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Color name
RGB 198 185 112

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 198 185 112 it is the complementary color RGB 57 70 143. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 198 185 112. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 198 185 112 shade: RGB 203 185 107, RGB 220 203 126, RGB 237 221 145, RGB 254 239 164 and RGB 255 255 183

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 198 185 112. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 198 185 112 shade: RGB 198 185 112, RGB 181 167 93, RGB 164 149 74, RGB 147 131 55 and RGB 130 113 36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 198 185 112 shade: RGB 198 185 112, RGB 198 162 112, RGB 198 139 112, RGB 198 116 112 and RGB 198 112 112

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 198 185 112 shade: RGB 198 185 112, RGB 188 198 112, RGB 165 198 112, RGB 142 198 112 and RGB 118 198 112

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 198 185 112 shade matches the following richer shades: RGB 198 185 112, RGB 214 196 96, RGB 230 207 80 and RGB 246 219 64

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 198 185 112 shade: RGB 198 185 112, RGB 182 174 128, RGB 166 162 144, RGB 150 151 161 and RGB 133 140 177

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 198 185 112 shade: RGB 198 138 112, RGB 198 161 112, RGB 198 184 112, RGB 189 198 112 and RGB 166 198 112

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 198 185 112 shade: RGB 163 148 65, RGB 186 170 83, RGB 198 185 112, RGB 210 199 142 and RGB 221 214 171

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 198 185 112 shade: RGB 198 185 112, RGB 112 198 115 and RGB 149 112 198

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 198 185 112 shade: RGB 198 185 112, RGB 112 198 184 and RGB 184 112 198

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 198 185 112 shade: RGB 198 185 112, RGB 112 198 115, RGB 112 127 198 and RGB 198 112 195

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 198 185 112 shade: RGB 198 185 112, RGB 112 198 141, RGB 112 127 198 and RGB 198 112 169

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 43 / 22

HEX #C6B970

RGB 198 185 112

HSL 50.93, 0.43%, 0.61%

LAB 74.75, -5.64, 38.61

 

Complementary color

CMYK 60 / 51 / 0 / 44

HEX #39468F

RGB 57 70 143

HSL 230.93, 0.43%, 0.39%

LAB 32.33, 18.17, -42.19

 

CMYK 0 / 9 / 47 / 20

HEX #CBB96B

RGB 203 185 107

HSL 48.75, 0.48%, 0.61%

LAB 75.11, -4.09, 41.7

 

CMYK 0 / 8 / 43 / 14

HEX #DCCB7E

RGB 220 203 126

HSL 49.15, 0.57%, 0.68%

LAB 81.53, -4.65, 40.47

 

CMYK 0 / 7 / 39 / 7

HEX #EDDD91

RGB 237 221 145

HSL 49.57, 0.72%, 0.75%

LAB 87.85, -5.12, 39.28

 

CMYK 0 / 6 / 35 / 0

HEX #FEEFA4

RGB 254 239 164

HSL 50, 0.98%, 0.82%

LAB 94.09, -5.53, 38.14

 

CMYK 0 / 0 / 28 / 0

HEX #FFFFB7

RGB 255 255 183

HSL 60, 1%, 0.86%

LAB 98.51, -10.83, 34.51

 

CMYK 0 / 7 / 43 / 22

HEX #C6B970

RGB 198 185 112

HSL 50.93, 0.43%, 0.61%

LAB 74.75, -5.64, 38.61

 

CMYK 0 / 8 / 49 / 29

HEX #B5A75D

RGB 181 167 93

HSL 50.45, 0.37%, 0.54%

LAB 68.21, -5.08, 39.86

 

CMYK 0 / 9 / 55 / 36

HEX #A4954A

RGB 164 149 74

HSL 50, 0.38%, 0.47%

LAB 61.55, -4.41, 41.11

 

CMYK 0 / 11 / 63 / 42

HEX #938337

RGB 147 131 55

HSL 49.57, 0.46%, 0.4%

LAB 54.77, -3.57, 42.29

 

CMYK 0 / 13 / 72 / 49

HEX #827124

RGB 130 113 36

HSL 49.15, 0.57%, 0.33%

LAB 47.86, -2.5, 43.2

 

CMYK 0 / 7 / 43 / 22

HEX #C6B970

RGB 198 185 112

HSL 50.93, 0.43%, 0.61%

LAB 74.75, -5.64, 38.61

 

CMYK 0 / 18 / 43 / 22

HEX #C6A270

RGB 198 162 112

HSL 34.88, 0.43%, 0.61%

LAB 68.76, 6.61, 30.96

 

CMYK 0 / 30 / 43 / 22

HEX #C68B70

RGB 198 139 112

HSL 18.84, 0.43%, 0.61%

LAB 63.04, 19.19, 23.42

 

CMYK 0 / 41 / 43 / 22

HEX #C67470

RGB 198 116 112

HSL 2.79, 0.43%, 0.61%

LAB 57.72, 31.74, 16.18

 

CMYK 0 / 43 / 43 / 22

HEX #C67070

RGB 198 112 112

HSL 0, 0.43%, 0.61%

LAB 56.84, 33.88, 14.98

 

CMYK 0 / 7 / 43 / 22

HEX #C6B970

RGB 198 185 112

HSL 50.93, 0.43%, 0.61%

LAB 74.75, -5.64, 38.61

 

CMYK 5 / 0 / 43 / 22

HEX #BCC670

RGB 188 198 112

HSL 66.98, 0.43%, 0.61%

LAB 77.43, -16.34, 41.8

 

CMYK 17 / 0 / 43 / 22

HEX #A5C670

RGB 165 198 112

HSL 83.02, 0.43%, 0.61%

LAB 75.8, -25.29, 39.4

 

CMYK 28 / 0 / 43 / 22

HEX #8EC670

RGB 142 198 112

HSL 99.07, 0.43%, 0.61%

LAB 74.39, -33.71, 37.33

 

CMYK 40 / 0 / 43 / 22

HEX #76C670

RGB 118 198 112

HSL 115.81, 0.43%, 0.61%

LAB 73.16, -41.66, 35.52

 

CMYK 0 / 7 / 43 / 22

HEX #C6B970

RGB 198 185 112

HSL 50.93, 0.43%, 0.61%

LAB 74.75, -5.64, 38.61

 

CMYK 0 / 8 / 55 / 16

HEX #D6C460

RGB 214 196 96

HSL 50.85, 0.59%, 0.61%

LAB 78.82, -6.21, 51.73

 

CMYK 0 / 10 / 65 / 10

HEX #E6CF50

RGB 230 207 80

HSL 50.8, 0.75%, 0.61%

LAB 82.93, -6.27, 63.74

 

CMYK 0 / 11 / 74 / 4

HEX #F6DB40

RGB 246 219 64

HSL 51.1, 0.91%, 0.61%

LAB 87.3, -6.43, 74.6

 

CMYK 0 / 7 / 43 / 22

HEX #C6B970

RGB 198 185 112

HSL 50.93, 0.43%, 0.61%

LAB 74.75, -5.64, 38.61

 

CMYK 0 / 4 / 30 / 29

HEX #B6AE80

RGB 182 174 128

HSL 51.11, 0.27%, 0.61%

LAB 70.72, -4.39, 24.69

 

CMYK 0 / 2 / 13 / 35

HEX #A6A290

RGB 166 162 144

HSL 49.09, 0.11%, 0.61%

LAB 66.49, -1.74, 9.88

 

CMYK 7 / 6 / 0 / 37

HEX #9697A1

RGB 150 151 161

HSL 234.55, 0.06%, 0.61%

LAB 62.67, 1.64, -5.37

 

CMYK 25 / 21 / 0 / 31

HEX #858CB1

RGB 133 140 177

HSL 230.45, 0.22%, 0.61%

LAB 58.9, 5.8, -20.25

 

CMYK 0 / 30 / 43 / 22

HEX #C68A70

RGB 198 138 112

HSL 18.14, 0.43%, 0.61%

LAB 62.8, 19.74, 23.1

 

CMYK 0 / 19 / 43 / 22

HEX #C6A170

RGB 198 161 112

HSL 34.19, 0.43%, 0.61%

LAB 68.51, 7.15, 30.63

 

CMYK 0 / 7 / 43 / 22

HEX #C6B870

RGB 198 184 112

HSL 50.23, 0.43%, 0.61%

LAB 74.48, -5.12, 38.28

 

CMYK 5 / 0 / 43 / 22

HEX #BDC670

RGB 189 198 112

HSL 66.28, 0.43%, 0.61%

LAB 77.51, -15.94, 41.91

 

CMYK 16 / 0 / 43 / 22

HEX #A6C670

RGB 166 198 112

HSL 82.33, 0.43%, 0.61%

LAB 75.86, -24.91, 39.5

 

CMYK 0 / 9 / 60 / 36

HEX #A39441

RGB 163 148 65

HSL 50.82, 0.43%, 0.45%

LAB 61.09, -5.02, 44.95

 

CMYK 0 / 9 / 55 / 27

HEX #BAAA53

RGB 186 170 83

HSL 50.68, 0.43%, 0.53%

LAB 69.34, -5.44, 46.28

 

CMYK 0 / 7 / 43 / 22

HEX #C6B970

RGB 198 185 112

HSL 50.93, 0.43%, 0.61%

LAB 74.75, -5.64, 38.61

 

CMYK 0 / 5 / 32 / 18

HEX #D2C78E

RGB 210 199 142

HSL 50.29, 0.43%, 0.69%

LAB 79.9, -4.72, 29.97

 

CMYK 0 / 3 / 23 / 13

HEX #DDD6AB

RGB 221 214 171

HSL 51.6, 0.42%, 0.77%

LAB 85.2, -4.42, 22.15

 

CMYK 0 / 7 / 43 / 22

HEX #C6B970

RGB 198 185 112

HSL 50.93, 0.43%, 0.61%

LAB 74.75, -5.64, 38.61

 

CMYK 43 / 0 / 42 / 22

HEX #70C673

RGB 112 198 115

HSL 122.09, 0.43%, 0.61%

LAB 72.94, -43.03, 33.65

 

CMYK 25 / 43 / 0 / 22

HEX #9570C6

RGB 149 112 198

HSL 265.81, 0.43%, 0.61%

LAB 54.09, 32.1, -39.58

 

CMYK 0 / 7 / 43 / 22

HEX #C6B970

RGB 198 185 112

HSL 50.93, 0.43%, 0.61%

LAB 74.75, -5.64, 38.61

 

CMYK 43 / 0 / 7 / 22

HEX #70C6B8

RGB 112 198 184

HSL 170.23, 0.43%, 0.61%

LAB 74.38, -29.38, -1.11

 

CMYK 7 / 43 / 0 / 22

HEX #B870C6

RGB 184 112 198

HSL 290.23, 0.43%, 0.61%

LAB 57.9, 42.4, -33.33

 

CMYK 0 / 7 / 43 / 22

HEX #C6B970

RGB 198 185 112

HSL 50.93, 0.43%, 0.61%

LAB 74.75, -5.64, 38.61

 

CMYK 43 / 0 / 42 / 22

HEX #70C673

RGB 112 198 115

HSL 122.09, 0.43%, 0.61%

LAB 72.94, -43.03, 33.65

 

CMYK 43 / 36 / 0 / 22

HEX #707FC6

RGB 112 127 198

HSL 229.53, 0.43%, 0.61%

LAB 54.76, 13.04, -38.73

 

CMYK 0 / 43 / 2 / 22

HEX #C670C3

RGB 198 112 195

HSL 302.09, 0.43%, 0.61%

LAB 59.47, 46.05, -29.06

 

CMYK 0 / 7 / 43 / 22

HEX #C6B970

RGB 198 185 112

HSL 50.93, 0.43%, 0.61%

LAB 74.75, -5.64, 38.61

 

CMYK 43 / 0 / 29 / 22

HEX #70C68D

RGB 112 198 141

HSL 140.23, 0.43%, 0.61%

LAB 73.39, -38.6, 20.65

 

CMYK 43 / 36 / 0 / 22

HEX #707FC6

RGB 112 127 198

HSL 229.53, 0.43%, 0.61%

LAB 54.76, 13.04, -38.73

 

CMYK 0 / 43 / 15 / 22

HEX #C670A9

RGB 198 112 169

HSL 320.23, 0.43%, 0.61%

LAB 58.47, 41.59, -15.71

 

Description

Color code: RGB 198 185 112 | qconv.com Color code: RGB 198 185 112 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 185 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 185 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 43 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 43% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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