%

LAB 83.08, -26.79, 76.13

 

CMYK 31 / 0 / 81 / 15

HEX #96DA29

RGB 150 218 41

HSL 83.05, 0.71%, 0.51%

LAB 80.06, -45.55, 72.32

 

CMYK 53 / 0 / 81 / 15

HEX #66DA29

RGB 102 218 41

HSL 99.32, 0.71%, 0.51%

LAB 77.95, -60.97, 69.63

 

CMYK 75 / 0 / 81 / 15

HEX #36DA29

RGB 54 218 41

HSL 115.59, 0.71%, 0.51%

LAB 76.73, -71.05, 68.06

 

CMYK 81 / 0 / 66 / 15

HEX #29DA4B

RGB 41 218 75

HSL 131.53, 0.71%, 0.51%

LAB 76.75, -70.08, 56.42

 

CMYK 9 / 0 / 81 / 15

HEX #C6DA29

RGB 198 218 41

HSL 66.78, 0.71%, 0.51%

LAB 83.08, -26.79, 76.13

 

CMYK 11 / 0 / 91 / 7

HEX #D5EE15

RGB 213 238 21

HSL 66.91, 0.86%, 0.51%

LAB 89.56, -30.52, 85.6

 

CMYK 9 / 0 / 81 / 15

HEX #C6DA29

RGB 198 218 41

HSL 66.78, 0.71%, 0.51%

LAB 83.08, -26.79, 76.13

 

CMYK 8 / 0 / 69 / 22

HEX #B6C63D

RGB 182 198 61

HSL 67.01, 0.55%, 0.51%

LAB 76.48, -22.9, 63.37

 

CMYK 6 / 0 / 54 / 30

HEX #A7B251

RGB 167 178 81

HSL 66.8, 0.39%, 0.51%

LAB 69.93, -17.76, 47.52

 

CMYK 4 / 0 / 36 / 38

HEX #979E65

RGB 151 158 101

HSL 67.37, 0.23%, 0.51%

LAB 63.32, -11.85, 28.98

 

CMYK 1 / 0 / 11 / 46

HEX #88897A

RGB 136 137 122

HSL 64, 0.06%, 0.51%

LAB 56.62, -3.18, 7.92

 

CMYK 0 / 34 / 81 / 15

HEX #DA9029

RGB 218 144 41

HSL 34.92, 0.71%, 0.51%

LAB 65.76, 20.05, 61.67

 

CMYK 0 / 12 / 81 / 15

HEX #DAC029

RGB 218 192 41

HSL 51.19, 0.71%, 0.51%

LAB 77.74, -5.41, 72.16

 

CMYK 9 / 0 / 81 / 15

HEX #C6DA29

RGB 198 218 41

HSL 66.78, 0.71%, 0.51%

LAB 83.08, -26.79, 76.13

 

CMYK 31 / 0 / 81 / 15

HEX #96DA29

RGB 150 218 41

HSL 83.05, 0.71%, 0.51%

LAB 80.06, -45.55, 72.32

 

CMYK 53 / 0 / 81 / 15

HEX #67DA29

RGB 103 218 41

HSL 98.98, 0.71%, 0.51%

LAB 77.98, -60.69, 69.67

 

CMYK 9 / 0 / 83 / 41

HEX #899719

RGB 137 151 25

HSL 66.67, 0.72%, 0.35%

LAB 59.45, -20.31, 58.02

 

CMYK 10 / 0 / 83 / 27

HEX #A8BB1F

RGB 168 187 31

HSL 67.31, 0.72%, 0.43%

LAB 72.2, -24.68, 68.37

 

CMYK 9 / 0 / 81 / 15

HEX #C6DA29

RGB 198 218 41

HSL 66.78, 0.71%, 0.51%

LAB 83.08, -26.79, 76.13

 

CMYK 8 / 0 / 66 / 12

HEX #CFE04C

RGB 207 224 76

HSL 66.89, 0.7%, 0.59%

LAB 85.55, -24.4, 67.49

 

CMYK 6 / 0 / 52 / 10

HEX #D8E66F

RGB 216 230 111

HSL 67.06, 0.7%, 0.67%

LAB 88.13, -21.16, 55.67

 

CMYK 10 / 0 / 82 / 14

HEX #C6DB27

RGB 198 219 39

HSL 67, 0.71%, 0.51%

LAB 83.35, -27.33, 76.85

 

CMYK 81 / 0 / 56 / 15

HEX #29DA61

RGB 41 218 97

HSL 138.98, 0.71%, 0.51%

LAB 76.97, -67.46, 47.05

 

CMYK 23 / 81 / 0 / 15

HEX #A829DA

RGB 168 41 218

HSL 283.05, 0.71%, 0.51%

LAB 45.6, 73.4, -64.47

 

CMYK 10 / 0 / 82 / 14

HEX #C6DB27

RGB 198 219 39

HSL 67, 0.71%, 0.51%

LAB 83.35, -27.33, 76.85

 

CMYK 81 / 9 / 0 / 15

HEX #29C6DA

RGB 41 198 218

HSL 186.78, 0.71%, 0.51%

LAB 73.49, -31.64, -21.07

 

CMYK 0 / 81 / 9 / 15

HEX #DA29C6

RGB 218 41 198

HSL 306.78, 0.71%, 0.51%

LAB 52.47, 79.23, -41.51

 

CMYK 10 / 0 / 82 / 14

HEX #C6DB27

RGB 198 219 39

HSL 67, 0.71%, 0.51%

LAB 83.35, -27.33, 76.85

 

CMYK 81 / 0 / 56 / 15

HEX #29DA61

RGB 41 218 97

HSL 138.98, 0.71%, 0.51%

LAB 76.97, -67.46, 47.05

 

CMYK 72 / 81 / 0 / 15

HEX #3E29DA

RGB 62 41 218

HSL 247.12, 0.71%, 0.51%

LAB 33.29, 60.33, -85.13

 

CMYK 0 / 81 / 26 / 15

HEX #DA29A2

RGB 218 41 162

HSL 318.98, 0.71%, 0.51%

LAB 50.8, 74.58, -23.07

 

CMYK 10 / 0 / 82 / 14

HEX #C6DB27

RGB 198 219 39

HSL 67, 0.71%, 0.51%

LAB 83.35, -27.33, 76.85

 

CMYK 81 / 0 / 31 / 15

HEX #29DA96

RGB 41 218 150

HSL 156.95, 0.71%, 0.51%

LAB 77.77, -58.18, 21.61

 

CMYK 72 / 81 / 0 / 15

HEX #3E29DA

RGB 62 41 218

HSL 247.12, 0.71%, 0.51%

LAB 33.29, 60.33, -85.13

 

CMYK 0 / 81 / 50 / 15

HEX #DA296D

RGB 218 41 109

HSL 336.95, 0.71%, 0.51%

LAB 49, 69.34, 6.2

 

Description

Color code: RGB 198 219 39 | qconv.com Color code: RGB 198 219 39 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 219 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 219 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 82 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 82% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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