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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 198 16 192 it is the complementary color RGB 57 239 63. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 198 16 192. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 198 16 192 shade: RGB 203 16 187, RGB 220 34 206, RGB 237 52 225, RGB 254 70 244 and RGB 255 88 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 198 16 192. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 198 16 192 shade: RGB 198 16 192, RGB 181 0 173, RGB 164 0 154, RGB 147 0 135 and RGB 130 0 116

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 198 16 192 shade: RGB 198 16 192, RGB 198 16 143, RGB 198 16 93, RGB 198 16 44 and RGB 198 16 16

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 198 16 192 shade: RGB 198 16 192, RGB 155 16 198, RGB 105 16 198, RGB 56 16 198 and RGB 16 16 198

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 198 16 192 shade matches the following richer shades: RGB 198 16 192

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 198 16 192 shade: RGB 198 16 192, RGB 180 33 175, RGB 163 50 159, RGB 146 68 143 and RGB 128 85 127

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 198 16 192 shade: RGB 104 16 198, RGB 152 16 198, RGB 198 16 195, RGB 198 16 146 and RGB 198 16 97

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 198 16 192 shade: RGB 121 9 118, RGB 159 12 155, RGB 198 16 192, RGB 235 19 228 and RGB 239 57 233

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 198 16 192 shade: RGB 198 16 192, RGB 198 55 16 and RGB 16 198 128

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 198 16 192 shade: RGB 198 16 192, RGB 195 198 16 and RGB 16 195 198

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 198 16 192 shade: RGB 198 16 192, RGB 198 55 16, RGB 16 198 19 and RGB 16 158 198

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 198 16 192 shade: RGB 198 16 192, RGB 198 110 16, RGB 16 198 19 and RGB 16 104 198

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 92 / 3 / 22

HEX #C610C0

RGB 198 16 192

HSL 301.98, 0.85%, 0.42%

LAB 47.21, 78.91, -46.59

 

Complementary color

CMYK 76 / 0 / 74 / 6

HEX #39EF3F

RGB 57 239 63

HSL 121.98, 0.85%, 0.58%

LAB 83.42, -75.53, 67.91

 

CMYK 0 / 92 / 8 / 20

HEX #CB10BB

RGB 203 16 187

HSL 305.13, 0.85%, 0.43%

LAB 47.82, 79.09, -42.65

 

CMYK 0 / 85 / 6 / 14

HEX #DC22CE

RGB 220 34 206

HSL 304.52, 0.73%, 0.5%

LAB 52.75, 82.16, -45.65

 

CMYK 0 / 78 / 5 / 7

HEX #ED34E1

RGB 237 52 225

HSL 303.89, 0.84%, 0.57%

LAB 57.94, 84.23, -48.05

 

CMYK 0 / 72 / 4 / 0

HEX #FE46F4

RGB 254 70 244

HSL 303.26, 0.99%, 0.64%

LAB 63.33, 85.53, -49.97

 

CMYK 0 / 65 / 0 / 0

HEX #FF58FF

RGB 255 88 255

HSL 300, 1%, 0.67%

LAB 66.1, 81.54, -51.64

 

CMYK 0 / 92 / 3 / 22

HEX #C610C0

RGB 198 16 192

HSL 301.98, 0.85%, 0.42%

LAB 47.21, 78.91, -46.59

 

CMYK 0 / 100 / 4 / 29

HEX #B500AD

RGB 181 0 173

HSL 302.65, 1%, 0.35%

LAB 42.52, 74.8, -43.07

 

CMYK 0 / 100 / 6 / 36

HEX #A4009A

RGB 164 0 154

HSL 303.66, 1%, 0.32%

LAB 38.24, 69.14, -38.65

 

CMYK 0 / 100 / 8 / 42

HEX #930087

RGB 147 0 135

HSL 304.9, 1%, 0.29%

LAB 33.88, 63.38, -34.12

 

CMYK 0 / 100 / 11 / 49

HEX #820074

RGB 130 0 116

HSL 306.46, 1%, 0.25%

LAB 29.43, 57.49, -29.43

 

CMYK 0 / 92 / 3 / 22

HEX #C610C0

RGB 198 16 192

HSL 301.98, 0.85%, 0.42%

LAB 47.21, 78.91, -46.59

 

CMYK 0 / 92 / 28 / 22

HEX #C6108F

RGB 198 16 143

HSL 318.13, 0.85%, 0.42%

LAB 44.74, 72.57, -21.32

 

CMYK 0 / 92 / 53 / 22

HEX #C6105D

RGB 198 16 93

HSL 334.62, 0.85%, 0.42%

LAB 43.01, 67.9, 7.06

 

CMYK 0 / 92 / 78 / 22

HEX #C6102C

RGB 198 16 44

HSL 350.77, 0.85%, 0.42%

LAB 42.09, 65.33, 36.29

 

CMYK 0 / 92 / 92 / 22

HEX #C61010

RGB 198 16 16

HSL 0, 0.85%, 0.42%

LAB 41.87, 64.7, 50.34

 

CMYK 0 / 92 / 3 / 22

HEX #C610C0

RGB 198 16 192

HSL 301.98, 0.85%, 0.42%

LAB 47.21, 78.91, -46.59

 

CMYK 22 / 92 / 0 / 22

HEX #9B10C6

RGB 155 16 198

HSL 285.82, 0.85%, 0.42%

LAB 40.27, 73.02, -61.65

 

CMYK 47 / 92 / 0 / 22

HEX #6910C6

RGB 105 16 198

HSL 269.34, 0.85%, 0.42%

LAB 32.81, 66.85, -74.16

 

CMYK 72 / 92 / 0 / 22

HEX #3810C6

RGB 56 16 198

HSL 253.19, 0.85%, 0.42%

LAB 27.54, 63.22, -83.06

 

CMYK 92 / 92 / 0 / 22

HEX #1010C6

RGB 16 16 198

HSL 240, 0.85%, 0.42%

LAB 25.44, 62.01, -86.62

 

CMYK 0 / 92 / 3 / 22

HEX #C610C0

RGB 198 16 192

HSL 301.98, 0.85%, 0.42%

LAB 47.21, 78.91, -46.59

 

CMYK 0 / 92 / 3 / 22

HEX #C610C0

RGB 198 16 192

HSL 301.98, 0.85%, 0.42%

LAB 47.21, 78.91, -46.59

 

CMYK 0 / 82 / 3 / 29

HEX #B421AF

RGB 180 33 175

HSL 302.04, 0.69%, 0.42%

LAB 44.07, 70.19, -41.8

 

CMYK 0 / 69 / 2 / 36

HEX #A3329F

RGB 163 50 159

HSL 302.12, 0.53%, 0.42%

LAB 42.11, 58.84, -35.55

 

CMYK 0 / 53 / 2 / 43

HEX #92448F

RGB 146 68 143

HSL 302.31, 0.36%, 0.42%

LAB 41.58, 43.56, -26.92

 

CMYK 0 / 34 / 1 / 50

HEX #80557F

RGB 128 85 127

HSL 301.4, 0.2%, 0.42%

LAB 42.18, 25.18, -16.46

 

CMYK 47 / 92 / 0 / 22

HEX #6810C6

RGB 104 16 198

HSL 269.01, 0.85%, 0.42%

LAB 32.68, 66.75, -74.38

 

CMYK 23 / 92 / 0 / 22

HEX #9810C6

RGB 152 16 198

HSL 284.84, 0.85%, 0.42%

LAB 39.79, 72.59, -62.46

 

CMYK 0 / 92 / 2 / 22

HEX #C610C3

RGB 198 16 195

HSL 300.99, 0.85%, 0.42%

LAB 47.39, 79.35, -48.06

 

CMYK 0 / 92 / 26 / 22

HEX #C61092

RGB 198 16 146

HSL 317.14, 0.85%, 0.42%

LAB 44.87, 72.91, -22.94

 

CMYK 0 / 92 / 51 / 22

HEX #C61061

RGB 198 16 97

HSL 333.3, 0.85%, 0.42%

LAB 43.12, 68.2, 4.7

 

CMYK 0 / 93 / 2 / 53

HEX #790976

RGB 121 9 118

HSL 301.61, 0.86%, 0.25%

LAB 28.3, 54.58, -32.62

 

CMYK 0 / 92 / 3 / 38

HEX #9F0C9B

RGB 159 12 155

HSL 301.63, 0.86%, 0.34%

LAB 37.84, 67.02, -39.96

 

CMYK 0 / 92 / 3 / 22

HEX #C610C0

RGB 198 16 192

HSL 301.98, 0.85%, 0.42%

LAB 47.21, 78.91, -46.59

 

CMYK 0 / 92 / 3 / 8

HEX #EB13E4

RGB 235 19 228

HSL 301.94, 0.85%, 0.5%

LAB 55.82, 89.99, -53.14

 

CMYK 0 / 76 / 3 / 6

HEX #EF39E9

RGB 239 57 233

HSL 301.98, 0.85%, 0.58%

LAB 59.12, 84.53, -50.65

 

CMYK 0 / 92 / 3 / 22

HEX #C610C0

RGB 198 16 192

HSL 301.98, 0.85%, 0.42%

LAB 47.21, 78.91, -46.59

 

CMYK 0 / 72 / 92 / 22

HEX #C63710

RGB 198 55 16

HSL 12.86, 0.85%, 0.42%

LAB 45.33, 54.95, 52.63

 

CMYK 92 / 0 / 35 / 22

HEX #10C680

RGB 16 198 128

HSL 156.92, 0.85%, 0.42%

LAB 70.91, -57.25, 23.79

 

CMYK 0 / 92 / 3 / 22

HEX #C610C0

RGB 198 16 192

HSL 301.98, 0.85%, 0.42%

LAB 47.21, 78.91, -46.59

 

CMYK 2 / 0 / 92 / 22

HEX #C3C610

RGB 195 198 16

HSL 60.99, 0.85%, 0.42%

LAB 77.3, -18.92, 76.13

 

CMYK 92 / 2 / 0 / 22

HEX #10C3C6

RGB 16 195 198

HSL 180.99, 0.85%, 0.42%

LAB 71.7, -37.89, -12.93

 

CMYK 0 / 92 / 3 / 22

HEX #C610C0

RGB 198 16 192

HSL 301.98, 0.85%, 0.42%

LAB 47.21, 78.91, -46.59

 

CMYK 0 / 72 / 92 / 22

HEX #C63710

RGB 198 55 16

HSL 12.86, 0.85%, 0.42%

LAB 45.33, 54.95, 52.63

 

CMYK 92 / 0 / 90 / 22

HEX #10C613

RGB 16 198 19

HSL 120.99, 0.85%, 0.42%

LAB 69.86, -70.09, 66.56

 

CMYK 92 / 20 / 0 / 22

HEX #109EC6

RGB 16 158 198

HSL 193.19, 0.85%, 0.42%

LAB 60.46, -19.67, -30.07

 

CMYK 0 / 92 / 3 / 22

HEX #C610C0

RGB 198 16 192

HSL 301.98, 0.85%, 0.42%

LAB 47.21, 78.91, -46.59

 

CMYK 0 / 44 / 92 / 22

HEX #C66E10

RGB 198 110 16

HSL 30.99, 0.85%, 0.42%

LAB 55.27, 29.24, 59.65

 

CMYK 92 / 0 / 90 / 22

HEX #10C613

RGB 16 198 19

HSL 120.99, 0.85%, 0.42%

LAB 69.86, -70.09, 66.56

 

CMYK 92 / 47 / 0 / 22

HEX #1068C6

RGB 16 104 198

HSL 210.99, 0.85%, 0.42%

LAB 44.36, 12.16, -55.54

 

Description

Color code: RGB 198 16 192 | qconv.com Color code: RGB 198 16 192 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 16 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 16 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 92 magenta, 3 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 92% 3% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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