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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 198 189 154 it is the complementary color RGB 57 66 101. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 198 189 154. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 198 189 154 shade: RGB 203 189 149, RGB 220 207 168, RGB 237 225 187, RGB 254 243 206 and RGB 255 255 225

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 198 189 154. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 198 189 154 shade: RGB 198 189 154, RGB 181 171 135, RGB 164 153 116, RGB 147 135 97 and RGB 130 117 78

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 198 189 154 shade: RGB 198 189 153, RGB 198 177 153, RGB 198 165 153 and RGB 198 153 153

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 198 189 154 shade: RGB 198 189 153, RGB 195 198 153, RGB 183 198 153, RGB 171 198 153 and RGB 159 198 153

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 198 189 154 shade matches the following richer shades: RGB 198 189 153, RGB 210 196 141, RGB 223 204 128, RGB 236 211 115 and RGB 249 219 102

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 198 189 154 shade: RGB 198 189 153, RGB 185 181 166, RGB 172 173 179, RGB 159 166 192 and RGB 146 158 204

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 198 189 154 shade: RGB 198 164 153, RGB 198 176 153, RGB 198 188 153, RGB 195 198 153 and RGB 184 198 153

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 198 189 154 shade: RGB 168 154 101, RGB 183 171 127, RGB 198 189 153, RGB 212 206 180 and RGB 227 223 206

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 198 189 154 shade: RGB 198 189 154, RGB 154 198 153 and RGB 170 153 198

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 198 189 154 shade: RGB 198 189 154, RGB 153 198 188 and RGB 188 153 198

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 198 189 154 shade: RGB 198 189 154, RGB 154 198 153, RGB 153 163 198 and RGB 197 153 198

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 198 189 154 shade: RGB 198 189 154, RGB 153 198 166, RGB 153 163 198 and RGB 198 153 185

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 22 / 22

HEX #C6BD9A

RGB 198 189 154

HSL 47.73, 0.28%, 0.69%

LAB 76.52, -2.5, 18.86

 

Complementary color

CMYK 44 / 35 / 0 / 60

HEX #394265

RGB 57 66 101

HSL 227.73, 0.28%, 0.31%

LAB 28.66, 6.42, -21.73

 

CMYK 0 / 7 / 27 / 20

HEX #CBBD95

RGB 203 189 149

HSL 44.44, 0.34%, 0.69%

LAB 76.84, -1.3, 22.04

 

CMYK 0 / 6 / 24 / 14

HEX #DCCFA8

RGB 220 207 168

HSL 45, 0.43%, 0.76%

LAB 83.27, -1.61, 21.04

 

CMYK 0 / 5 / 21 / 7

HEX #EDE1BB

RGB 237 225 187

HSL 45.6, 0.58%, 0.83%

LAB 89.6, -1.88, 20.09

 

CMYK 0 / 4 / 19 / 0

HEX #FEF3CE

RGB 254 243 206

HSL 46.25, 0.96%, 0.9%

LAB 95.84, -2.13, 19.19

 

CMYK 0 / 0 / 12 / 0

HEX #FFFFE1

RGB 255 255 225

HSL 60, 1%, 0.94%

LAB 99.31, -4.95, 14.35

 

CMYK 0 / 5 / 22 / 22

HEX #C6BD9A

RGB 198 189 154

HSL 47.73, 0.28%, 0.69%

LAB 76.52, -2.5, 18.86

 

CMYK 0 / 6 / 25 / 29

HEX #B5AB87

RGB 181 171 135

HSL 46.96, 0.24%, 0.62%

LAB 69.96, -2.22, 19.87

 

CMYK 0 / 7 / 29 / 36

HEX #A49974

RGB 164 153 116

HSL 46.25, 0.21%, 0.55%

LAB 63.29, -1.89, 20.94

 

CMYK 0 / 8 / 34 / 42

HEX #938761

RGB 147 135 97

HSL 45.6, 0.2%, 0.48%

LAB 56.48, -1.5, 22.1

 

CMYK 0 / 10 / 40 / 49

HEX #82754E

RGB 130 117 78

HSL 45, 0.25%, 0.41%

LAB 49.52, -1.01, 23.36

 

CMYK 0 / 5 / 23 / 22

HEX #C6BD99

RGB 198 189 153

HSL 48, 0.28%, 0.69%

LAB 76.5, -2.65, 19.37

 

CMYK 0 / 11 / 23 / 22

HEX #C6B199

RGB 198 177 153

HSL 32, 0.28%, 0.69%

LAB 73.38, 3.73, 15.04

 

CMYK 0 / 17 / 23 / 22

HEX #C6A599

RGB 198 165 153

HSL 16, 0.28%, 0.69%

LAB 70.33, 10.23, 10.73

 

CMYK 0 / 23 / 23 / 22

HEX #C69999

RGB 198 153 153

HSL 0, 0.28%, 0.69%

LAB 67.34, 16.79, 6.48

 

CMYK 0 / 5 / 23 / 22

HEX #C6BD99

RGB 198 189 153

HSL 48, 0.28%, 0.69%

LAB 76.5, -2.65, 19.37

 

CMYK 2 / 0 / 23 / 22

HEX #C3C699

RGB 195 198 153

HSL 64, 0.28%, 0.69%

LAB 78.63, -8.48, 22.27

 

CMYK 8 / 0 / 23 / 22

HEX #B7C699

RGB 183 198 153

HSL 80, 0.28%, 0.69%

LAB 77.73, -12.95, 20.89

 

CMYK 14 / 0 / 23 / 22

HEX #ABC699

RGB 171 198 153

HSL 96, 0.28%, 0.69%

LAB 76.89, -17.32, 19.59

 

CMYK 20 / 0 / 23 / 22

HEX #9FC699

RGB 159 198 153

HSL 112, 0.28%, 0.69%

LAB 76.11, -21.56, 18.39

 

CMYK 0 / 5 / 23 / 22

HEX #C6BD99

RGB 198 189 153

HSL 48, 0.28%, 0.69%

LAB 76.5, -2.65, 19.37

 

CMYK 0 / 7 / 33 / 18

HEX #D2C48D

RGB 210 196 141

HSL 47.83, 0.43%, 0.69%

LAB 79.1, -3.29, 29.43

 

CMYK 0 / 9 / 43 / 13

HEX #DFCC80

RGB 223 204 128

HSL 48, 0.6%, 0.69%

LAB 82.07, -3.76, 40.21

 

CMYK 0 / 11 / 51 / 7

HEX #ECD373

RGB 236 211 115

HSL 47.6, 0.76%, 0.69%

LAB 84.82, -3.34, 50.26

 

CMYK 0 / 12 / 59 / 2

HEX #F9DB66

RGB 249 219 102

HSL 47.76, 0.92%, 0.69%

LAB 87.85, -3.11, 60.12

 

CMYK 0 / 5 / 23 / 22

HEX #C6BD99

RGB 198 189 153

HSL 48, 0.28%, 0.69%

LAB 76.5, -2.65, 19.37

 

CMYK 0 / 2 / 10 / 27

HEX #B9B5A6

RGB 185 181 166

HSL 47.37, 0.12%, 0.69%

LAB 73.62, -1.23, 8.14

 

CMYK 4 / 3 / 0 / 30

HEX #ACADB3

RGB 172 173 179

HSL 231.43, 0.04%, 0.69%

LAB 70.81, 0.8, -3.2

 

CMYK 17 / 14 / 0 / 25

HEX #9FA6C0

RGB 159 166 192

HSL 227.27, 0.21%, 0.69%

LAB 68.35, 2.97, -14.15

 

CMYK 28 / 23 / 0 / 20

HEX #929ECC

RGB 146 158 204

HSL 227.59, 0.36%, 0.69%

LAB 65.69, 6.2, -24.95

 

CMYK 0 / 17 / 23 / 22

HEX #C6A499

RGB 198 164 153

HSL 14.67, 0.28%, 0.69%

LAB 70.08, 10.77, 10.38

 

CMYK 0 / 11 / 23 / 22

HEX #C6B099

RGB 198 176 153

HSL 30.67, 0.28%, 0.69%

LAB 73.13, 4.27, 14.68

 

CMYK 0 / 5 / 23 / 22

HEX #C6BC99

RGB 198 188 153

HSL 46.67, 0.28%, 0.69%

LAB 76.24, -2.12, 19.01

 

CMYK 2 / 0 / 23 / 22

HEX #C3C699

RGB 195 198 153

HSL 64, 0.28%, 0.69%

LAB 78.63, -8.48, 22.27

 

CMYK 7 / 0 / 23 / 22

HEX #B8C699

RGB 184 198 153

HSL 78.67, 0.28%, 0.69%

LAB 77.8, -12.58, 21

 

CMYK 0 / 8 / 40 / 34

HEX #A89A65

RGB 168 154 101

HSL 47.46, 0.28%, 0.53%

LAB 63.65, -2.7, 29.69

 

CMYK 0 / 7 / 31 / 28

HEX #B7AB7F

RGB 183 171 127

HSL 47.14, 0.28%, 0.61%

LAB 69.98, -2.53, 24.26

 

CMYK 0 / 5 / 23 / 22

HEX #C6BD99

RGB 198 189 153

HSL 48, 0.28%, 0.69%

LAB 76.5, -2.65, 19.37

 

CMYK 0 / 3 / 15 / 17

HEX #D4CEB4

RGB 212 206 180

HSL 48.75, 0.27%, 0.77%

LAB 82.61, -2.27, 13.68

 

CMYK 0 / 2 / 9 / 11

HEX #E3DFCE

RGB 227 223 206

HSL 48.57, 0.27%, 0.85%

LAB 88.72, -1.54, 8.8

 

CMYK 0 / 5 / 22 / 22

HEX #C6BD9A

RGB 198 189 154

HSL 47.73, 0.28%, 0.69%

LAB 76.52, -2.5, 18.86

 

CMYK 22 / 0 / 23 / 22

HEX #9AC699

RGB 154 198 153

HSL 118.67, 0.28%, 0.69%

LAB 75.8, -23.28, 17.91

 

CMYK 14 / 23 / 0 / 22

HEX #AA99C6

RGB 170 153 198

HSL 262.67, 0.28%, 0.69%

LAB 66.06, 15.14, -20.87

 

CMYK 0 / 5 / 22 / 22

HEX #C6BD9A

RGB 198 189 154

HSL 47.73, 0.28%, 0.69%

LAB 76.52, -2.5, 18.86

 

CMYK 23 / 0 / 5 / 22

HEX #99C6BC

RGB 153 198 188

HSL 166.67, 0.28%, 0.69%

LAB 76.55, -16.87, 0.15

 

CMYK 5 / 23 / 0 / 22

HEX #BC99C6

RGB 188 153 198

HSL 286.67, 0.28%, 0.69%

LAB 67.69, 21.09, -18.25

 

CMYK 0 / 5 / 22 / 22

HEX #C6BD9A

RGB 198 189 154

HSL 47.73, 0.28%, 0.69%

LAB 76.52, -2.5, 18.86

 

CMYK 22 / 0 / 23 / 22

HEX #9AC699

RGB 154 198 153

HSL 118.67, 0.28%, 0.69%

LAB 75.8, -23.28, 17.91

 

CMYK 23 / 18 / 0 / 22

HEX #99A3C6

RGB 153 163 198

HSL 226.67, 0.28%, 0.69%

LAB 67.31, 4.09, -19.1

 

CMYK 1 / 23 / 0 / 22

HEX #C599C6

RGB 197 153 198

HSL 298.67, 0.28%, 0.69%

LAB 68.56, 24.11, -16.85

 

CMYK 0 / 5 / 22 / 22

HEX #C6BD9A

RGB 198 189 154

HSL 47.73, 0.28%, 0.69%

LAB 76.52, -2.5, 18.86

 

CMYK 23 / 0 / 16 / 22

HEX #99C6A6

RGB 153 198 166

HSL 137.33, 0.28%, 0.69%

LAB 76.02, -21.26, 11.24

 

CMYK 23 / 18 / 0 / 22

HEX #99A3C6

RGB 153 163 198

HSL 226.67, 0.28%, 0.69%

LAB 67.31, 4.09, -19.1

 

CMYK 0 / 23 / 7 / 22

HEX #C699B9

RGB 198 153 185

HSL 317.33, 0.28%, 0.69%

LAB 68.23, 22.05, -10.09

 

Description

Color code: RGB 198 189 154 | qconv.com Color code: RGB 198 189 154 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 189 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 189 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 22 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 22% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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