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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 198 162 93 it is the complementary color RGB 57 93 162. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 198 162 93. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 198 162 93 shade: RGB 203 162 88, RGB 220 180 107, RGB 237 198 126, RGB 254 216 145 and RGB 255 234 164

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 198 162 93. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 198 162 93 shade: RGB 198 162 93, RGB 181 144 74, RGB 164 126 55, RGB 147 108 36 and RGB 130 90 17

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 198 162 93 shade: RGB 197 161 92, RGB 197 133 92, RGB 197 105 92 and RGB 197 92 92

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 198 162 93 shade: RGB 197 161 92, RGB 197 190 92, RGB 177 197 92, RGB 148 197 92 and RGB 120 197 92

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 198 162 93 shade matches the following richer shades: RGB 197 161 92, RGB 215 167 74, RGB 233 173 57 and RGB 251 178 39

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 198 162 93 shade: RGB 197 161 92, RGB 180 156 110, RGB 162 150 128, RGB 144 145 145 and RGB 127 139 163

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 198 162 93 shade: RGB 197 104 92, RGB 197 133 92, RGB 197 161 92, RGB 197 189 92 and RGB 178 197 92

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 198 162 93 shade: RGB 154 119 54, RGB 184 143 64, RGB 197 161 92, RGB 208 179 123 and RGB 219 196 153

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 198 162 93 shade: RGB 198 162 93, RGB 108 197 92 and RGB 119 92 197

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 198 162 93 shade: RGB 198 162 93, RGB 92 197 161 and RGB 161 92 197

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 198 162 93 shade: RGB 198 162 93, RGB 108 197 92, RGB 92 129 197 and RGB 182 92 197

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 198 162 93 shade: RGB 198 162 93, RGB 92 197 108, RGB 92 129 197 and RGB 197 92 182

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 53 / 22

HEX #C6A25D

RGB 198 162 93

HSL 39.43, 0.48%, 0.57%

LAB 68.49, 4.77, 40.57

 

Complementary color

CMYK 65 / 43 / 0 / 36

HEX #395DA2

RGB 57 93 162

HSL 219.43, 0.48%, 0.43%

LAB 40.09, 9.91, -41.23

 

CMYK 0 / 20 / 57 / 20

HEX #CBA258

RGB 203 162 88

HSL 38.61, 0.53%, 0.57%

LAB 68.93, 6.47, 43.74

 

CMYK 0 / 18 / 51 / 14

HEX #DCB46B

RGB 220 180 107

HSL 38.76, 0.62%, 0.64%

LAB 75.4, 5.55, 42.41

 

CMYK 0 / 16 / 47 / 7

HEX #EDC67E

RGB 237 198 126

HSL 38.92, 0.76%, 0.71%

LAB 81.78, 4.76, 41.11

 

CMYK 0 / 15 / 43 / 0

HEX #FED891

RGB 254 216 145

HSL 39.08, 0.98%, 0.78%

LAB 88.08, 4.08, 39.86

 

CMYK 0 / 8 / 36 / 0

HEX #FFEAA4

RGB 255 234 164

HSL 46.15, 1%, 0.82%

LAB 92.92, -2.64, 36.62

 

CMYK 0 / 18 / 53 / 22

HEX #C6A25D

RGB 198 162 93

HSL 39.43, 0.48%, 0.57%

LAB 68.49, 4.77, 40.57

 

CMYK 0 / 20 / 59 / 29

HEX #B5904A

RGB 181 144 74

HSL 39.25, 0.42%, 0.5%

LAB 61.88, 5.74, 41.91

 

CMYK 0 / 23 / 66 / 36

HEX #A47E37

RGB 164 126 55

HSL 39.08, 0.5%, 0.43%

LAB 55.16, 6.9, 43.21

 

CMYK 0 / 27 / 76 / 42

HEX #936C24

RGB 147 108 36

HSL 38.92, 0.61%, 0.36%

LAB 48.33, 8.32, 44.28

 

CMYK 0 / 31 / 87 / 49

HEX #825A11

RGB 130 90 17

HSL 38.76, 0.77%, 0.29%

LAB 41.37, 10.08, 44.59

 

CMYK 0 / 18 / 53 / 23

HEX #C5A15C

RGB 197 161 92

HSL 39.43, 0.48%, 0.57%

LAB 68.12, 4.8, 40.61

 

CMYK 0 / 32 / 53 / 23

HEX #C5855C

RGB 197 133 92

HSL 23.43, 0.48%, 0.57%

LAB 61.15, 20.1, 31.96

 

CMYK 0 / 47 / 53 / 23

HEX #C5695C

RGB 197 105 92

HSL 7.43, 0.48%, 0.57%

LAB 54.81, 35.25, 23.77

 

CMYK 0 / 53 / 53 / 23

HEX #C55C5C

RGB 197 92 92

HSL 0, 0.48%, 0.57%

LAB 52.17, 41.93, 20.27

 

CMYK 0 / 18 / 53 / 23

HEX #C5A15C

RGB 197 161 92

HSL 39.43, 0.48%, 0.57%

LAB 68.12, 4.8, 40.61

 

CMYK 0 / 4 / 53 / 23

HEX #C5BE5C

RGB 197 190 92

HSL 56, 0.48%, 0.57%

LAB 75.74, -10.5, 49.67

 

CMYK 10 / 0 / 53 / 23

HEX #B1C55C

RGB 177 197 92

HSL 71.43, 0.48%, 0.57%

LAB 76.1, -22.2, 49.69

 

CMYK 25 / 0 / 53 / 23

HEX #94C55C

RGB 148 197 92

HSL 88, 0.48%, 0.57%

LAB 74.19, -33.43, 46.97

 

CMYK 39 / 0 / 53 / 23

HEX #78C55C

RGB 120 197 92

HSL 104, 0.48%, 0.57%

LAB 72.69, -43.22, 44.82

 

CMYK 0 / 18 / 53 / 23

HEX #C5A15C

RGB 197 161 92

HSL 39.43, 0.48%, 0.57%

LAB 68.12, 4.8, 40.61

 

CMYK 0 / 22 / 66 / 16

HEX #D7A74A

RGB 215 167 74

HSL 39.57, 0.64%, 0.57%

LAB 71.27, 7.92, 53.45

 

CMYK 0 / 26 / 76 / 9

HEX #E9AD39

RGB 233 173 57

HSL 39.55, 0.8%, 0.57%

LAB 74.51, 11.56, 64.51

 

CMYK 0 / 29 / 84 / 2

HEX #FBB227

RGB 251 178 39

HSL 39.34, 0.96%, 0.57%

LAB 77.58, 15.99, 73.91

 

CMYK 0 / 18 / 53 / 23

HEX #C5A15C

RGB 197 161 92

HSL 39.43, 0.48%, 0.57%

LAB 68.12, 4.8, 40.61

 

CMYK 0 / 13 / 39 / 29

HEX #B49C6E

RGB 180 156 110

HSL 39.43, 0.32%, 0.57%

LAB 65.44, 2.24, 27.37

 

CMYK 0 / 7 / 21 / 36

HEX #A29680

RGB 162 150 128

HSL 38.82, 0.15%, 0.57%

LAB 62.55, 0.72, 13.21

 

CMYK 1 / 0 / 0 / 43

HEX #909191

RGB 144 145 145

HSL 180, 0%, 0.57%

LAB 60.09, -0.36, -0.14

 

CMYK 22 / 15 / 0 / 36

HEX #7F8BA3

RGB 127 139 163

HSL 220, 0.16%, 0.57%

LAB 57.68, 1.05, -14.15

 

CMYK 0 / 47 / 53 / 23

HEX #C5685C

RGB 197 104 92

HSL 6.86, 0.48%, 0.57%

LAB 54.6, 35.78, 23.49

 

CMYK 0 / 32 / 53 / 23

HEX #C5855C

RGB 197 133 92

HSL 23.43, 0.48%, 0.57%

LAB 61.15, 20.1, 31.96

 

CMYK 0 / 18 / 53 / 23

HEX #C5A15C

RGB 197 161 92

HSL 39.43, 0.48%, 0.57%

LAB 68.12, 4.8, 40.61

 

CMYK 0 / 4 / 53 / 23

HEX #C5BD5C

RGB 197 189 92

HSL 55.43, 0.48%, 0.57%

LAB 75.48, -9.99, 49.36

 

CMYK 10 / 0 / 53 / 23

HEX #B2C55C

RGB 178 197 92

HSL 70.86, 0.48%, 0.57%

LAB 76.17, -21.8, 49.79

 

CMYK 0 / 23 / 65 / 40

HEX #9A7736

RGB 154 119 54

HSL 39, 0.48%, 0.41%

LAB 52.21, 6.29, 40.13

 

CMYK 0 / 22 / 65 / 28

HEX #B88F40

RGB 184 143 64

HSL 39.5, 0.48%, 0.49%

LAB 61.83, 6.89, 46.84

 

CMYK 0 / 18 / 53 / 23

HEX #C5A15C

RGB 197 161 92

HSL 39.43, 0.48%, 0.57%

LAB 68.12, 4.8, 40.61

 

CMYK 0 / 14 / 41 / 18

HEX #D0B37B

RGB 208 179 123

HSL 39.53, 0.47%, 0.65%

LAB 74.24, 2.76, 32.44

 

CMYK 0 / 11 / 30 / 14

HEX #DBC499

RGB 219 196 153

HSL 39.09, 0.48%, 0.73%

LAB 80.09, 1.73, 24.58

 

CMYK 0 / 18 / 53 / 22

HEX #C6A25D

RGB 198 162 93

HSL 39.43, 0.48%, 0.57%

LAB 68.49, 4.77, 40.57

 

CMYK 45 / 0 / 53 / 23

HEX #6CC55C

RGB 108 197 92

HSL 110.86, 0.48%, 0.57%

LAB 72.16, -46.97, 44.05

 

CMYK 40 / 53 / 0 / 23

HEX #775CC5

RGB 119 92 197

HSL 255.43, 0.48%, 0.57%

LAB 46.46, 35.51, -51.31

 

CMYK 0 / 18 / 53 / 22

HEX #C6A25D

RGB 198 162 93

HSL 39.43, 0.48%, 0.57%

LAB 68.49, 4.77, 40.57

 

CMYK 53 / 0 / 18 / 23

HEX #5CC5A1

RGB 92 197 161

HSL 159.43, 0.48%, 0.57%

LAB 72.75, -39.05, 8.9

 

CMYK 18 / 53 / 0 / 23

HEX #A15CC5

RGB 161 92 197

HSL 279.43, 0.48%, 0.57%

LAB 50.99, 46.3, -43.81

 

CMYK 0 / 18 / 53 / 22

HEX #C6A25D

RGB 198 162 93

HSL 39.43, 0.48%, 0.57%

LAB 68.49, 4.77, 40.57

 

CMYK 45 / 0 / 53 / 23

HEX #6CC55C

RGB 108 197 92

HSL 110.86, 0.48%, 0.57%

LAB 72.16, -46.97, 44.05

 

CMYK 53 / 35 / 0 / 23

HEX #5C81C5

RGB 92 129 197

HSL 218.86, 0.48%, 0.57%

LAB 54.03, 6.7, -39.39

 

CMYK 8 / 53 / 0 / 23

HEX #B65CC5

RGB 182 92 197

HSL 291.43, 0.48%, 0.57%

LAB 53.63, 51.98, -39.46

 

CMYK 0 / 18 / 53 / 22

HEX #C6A25D

RGB 198 162 93

HSL 39.43, 0.48%, 0.57%

LAB 68.49, 4.77, 40.57

 

CMYK 53 / 0 / 45 / 23

HEX #5CC56C

RGB 92 197 108

HSL 129.14, 0.48%, 0.57%

LAB 71.75, -49.2, 35.53

 

CMYK 53 / 35 / 0 / 23

HEX #5C81C5

RGB 92 129 197

HSL 218.86, 0.48%, 0.57%

LAB 54.03, 6.7, -39.39

 

CMYK 0 / 53 / 8 / 23

HEX #C55CB6

RGB 197 92 182

HSL 308.57, 0.48%, 0.57%

LAB 54.97, 53.48, -28.59

 

Description

Color code: RGB 198 162 93 | qconv.com Color code: RGB 198 162 93 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 162 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 162 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 53 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 53% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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