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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 198 153 122 it is the complementary color RGB 57 102 133. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 198 153 122. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 198 153 122 shade: RGB 203 153 117, RGB 220 171 136, RGB 237 189 155, RGB 254 207 174 and RGB 255 225 193

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 198 153 122. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 198 153 122 shade: RGB 198 153 122, RGB 181 135 103, RGB 164 117 84, RGB 147 99 65 and RGB 130 81 46

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 198 153 122 shade: RGB 198 153 122, RGB 198 133 122 and RGB 198 122 122

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 198 153 122 shade: RGB 198 153 122, RGB 198 174 122, RGB 198 194 122, RGB 182 198 122 and RGB 161 198 122

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 198 153 122 shade matches the following richer shades: RGB 198 153 122, RGB 213 150 107, RGB 228 148 92 and RGB 244 145 77

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 198 153 122 shade: RGB 198 153 122, RGB 183 156 138, RGB 167 159 153, RGB 152 162 168 and RGB 137 164 183

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 198 153 122 shade: RGB 198 122 132, RGB 198 132 122, RGB 198 153 122, RGB 198 173 122 and RGB 198 193 122

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 198 153 122 shade: RGB 167 110 71, RGB 186 131 94, RGB 198 153 122, RGB 210 175 151 and RGB 223 197 180

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 198 153 122 shade: RGB 198 153 122, RGB 153 198 122 and RGB 122 122 198

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 198 153 122 shade: RGB 198 153 122, RGB 122 198 153 and RGB 153 122 198

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 198 153 122 shade: RGB 198 153 122, RGB 153 198 122, RGB 122 168 198 and RGB 168 122 198

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 198 153 122 shade: RGB 198 153 122, RGB 130 198 122, RGB 122 168 198 and RGB 190 122 198

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 38 / 22

HEX #C6997A

RGB 198 153 122

HSL 24.47, 0.4%, 0.63%

LAB 66.67, 12.64, 22.76

 

Complementary color

CMYK 57 / 23 / 0 / 48

HEX #396685

RGB 57 102 133

HSL 204.47, 0.4%, 0.37%

LAB 41.32, -5.85, -21.91

 

CMYK 0 / 25 / 42 / 20

HEX #CB9975

RGB 203 153 117

HSL 25.12, 0.45%, 0.63%

LAB 67.1, 14.09, 26.17

 

CMYK 0 / 22 / 38 / 14

HEX #DCAB88

RGB 220 171 136

HSL 25, 0.55%, 0.7%

LAB 73.62, 13.31, 24.91

 

CMYK 0 / 20 / 35 / 7

HEX #EDBD9B

RGB 237 189 155

HSL 24.88, 0.69%, 0.77%

LAB 80.05, 12.62, 23.74

 

CMYK 0 / 19 / 31 / 0

HEX #FECFAE

RGB 254 207 174

HSL 24.75, 0.98%, 0.84%

LAB 86.38, 12, 22.65

 

CMYK 0 / 12 / 24 / 0

HEX #FFE1C1

RGB 255 225 193

HSL 30.97, 1%, 0.88%

LAB 91.22, 5.56, 19.45

 

CMYK 0 / 23 / 38 / 22

HEX #C6997A

RGB 198 153 122

HSL 24.47, 0.4%, 0.63%

LAB 66.67, 12.64, 22.76

 

CMYK 0 / 25 / 43 / 29

HEX #B58767

RGB 181 135 103

HSL 24.62, 0.35%, 0.56%

LAB 60.01, 13.45, 24.05

 

CMYK 0 / 29 / 49 / 36

HEX #A47554

RGB 164 117 84

HSL 24.75, 0.32%, 0.49%

LAB 53.23, 14.4, 25.47

 

CMYK 0 / 33 / 56 / 42

HEX #936341

RGB 147 99 65

HSL 24.88, 0.39%, 0.42%

LAB 46.32, 15.54, 27.05

 

CMYK 0 / 38 / 65 / 49

HEX #82512E

RGB 130 81 46

HSL 25, 0.48%, 0.35%

LAB 39.29, 16.91, 28.79

 

CMYK 0 / 23 / 38 / 22

HEX #C6997A

RGB 198 153 122

HSL 24.47, 0.4%, 0.63%

LAB 66.67, 12.64, 22.76

 

CMYK 0 / 33 / 38 / 22

HEX #C6857A

RGB 198 133 122

HSL 8.68, 0.4%, 0.63%

LAB 61.81, 23.62, 16.12

 

CMYK 0 / 38 / 38 / 22

HEX #C67A7A

RGB 198 122 122

HSL 0, 0.4%, 0.63%

LAB 59.28, 29.63, 12.59

 

CMYK 0 / 23 / 38 / 22

HEX #C6997A

RGB 198 153 122

HSL 24.47, 0.4%, 0.63%

LAB 66.67, 12.64, 22.76

 

CMYK 0 / 12 / 38 / 22

HEX #C6AE7A

RGB 198 174 122

HSL 41.05, 0.4%, 0.63%

LAB 72.02, 1.27, 29.88

 

CMYK 0 / 2 / 38 / 22

HEX #C6C27A

RGB 198 194 122

HSL 56.84, 0.4%, 0.63%

LAB 77.28, -9.23, 36.71

 

CMYK 8 / 0 / 38 / 22

HEX #B6C67A

RGB 182 198 122

HSL 72.63, 0.4%, 0.63%

LAB 77.12, -17.57, 36.27

 

CMYK 19 / 0 / 38 / 22

HEX #A1C67A

RGB 161 198 122

HSL 89.21, 0.4%, 0.63%

LAB 75.68, -25.53, 34.12

 

CMYK 0 / 23 / 38 / 22

HEX #C6997A

RGB 198 153 122

HSL 24.47, 0.4%, 0.63%

LAB 66.67, 12.64, 22.76

 

CMYK 0 / 30 / 50 / 16

HEX #D5966B

RGB 213 150 107

HSL 24.34, 0.56%, 0.63%

LAB 67.29, 18.77, 32.05

 

CMYK 0 / 35 / 60 / 11

HEX #E4945C

RGB 228 148 92

HSL 24.71, 0.72%, 0.63%

LAB 68.35, 24.73, 41.68

 

CMYK 0 / 41 / 68 / 4

HEX #F4914D

RGB 244 145 77

HSL 24.43, 0.88%, 0.63%

LAB 69.48, 31.84, 51.03

 

CMYK 0 / 23 / 38 / 22

HEX #C6997A

RGB 198 153 122

HSL 24.47, 0.4%, 0.63%

LAB 66.67, 12.64, 22.76

 

CMYK 0 / 15 / 25 / 28

HEX #B79C8A

RGB 183 156 138

HSL 24, 0.24%, 0.63%

LAB 66.27, 7.15, 13.12

 

CMYK 0 / 5 / 8 / 35

HEX #A79F99

RGB 167 159 153

HSL 25.71, 0.07%, 0.63%

LAB 65.99, 1.82, 4.16

 

CMYK 10 / 4 / 0 / 34

HEX #98A2A8

RGB 152 162 168

HSL 202.5, 0.08%, 0.63%

LAB 66.02, -2.31, -4.34

 

CMYK 25 / 10 / 0 / 28

HEX #89A4B7

RGB 137 164 183

HSL 204.78, 0.24%, 0.63%

LAB 65.97, -4.99, -12.88

 

CMYK 0 / 38 / 33 / 22

HEX #C67A84

RGB 198 122 132

HSL 352.11, 0.4%, 0.63%

LAB 59.52, 30.86, 7.18

 

CMYK 0 / 33 / 38 / 22

HEX #C6847A

RGB 198 132 122

HSL 7.89, 0.4%, 0.63%

LAB 61.58, 24.17, 15.8

 

CMYK 0 / 23 / 38 / 22

HEX #C6997A

RGB 198 153 122

HSL 24.47, 0.4%, 0.63%

LAB 66.67, 12.64, 22.76

 

CMYK 0 / 13 / 38 / 22

HEX #C6AD7A

RGB 198 173 122

HSL 40.26, 0.4%, 0.63%

LAB 71.76, 1.8, 29.54

 

CMYK 0 / 3 / 38 / 22

HEX #C6C17A

RGB 198 193 122

HSL 56.05, 0.4%, 0.63%

LAB 77.01, -8.71, 36.37

 

CMYK 0 / 34 / 57 / 35

HEX #A76E47

RGB 167 110 71

HSL 24.38, 0.4%, 0.47%

LAB 51.64, 18.45, 30.82

 

CMYK 0 / 30 / 49 / 27

HEX #BA835E

RGB 186 131 94

HSL 24.13, 0.4%, 0.55%

LAB 59.42, 16.82, 28.38

 

CMYK 0 / 23 / 38 / 22

HEX #C6997A

RGB 198 153 122

HSL 24.47, 0.4%, 0.63%

LAB 66.67, 12.64, 22.76

 

CMYK 0 / 17 / 28 / 18

HEX #D2AF97

RGB 210 175 151

HSL 24.41, 0.4%, 0.71%

LAB 73.93, 9.14, 17.05

 

CMYK 0 / 12 / 19 / 13

HEX #DFC5B4

RGB 223 197 180

HSL 23.72, 0.4%, 0.79%

LAB 81.25, 6.48, 11.88

 

CMYK 0 / 23 / 38 / 22

HEX #C6997A

RGB 198 153 122

HSL 24.47, 0.4%, 0.63%

LAB 66.67, 12.64, 22.76

 

CMYK 23 / 0 / 38 / 22

HEX #99C67A

RGB 153 198 122

HSL 95.53, 0.4%, 0.63%

LAB 75.18, -28.45, 33.38

 

CMYK 38 / 38 / 0 / 22

HEX #7A7AC6

RGB 122 122 198

HSL 240, 0.4%, 0.63%

LAB 54.17, 18.67, -39.61

 

CMYK 0 / 23 / 38 / 22

HEX #C6997A

RGB 198 153 122

HSL 24.47, 0.4%, 0.63%

LAB 66.67, 12.64, 22.76

 

CMYK 38 / 0 / 23 / 22

HEX #7AC699

RGB 122 198 153

HSL 144.47, 0.4%, 0.63%

LAB 74.08, -33.44, 15.26

 

CMYK 23 / 38 / 0 / 22

HEX #997AC6

RGB 153 122 198

HSL 264.47, 0.4%, 0.63%

LAB 56.85, 27.52, -35.22

 

CMYK 0 / 23 / 38 / 22

HEX #C6997A

RGB 198 153 122

HSL 24.47, 0.4%, 0.63%

LAB 66.67, 12.64, 22.76

 

CMYK 23 / 0 / 38 / 22

HEX #99C67A

RGB 153 198 122

HSL 95.53, 0.4%, 0.63%

LAB 75.18, -28.45, 33.38

 

CMYK 38 / 15 / 0 / 22

HEX #7AA8C6

RGB 122 168 198

HSL 203.68, 0.4%, 0.63%

LAB 66.69, -7.78, -20.23

 

CMYK 15 / 38 / 0 / 22

HEX #A87AC6

RGB 168 122 198

HSL 276.32, 0.4%, 0.63%

LAB 58.34, 32.05, -32.78

 

CMYK 0 / 23 / 38 / 22

HEX #C6997A

RGB 198 153 122

HSL 24.47, 0.4%, 0.63%

LAB 66.67, 12.64, 22.76

 

CMYK 34 / 0 / 38 / 22

HEX #82C67A

RGB 130 198 122

HSL 113.68, 0.4%, 0.63%

LAB 73.89, -36.36, 31.45

 

CMYK 38 / 15 / 0 / 22

HEX #7AA8C6

RGB 122 168 198

HSL 203.68, 0.4%, 0.63%

LAB 66.69, -7.78, -20.23

 

CMYK 4 / 38 / 0 / 22

HEX #BE7AC6

RGB 190 122 198

HSL 293.68, 0.4%, 0.63%

LAB 60.73, 38.85, -28.88

 

Description

Color code: RGB 198 153 122 | qconv.com Color code: RGB 198 153 122 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 153 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 153 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 38 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 38% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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