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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 198 186 225 it is the complementary color RGB 57 69 30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 198 186 225. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 198 186 225 shade: RGB 203 186 220, RGB 220 204 239, RGB 237 222 255 and RGB 254 240 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 198 186 225. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 198 186 225 shade: RGB 198 186 225, RGB 181 168 206, RGB 164 150 187, RGB 147 132 168 and RGB 130 114 149

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 198 186 225 shade: RGB 199 187 225, RGB 209 187 225, RGB 219 187 225, RGB 225 187 221 and RGB 225 187 210

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 198 186 225 shade: RGB 199 187 225, RGB 189 187 225 and RGB 187 187 225

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 198 186 225 shade matches the following richer shades: RGB 199 187 225, RGB 196 179 233, RGB 193 171 241 and RGB 190 164 248

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 198 186 225 shade: RGB 199 187 225, RGB 202 195 217, RGB 205 203 209, RGB 208 211 201 and RGB 211 219 194

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 198 186 225 shade: RGB 187 196 225, RGB 188 187 225, RGB 198 187 225, RGB 209 187 225 and RGB 219 187 225

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 198 186 225 shade: RGB 151 130 200, RGB 175 158 212, RGB 199 187 225, RGB 223 216 238 and RGB 246 245 250

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 198 186 225 shade: RGB 198 186 225, RGB 225 187 206 and RGB 191 225 187

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 198 186 225 shade: RGB 198 186 225, RGB 225 198 187 and RGB 187 225 198

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 198 186 225 shade: RGB 198 186 225, RGB 225 187 206, RGB 214 225 187 and RGB 187 225 206

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 198 186 225 shade: RGB 198 186 225, RGB 225 187 195, RGB 214 225 187 and RGB 187 225 217

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 17 / 0 / 12

HEX #C6BAE1

RGB 198 186 225

HSL 258.46, 0.39%, 0.81%

LAB 77.61, 11.72, -17.94

 

Complementary color

CMYK 17 / 0 / 57 / 73

HEX #39451E

RGB 57 69 30

HSL 78.46, 0.39%, 0.19%

LAB 27.35, -12.23, 21.78

 

CMYK 8 / 15 / 0 / 14

HEX #CBBADC

RGB 203 186 220

HSL 270, 0.33%, 0.8%

LAB 77.86, 12.34, -14.82

 

CMYK 8 / 15 / 0 / 6

HEX #DCCCEF

RGB 220 204 239

HSL 267.43, 0.52%, 0.87%

LAB 84.29, 11.99, -15.21

 

CMYK 7 / 13 / 0 / 0

HEX #EDDEFF

RGB 237 222 255

HSL 267.27, 1%, 0.94%

LAB 90.54, 11.09, -14.16

 

CMYK 0 / 6 / 0 / 0

HEX #FEF0FF

RGB 254 240 255

HSL 296, 1%, 0.97%

LAB 96.25, 7.31, -5.52

 

CMYK 12 / 17 / 0 / 12

HEX #C6BAE1

RGB 198 186 225

HSL 258.46, 0.39%, 0.81%

LAB 77.61, 11.72, -17.94

 

CMYK 12 / 18 / 0 / 19

HEX #B5A8CE

RGB 181 168 206

HSL 260.53, 0.28%, 0.73%

LAB 71.07, 12.08, -17.61

 

CMYK 12 / 20 / 0 / 27

HEX #A496BB

RGB 164 150 187

HSL 262.7, 0.21%, 0.66%

LAB 64.4, 12.47, -17.3

 

CMYK 13 / 21 / 0 / 34

HEX #9384A8

RGB 147 132 168

HSL 265, 0.17%, 0.59%

LAB 57.59, 12.9, -16.99

 

CMYK 13 / 23 / 0 / 42

HEX #827295

RGB 130 114 149

HSL 267.43, 0.14%, 0.52%

LAB 50.63, 13.38, -16.7

 

CMYK 12 / 17 / 0 / 12

HEX #C7BBE1

RGB 199 187 225

HSL 258.95, 0.39%, 0.81%

LAB 77.95, 11.5, -17.43

 

CMYK 7 / 17 / 0 / 12

HEX #D1BBE1

RGB 209 187 225

HSL 274.74, 0.39%, 0.81%

LAB 78.77, 14.76, -16.11

 

CMYK 3 / 17 / 0 / 12

HEX #DBBBE1

RGB 219 187 225

HSL 290.53, 0.39%, 0.81%

LAB 79.63, 18.06, -14.72

 

CMYK 0 / 17 / 2 / 12

HEX #E1BBDD

RGB 225 187 221

HSL 306.32, 0.39%, 0.81%

LAB 80.05, 19.33, -11.89

 

CMYK 0 / 17 / 7 / 12

HEX #E1BBD2

RGB 225 187 210

HSL 323.68, 0.39%, 0.81%

LAB 79.73, 17.38, -6.44

 

CMYK 12 / 17 / 0 / 12

HEX #C7BBE1

RGB 199 187 225

HSL 258.95, 0.39%, 0.81%

LAB 77.95, 11.5, -17.43

 

CMYK 16 / 17 / 0 / 12

HEX #BDBBE1

RGB 189 187 225

HSL 243.16, 0.39%, 0.81%

LAB 77.16, 8.3, -18.7

 

CMYK 17 / 17 / 0 / 12

HEX #BBBBE1

RGB 187 187 225

HSL 240, 0.39%, 0.81%

LAB 77.01, 7.67, -18.94

 

CMYK 12 / 17 / 0 / 12

HEX #C7BBE1

RGB 199 187 225

HSL 258.95, 0.39%, 0.81%

LAB 77.95, 11.5, -17.43

 

CMYK 16 / 23 / 0 / 9

HEX #C4B3E9

RGB 196 179 233

HSL 258.89, 0.55%, 0.81%

LAB 75.98, 16.6, -24.76

 

CMYK 20 / 29 / 0 / 5

HEX #C1ABF1

RGB 193 171 241

HSL 258.86, 0.71%, 0.81%

LAB 74.07, 21.83, -32.05

 

CMYK 23 / 34 / 0 / 3

HEX #BEA4F8

RGB 190 164 248

HSL 258.57, 0.86%, 0.81%

LAB 72.41, 26.42, -38.43

 

CMYK 12 / 17 / 0 / 12

HEX #C7BBE1

RGB 199 187 225

HSL 258.95, 0.39%, 0.81%

LAB 77.95, 11.5, -17.43

 

CMYK 7 / 10 / 0 / 15

HEX #CAC3D9

RGB 202 195 217

HSL 259.09, 0.22%, 0.81%

LAB 79.95, 6.57, -10.09

 

CMYK 2 / 3 / 0 / 18

HEX #CDCBD1

RGB 205 203 209

HSL 260, 0.06%, 0.81%

LAB 82, 1.79, -2.74

 

CMYK 1 / 0 / 5 / 17

HEX #D0D3C9

RGB 208 211 201

HSL 78, 0.1%, 0.81%

LAB 84.08, -2.81, 4.58

 

CMYK 4 / 0 / 11 / 14

HEX #D3DBC2

RGB 211 219 194

HSL 79.2, 0.26%, 0.81%

LAB 86.21, -7.08, 11.37

 

CMYK 17 / 13 / 0 / 12

HEX #BBC4E1

RGB 187 196 225

HSL 225.79, 0.39%, 0.81%

LAB 79.32, 2.81, -15.46

 

CMYK 16 / 17 / 0 / 12

HEX #BCBBE1

RGB 188 187 225

HSL 241.58, 0.39%, 0.81%

LAB 77.08, 7.98, -18.82

 

CMYK 12 / 17 / 0 / 12

HEX #C6BBE1

RGB 198 187 225

HSL 257.37, 0.39%, 0.81%

LAB 77.86, 11.18, -17.56

 

CMYK 7 / 17 / 0 / 12

HEX #D1BBE1

RGB 209 187 225

HSL 274.74, 0.39%, 0.81%

LAB 78.77, 14.76, -16.11

 

CMYK 3 / 17 / 0 / 12

HEX #DBBBE1

RGB 219 187 225

HSL 290.53, 0.39%, 0.81%

LAB 79.63, 18.06, -14.72

 

CMYK 25 / 35 / 0 / 22

HEX #9782C8

RGB 151 130 200

HSL 258, 0.39%, 0.65%

LAB 58.71, 22.78, -33.46

 

CMYK 17 / 25 / 0 / 17

HEX #AF9ED4

RGB 175 158 212

HSL 258.89, 0.39%, 0.73%

LAB 68.26, 17.03, -25.25

 

CMYK 12 / 17 / 0 / 12

HEX #C7BBE1

RGB 199 187 225

HSL 258.95, 0.39%, 0.81%

LAB 77.95, 11.5, -17.43

 

CMYK 6 / 9 / 0 / 7

HEX #DFD8EE

RGB 223 216 238

HSL 259.09, 0.39%, 0.89%

LAB 87.47, 6.44, -9.9

 

CMYK 2 / 2 / 0 / 2

HEX #F6F5FA

RGB 246 245 250

HSL 252, 0.33%, 0.97%

LAB 96.74, 1.22, -2.29

 

CMYK 12 / 17 / 0 / 12

HEX #C6BAE1

RGB 198 186 225

HSL 258.46, 0.39%, 0.81%

LAB 77.61, 11.72, -17.94

 

CMYK 0 / 17 / 8 / 12

HEX #E1BBCE

RGB 225 187 206

HSL 330, 0.39%, 0.81%

LAB 79.62, 16.69, -4.44

 

CMYK 15 / 0 / 17 / 12

HEX #BFE1BB

RGB 191 225 187

HSL 113.68, 0.39%, 0.81%

LAB 86.26, -18.21, 14.93

 

CMYK 12 / 17 / 0 / 12

HEX #C6BAE1

RGB 198 186 225

HSL 258.46, 0.39%, 0.81%

LAB 77.61, 11.72, -17.94

 

CMYK 0 / 12 / 17 / 12

HEX #E1C6BB

RGB 225 198 187

HSL 17.37, 0.39%, 0.81%

LAB 81.83, 7.75, 8.99

 

CMYK 17 / 0 / 12 / 12

HEX #BBE1C6

RGB 187 225 198

HSL 137.37, 0.39%, 0.81%

LAB 86.25, -17.59, 9.1

 

CMYK 12 / 17 / 0 / 12

HEX #C6BAE1

RGB 198 186 225

HSL 258.46, 0.39%, 0.81%

LAB 77.61, 11.72, -17.94

 

CMYK 0 / 17 / 8 / 12

HEX #E1BBCE

RGB 225 187 206

HSL 330, 0.39%, 0.81%

LAB 79.62, 16.69, -4.44

 

CMYK 5 / 0 / 17 / 12

HEX #D6E1BB

RGB 214 225 187

HSL 77.37, 0.39%, 0.81%

LAB 87.84, -10.2, 17.37

 

CMYK 17 / 0 / 8 / 12

HEX #BBE1CE

RGB 187 225 206

HSL 150, 0.39%, 0.81%

LAB 86.44, -16.1, 5.17

 

CMYK 12 / 17 / 0 / 12

HEX #C6BAE1

RGB 198 186 225

HSL 258.46, 0.39%, 0.81%

LAB 77.61, 11.72, -17.94

 

CMYK 0 / 17 / 13 / 12

HEX #E1BBC3

RGB 225 187 195

HSL 347.37, 0.39%, 0.81%

LAB 79.32, 14.86, 1.07

 

CMYK 5 / 0 / 17 / 12

HEX #D6E1BB

RGB 214 225 187

HSL 77.37, 0.39%, 0.81%

LAB 87.84, -10.2, 17.37

 

CMYK 17 / 0 / 4 / 12

HEX #BBE1D9

RGB 187 225 217

HSL 167.37, 0.39%, 0.81%

LAB 86.71, -13.95, -0.23

 

Description

Color code: RGB 198 186 225 | qconv.com Color code: RGB 198 186 225 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 186 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 186 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 17 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 17% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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