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Color name
RGB 198 170 86

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 198 170 86 it is the complementary color RGB 57 85 169. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 198 170 86. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 198 170 86 shade: RGB 203 170 81, RGB 220 188 100, RGB 237 206 119, RGB 254 224 138 and RGB 255 242 157

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 198 170 86. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 198 170 86 shade: RGB 198 170 86, RGB 181 152 67, RGB 164 134 48, RGB 147 116 29 and RGB 130 98 10

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 198 170 86 shade: RGB 198 170 86, RGB 198 140 86, RGB 198 110 86 and RGB 198 86 86

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 198 170 86 shade: RGB 198 170 86, RGB 196 198 86, RGB 166 198 86, RGB 136 198 86 and RGB 105 198 86

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 198 170 86 shade matches the following richer shades: RGB 198 170 86, RGB 217 179 68, RGB 235 189 50 and RGB 253 198 32

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 198 170 86 shade: RGB 198 170 86, RGB 180 161 104, RGB 162 152 123, RGB 144 143 141 and RGB 126 134 159

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 198 170 86 shade: RGB 198 111 86, RGB 198 140 86, RGB 198 170 86, RGB 197 198 86 and RGB 167 198 86

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 198 170 86 shade: RGB 152 126 50, RGB 183 152 61, RGB 198 170 86, RGB 209 186 117 and RGB 219 201 148

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 198 170 86 shade: RGB 198 170 86, RGB 92 198 86 and RGB 125 86 198

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 198 170 86 shade: RGB 198 170 86, RGB 86 198 170 and RGB 170 86 198

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 198 170 86 shade: RGB 198 170 86, RGB 92 198 86, RGB 86 114 198 and RGB 193 86 198

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 198 170 86 shade: RGB 198 170 86, RGB 86 198 114, RGB 86 114 198 and RGB 198 86 170

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 57 / 22

HEX #C6AA56

RGB 198 170 86

HSL 45, 0.5%, 0.56%

LAB 70.47, -0.1, 46.43

 

Complementary color

CMYK 66 / 50 / 0 / 34

HEX #3955A9

RGB 57 85 169

HSL 225, 0.5%, 0.44%

LAB 38.25, 17.65, -48.34

 

CMYK 0 / 16 / 60 / 20

HEX #CBAA51

RGB 203 170 81

HSL 43.77, 0.54%, 0.56%

LAB 70.9, 1.65, 49.45

 

CMYK 0 / 15 / 55 / 14

HEX #DCBC64

RGB 220 188 100

HSL 44, 0.63%, 0.63%

LAB 77.34, 0.75, 48.22

 

CMYK 0 / 13 / 50 / 7

HEX #EDCE77

RGB 237 206 119

HSL 44.24, 0.77%, 0.7%

LAB 83.69, -0.02, 46.98

 

CMYK 0 / 12 / 46 / 0

HEX #FEE08A

RGB 254 224 138

HSL 44.48, 0.98%, 0.77%

LAB 89.96, -0.69, 45.74

 

CMYK 0 / 5 / 38 / 0

HEX #FFF29D

RGB 255 242 157

HSL 52.04, 1%, 0.81%

LAB 94.82, -7.42, 42.58

 

CMYK 0 / 14 / 57 / 22

HEX #C6AA56

RGB 198 170 86

HSL 45, 0.5%, 0.56%

LAB 70.47, -0.1, 46.43

 

CMYK 0 / 16 / 63 / 29

HEX #B59843

RGB 181 152 67

HSL 44.74, 0.46%, 0.49%

LAB 63.91, 0.85, 47.62

 

CMYK 0 / 18 / 71 / 36

HEX #A48630

RGB 164 134 48

HSL 44.48, 0.55%, 0.42%

LAB 57.23, 2, 48.62

 

CMYK 0 / 21 / 80 / 42

HEX #93741D

RGB 147 116 29

HSL 44.24, 0.67%, 0.35%

LAB 50.43, 3.42, 49.11

 

CMYK 0 / 25 / 92 / 49

HEX #82620A

RGB 130 98 10

HSL 44, 0.86%, 0.27%

LAB 43.51, 5.18, 48.34

 

CMYK 0 / 14 / 57 / 22

HEX #C6AA56

RGB 198 170 86

HSL 45, 0.5%, 0.56%

LAB 70.47, -0.1, 46.43

 

CMYK 0 / 29 / 57 / 22

HEX #C68C56

RGB 198 140 86

HSL 28.93, 0.5%, 0.56%

LAB 62.87, 16.17, 37.35

 

CMYK 0 / 44 / 57 / 22

HEX #C66E56

RGB 198 110 86

HSL 12.86, 0.5%, 0.56%

LAB 55.92, 32.49, 28.66

 

CMYK 0 / 57 / 57 / 22

HEX #C65656

RGB 198 86 86

HSL 0, 0.5%, 0.56%

LAB 51.07, 44.75, 22.37

 

CMYK 0 / 14 / 57 / 22

HEX #C6AA56

RGB 198 170 86

HSL 45, 0.5%, 0.56%

LAB 70.47, -0.1, 46.43

 

CMYK 1 / 0 / 57 / 22

HEX #C4C656

RGB 196 198 86

HSL 61.07, 0.5%, 0.56%

LAB 77.75, -15.46, 54.71

 

CMYK 16 / 0 / 57 / 22

HEX #A6C656

RGB 166 198 86

HSL 77.14, 0.5%, 0.56%

LAB 75.56, -27.59, 51.63

 

CMYK 31 / 0 / 57 / 22

HEX #88C656

RGB 136 198 86

HSL 93.21, 0.5%, 0.56%

LAB 73.74, -38.86, 49.06

 

CMYK 47 / 0 / 57 / 22

HEX #69C656

RGB 105 198 86

HSL 109.82, 0.5%, 0.56%

LAB 72.27, -48.98, 46.98

 

CMYK 0 / 14 / 57 / 22

HEX #C6AA56

RGB 198 170 86

HSL 45, 0.5%, 0.56%

LAB 70.47, -0.1, 46.43

 

CMYK 0 / 18 / 69 / 15

HEX #D9B344

RGB 217 179 68

HSL 44.7, 0.66%, 0.56%

LAB 74.45, 2.06, 59.51

 

CMYK 0 / 20 / 79 / 8

HEX #EBBD32

RGB 235 189 50

HSL 45.08, 0.82%, 0.56%

LAB 78.63, 3.75, 70.86

 

CMYK 0 / 22 / 87 / 1

HEX #FDC620

RGB 253 198 32

HSL 45.07, 0.98%, 0.56%

LAB 82.58, 6.29, 79.73

 

CMYK 0 / 14 / 57 / 22

HEX #C6AA56

RGB 198 170 86

HSL 45, 0.5%, 0.56%

LAB 70.47, -0.1, 46.43

 

CMYK 0 / 11 / 42 / 29

HEX #B4A168

RGB 180 161 104

HSL 45, 0.34%, 0.56%

LAB 66.67, -1.16, 32.18

 

CMYK 0 / 6 / 24 / 36

HEX #A2987B

RGB 162 152 123

HSL 44.62, 0.17%, 0.56%

LAB 62.98, -1.14, 16.61

 

CMYK 0 / 1 / 2 / 44

HEX #908F8D

RGB 144 143 141

HSL 40, 0.01%, 0.56%

LAB 59.43, -0.01, 1.18

 

CMYK 21 / 16 / 0 / 38

HEX #7E869F

RGB 126 134 159

HSL 225.45, 0.15%, 0.56%

LAB 56.08, 2.64, -14.28

 

CMYK 0 / 44 / 57 / 22

HEX #C66F56

RGB 198 111 86

HSL 13.39, 0.5%, 0.56%

LAB 56.13, 31.96, 28.94

 

CMYK 0 / 29 / 57 / 22

HEX #C68C56

RGB 198 140 86

HSL 28.93, 0.5%, 0.56%

LAB 62.87, 16.17, 37.35

 

CMYK 0 / 14 / 57 / 22

HEX #C6AA56

RGB 198 170 86

HSL 45, 0.5%, 0.56%

LAB 70.47, -0.1, 46.43

 

CMYK 1 / 0 / 57 / 22

HEX #C5C656

RGB 197 198 86

HSL 60.54, 0.5%, 0.56%

LAB 77.83, -15.05, 54.82

 

CMYK 16 / 0 / 57 / 22

HEX #A7C656

RGB 167 198 86

HSL 76.61, 0.5%, 0.56%

LAB 75.62, -27.2, 51.73

 

CMYK 0 / 17 / 67 / 40

HEX #987E32

RGB 152 126 50

HSL 44.71, 0.5%, 0.4%

LAB 53.84, 1.15, 43.79

 

CMYK 0 / 17 / 67 / 28

HEX #B7983D

RGB 183 152 61

HSL 44.75, 0.5%, 0.48%

LAB 64.05, 1.34, 50.6

 

CMYK 0 / 14 / 57 / 22

HEX #C6AA56

RGB 198 170 86

HSL 45, 0.5%, 0.56%

LAB 70.47, -0.1, 46.43

 

CMYK 0 / 11 / 44 / 18

HEX #D1BA75

RGB 209 186 117

HSL 45, 0.5%, 0.64%

LAB 76.04, -1.17, 37.9

 

CMYK 0 / 8 / 32 / 14

HEX #DBC994

RGB 219 201 148

HSL 44.79, 0.5%, 0.72%

LAB 81.28, -1.51, 28.81

 

CMYK 0 / 14 / 57 / 22

HEX #C6AA56

RGB 198 170 86

HSL 45, 0.5%, 0.56%

LAB 70.47, -0.1, 46.43

 

CMYK 54 / 0 / 57 / 22

HEX #5CC656

RGB 92 198 86

HSL 116.79, 0.5%, 0.56%

LAB 71.78, -52.6, 46.29

 

CMYK 37 / 57 / 0 / 22

HEX #7D56C6

RGB 125 86 198

HSL 260.89, 0.5%, 0.56%

LAB 45.76, 40.68, -52.97

 

CMYK 0 / 14 / 57 / 22

HEX #C6AA56

RGB 198 170 86

HSL 45, 0.5%, 0.56%

LAB 70.47, -0.1, 46.43

 

CMYK 57 / 0 / 14 / 22

HEX #56C6AA

RGB 86 198 170

HSL 165, 0.5%, 0.56%

LAB 73.07, -38.68, 4.46

 

CMYK 14 / 57 / 0 / 22

HEX #AA56C6

RGB 170 86 198

HSL 285, 0.5%, 0.56%

LAB 51.01, 51.96, -44.28

 

CMYK 0 / 14 / 57 / 22

HEX #C6AA56

RGB 198 170 86

HSL 45, 0.5%, 0.56%

LAB 70.47, -0.1, 46.43

 

CMYK 54 / 0 / 57 / 22

HEX #5CC656

RGB 92 198 86

HSL 116.79, 0.5%, 0.56%

LAB 71.78, -52.6, 46.29

 

CMYK 57 / 42 / 0 / 22

HEX #5672C6

RGB 86 114 198

HSL 225, 0.5%, 0.56%

LAB 49.61, 14.85, -47

 

CMYK 3 / 57 / 0 / 22

HEX #C156C6

RGB 193 86 198

HSL 297.32, 0.5%, 0.56%

LAB 54.1, 57.96, -39.2

 

CMYK 0 / 14 / 57 / 22

HEX #C6AA56

RGB 198 170 86

HSL 45, 0.5%, 0.56%

LAB 70.47, -0.1, 46.43

 

CMYK 57 / 0 / 42 / 22

HEX #56C672

RGB 86 198 114

HSL 135, 0.5%, 0.56%

LAB 71.95, -50.12, 32.69

 

CMYK 57 / 42 / 0 / 22

HEX #5672C6

RGB 86 114 198

HSL 225, 0.5%, 0.56%

LAB 49.61, 14.85, -47

 

CMYK 0 / 57 / 14 / 22

HEX #C656AA

RGB 198 86 170

HSL 315, 0.5%, 0.56%

LAB 53.56, 54.66, -23.79

 

Description

Color code: RGB 198 170 86 | qconv.com Color code: RGB 198 170 86 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 170 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 170 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 57 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 57% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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